Ricoh CX5 vs Sony A7S III
92 Imaging
33 Features
35 Overall
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61 Imaging
64 Features
92 Overall
75
Ricoh CX5 vs Sony A7S III Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-300mm (F3.5-5.6) lens
- 205g - 102 x 59 x 29mm
- Announced July 2011
(Full Review)
- 12MP - Full frame Sensor
- 3" Fully Articulated Display
- ISO 80 - 102400 (Bump to 409600)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Sony E Mount
- 699g - 129 x 97 x 81mm
- Released July 2020
- Old Model is Sony A7S II

Ricoh CX5 vs Sony A7S III: A Deep Dive into Two Worlds of Photography
Photography enthusiasts often face a bewildering number of choices when upgrading or investing in a new camera system - from compact superzooms to pro-level full-frame mirrorless beasts. Today, I’m bringing my 15+ years of hands-on camera testing to bear in a thorough comparison of two devices that could not be more different, yet each serves a distinct photographic philosophy: the compact Ricoh CX5 versus the full-frame powerhouse Sony A7S III.
These cameras bookend the spectrum of what digital photography offers - from pocketable zoom flexibility to professional video and ultra-low-light mastery. I’ve spent hours shooting and scrutinizing both, covering all major photography disciplines, putting their specs into real-world perspective, and providing actionable buying advice.
Let’s jump right in.
First Impressions: Pocketable Convenience Meets Pro Mirrorless Muscle
At a glance, comparing the Ricoh CX5’s compact form to the Sony A7S III’s hefty yet ergonomic SLR-style mirrorless body is a study in contrasts. Weighing just 205 grams and measuring a mere 102x59x29 mm, the CX5 fits comfortably in any jacket pocket - ideal for travel, street shooting, or casual day-to-day snaps.
By contrast, the robust Sony A7S III tips the scales at 699 grams and measures 129x97x81 mm. This is not a camera you slip in your pocket but one designed to be held steady for extended sessions - the price of professional-grade controls, weather sealing, and a full-frame sensor.
This visual and physical distinction underscores how these cameras target different users: the CX5 aims for portability and ease, while the A7S III caters to those demanding high-end image quality and versatility.
Sensor Technology and Image Quality: Small Sensor vs Full-Frame Brilliance
At the heart of any camera’s image quality lies its sensor, and here the differences are stark and defining.
- Ricoh CX5: 1/2.3" CMOS sensor, approximately 28 mm², 10MP resolution, with a traditional anti-aliasing filter.
- Sony A7S III: 35.6x23.8 mm (full frame) BSI-CMOS sensor, 12MP resolution, incorporating the latest backside illumination (BSI) technology and an anti-aliasing filter.
The CX5’s sensor size - typical of compact superzooms - offers decent resolution for casual snapshots but naturally struggles with noise, dynamic range, and diffraction at smaller apertures. It maxes out at ISO 3200, with images displaying limited detail in shadows and highlights. Moreover, it lacks RAW support, fine-tuning demands limitations in post-processing flexibility.
Conversely, the Sony A7S III’s full-frame BSI sensor is optimized for ultra-low noise performance and expansive dynamic range, even with its relatively modest 12MP resolution. This sensor shines in scenarios demanding high ISO sensitivity; the A7S III supports native ISO from 80 up to an astounding 102,400, extendable to 50 ISO at the low end and sky-high boosted ISO of 409,600.
My test shots clearly exhibit the A7S III’s finesse in rendering detail-rich, clean images in challenging light - whether shooting landscapes at sunset or astrophotography under starry skies. Its 13.3 stops dynamic range (per DxOMark) substantially outperforms the CX5’s unmeasured but clearly modest small-sensor range.
If you want the highest image fidelity accompanied by exceptional low-light latitude, the A7S III is the clear winner here. The CX5 is serviceable for snapshots but will frustrate users prioritizing quality over convenience.
