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Ricoh CX3 vs Sony A99 II

Portability
92
Imaging
33
Features
35
Overall
33
Ricoh CX3 front
 
Sony Alpha A99 II front
Portability
57
Imaging
76
Features
92
Overall
82

Ricoh CX3 vs Sony A99 II Key Specs

Ricoh CX3
(Full Review)
  • 10MP - 1/2.3" Sensor
  • 3" Fixed Display
  • ISO 80 - 3200
  • Sensor-shift Image Stabilization
  • 1280 x 720 video
  • 28-300mm (F3.5-5.6) lens
  • 206g - 102 x 58 x 29mm
  • Announced June 2010
Sony A99 II
(Full Review)
  • 42MP - Full frame Sensor
  • 3" Fully Articulated Display
  • ISO 100 - 25600 (Bump to 102400)
  • Sensor based 5-axis Image Stabilization
  • No Anti-Alias Filter
  • 1/8000s Maximum Shutter
  • 3840 x 2160 video
  • Sony/Minolta Alpha Mount
  • 849g - 143 x 104 x 76mm
  • Released September 2016
  • Old Model is Sony A99
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Ricoh CX3 vs Sony A99 II: A Hands-on Expert Comparison Across Ten Photography Genres

Choosing a camera is an intimate affair - much like picking the right club for your swing or the perfect pair of shoes for your daily grind. On one side, we have the cheerful, very modest Ricoh CX3, a compact superzoom from 2010 that feels like a trusty pocket pal with its simple controls and handy zoom range. On the other, the Sony A99 II, an advanced professional-grade DSLR from 2016, packed to the gills with cutting-edge features and a wallet-raising price tag.

Having handled thousands of cameras, I’m eager to break down these two very different beasts across major photography styles. You’ll get a blend of pixel-peeping tech talk and dirt-under-the-nails usability, so whether you’re a cheapskate enthusiast or an occasionally traveling pro, you’ll know which one matches your mojo.

Let’s dive in!

In Your Hands: Size, Weight & Ergonomics

First impressions often start with how a camera feels in your hands - grip, size, button layout, and general bulkiness.

Ricoh CX3 vs Sony A99 II size comparison

The Ricoh CX3 is a lean, lightweight compact camera weighing just 206 grams, roughly pocket-sized at 102x58x29 mm. It slips easily into a coat pocket or tiny bag, making it a natural choice for quick snaps and travel when you want to travel light with minimal gear fuss.

Contrast that with the Sony A99 II, a heavyweight mid-size DSLR tipping the scales at 849 grams (143x104x76 mm). It demands both space in your bag and two hands to wield comfortably. However, the substantial body houses a battery designed for endurance and excellent control ergonomics optimized for all-day shooting, including those clubs-for-thumbs rubber grips and an intelligently laid-out control dial system.

Ricoh CX3 vs Sony A99 II top view buttons comparison

From the top, the Sony’s dials and buttons scream professional maturity - shutter speed, ISO, exposure compensation, custom buttons, all at your fingertips. The CX3 dials it way back with minimal direct exposure controls and no dedicated shooting mode dials - it’s clearly not designed for manual exposure tinkering.

Practical takeaway: If portability and ease are your priority, CX3 wins hands-down. If you want precision controls and handling tailored for long shoots, Sony is your champion.

The Heart of Image Quality: Sensor Size & Performance

The sensor is a camera’s most critical component when it comes to image quality - sensitivity, dynamic range, detail rendition.

Ricoh CX3 vs Sony A99 II sensor size comparison

Here, the divide is stark. The CX3 uses a 1/2.3" BSI-CMOS sensor with a resolution of 10 MP and a sensor area of 28.07 mm². Not bad for a compact, but there’s simply no contest against the A99 II’s full frame 42 MP beast measuring 35.9 x 24 mm (861.60 mm²). Nearly 30 times larger sensor area, with no anti-aliasing filter to preserve fine details.

Why does sensor size matter? Larger sensors gather much more light, which translates to less noise at high ISO, better color depth, and wider dynamic range - the ability to retain details in shadows and highlights.

Look at the DxO Mark scores: the A99 II ranks with a stellar overall 92, color depth 25.4 bits, dynamic range 13.4 Evs, and low light ISO performance excellence (ISO 2317). CX3 isn’t tested there - but you can trust it falls well short.

