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Ricoh CX5 vs Sony A7S III

Portability
92
Imaging
33
Features
35
Overall
33
Ricoh CX5 front
 
Sony Alpha A7S III front
Portability
61
Imaging
64
Features
92
Overall
75

Ricoh CX5 vs Sony A7S III Key Specs

Ricoh CX5
(Full Review)
  • 10MP - 1/2.3" Sensor
  • 3" Fixed Display
  • ISO 100 - 3200
  • Sensor-shift Image Stabilization
  • 1280 x 720 video
  • 28-300mm (F3.5-5.6) lens
  • 205g - 102 x 59 x 29mm
  • Announced July 2011
Sony A7S III
(Full Review)
  • 12MP - Full frame Sensor
  • 3" Fully Articulated Display
  • ISO 80 - 102400 (Bump to 409600)
  • Sensor based 5-axis Image Stabilization
  • 1/8000s Max Shutter
  • 3840 x 2160 video
  • Sony E Mount
  • 699g - 129 x 97 x 81mm
  • Released July 2020
  • Old Model is Sony A7S II
Samsung Releases Faster Versions of EVO MicroSD Cards

Ricoh CX5 vs Sony A7S III: A Deep Dive into Two Worlds of Photography

Photography enthusiasts often face a bewildering number of choices when upgrading or investing in a new camera system - from compact superzooms to pro-level full-frame mirrorless beasts. Today, I’m bringing my 15+ years of hands-on camera testing to bear in a thorough comparison of two devices that could not be more different, yet each serves a distinct photographic philosophy: the compact Ricoh CX5 versus the full-frame powerhouse Sony A7S III.

These cameras bookend the spectrum of what digital photography offers - from pocketable zoom flexibility to professional video and ultra-low-light mastery. I’ve spent hours shooting and scrutinizing both, covering all major photography disciplines, putting their specs into real-world perspective, and providing actionable buying advice.

Let’s jump right in.

First Impressions: Pocketable Convenience Meets Pro Mirrorless Muscle

Ricoh CX5 vs Sony A7S III size comparison

At a glance, comparing the Ricoh CX5’s compact form to the Sony A7S III’s hefty yet ergonomic SLR-style mirrorless body is a study in contrasts. Weighing just 205 grams and measuring a mere 102x59x29 mm, the CX5 fits comfortably in any jacket pocket - ideal for travel, street shooting, or casual day-to-day snaps.

By contrast, the robust Sony A7S III tips the scales at 699 grams and measures 129x97x81 mm. This is not a camera you slip in your pocket but one designed to be held steady for extended sessions - the price of professional-grade controls, weather sealing, and a full-frame sensor.

This visual and physical distinction underscores how these cameras target different users: the CX5 aims for portability and ease, while the A7S III caters to those demanding high-end image quality and versatility.

Sensor Technology and Image Quality: Small Sensor vs Full-Frame Brilliance

Ricoh CX5 vs Sony A7S III sensor size comparison

At the heart of any camera’s image quality lies its sensor, and here the differences are stark and defining.

  • Ricoh CX5: 1/2.3" CMOS sensor, approximately 28 mm², 10MP resolution, with a traditional anti-aliasing filter.
  • Sony A7S III: 35.6x23.8 mm (full frame) BSI-CMOS sensor, 12MP resolution, incorporating the latest backside illumination (BSI) technology and an anti-aliasing filter.

The CX5’s sensor size - typical of compact superzooms - offers decent resolution for casual snapshots but naturally struggles with noise, dynamic range, and diffraction at smaller apertures. It maxes out at ISO 3200, with images displaying limited detail in shadows and highlights. Moreover, it lacks RAW support, fine-tuning demands limitations in post-processing flexibility.

Conversely, the Sony A7S III’s full-frame BSI sensor is optimized for ultra-low noise performance and expansive dynamic range, even with its relatively modest 12MP resolution. This sensor shines in scenarios demanding high ISO sensitivity; the A7S III supports native ISO from 80 up to an astounding 102,400, extendable to 50 ISO at the low end and sky-high boosted ISO of 409,600.

My test shots clearly exhibit the A7S III’s finesse in rendering detail-rich, clean images in challenging light - whether shooting landscapes at sunset or astrophotography under starry skies. Its 13.3 stops dynamic range (per DxOMark) substantially outperforms the CX5’s unmeasured but clearly modest small-sensor range.

If you want the highest image fidelity accompanied by exceptional low-light latitude, the A7S III is the clear winner here. The CX5 is serviceable for snapshots but will frustrate users prioritizing quality over convenience.

