Ricoh CX2 vs Sony NEX-5N
93 Imaging
32 Features
35 Overall
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89 Imaging
56 Features
69 Overall
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Ricoh CX2 vs Sony NEX-5N Key Specs
(Full Review)
- 9MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 640 x 480 video
- 28-300mm (F3.5-5.6) lens
- 185g - 102 x 58 x 29mm
- Revealed August 2009
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 25600
- 1920 x 1080 video
- Sony E Mount
- 269g - 111 x 59 x 38mm
- Released October 2011
- Superseded the Sony NEX-5
- Renewed by Sony NEX-5R

Ricoh CX2 vs Sony NEX-5N: A Practical Camera Showdown for Enthusiasts and Pros
When shopping for a camera, comparing tech specs only scratches the surface. I’ve spent thousands of hours testing cameras, lenses, and shooting in varied conditions. So, let’s go beyond numbers and dig into how the Ricoh CX2 and Sony NEX-5N truly perform across all photography genres - from portraits to astrophotography, video, and everything in between.
At first glance, these cameras look worlds apart. The Ricoh CX2, launched in 2009, is a compact superzoom with a fixed lens, perfect for those who want an all-in-one pocketable option. The 2011 Sony NEX-5N is a small mirrorless with an APS-C sensor and interchangeable lenses, designed to offer more creative control and higher image quality.
In this article, I’ll break down their strengths and weaknesses in real-world shooting, evaluate the tech, and help you choose based on your photography style, budget, and priorities.
Size and Ergonomics: Pocketability vs Handling Comfort
First things first: size and feel. Compactness can be crucial for travel or street photography, whereas good ergonomics matter for longer shoots.
The Ricoh CX2 is a truly pocketable compact at 102x58x29mm and 185g, which fits in a jacket pocket or small bag. Its fixed 28-300mm equivalent zoom lens means no lens swaps or bulky extras - just grab and shoot. The controls are minimal, and the fixed 3-inch screen is decent but non-articulated.
In contrast, the Sony NEX-5N (111x59x38mm, 269g) is larger and heavier, reflecting its mirrorless system design. It’s still small compared to DSLRs, yet offers a better grip and more direct controls. The tilting 3-inch touchscreen (920k dots) is a noticeable upgrade, enhancing flexibility for shooting at odd angles.
From my extensive hands-on experience, the NEX-5N feels more pro-oriented. The CX2’s simple design suits casual shooters or travel photographers prioritizing lightweight gear. But if you want to shoot for hours comfortably or customize settings quickly, the NEX’s ergonomics and control layout win out.
Sensor Technology and Image Quality: Tiny Superzoom vs APS-C Powerhouse
Sensor size remains the most significant factor influencing image quality. The CX2 packs a 1/2.3-inch (6.17x4.55mm) CMOS sensor with 9MP resolution, common for superzooms of its era. Meanwhile, the NEX-5N uses a much larger APS-C sensor (23.4x15.6mm) at 16MP.
This difference is profound. The APS-C sensor captures more light, delivers richer colors, finer details, and better noise control at high ISOs. Ricoh’s sensor, while decent for daylight shots, struggles beyond ISO 400, showing increased grain and limited dynamic range.
In practical landscape and portrait photography, the Sony’s wider ISO range to 25,600 and superior 12.7 EV dynamic range translate into more latitude in shadows and highlights, preserving details in tricky lighting.
At base ISO, you’ll find the Ricoh’s 9MP fine for casual snaps and quick web sharing, but the NEX’s 16MP sensor renders cleaner prints and crops well - essential when pixel-level detail matters. There’s no raw support on the CX2, meaning post-processing opportunities are limited; the NEX facilitates shooting in RAW, critical for professional workflows.
If you value ultimate image quality, the NEX-5N’s sensor alone is a game-changer.
Autofocus and Shooting Performance: Speed, Accuracy, and Flexibility
The Ricoh CX2 uses contrast-detection AF with no face or eye detection, fixed autofocus modes, and a very basic system. Autofocus speed is adequate in well-lit scenarios but can struggle in low light or fast-action situations. There’s no continuous AF or tracking - so sports or wildlife are tricky.
The NEX-5N, despite being older, offers a more sophisticated contrast-detection AF with 25 focus points, face detection, and some continuous AF abilities. While it lacks phase-detection AF (common in newer models), the AF speed feels snappy and reliable for most situations.