In real-world terms: For portraits with creamy bokeh or nightscapes filled with stars, the big full-frame sensor shines with exquisite detail, less grain, and natural tonality. The CX3’s smaller sensor restricts you to good-enough daylight snaps and luckier-than-average low-light shots.

Live View & User Interface: The Back Screen Experience

For composing shots and reviewing images, the rear screen and viewfinder play starring roles.

Ricoh CX3 vs Sony A99 II Screen and Viewfinder comparison

Both cameras sport 3-inch LCDs, but the Sony offers a higher-resolution fully articulated screen (1229 vs. 920k dots) that flips and tilts - a boon for awkward angles or video shooting. The CX3’s fixed screen lacks touchscreen control or tilting, feeling dated by today’s standards.

The A99 II’s electronic viewfinder (EVF) boasts 2,359k dots with 100% coverage - a bright, sharp window mimicking the optical experience but with overlay info like histograms and focus peaking. The CX3 offers no viewfinder, meaning you’re reliant on the screen.

This has practical consequences: in bright sunlight, the CX3’s screen often washes out and makes framing tricky. The Sony’s EVF shines by comparison, ideal for outdoor shooting.

Zoom, Lenses & Autofocus Systems

The CX3 offers a fixed 28-300 mm (10.7x zoom) lens with f/3.5-5.6 aperture - a respectable range that caters to wide-angle landscapes to medium telephoto reach but limited by lens speed and sensor size.

The Sony A99 II uses the Sony/Minolta Alpha mount and can accommodate an enormous ecosystem of over 140 lenses, from ultra-fast primes to mega telephotos. This flexibility unlocks creative potential unmatched by a fixed lens.

Focus-wise, the CX3 relies on contrast detection autofocus, known for being accurate but not exactly swift. It has face detection but lacks advanced tracking or eye-detection features.

The A99 II shines with a hybrid system combining 399 phase-detection and contrast detection points, including 79 cross-type sensors scanning a wide frame area. Eye detection autofocus and continuous tracking modes excel for moving subjects - crucial in wildlife or sports.

Let’s Talk Photography Genres: Who Excels Where?

Portraits: Who Paints Skin Tones Better?

The Sony A99 II’s large sensor and high resolution are perfect for portraits. Subject isolation with natural-looking bokeh, exceptional skin tone rendition, and fast eye autofocus combine for expressive images.

The Ricoh CX3 - with no raw support and limited dynamic range - renders decent snapshots but struggles with smooth tonal transitions and background blur. Also, the fixed lens limits creative focal length choices.

Recommendation: Portrait lovers with a keen eye for detail and shallow depth of field should opt for the A99 II.

Landscapes: Dynamic Range and Resolution

Landscapes thrive on resolution, color fidelity, and the ability to capture bright skies with detailed shadows.

Here, the A99 II’s 42 MP sensor and 14-bit raw files provide exceptional latitude for editing. Weather-sealing spots in the body means it can handle better in adverse outdoor conditions.

The CX3’s 10 MP sensor, limited dynamic range, and absence of weather resistance mean mid-day sunny shots are best. Post-processing latitude is minimal.

Wildlife: Speed and Reach

Wildlife photography demands rapid autofocus, high burst rates, and long telephoto reach.

The CX3’s 10.7x optical zoom hits 300 mm focal length but lacks fast AF and continuous shooting modes entirely.

Conversely, the A99 II shoots at 12 fps with advanced AF tracking and access to heavy telephoto lenses (400 mm and up). Its weather-sealed body withstands field conditions better.

Sports: Tracking Accuracy and Low Light Speed

Fast frame rates (fps) and reliable tracking are essential.

The A99 II’s 12 fps burst and 399 AF points give it an edge tracking athletes even under stadium lighting (max ISO 25600 native, boostable to 102,400).

The CX3 has no continuous shooting mode and max ISO 3200, making it ineffective for sports.

Street Photography: Discretion & Portability

Small form factors and silent operation win here.

CX3’s compact size makes street shooting effortless and low-profile - even with the zoom’s slower aperture.

The A99 II is bulky and noisy by comparison, not ideal for candid walks or guerrilla shooting.

Macro Photography: Magnification and Focus Precision

With 1 cm macro focusing, the CX3 can get you close for casual close-ups.

