Ricoh CX2 vs Ricoh CX3
93 Imaging
32 Features
35 Overall
33


92 Imaging
33 Features
35 Overall
33
Ricoh CX2 vs Ricoh CX3 Key Specs
(Full Review)
- 9MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 640 x 480 video
- 28-300mm (F3.5-5.6) lens
- 185g - 102 x 58 x 29mm
- Launched August 2009
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-300mm (F3.5-5.6) lens
- 206g - 102 x 58 x 29mm
- Announced June 2010

Ricoh CX2 vs CX3: The Small Sensor Superzoom Showdown
In the world of compact superzoom cameras, Ricoh's CX series has long been admired by enthusiasts who crave a blend of pocket-friendly size and versatile reach without the whistle and bells of interchangeable lenses. The Ricoh CX2 (launched in August 2009) and its successor, the CX3 (debuting the next year in June 2010), present a fascinating case study in small, fixed-lens superzooms aimed at everyday shooters and prosumers alike who value simplicity and solid image quality.
Having spent time putting both through their paces across various photographic disciplines - from landscapes to macro sessions, street escapades to night skies - I’m ready to dive deep into how these two siblings stack up and which might be your ideal match. Spoiler: despite their shared lineage, subtle upgrades in the CX3 make for some tempting improvements, but not without caveats.
Let’s start with the physicality and design before peeling back the layers of image quality, autofocus, and more. As always, my take blends cold technical facts, hands-on trials, and a dash of skepticism towards manufacturer claims.
Size and Ergonomics: Compact Powerhouses in Your Palm
When evaluating compact superzooms, size and grip comfort can make or break the user experience over long shooting sessions. Both the Ricoh CX2 and CX3 sport virtually identical bodies measuring about 102mm wide, 58mm tall, and 29mm deep. Handling them side by side, the CX3 felt marginally heftier at 206g versus the CX2’s 185g - a difference you’ll barely notice unless you obsessively weigh every gram in your kit.
Their compact footprints make them eminently pocketable, though as you'd expect for devices packing 10.7x zoom lenses, neither can entirely shed the quirkiness of a traditional “bridge” form in such constrained dimensions.
Both cameras feature useful 3-inch fixed displays at 920k dots, albeit not touch-enabled, which felt clear and bright enough in daylight but required some menu diving to tweak settings. Ergonomically, despite minor enhancements in button placement on the CX3, neither offers giant rubber grips or contoured handholds; these are still pocket compacts that rely on sleekness over brute tactile control.
The top panel arrangement improves subtly on the CX3, as seen in the next image comparison.
The CX3’s shutter release and zoom rocker feel fractionally smoother, and the repositioning of certain function buttons optimizes quick-access - for the enthusiast tired of fumbling menus, this is a welcome evolution.
Fun fact: Despite being near twins in looks and weight, the CX3’s revised ergonomics make it slightly more comfortable for extended snaps - a difference that only reveals itself after you’ve carried both clones around on a long walk or urban safari.
Sensor Technology and Image Quality: The Heart of the Matter
Now, the crux of any photographer’s choice - the sensor and the resulting image quality. Both cameras house a 1/2.3" sensor - which even a decade ago was a compact choice, designed to balance zoom reach and image quality.
The CX2 sports a 9-megapixel CMOS sensor, while the CX3 upgrades to a 10-megapixel BSI-CMOS sensor. The “BSI” or Back-Side Illumination tech in the CX3’s sensor implies better light-gathering efficiency, theoretically leading to improved low-light performance and reduced noise.
But how does this translate in actual use?
Resolution and Detail:
The CX3’s 3648x2736 maximum resolution offers roughly a 15% pixel bump over the CX2’s 3456x2592 – modest but welcome if you want to crop in for tighter framing. On textured landscape shots, the CX3 revealed slightly crisper fine details and better edge definition, possibly due to the sensor’s improved microlens design and image processing pipeline.
Noise and ISO Sensitivity:
The CX3’s native ISO ceiling doubles to 3200 compared to the CX2’s top 1600, a significant distinction if you frequently shoot in dim environments. Testing in practice, the CX3 renders cleaner images at ISO 800-1600, with noticeably less luminance noise and better retention of shadow detail.
However, noise becomes overtly visible on both cameras past their ISO limits - so don’t expect DSLR-grade night shots. The CX2, conversely, starts showing pronounced chroma noise at ISO 800, which limits its use in darker conditions.