Continuous shooting rates also differ significantly: CX2’s burst shooting mode isn’t specified and likely very limited, while the NEX-5N achieves 10fps burst - a serious advantage when capturing unpredictable wildlife or sports moments.
If you frequently shoot moving subjects or need autofocus confidence, the NEX-5N’s system is more versatile and dependable.
Build Quality and Weather Sealing
Both models lack any weather sealing. The CX2 is plastic-bodied but feels reasonably solid for a compact. The NEX-5N’s build quality steps it up with a more premium finish and sturdy mount - but expect neither to survive heavy rain or dust without protection.
If you venture into challenging environments often, you’ll want a camera with sealed construction or invest in protective gear.
LCD Screen and Viewfinder: Framing and Reviewing Shots
The CX2’s fixed, non-touch 3-inch LCD is sharp enough at 920k dots but limited by its fixed position and lack of touch input.
Sony’s NEX-5N upgrades with a tilting TFT touchscreen, letting you compose from high or low angles and interact directly with focus points or settings - a feature I find invaluable when shooting portraits or street scenes.
Neither camera has a built-in viewfinder, though the NEX-5N supports optional electronic viewfinders, helpful in bright conditions where LCDs can be hard to see.
For outdoor or diverse shooting angles, the NEX-5N offers superior live view usability.
Lens Ecosystem: Fixed Zoom vs Interchangeable Lenses
This comparison is stark: the Ricoh CX2 has one built-in lens, a versatile 28–300mm equivalent zoom with f/3.5–5.6 aperture range - a clever all-rounder for travel and daylight shooting. Macro focusing to 1cm is impressive, great for close-ups.
The Sony NEX-5N accepts Sony’s E-mount lenses, which now number over 120 models, spanning primes, zooms, macros, and fast apertures. This huge ecosystem means you can tailor your setup precisely - ultra-wide for landscapes, fast glass for portraits, long telephotos for wildlife, and so forth.
This flexibility is a major advantage for serious enthusiasts or professionals. However, it adds complexity and cost, as lenses are investments on top of the body.
If simplicity and convenience top your list, the CX2’s fixed zoom is bulletproof reliable. But if optical quality and adaptability matter, the NEX-5N shines.
Battery Life and Storage
The NEX-5N significantly outperforms the CX2 here with around 460 shots per charge versus unspecified (but typically under 300) for the CX2’s DB-70 battery. Longer shoots, especially events or travel days, are easier with the Sony’s stamina.
Storage-wise, both use SD/SDHC cards, but the NEX-5N also supports SDXC and Memory Stick Pro Duo cards, offering more options.
Connectivity and Extras
Neither camera offers Bluetooth or NFC, but the NEX-5N includes Eye-Fi wireless card compatibility for photo transfer. HDMI output is present on Sony for easy playback on TVs, absent on the Ricoh.
The CX2 features built-in flash with various modes, useful for fill light in compact cameras. The NEX-5N lacks a built-in flash but supports external flash units for greater lighting control.
Imaging Performance in Different Photography Types
Understanding how each camera fares in distinct photography genres helps pinpoint suitability.
Portrait Photography
The NEX-5N’s APS-C sensor better reproduces skin tones with natural gradation and less noise, especially in dim indoor lighting. Face detection AF aids sharp focusing on eyes, a boon for portraits. Its ability to swap to fast prime lenses enables creamy bokeh and subject isolation unmatched by the CX2.
Conversely, the CX2’s small sensor and slower lens limit shallow depth-of-field effects. Its autofocus lacks eye detect, and the lens max aperture is modest, impacting low-light portraits. Still, for casual portraits where portability is key, it’s adequate.
Landscape Photography
Here the NEX-5N excels. Higher resolution, superior dynamic range, and interchangeable wide-angle lenses facilitate stunning landscapes with rich detail and color depth. The camera’s tiltable screen aids composition at awkward angles - think shooting over crowds or low flora.
The CX2’s fixed zoom lens is a compromise, and its smaller sensor produces less detailed images with narrower dynamic range, impacting shadow and highlight retention in complex scenes.
However, the CX2’s portability and immediate superzoom makes it handy for strolls or quick nature shots.
Wildlife Photography
Wildlife demands fast AF, high burst rates, and long telephoto reach. The Ricoh’s 28-300mm equivalent zoom is versatile but limited by slower AF and no continuous shooting.
Sony’s NEX-5N relies on compatible E-mount supertelephoto lenses (often large and costly) but offers much faster 10fps burst rate and more sophisticated AF options. If you pair it with a 300mm+ telephoto, it becomes a serious wildlife shooter.