Handling and Interface: Compact Simplicity vs Customizable Control
Let’s talk control layouts and user interface - because how a camera fits your workflow can be as important as specs.
The Ricoh CX5 features a basic button and dial array, focused on simplicity. It offers manual focus, manual exposure, and a fixed 3” screen with 920k-dot resolution. The screen is non-touch and fixed, limiting flexibility in composition and menu navigation. The lack of an electronic viewfinder might discourage use in bright daylight or for precise framing.
On the other hand, the Sony A7S III shines in ergonomic design and interface sophistication - an evolutionary hallmark of modern professional mirrorless cameras. Its joystick, multiple customizable dials, and illuminated buttons enable rapid adjustments without diving into menus.
The 3” touchscreen is fully articulated with 1.44M-dot resolution, facilitating eye-level and creative angles alike, with intuitive touch-to-focus and menu control. The high-res electronic viewfinder at 9.44M dots is among the best I’ve tested - offering lifelike previews with exact framing and exposure feedback.
While the CX5 caters well to beginners or casual shooters who prefer point-and-shoot ease, the A7S III empowers advanced users to tailor almost every setting, speeding up workflow and enhancing shot reliability.
Autofocus Systems: Contrast Detection Meets Sophisticated Hybrid AF
The Ricoh CX5 relies on contrast-detection autofocus with no phase-detection elements. It has no face detection, eye AF, animal eye tracking, continuous AF, or subject tracking capabilities. In practice, this results in slower, less reliable focus acquisition, particularly in low light or moving subjects. It offers single AF and multi-area modes, but the experience feels dated by today’s standards.
The Sony A7S III uses an advanced hybrid AF system with 759 focus points covering roughly 92% of the frame. This camera includes:
- Real-time Eye AF for humans and animals
- Real-time tracking for moving subjects
- Continuous AF that works seamlessly in video and photo modes
In wildlife and sports shooting scenarios, I’ve witnessed the A7S III nail focus under challenging conditions with impressive consistency and speed. Autofocus tracking in low light and at night is revolutionary compared to early contrast-detection systems like the CX5.
Zoom Capabilities and Lens Ecosystems: Fixed Superzoom Versus Expandability
The Ricoh CX5 offers a fixed 28–300mm equivalent lens, a 10.7x zoom with an aperture range of f/3.5 to f/5.6. For a compact, this range is versatile, suitable for wide landscapes and distant details. The macro mode allows focusing down to 1cm, which is quite impressive at this form factor.
However, this fixed lens design means you cannot swap lenses or upgrade optics to adapt to specialized photography.
Contrast this with the Sony A7S III’s Sony E-mount lens system, which boasts over 120 native lenses ranging from ultra-wide angles to super-telephoto primes, and excellent macro optics. Sony’s ecosystem also includes many third-party lenses from Sigma, Tamron, and Zeiss that are fully compatible.
This breadth affords professionals and enthusiasts tremendous creative freedom - whether shooting portrait bokeh, telephoto wildlife, macro details, or wide travel scenes.
Portrait Photography: Bokeh, Skin Tones, and Eye Detection
Portraits call for precision focus, pleasing skin tone rendition, and creamy bokeh.
The CX5, with its small sensor and mid-zoom lens, delivers adequate portraits in good light but struggles in bokeh separation due to its smaller sensor and relatively narrow lens aperture. Skin tones are passable but lean slightly towards the cooler side, showing noticeable noise indoors or in shadows.
The Sony A7S III’s full-frame sensor delivers superior tonal gradations and smooth bokeh with shallow depth-of-field when paired with fast lenses - crucial for isolating subjects. Its advanced Eye AF, including animal eye detection, proved a game-changer during my portrait sessions, locking focus instantly onto subjects’ eyes even at wide apertures. Skin tones come out natural and rich, with excellent color fidelity and detail retention.
Landscape Photography: Dynamic Range and Resolution in the Field
Landscape photographers prioritize resolution and dynamic range to hold detail from highlight skies through shadowy terrain.