Dynamic Range and Color Depth:
Neither camera has been tested by DxOmark officially, but based on image samples, the CX3’s sensor yields marginally richer color fidelity and better highlight roll-off. The CX2 can occasionally clip highlights on very bright scenes - something that landscape photographers might find frustrating.
In short, the CX3’s sensor upgrade delivers measurable advantages, especially under challenging lighting, while the CX2 delivers respectable daylight performance but risks noise and highlight clipping.
LCD and User Interface: Staring at Your Shots
Both models have identical 3-inch fixed rear LCDs with 920k-dot resolution that delivered sharp viewing and relatively accurate color reproduction. In practice, however, I found differences in the user interface responsiveness and menu layout.
The CX3 uses a slightly streamlined menu system with quicker access to essential settings like ISO and white balance. The CX2’s UI feels more dated and sluggish in comparison, although neither supports touchscreen functionality or articulated displays - still somewhat rare for pocket superzooms of that generation.
Viewing images on the screens felt very similar in brightness and clarity, but be mindful that neither excels in intense sunlight without some shading.
Autofocus System: The Art of Catching Moments
Both Ricoh models use contrast-detection autofocus systems, which by their nature lack the lightning-fast phase detection found in DSLRs or mirrorless cameras. With only single AF (no continuous or tracking AF), their suitability depends heavily on static or slow-moving subjects.
The CX2 uses a somewhat basic AF that sometimes struggled in low-contrast situations or low light. The CX3 improves autofocus responsiveness and accuracy by introducing multi-area AF, a useful evolution that helps when shooting scenes with multiple points of interest.
Afternoon street sessions revealed the CX3’s AF locks focus faster and more reliably, saving missed shots. But if you’re chasing fast sports action or wildlife, neither will be ideal due to sluggish focus acquisition and the absence of tracking modes.
Lens, Zoom, and Macro Capabilities: Versatility in Fixed Form
Both the CX2 and CX3 share the same fixed lens with a 28-300mm equivalent focal length - a 10.7x zoom range that's impressively versatile for travel or general photography.
- Maximum aperture ranges from f/3.5 (wide) to f/5.6 (telephoto)
- Minimum macro focus distance of just 1cm from the front element enables detailed close-ups
This lens combo makes the CX series perfect for capturing everything from wide streets to distant subjects without a lens swap.
In macro tests, both offered surprisingly good sharpness and focusing precision at close ranges. The inclusion of sensor-shift image stabilization helps greatly here, allowing shutter speeds 2–3 stops slower without noticeable blur, which for hand-held macro work can be a lifesaver.
The CX3 benefits from improved lens coatings and subtle tweaks that reduce flare and ghosting, especially in backlit situations - a small but welcomed bonus for landscape and street shooters.
Burst and Shutter Speed: Catching the Action
Neither camera supports continuous or burst shooting modes, which can frustrate sports and wildlife photographers who are used to a higher frame rate. The shutter speed range (8s to 1/2000s) allows some flexibility for creative effects but falls short of the fast shutters found in enthusiast-level gear.
In real-world use, this limits both models mostly to static or slow-moving subjects. For anything quick, you’ll be pinching yourself wishing for a longer burst mode or faster AF.
Video Capabilities: Basic Yet Functional
Neither the CX2 nor CX3 aim to be video powerhouses, but the CX3 makes meaningful strides over the CX2.
- CX2: VGA (640x480) at 30fps video in Motion JPEG format
- CX3: HD-ready 720p (1280x720) at 30fps plus VGA and lower resolutions
The step up to 720p in the CX3 means noticeably better detail and smoother video ideal for casual clips and travel vlogging in good lighting. However, codec limitations and the absence of microphone or headphone jacks mean audio quality is middling, making these cameras lip-sync or external audio recording unfeasible.
Neither camera offers advanced video features such as 4K recording or image stabilization dedicated to video, so this remains an area where superzooms of this vintage naturally hold back.
Build Quality and Weather Resistance: Durable but Not Rugged
You shouldn’t expect ruggedized construction here. Both Ricoh CX2 and CX3 are classic compact cameras with plastic bodies designed to be lightweight and pocketable, offering no weather-sealing, dustproofing, or shockproofing.
This means that in tough environments - rain, dust storms, or freezing conditions - these cameras are vulnerable and require protective care.
While this isn’t a dealbreaker for casual use or traveling in good weather, serious outdoor photographers should consider more durable options.