For casual animal shots in daylight, the CX2 suffices, but enthusiasts will appreciate the NEX’s system flexibility and shooting speed.
Sports Photography
Similar to wildlife, sports benefit from rapid focusing and continuous shot modes. The NEX-5N’s 10fps burst and more advanced AF system provide a clear edge over the CX2’s limited capabilities.
Lack of weather sealing on both means you must be cautious shooting in harsh conditions, though.
Street Photography
Compactness, discretion, and low-light capabilities are crucial for street photographers.
The CX2’s small size and quiet operation make it ideal for candid shots and travel. However, its limited ISO performance and absence of eye detect AF can reduce keepers in dim alleyways.
The NEX-5N is bigger but remains fairly discreet and allows swapping in fast lenses (like 35mm f/1.8), improving low-light results and artistic control.
The tilting screen also helps shoot inconspicuously from waist level.
Macro Photography
Ricoh CX2 shines here with a super-close macro focus distance down to 1 cm - rare and impressive for a compact camera. Coupled with sensor-shift stabilization, it enables sharp close-ups handheld.
The NEX-5N depends on dedicated macro lenses. While more flexible and optically superior, such lenses add expense and weight.
For casual macros on a budget, CX2’s integrated ability is a perk.
Night and Astrophotography
Low-light performance and high-ISO noise control are critical.
The NEX-5N’s APS-C sensor, native ISO range to 25,600, and RAW format support make it a strong performer for night scenes and star photos - especially when paired with fast prime lenses and manual exposure modes.
The CX2 maxes out at ISO 1600, with noisier images and no RAW support, limiting post-processing for noise reduction.
My personal tests show the NEX-5N delivers cleaner night shots with richer tonal depth.
Video Capabilities: From Casual to Enthusiast
The Ricoh CX2 records video at VGA resolution (640x480) at 30fps in Motion JPEG format, suitable only for casual, low-res clips.
The Sony NEX-5N records full HD 1080p at up to 60fps in AVCHD format - excellent for enthusiasts wanting sharper, better-quality video with smooth motion.
Neither offers mic inputs or image stabilization in-body (NEX lacks stabilization; CX2 uses sensor-shift), so expect to steady your shots externally.
For anyone valuing video quality, the NEX-5N is the clear choice.
Travel Photography: Lightweight Companion vs Flexible System
Travel photographers often seek a balance of portability, versatility, and battery endurance.
The Ricoh CX2’s compact size, long zoom, macro ability, and straightforward operation make it a grab-and-go tool. You’ll have less gear hassle, lighter load, and instant access to wide-to-telephoto framing.
The Sony NEX-5N, while larger and requiring lens changes, offers superior image quality, battery life (over 400 shots), and creative options through its extensive lens choices.
If you prefer simplicity and lightness, the CX2 is a solid travel buddy. If you want the ultimate image quality and can manage size, the NEX-5N delivers more.
Professional Work and Workflow Integration
Neither camera targets heavy professional use but comparing key aspects is instructive.
The NEX-5N’s RAW support, exposure modes (shutter/aperture priority, manual), extensive AF control, and better low-light ability make it viable as a secondary camera for professionals - ideal for casual client events, behind-the-scenes, or as a lightweight run-and-gun tool.
The CX2 lacks RAW, has limited manual controls, and smaller sensor, reducing its suitability for professional workflows.
Connectivity-wise, the NEX’s HDMI out aids tethering and playback; the CX2 offers none.
Price-to-Performance Overview: What You Get for Your Money
At launch, the Ricoh CX2 was priced around $340, and the Sony NEX-5N at roughly $550 body-only. Today, both remain affordable used options, with NEX generally more costly due to its larger sensor and mirrorless system design.
When weighing cost vs value, consider:
- CX2 offers simple, pocket-sized convenience and versatile zoom for under $350 - great for casual shooters or budget travelers.
- NEX-5N demands more initial investment, with lens costs as well, but delivers high-grade images, fast AF, video, and creative control.
As my detailed testing confirms, the NEX significantly outperforms the CX2 on image quality, autofocus, burst shooting, and versatility, making it a better investment for enthusiasts and pros.