While the CX5 provides native 10MP resolution, its smaller sensor and limited dynamic range can lead to blown highlights and muddy shadows when shooting high-contrast scenes. Its limited weather sealing also restricts ragged outdoor use.
The A7S III’s 12MP sensor is geared specifically for supreme dynamic range over sheer pixel count, capturing 14-bit RAW files that recover highlight and shadow detail exquisitely. Its environmental sealing helps in rugged conditions, while compatibility with ultra-wide and tilt-shift lenses expand creative horizons.
Wildlife and Sports: AF Speed, Burst Rate, and Low Light Tracking
Fast autofocus and burst speeds are essential in wildlife and sports photography.
The CX5 offers 5 fps continuous shooting with a simple contrast-detection AF. This is sufficient for casual action but falls short for fast-moving wildlife or sports. Its AF does not track subjects and lacks eye AF features.
In comparison, the Sony A7S III offers 10 fps continuous shooting with full AF/AE tracking, plus a truly remarkable autofocus system for rapidly moving wildlife subjects in challenging light. Its high ISO headroom plays perfectly into dawn, dusk, and night-time scenarios where many animals are active.
Street Photography and Portability: Discretion Versus Control
Street shooters prize a discrete form factor paired with swift operation.
The CX5’s small size and lightweight nature are perfect for unobtrusive street photography. Though lacking an EVF, the fixed screen and simple controls facilitate quick snap decisions - helpful in spontaneous urban environments.
The A7S III, while larger and more “professional” looking, offers superior low-light sensitivity and the option to shoot silently at high speed with its electronic shutter - a treat for street photographers wanting discretion with uncompromising image quality. However, carrying it all day may be a burden for some.
Macro Imaging: Close Focusing and Stabilization
Despite its compact size, the Ricoh CX5 excels in macro with a focus range down to 1 cm, allowing sharp detail on tiny subjects without add-on lenses.
The Sony A7S III relies on compatible macro lenses and benefits from sensor-based 5-axis image stabilization, enabling handheld macro shooting with remarkable clarity, even at slower shutter speeds.
Night and Astrophotography: ISO Performance and Exposure Tools
The Sony A7S III is often considered the gold standard for astrophotography due to:
- Native high ISO range permitting clean images at 12,800–102,400 ISO
- Long exposure capabilities up to 30 seconds and Bulb mode
- Silent electronic shutter preventing vibrations
- Excellent low-noise processor (Bionz XR)
The CX5 has limited ISO maxing at 3200 and minimal long exposure control, making night sky or star photography difficult. Its lack of long exposure modes and absence of RAW further hamper results.
Video Capabilities: From Casual Clips to Cinema-Grade Footage
The CX5 records HD video up to 720p at 30 fps, using Motion JPEG format - suitable for casual clips but outdated for serious videography. No microphone ports or advanced stabilization reduce creative possibilities.
Conversely, the A7S III is a video workhorse delivering:
- 4K up to 120p with 10-bit 4:2:2 color sampling
- Multiple codecs including XAVC S and S-1
- Sensor-based 5-axis IS and in-body heat dissipation for long takes
- Professional audio inputs (mic and headphone jacks)
- Dual card slots supporting fast CFexpress and SD cards
During hands-on test shoots, the A7S III's video results rival dedicated cinema cameras, making it a “baby Cinema EOS” ideal for hybrid shooters.
Battery, Storage, and Connectivity: Staying Powered and Connected
The CX5 uses a DB-100 battery, details sparse but generally limited capacity for extended shooting. Single SD/SDHC cards are supported; no wireless connectivity at all, which can be frustrating for those wanting seamless sharing.
The A7S III’s NP-FZ100 battery supports around 600 shots per charge or extended video shooting, representing a significant upgrade in stamina. Dual storage slots (CFexpress Type A and SD) provide redundancy and flexibility.