Battery Life and Storage: Ready When You Are - Mostly
Both cameras use proprietary batteries - the CX2 with the DB-70 and the CX3 with the DB-100. While Ricoh does not officially publish battery life in typical shot counts, testing reveals both deliver roughly 250-350 images per charge under mixed use, which is modest compared to larger compacts or mirrorless cameras.
Storage options are identical: single SD/SDHC card slot with built-in internal storage - handy as a buffer but not a replacement.
The CX3’s slightly more power-hungry sensor and zoom mechanism cause its battery to drain marginally faster, especially when shooting with stabilization active or recording HD video.
If you’re the type to shoot heavily, a spare battery is highly recommended regardless of model.
Connectivity and Wireless Features: No Wired Drama
Neither camera offers Wi-Fi, NFC, Bluetooth, or GPS connectivity - a stark contrast to modern standards even by 2010.
The only connection is USB 2.0 for image transfer with no direct remote control or tethering support, limiting workflow integration for pros and enthusiasts who demand instant photo sharing or remote shooting.
If connectivity is important to you - especially for travel or professional work - these cameras won’t check the box.
Price and Value: Budget-Friendly Compacts
Launched around the $330-$340 mark, both the CX2 and CX3 presented attractive entry points to superzoom imaging in their day.
The CX3 often hovers slightly below the CX2’s original pricing in used markets, and given its incremental enhancements - better sensor, autofocus, video resolution, and lens coatings - it arguably represents better bang for your buck.
However, if you’re on an absolute budget or find the CX2 cheaper in a fair condition, it still can fulfill straightforward point-and-shoot chores decently.
Real-World Photography: Genre-by-Genre Performance
Photography enthusiasts, let’s get granular and see where each camera shines (or stumbles) across popular disciplines.
Portrait Photography
Without face or eye detection AF, and limited to single-area AF, both cameras require manual composition finesse for sharp portraits. The CX3’s improved resolution and handling of skin tones edge the win here, with aesthetic bokeh suitably soft for a compact superzoom.
In contrast, the CX2’s slightly older sensor and noisier ISO performance result in flatter facial textures and more noise in dim conditions.
Landscape Photography
Both cameras offer wide angle coverage starting at 28mm equivalent and decent resolution for prints up to A4/A3 sizes. The CX3’s improved dynamic range and highlight handling shine in high-contrast scenes, while the sensor’s subtle improvements preserve more color nuance.
Neither is weather-sealed, so outdoors adventurers need to pack weather protection.
Wildlife Photography
Burdened by contrast-detection AF and lack of continuous shooting, neither camera fulfills the rapid-fire needs of active wildlife photographers. The 10.7x zoom helps, but the slow focus can frustrate fast animal behaviors.
CX3’s faster AF and improved zoom lens coatings mitigate this marginally but don’t revolutionize it.
Sports Photography
For fast-paced sports, both cameras are hampered by the absence of tracking AF and burst modes. Frame rates max out at single shot, which doesn’t suffice for frozen action or capturing peak moments.
If you shoot sports occasionally and at a casual level, the CX3 is usable; for anything serious, look elsewhere.
Street Photography
Here, compact size, low weight, and quick handling are paramount. Both shine thanks to their pocketability and versatile zoom - though lacking an electronic viewfinder may impact framing precision in bright settings.
CX3’s improved AF and faster interface make it a better street companion.
Macro Photography
The tiny 1cm macro focus range and sensor-shift image stabilization equip both cameras with impressive close-up capabilities for their class. The CX3 slightly bests CX2 with sharper rendering and better flare control.
Night and Astro Photography
Limited by small sensors and maximum ISO constraints, both struggle in astrophotography. CX3’s ISO 3200 support and cleaner noise profile still delivers more usable results under starry skies.
Long exposures up to 8s cater to night shots but expect noisy results and limited manual exposure controls.
Video Work
CX3 dominates video with 720p HD recording, while CX2 is stuck at VGA. Both lack modern codecs and support features, making them basic video shooters suitable for casual use but not pros.
Travel Photography
Both compact and lightweight fit the travel bill. CX3’s longer battery life, better video, and lens improvements give it an edge for vacation photographers.
Professional Usage
Neither offers RAW support, tethering, or advanced workflow features, limiting appeal for professional tasks demanding high-fidelity files or efficient multi-camera setups.
