Ricoh CX3 vs Sony A99 II
92 Imaging
33 Features
35 Overall
33


57 Imaging
76 Features
92 Overall
82
Ricoh CX3 vs Sony A99 II Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-300mm (F3.5-5.6) lens
- 206g - 102 x 58 x 29mm
- Announced June 2010
(Full Review)
- 42MP - Full frame Sensor
- 3" Fully Articulated Display
- ISO 100 - 25600 (Bump to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony/Minolta Alpha Mount
- 849g - 143 x 104 x 76mm
- Released September 2016
- Old Model is Sony A99

Ricoh CX3 vs Sony A99 II: A Hands-on Expert Comparison Across Ten Photography Genres
Choosing a camera is an intimate affair - much like picking the right club for your swing or the perfect pair of shoes for your daily grind. On one side, we have the cheerful, very modest Ricoh CX3, a compact superzoom from 2010 that feels like a trusty pocket pal with its simple controls and handy zoom range. On the other, the Sony A99 II, an advanced professional-grade DSLR from 2016, packed to the gills with cutting-edge features and a wallet-raising price tag.
Having handled thousands of cameras, I’m eager to break down these two very different beasts across major photography styles. You’ll get a blend of pixel-peeping tech talk and dirt-under-the-nails usability, so whether you’re a cheapskate enthusiast or an occasionally traveling pro, you’ll know which one matches your mojo.
Let’s dive in!
In Your Hands: Size, Weight & Ergonomics
First impressions often start with how a camera feels in your hands - grip, size, button layout, and general bulkiness.
The Ricoh CX3 is a lean, lightweight compact camera weighing just 206 grams, roughly pocket-sized at 102x58x29 mm. It slips easily into a coat pocket or tiny bag, making it a natural choice for quick snaps and travel when you want to travel light with minimal gear fuss.
Contrast that with the Sony A99 II, a heavyweight mid-size DSLR tipping the scales at 849 grams (143x104x76 mm). It demands both space in your bag and two hands to wield comfortably. However, the substantial body houses a battery designed for endurance and excellent control ergonomics optimized for all-day shooting, including those clubs-for-thumbs rubber grips and an intelligently laid-out control dial system.
From the top, the Sony’s dials and buttons scream professional maturity - shutter speed, ISO, exposure compensation, custom buttons, all at your fingertips. The CX3 dials it way back with minimal direct exposure controls and no dedicated shooting mode dials - it’s clearly not designed for manual exposure tinkering.
Practical takeaway: If portability and ease are your priority, CX3 wins hands-down. If you want precision controls and handling tailored for long shoots, Sony is your champion.
The Heart of Image Quality: Sensor Size & Performance
The sensor is a camera’s most critical component when it comes to image quality - sensitivity, dynamic range, detail rendition.
Here, the divide is stark. The CX3 uses a 1/2.3" BSI-CMOS sensor with a resolution of 10 MP and a sensor area of 28.07 mm². Not bad for a compact, but there’s simply no contest against the A99 II’s full frame 42 MP beast measuring 35.9 x 24 mm (861.60 mm²). Nearly 30 times larger sensor area, with no anti-aliasing filter to preserve fine details.
Why does sensor size matter? Larger sensors gather much more light, which translates to less noise at high ISO, better color depth, and wider dynamic range - the ability to retain details in shadows and highlights.
Look at the DxO Mark scores: the A99 II ranks with a stellar overall 92, color depth 25.4 bits, dynamic range 13.4 Evs, and low light ISO performance excellence (ISO 2317). CX3 isn’t tested there - but you can trust it falls well short.
In real-world terms: For portraits with creamy bokeh or nightscapes filled with stars, the big full-frame sensor shines with exquisite detail, less grain, and natural tonality. The CX3’s smaller sensor restricts you to good-enough daylight snaps and luckier-than-average low-light shots.
Live View & User Interface: The Back Screen Experience
For composing shots and reviewing images, the rear screen and viewfinder play starring roles.
Both cameras sport 3-inch LCDs, but the Sony offers a higher-resolution fully articulated screen (1229 vs. 920k dots) that flips and tilts - a boon for awkward angles or video shooting. The CX3’s fixed screen lacks touchscreen control or tilting, feeling dated by today’s standards.
The A99 II’s electronic viewfinder (EVF) boasts 2,359k dots with 100% coverage - a bright, sharp window mimicking the optical experience but with overlay info like histograms and focus peaking. The CX3 offers no viewfinder, meaning you’re reliant on the screen.
This has practical consequences: in bright sunlight, the CX3’s screen often washes out and makes framing tricky. The Sony’s EVF shines by comparison, ideal for outdoor shooting.
Zoom, Lenses & Autofocus Systems
The CX3 offers a fixed 28-300 mm (10.7x zoom) lens with f/3.5-5.6 aperture - a respectable range that caters to wide-angle landscapes to medium telephoto reach but limited by lens speed and sensor size.
The Sony A99 II uses the Sony/Minolta Alpha mount and can accommodate an enormous ecosystem of over 140 lenses, from ultra-fast primes to mega telephotos. This flexibility unlocks creative potential unmatched by a fixed lens.