A99 II doesn’t have a dedicated macro mode but supports macro lenses with superb focusing precision and image stabilization.

Night & Astro: High ISO and Exposure Modes

The A99 II outclasses the CX3 with cleaner high ISO files and advanced long exposures (up to 30 seconds shutter).

The CX3 maxes out at 8 seconds exposure and ISO 3200 but with much higher noise.

Video Capabilities: Specs and Usability

CX3 records 720p at 30 fps in motion JPEG format - fine for casual clips but low-res and inefficient.

A99 II offers 4K UHD video, multiple codecs (XAVC S, AVCHD), microphone and headphone ports, and sensor-based 5-axis stabilization - serious tools for videographers.

Travel Photography: Versatility and Battery Life

CX3 is travel-friendly due to size but limited by image quality and lens speed.

With 490 shots per battery and dual card slots, the Sony offers professional robustness but at much higher weight and price.

Professional Work: Reliability and Workflow

Sony’s support for raw files, advanced exposure modes, wireless tethering, and lens ecosystem caters to proships.

CX3 is more of a point-and-shoot; limited for demanding workflows.

Technical Deep Dive: Connectivity, Storage, and Longevity

The Sony A99 II sports Wi-Fi, Bluetooth, NFC, dual SD slots, and long battery life with NP-FM500H lithium-ion. These ensure efficient workflow and flexibility.

CX3 offers no wireless features and only a single SD card slot with unspecified battery life - less convenient for extended shoots.

Summary Ratings: Overall and By Genre


The Sony A99 II dominates in every technical and professional category, scoring in the 90s for image quality and performance. The CX3 lags as a solid compact for casual photography but cannot compete with full-frame DSLRs.

Real-World Image Comparison

Looking at side-by-side images speaks volumes. The Sony files show stunning detail, natural colors, and smooth gradations. The Ricoh’s images suffice for social media or snapshots but pale next to the A99 II.

Pros & Cons Recap

Ricoh CX3 – Pros

  • Ultra-compact and lightweight
  • Fixed superzoom lens (28-300 mm)
  • Easy for quick, casual shooting
  • Affordable price point (~$329)
  • Basic stabilization sensor-shift
  • Macro capable down to 1 cm

Ricoh CX3 – Cons

  • Small sensor limits image quality
  • No raw support, limited editing flexibility
  • No continuous shooting or advanced AF
  • No weather sealing or wireless connectivity
  • Low video resolution and codec options
  • Minimal manual control and exposure modes

Sony A99 II – Pros

  • Large 42 MP full-frame sensor, no AA filter
  • Advanced hybrid AF with 399 points and tracking
  • 12 fps burst shooting for fast action
  • 5-axis in-body image stabilization
  • Robust weather sealing and pro build quality
  • Fully articulated LCD and high-res EVF
  • Full manual exposure, dual card slots
  • 4K video with professional codecs, mic/headphone ports
  • Wireless, Bluetooth, NFC support

Sony A99 II – Cons

  • Heavy and bulky for casual use
  • Complex menu system with steep learning curve
  • No touchscreen on back LCD
  • Expensive (~$3,200 USD)
  • Not pocketable, requires additional lenses to shine

Who Should Buy Which?

Pick the Ricoh CX3 if:

  • You want a pocketable camera for everyday snapshots and travel without fuss
  • Budget is tight (<$350) and you don’t need professional image quality
  • You prioritize zoom reach and simple controls
  • You’re a beginner or casual shooter who values convenience over manual control

Pick the Sony A99 II if:

  • Image quality, dynamic range, and detail are paramount (portraits, landscapes, wildlife)
  • You require fast continuous shooting and advanced autofocus (sports, action)
  • You need professional video features
  • You want a robust, weather-sealed body for tough environments
  • You have an existing Sony A-mount lens collection or want access to pro glass
  • Your budget allows for a serious investment (~$3,200+ plus lenses)

Final Thoughts: Bridging Two Worlds

The Ricoh CX3 and Sony A99 II serve vastly different audiences and use cases. The CX3 is an accessible and affordable everyday companion, providing fun superzoom versatility but capped by its technical limits.

The Sony A99 II is a powerhouse for pros and serious enthusiasts craving the finest image quality, flexibility, and reliability. It’s a precision tool with a price and learning curve to match.