Summing Up: Which Ricoh Superzoom Suits You?
Both cameras deliver respectable image quality for their vintage and category, but the CX3 stands out thanks to sensor improvements and feature refinements.
Aspect | Ricoh CX2 | Ricoh CX3 |
---|---|---|
Sensor Resolution | 9 MP (CMOS) | 10 MP (BSI-CMOS) |
Max ISO | 1600 | 3200 |
Video Resolution | VGA (640x480) | HD 720p (1280x720) |
Autofocus | Single AF, contrast-based | Single+multi-area AF |
Stabilization | Sensor-shift | Sensor-shift |
Macro Capability | 1cm | 1cm |
Weight | 185g | 206g |
Price (new/used) | Approx. $340 | Approx. $330 |
Strong Recommendations:
-
Go for the Ricoh CX3 if... you want better low-light performance, superior video resolution, faster autofocus, and a slightly improved shooting experience overall - an all-around better package for enthusiasts who want a compact superzoom with modest improvements.
-
Stick with the Ricoh CX2 if... budget constraints are the largest factor, and your photographic needs rarely stretch beyond daylight static subjects with casual shooting. Its older sensor still does a fine job in ideal conditions.
Neither is equipped for professionals demanding RAW, fast tracking autofocus, or rugged durability, nor should you expect cutting-edge video capabilities by today’s standards.
Final Thoughts: Honed Experience Behind the Lens
The Ricoh CX series small sensor superzooms cater to an important niche - photographers seeking a lightweight, versatile do-it-all camera that fits in a pocket without shelling out for DSLRs or mirrorless systems. They trade intricate manual controls and high-speed autofocus for simplicity and compactness.
In my hands-on experience, while both cameras feel dated compared to modern compacts and smartphones, the CX3’s subtle yet meaningful upgrades set it apart as the wiser buy if found at a reasonable price.
If your ambitions extend beyond casual travel snaps and you demand reliability and technical prowess, you’ll quickly see the limits of these devices. But for enthusiasts nostalgic for a time when compact cameras ruled the landscape - and for those keen on a pocket superzoom with respectable image quality - the Ricoh CX3 is a charming choice with just enough polish to keep you snapping happily.
Happy shooting!
If you want a quick visual refresher before deciding, here’s a gallery showcasing direct comparison images captured under varied scenarios:
And finally, to put it all in perspective with scores from my real-world tests:
Thank you for joining me on this detailed exploration. As always, trust your eye and your joy behind the camera above specs alone - and may your next photo adventure be your best yet!
Ricoh CX2 vs Ricoh CX3 Specifications
Ricoh CX2 | Ricoh CX3 | |
---|---|---|
General Information | ||
Brand | Ricoh | Ricoh |
Model type | Ricoh CX2 | Ricoh CX3 |
Type | Small Sensor Superzoom | Small Sensor Superzoom |
Launched | 2009-08-20 | 2010-06-16 |
Body design | Compact | Compact |
Sensor Information | ||
Powered by | Smooth Imaging Engine IV | Smooth Imaging Engine IV |
Sensor type | CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 9 megapixels | 10 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3 and 3:2 | 1:1, 4:3 and 3:2 |
Full resolution | 3456 x 2592 | 3648 x 2736 |
Max native ISO | 1600 | 3200 |
Minimum native ISO | 80 | 80 |
RAW format | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 28-300mm (10.7x) | 28-300mm (10.7x) |
Highest aperture | f/3.5-5.6 | f/3.5-5.6 |
Macro focusing distance | 1cm | 1cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display diagonal | 3" | 3" |
Display resolution | 920 thousand dot | 920 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Slowest shutter speed | 8s | 8s |
Maximum shutter speed | 1/2000s | 1/2000s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 3.00 m (ISO 400) | 4.00 m |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 640x480 | 1280x720 |
Video data format | Motion JPEG | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 185 gr (0.41 lb) | 206 gr (0.45 lb) |
Dimensions | 102 x 58 x 29mm (4.0" x 2.3" x 1.1") | 102 x 58 x 29mm (4.0" x 2.3" x 1.1") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery ID | DB-70 | DB-100 |
Self timer | Yes (2, 10 or Custom) | Yes (2, 10 or Custom) |
Time lapse feature | ||
Storage media | SD/SDHC card, Internal | SD/SDHC card, Internal |
Storage slots | Single | Single |
Pricing at launch | $341 | $329 |