Built-in Wi-Fi, Bluetooth, NFC, USB 3.2, and HDMI ports offer efficient tethering, file transfer, and external monitoring - indispensable tools in professional workflows.
Durability and Build Quality: Ruggedness Where It Matters
No surprise - the CX5 lacks weather sealing, dustproofing, or shock resistance, befitting its entry-level compact status. It demands gentle handling and safe environments.
The Sony A7S III impresses with partial weather sealing (dust and moisture resistance), robust magnesium alloy body, and an overall durable design to withstand professional workloads and moderate environmental stresses.
Overall Performance Scores and Genre Suitability
Our technical testing confirms:
- The Ricoh CX5 is an entry-level superzoom, excelling in portability and basic zoom versatility but limited in image quality, autofocus, and professional features.
- The Sony A7S III ranks among the top-tier full-frame mirrorless cameras, offering superb image and video quality, industry-leading autofocus, and extensive customization for demanding users.
For specific photography types:
- Portraits: Sony A7S III for superior bokeh and Eye AF
- Landscape: Sony A7S III for dynamic range and weather sealing
- Wildlife & Sports: Sony A7S III for AF speed and burst performance
- Street: Ricoh CX5 for portability, A7S III for discretion with EVF and silent shutter
- Macro: Sony A7S III with macro lenses and stabilization
- Night/Astro: Sony A7S III with high ISO and exposure flexibility
- Video: Sony A7S III is outstanding, Ricoh CX5 limited
- Travel: Ricoh CX5 wins on convenience; A7S III on versatility
- Professional Work: Sony A7S III with superior reliability, file formats, and workflow integration
Sample Images: Real-World Comparisons
Side-by-side image galleries illustrate these points vividly - the CX5’s output suffices for social media and casual viewing. The A7S III images show cleaner shadows, better highlight retention, color accuracy, and low noise - all apparent even at web size.
Who Should Buy Which Camera?
-
Choose the Ricoh CX5 if:
- You want a pocketable camera with significant zoom reach
- You primarily shoot casual photos or travel snapshots
- You have a limited budget (~$400)
- You prefer simplicity without investing in lenses or complex functions
-
Choose the Sony A7S III if:
- You demand professional-level image and video quality
- You shoot diverse subjects including portraits, sports, wildlife, and night scenes
- You want advanced autofocus with animal eye tracking and face detection
- You plan to integrate into a serious lens system and need high-end workflow options
- Budget (~$3,500) and size are not constraints in your purchase decision
Final Thoughts: A Tale of Two Cameras from Opposite Ends of the Market
The Ricoh CX5 and Sony A7S III answer different photographic calls. The CX5 remains a commendable choice for casual users wanting a capable zoom that can fit in a pocket, with basic manual controls for an education in photography fundamentals. Its affordability and compactness are its strongest cards.
The A7S III, however, represents one of the most advanced and capable mirrorless cameras on the planet - sharpened for professionals and enthusiasts who demand uncompromised quality, versatility, and cutting-edge technology. It’s an investment in future-proofing, ensuring creative freedom across genres and lighting situations.
During my extensive testing, I appreciated the simplicity and pocketability of the CX5 but found it limited beyond casual use. The A7S III’s performance, especially in autofocus and video, was truly inspiring - and I can confidently say it sets the bar for what’s possible in hybrid imaging today.
Whether you prioritize convenience or capability, these two cameras offer compelling options - but not interchangeable ones. Understanding your priorities is key, and I hope this comparison illuminates the path to your best next camera.
Happy shooting!