When testing these cameras, I witnessed how each catered to its niche beautifully. No pretension, no frustration - just clarity on who they excel for. Your choice will depend on your priorities: portability and ease or pro-level performance and versatility.

Happy shooting!

Note: Specifications and assessments based on extensive hands-on testing, combining sensor analysis, autofocus evaluation, and real-world use across multiple photography genres.

If you found this comparison useful, feel free to reach out with your own experiences or questions!

Ricoh CX3 vs Sony A99 II Specifications

Detailed spec comparison table for Ricoh CX3 and Sony A99 II
 Ricoh CX3Sony Alpha A99 II
General Information
Manufacturer Ricoh Sony
Model Ricoh CX3 Sony Alpha A99 II
Type Small Sensor Superzoom Advanced DSLR
Announced 2010-06-16 2016-09-19
Body design Compact Mid-size SLR
Sensor Information
Processor Chip Smooth Imaging Engine IV Bionz X
Sensor type BSI-CMOS BSI-CMOS
Sensor size 1/2.3" Full frame
Sensor dimensions 6.17 x 4.55mm 35.9 x 24mm
Sensor area 28.1mm² 861.6mm²
Sensor resolution 10 megapixel 42 megapixel
Anti aliasing filter
Aspect ratio 1:1, 4:3 and 3:2 3:2 and 16:9
Highest Possible resolution 3648 x 2736 7952 x 5304
Maximum native ISO 3200 25600
Maximum enhanced ISO - 102400
Minimum native ISO 80 100
RAW pictures
Minimum enhanced ISO - 50
Autofocusing
Manual focus
Autofocus touch
Continuous autofocus
Single autofocus
Autofocus tracking
Selective autofocus
Center weighted autofocus
Autofocus multi area
Autofocus live view
Face detect focus
Contract detect focus
Phase detect focus
Number of focus points - 399
Cross focus points - 79
Lens
Lens mount fixed lens Sony/Minolta Alpha
Lens focal range 28-300mm (10.7x) -
Maximum aperture f/3.5-5.6 -
Macro focus distance 1cm -
Total lenses - 143
Focal length multiplier 5.8 1
Screen
Range of display Fixed Type Fully articulated
Display diagonal 3 inch 3 inch
Resolution of display 920k dot 1,229k dot
Selfie friendly
Liveview
Touch operation
Viewfinder Information
Viewfinder None Electronic
Viewfinder resolution - 2,359k dot
Viewfinder coverage - 100 percent
Viewfinder magnification - 0.78x
Features
Min shutter speed 8 secs 30 secs
Max shutter speed 1/2000 secs 1/8000 secs
Continuous shutter speed - 12.0 frames per sec
Shutter priority
Aperture priority
Manual exposure
Exposure compensation - Yes
Custom white balance
Image stabilization
Integrated flash
Flash range 4.00 m no built-in flash
Flash modes Auto, On, Off, Red-Eye, Slow Sync Off, auto, fill, slow sync, redeye reduction, rear sync, high-speed sync, wireless
Hot shoe
AEB
White balance bracketing
Max flash sync - 1/250 secs
Exposure
Multisegment metering
Average metering
Spot metering
Partial metering
AF area metering
Center weighted metering
Video features
Supported video resolutions 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) -
Maximum video resolution 1280x720 3840x2160
Video format Motion JPEG MPEG-4, AVCHD, XAVC S
Mic input
Headphone input
Connectivity
Wireless None Built-In
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environmental seal
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 206g (0.45 pounds) 849g (1.87 pounds)
Dimensions 102 x 58 x 29mm (4.0" x 2.3" x 1.1") 143 x 104 x 76mm (5.6" x 4.1" x 3.0")
DXO scores
DXO Overall score not tested 92
DXO Color Depth score not tested 25.4
DXO Dynamic range score not tested 13.4
DXO Low light score not tested 2317
Other
Battery life - 490 images
Battery format - NP-FM500H lithium-ion battery & charger
Battery model DB-100 -
Self timer Yes (2, 10 or Custom) Yes (2, 5, 10 secs)
Time lapse shooting
Storage media SD/SDHC card, Internal Dual SD/SDHC/SDXC/MS Duo slots
Storage slots One Dual
Retail cost $329 $3,198