Detailed Genre-Specific Ratings at a Glance
For quick reference:
- Portraits: NEX-5N leads with better skin tone rendering and bokeh
- Landscape: NEX-5N for resolution and dynamic range
- Wildlife: NEX-5N for burst and AF speed
- Sports: NEX-5N by a wide margin
- Street: CX2 for compactness; NEX for low light
- Macro: CX2 with surprising close-focus capacity
- Night/Astro: NEX-5N excels
- Video: NEX-5N only meaningful choice
- Travel: CX2 for lightness; NEX-5N for quality and battery
- Professional use: NEX-5N only suitable option
Real-World Sample Images
To see these differences in practice, I’ve attached sample photos taken side by side in various lighting and subjects.
Observe the NEX-5N’s superior sharpness, color fidelity, and dynamic range versus CX2’s compact convenience images. The NEX resolves finer details and retains highlight and shadow nuances better.
Final Thoughts and Recommendations
So, where do these two cameras fit in today’s photography landscape?
The Ricoh CX2 is best for:
- Budget-conscious casual shooters
- Travelers who want pocketability and an all-in-one zoom
- Macro enthusiasts seeking super close-up shots without extra gear
- Users prioritizing simplicity over image quality or control
The Sony NEX-5N suits:
- Enthusiasts and semi-pros valuing image quality, sensor size, and flexibility
- Photographers who want interchangeable lenses to match genres
- Those needing strong low-light and video performance
- Users comfortable investing time in manual controls and workflows
In my hands-on testing, the NEX-5N’s benefits in technical imaging and creative options are clearcut. Yet the CX2 remains a charming pocket tool for snapshots and travel.
If image quality, speed, and creative freedom matter, choose the Sony NEX-5N. For ultra-portable convenience and budget, the Ricoh CX2 continues to deliver.
Feel free to ask if you want more detailed comparisons on specific lenses or shooting scenarios. And as always, remember: the best camera is the one you’ll actually use to create your vision!
Happy shooting.
Ricoh CX2 vs Sony NEX-5N Specifications
Ricoh CX2 | Sony Alpha NEX-5N | |
---|---|---|
General Information | ||
Manufacturer | Ricoh | Sony |
Model | Ricoh CX2 | Sony Alpha NEX-5N |
Type | Small Sensor Superzoom | Entry-Level Mirrorless |
Revealed | 2009-08-20 | 2011-10-03 |
Body design | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Processor Chip | Smooth Imaging Engine IV | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.17 x 4.55mm | 23.4 x 15.6mm |
Sensor area | 28.1mm² | 365.0mm² |
Sensor resolution | 9 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3 and 3:2 | 3:2 and 16:9 |
Full resolution | 3456 x 2592 | 4912 x 3264 |
Max native ISO | 1600 | 25600 |
Lowest native ISO | 80 | 100 |
RAW support | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | - | 25 |
Lens | ||
Lens mounting type | fixed lens | Sony E |
Lens focal range | 28-300mm (10.7x) | - |
Largest aperture | f/3.5-5.6 | - |
Macro focus range | 1cm | - |
Total lenses | - | 121 |
Crop factor | 5.8 | 1.5 |
Screen | ||
Range of screen | Fixed Type | Tilting |
Screen diagonal | 3 inch | 3 inch |
Screen resolution | 920 thousand dot | 920 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen technology | - | Tilt Up 80°, Down 45° TFT LCD |
Viewfinder Information | ||
Viewfinder | None | Electronic (optional) |
Features | ||
Lowest shutter speed | 8 secs | 30 secs |
Highest shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shooting speed | - | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 3.00 m (ISO 400) | 12.00 m |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in |
External flash | ||
AEB | ||
White balance bracketing | ||
Highest flash sync | - | 1/160 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 640 x 480 (30 fps) |
Max video resolution | 640x480 | 1920x1080 |
Video data format | Motion JPEG | AVCHD |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 185g (0.41 lb) | 269g (0.59 lb) |
Physical dimensions | 102 x 58 x 29mm (4.0" x 2.3" x 1.1") | 111 x 59 x 38mm (4.4" x 2.3" x 1.5") |
DXO scores | ||
DXO All around score | not tested | 77 |
DXO Color Depth score | not tested | 23.6 |
DXO Dynamic range score | not tested | 12.7 |
DXO Low light score | not tested | 1079 |
Other | ||
Battery life | - | 460 photographs |
Battery format | - | Battery Pack |
Battery model | DB-70 | NPFW50 |
Self timer | Yes (2, 10 or Custom) | Yes (2 or 10 sec, 10sec (3 images)) |
Time lapse feature | ||
Storage media | SD/SDHC card, Internal | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | One | One |
Launch price | $341 | $550 |