Focus-wise, the CX3 relies on contrast detection autofocus, known for being accurate but not exactly swift. It has face detection but lacks advanced tracking or eye-detection features.
The A99 II shines with a hybrid system combining 399 phase-detection and contrast detection points, including 79 cross-type sensors scanning a wide frame area. Eye detection autofocus and continuous tracking modes excel for moving subjects - crucial in wildlife or sports.
Let’s Talk Photography Genres: Who Excels Where?
Portraits: Who Paints Skin Tones Better?
The Sony A99 II’s large sensor and high resolution are perfect for portraits. Subject isolation with natural-looking bokeh, exceptional skin tone rendition, and fast eye autofocus combine for expressive images.
The Ricoh CX3 - with no raw support and limited dynamic range - renders decent snapshots but struggles with smooth tonal transitions and background blur. Also, the fixed lens limits creative focal length choices.
Recommendation: Portrait lovers with a keen eye for detail and shallow depth of field should opt for the A99 II.
Landscapes: Dynamic Range and Resolution
Landscapes thrive on resolution, color fidelity, and the ability to capture bright skies with detailed shadows.
Here, the A99 II’s 42 MP sensor and 14-bit raw files provide exceptional latitude for editing. Weather-sealing spots in the body means it can handle better in adverse outdoor conditions.
The CX3’s 10 MP sensor, limited dynamic range, and absence of weather resistance mean mid-day sunny shots are best. Post-processing latitude is minimal.
Wildlife: Speed and Reach
Wildlife photography demands rapid autofocus, high burst rates, and long telephoto reach.
The CX3’s 10.7x optical zoom hits 300 mm focal length but lacks fast AF and continuous shooting modes entirely.
Conversely, the A99 II shoots at 12 fps with advanced AF tracking and access to heavy telephoto lenses (400 mm and up). Its weather-sealed body withstands field conditions better.
Sports: Tracking Accuracy and Low Light Speed
Fast frame rates (fps) and reliable tracking are essential.
The A99 II’s 12 fps burst and 399 AF points give it an edge tracking athletes even under stadium lighting (max ISO 25600 native, boostable to 102,400).
The CX3 has no continuous shooting mode and max ISO 3200, making it ineffective for sports.
Street Photography: Discretion & Portability
Small form factors and silent operation win here.
CX3’s compact size makes street shooting effortless and low-profile - even with the zoom’s slower aperture.
The A99 II is bulky and noisy by comparison, not ideal for candid walks or guerrilla shooting.
Macro Photography: Magnification and Focus Precision
With 1 cm macro focusing, the CX3 can get you close for casual close-ups.
A99 II doesn’t have a dedicated macro mode but supports macro lenses with superb focusing precision and image stabilization.
Night & Astro: High ISO and Exposure Modes
The A99 II outclasses the CX3 with cleaner high ISO files and advanced long exposures (up to 30 seconds shutter).
The CX3 maxes out at 8 seconds exposure and ISO 3200 but with much higher noise.
Video Capabilities: Specs and Usability
CX3 records 720p at 30 fps in motion JPEG format - fine for casual clips but low-res and inefficient.
A99 II offers 4K UHD video, multiple codecs (XAVC S, AVCHD), microphone and headphone ports, and sensor-based 5-axis stabilization - serious tools for videographers.
Travel Photography: Versatility and Battery Life
CX3 is travel-friendly due to size but limited by image quality and lens speed.
With 490 shots per battery and dual card slots, the Sony offers professional robustness but at much higher weight and price.
Professional Work: Reliability and Workflow
Sony’s support for raw files, advanced exposure modes, wireless tethering, and lens ecosystem caters to proships.
CX3 is more of a point-and-shoot; limited for demanding workflows.
Technical Deep Dive: Connectivity, Storage, and Longevity
The Sony A99 II sports Wi-Fi, Bluetooth, NFC, dual SD slots, and long battery life with NP-FM500H lithium-ion. These ensure efficient workflow and flexibility.
CX3 offers no wireless features and only a single SD card slot with unspecified battery life - less convenient for extended shoots.
Summary Ratings: Overall and By Genre
The Sony A99 II dominates in every technical and professional category, scoring in the 90s for image quality and performance. The CX3 lags as a solid compact for casual photography but cannot compete with full-frame DSLRs.
Real-World Image Comparison
Looking at side-by-side images speaks volumes. The Sony files show stunning detail, natural colors, and smooth gradations. The Ricoh’s images suffice for social media or snapshots but pale next to the A99 II.
Pros & Cons Recap
Ricoh CX3 – Pros
- Ultra-compact and lightweight
- Fixed superzoom lens (28-300 mm)
- Easy for quick, casual shooting
- Affordable price point (~$329)
- Basic stabilization sensor-shift
- Macro capable down to 1 cm
Ricoh CX3 – Cons
- Small sensor limits image quality
- No raw support, limited editing flexibility
- No continuous shooting or advanced AF
- No weather sealing or wireless connectivity
- Low video resolution and codec options
- Minimal manual control and exposure modes
Sony A99 II – Pros
- Large 42 MP full-frame sensor, no AA filter
- Advanced hybrid AF with 399 points and tracking
- 12 fps burst shooting for fast action
- 5-axis in-body image stabilization
- Robust weather sealing and pro build quality
- Fully articulated LCD and high-res EVF
- Full manual exposure, dual card slots
- 4K video with professional codecs, mic/headphone ports
- Wireless, Bluetooth, NFC support
Sony A99 II – Cons
- Heavy and bulky for casual use
- Complex menu system with steep learning curve
- No touchscreen on back LCD
- Expensive (~$3,200 USD)
- Not pocketable, requires additional lenses to shine
Who Should Buy Which?