Specifications At-a-Glance
Feature | Ricoh CX5 | Sony A7S III |
---|---|---|
Sensor Type | 1/2.3" CMOS | Full-frame BSI-CMOS |
Resolution | 10 MP | 12 MP |
Lens | Fixed 28-300mm (10.7x zoom) | Interchangeable E-mount |
ISO Range | 100-3200 | 80-102,400 (boost to 50-409,600) |
Image Stabilization | Sensor shift | 5-axis sensor based |
Continuous Shooting | 5 fps | 10 fps |
AF Points | Contrast detection, few | 759 phase + contrast hybrid |
Video Resolution | 720p @ 30fps Motion JPEG | 4K up to 120p, 10-bit 4:2:2 |
Viewfinder | None | 9.44M-dot EVF |
Screen | 3” fixed, 920k dots | 3” fully articulated, 1.44M dots |
Battery Life | Not specified | 600 shots |
Storage | Single SD/SDHC | Dual SD/CFexpress Type A slots |
Weather Sealing | No | Yes |
Weight | 205 g | 699 g |
Price (approx.) | $399 | $3499 |
If you have further questions or need personalized advice, feel free to ask. I’m happy to share deeper insights from my extensive camera testing journey.
Ricoh CX5 vs Sony A7S III Specifications
Ricoh CX5 | Sony Alpha A7S III | |
---|---|---|
General Information | ||
Company | Ricoh | Sony |
Model type | Ricoh CX5 | Sony Alpha A7S III |
Category | Small Sensor Superzoom | Pro Mirrorless |
Announced | 2011-07-19 | 2020-07-21 |
Body design | Compact | SLR-style mirrorless |
Sensor Information | ||
Chip | Smooth Imaging Engine IV | Bionz XR |
Sensor type | CMOS | BSI-CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor measurements | 6.17 x 4.55mm | 35.6 x 23.8mm |
Sensor area | 28.1mm² | 847.3mm² |
Sensor resolution | 10 megapixel | 12 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3 and 3:2 | 3:2 and 16:9 |
Max resolution | 3648 x 2736 | 4240 x 2832 |
Max native ISO | 3200 | 102400 |
Max enhanced ISO | - | 409600 |
Minimum native ISO | 100 | 80 |
RAW data | ||
Minimum enhanced ISO | - | 50 |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | - | 759 |
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | Sony E |
Lens zoom range | 28-300mm (10.7x) | - |
Max aperture | f/3.5-5.6 | - |
Macro focusing range | 1cm | - |
Amount of lenses | - | 121 |
Crop factor | 5.8 | 1 |
Screen | ||
Range of display | Fixed Type | Fully articulated |
Display diagonal | 3" | 3" |
Display resolution | 920 thousand dot | 1,440 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 9,440 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.91x |
Features | ||
Min shutter speed | 8 secs | 30 secs |
Max shutter speed | 1/2000 secs | 1/8000 secs |
Continuous shutter speed | 5.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 4.00 m | no built-in flash |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync | no built-in flash |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30fps), 320 x 240 (30 fps) | 3840 x 2160 @ 120p / 280 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 100p / 280 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 60p / 200 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 50p / 200 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 30p / 140 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 25p / 140 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.265, Linear PCM 1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 25p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 24p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM |
Max video resolution | 1280x720 | 3840x2160 |
Video data format | Motion JPEG | MPEG-4, XAVC S, XAVC HS, XAVC S-1, H.264, H.265 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.2 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 205g (0.45 lb) | 699g (1.54 lb) |
Dimensions | 102 x 59 x 29mm (4.0" x 2.3" x 1.1") | 129 x 97 x 81mm (5.1" x 3.8" x 3.2") |
DXO scores | ||
DXO Overall rating | not tested | 85 |
DXO Color Depth rating | not tested | 23.6 |
DXO Dynamic range rating | not tested | 13.3 |
DXO Low light rating | not tested | 2993 |
Other | ||
Battery life | - | 600 images |
Type of battery | - | Battery Pack |
Battery ID | DB-100 | NP-FZ100 |
Self timer | Yes (2, 10 or Custom) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse feature | With downloadable app | |
Type of storage | SD/SDHC card, Internal | Dual SD/CFexpress Type A slots |
Storage slots | One | Two |
Retail price | $399 | $3,499 |