Pick the Ricoh CX3 if:
- You want a pocketable camera for everyday snapshots and travel without fuss
- Budget is tight (<$350) and you don’t need professional image quality
- You prioritize zoom reach and simple controls
- You’re a beginner or casual shooter who values convenience over manual control
Pick the Sony A99 II if:
- Image quality, dynamic range, and detail are paramount (portraits, landscapes, wildlife)
- You require fast continuous shooting and advanced autofocus (sports, action)
- You need professional video features
- You want a robust, weather-sealed body for tough environments
- You have an existing Sony A-mount lens collection or want access to pro glass
- Your budget allows for a serious investment (~$3,200+ plus lenses)
Final Thoughts: Bridging Two Worlds
The Ricoh CX3 and Sony A99 II serve vastly different audiences and use cases. The CX3 is an accessible and affordable everyday companion, providing fun superzoom versatility but capped by its technical limits.
The Sony A99 II is a powerhouse for pros and serious enthusiasts craving the finest image quality, flexibility, and reliability. It’s a precision tool with a price and learning curve to match.
When testing these cameras, I witnessed how each catered to its niche beautifully. No pretension, no frustration - just clarity on who they excel for. Your choice will depend on your priorities: portability and ease or pro-level performance and versatility.
Happy shooting!
Note: Specifications and assessments based on extensive hands-on testing, combining sensor analysis, autofocus evaluation, and real-world use across multiple photography genres.
If you found this comparison useful, feel free to reach out with your own experiences or questions!
Ricoh CX3 vs Sony A99 II Specifications
Ricoh CX3 | Sony Alpha A99 II | |
---|---|---|
General Information | ||
Manufacturer | Ricoh | Sony |
Model | Ricoh CX3 | Sony Alpha A99 II |
Type | Small Sensor Superzoom | Advanced DSLR |
Announced | 2010-06-16 | 2016-09-19 |
Body design | Compact | Mid-size SLR |
Sensor Information | ||
Processor Chip | Smooth Imaging Engine IV | Bionz X |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor dimensions | 6.17 x 4.55mm | 35.9 x 24mm |
Sensor area | 28.1mm² | 861.6mm² |
Sensor resolution | 10 megapixel | 42 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3 and 3:2 | 3:2 and 16:9 |
Highest Possible resolution | 3648 x 2736 | 7952 x 5304 |
Maximum native ISO | 3200 | 25600 |
Maximum enhanced ISO | - | 102400 |
Minimum native ISO | 80 | 100 |
RAW pictures | ||
Minimum enhanced ISO | - | 50 |
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | - | 399 |
Cross focus points | - | 79 |
Lens | ||
Lens mount | fixed lens | Sony/Minolta Alpha |
Lens focal range | 28-300mm (10.7x) | - |
Maximum aperture | f/3.5-5.6 | - |
Macro focus distance | 1cm | - |
Total lenses | - | 143 |
Focal length multiplier | 5.8 | 1 |
Screen | ||
Range of display | Fixed Type | Fully articulated |
Display diagonal | 3 inch | 3 inch |
Resolution of display | 920k dot | 1,229k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,359k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.78x |
Features | ||
Min shutter speed | 8 secs | 30 secs |
Max shutter speed | 1/2000 secs | 1/8000 secs |
Continuous shutter speed | - | 12.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 4.00 m | no built-in flash |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Off, auto, fill, slow sync, redeye reduction, rear sync, high-speed sync, wireless |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Max flash sync | - | 1/250 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | - |
Maximum video resolution | 1280x720 | 3840x2160 |
Video format | Motion JPEG | MPEG-4, AVCHD, XAVC S |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 206g (0.45 pounds) | 849g (1.87 pounds) |
Dimensions | 102 x 58 x 29mm (4.0" x 2.3" x 1.1") | 143 x 104 x 76mm (5.6" x 4.1" x 3.0") |
DXO scores | ||
DXO Overall score | not tested | 92 |
DXO Color Depth score | not tested | 25.4 |
DXO Dynamic range score | not tested | 13.4 |
DXO Low light score | not tested | 2317 |
Other | ||
Battery life | - | 490 images |
Battery format | - | NP-FM500H lithium-ion battery & charger |
Battery model | DB-100 | - |
Self timer | Yes (2, 10 or Custom) | Yes (2, 5, 10 secs) |
Time lapse shooting | ||
Storage media | SD/SDHC card, Internal | Dual SD/SDHC/SDXC/MS Duo slots |
Storage slots | One | Dual |
Retail cost | $329 | $3,198 |