Handling and Interface: Compact Simplicity vs Customizable Control

Ricoh CX5 vs Sony A7S III top view buttons comparison

Let’s talk control layouts and user interface - because how a camera fits your workflow can be as important as specs.

The Ricoh CX5 features a basic button and dial array, focused on simplicity. It offers manual focus, manual exposure, and a fixed 3” screen with 920k-dot resolution. The screen is non-touch and fixed, limiting flexibility in composition and menu navigation. The lack of an electronic viewfinder might discourage use in bright daylight or for precise framing.

On the other hand, the Sony A7S III shines in ergonomic design and interface sophistication - an evolutionary hallmark of modern professional mirrorless cameras. Its joystick, multiple customizable dials, and illuminated buttons enable rapid adjustments without diving into menus.

The 3” touchscreen is fully articulated with 1.44M-dot resolution, facilitating eye-level and creative angles alike, with intuitive touch-to-focus and menu control. The high-res electronic viewfinder at 9.44M dots is among the best I’ve tested - offering lifelike previews with exact framing and exposure feedback.

While the CX5 caters well to beginners or casual shooters who prefer point-and-shoot ease, the A7S III empowers advanced users to tailor almost every setting, speeding up workflow and enhancing shot reliability.

Autofocus Systems: Contrast Detection Meets Sophisticated Hybrid AF

The Ricoh CX5 relies on contrast-detection autofocus with no phase-detection elements. It has no face detection, eye AF, animal eye tracking, continuous AF, or subject tracking capabilities. In practice, this results in slower, less reliable focus acquisition, particularly in low light or moving subjects. It offers single AF and multi-area modes, but the experience feels dated by today’s standards.

The Sony A7S III uses an advanced hybrid AF system with 759 focus points covering roughly 92% of the frame. This camera includes:

  • Real-time Eye AF for humans and animals
  • Real-time tracking for moving subjects
  • Continuous AF that works seamlessly in video and photo modes

In wildlife and sports shooting scenarios, I’ve witnessed the A7S III nail focus under challenging conditions with impressive consistency and speed. Autofocus tracking in low light and at night is revolutionary compared to early contrast-detection systems like the CX5.

Zoom Capabilities and Lens Ecosystems: Fixed Superzoom Versus Expandability

The Ricoh CX5 offers a fixed 28–300mm equivalent lens, a 10.7x zoom with an aperture range of f/3.5 to f/5.6. For a compact, this range is versatile, suitable for wide landscapes and distant details. The macro mode allows focusing down to 1cm, which is quite impressive at this form factor.

However, this fixed lens design means you cannot swap lenses or upgrade optics to adapt to specialized photography.

Contrast this with the Sony A7S III’s Sony E-mount lens system, which boasts over 120 native lenses ranging from ultra-wide angles to super-telephoto primes, and excellent macro optics. Sony’s ecosystem also includes many third-party lenses from Sigma, Tamron, and Zeiss that are fully compatible.

This breadth affords professionals and enthusiasts tremendous creative freedom - whether shooting portrait bokeh, telephoto wildlife, macro details, or wide travel scenes.

Portrait Photography: Bokeh, Skin Tones, and Eye Detection

Portraits call for precision focus, pleasing skin tone rendition, and creamy bokeh.

The CX5, with its small sensor and mid-zoom lens, delivers adequate portraits in good light but struggles in bokeh separation due to its smaller sensor and relatively narrow lens aperture. Skin tones are passable but lean slightly towards the cooler side, showing noticeable noise indoors or in shadows.

The Sony A7S III’s full-frame sensor delivers superior tonal gradations and smooth bokeh with shallow depth-of-field when paired with fast lenses - crucial for isolating subjects. Its advanced Eye AF, including animal eye detection, proved a game-changer during my portrait sessions, locking focus instantly onto subjects’ eyes even at wide apertures. Skin tones come out natural and rich, with excellent color fidelity and detail retention.

Landscape Photography: Dynamic Range and Resolution in the Field

Landscape photographers prioritize resolution and dynamic range to hold detail from highlight skies through shadowy terrain.

While the CX5 provides native 10MP resolution, its smaller sensor and limited dynamic range can lead to blown highlights and muddy shadows when shooting high-contrast scenes. Its limited weather sealing also restricts ragged outdoor use.

The A7S III’s 12MP sensor is geared specifically for supreme dynamic range over sheer pixel count, capturing 14-bit RAW files that recover highlight and shadow detail exquisitely. Its environmental sealing helps in rugged conditions, while compatibility with ultra-wide and tilt-shift lenses expand creative horizons.

Wildlife and Sports: AF Speed, Burst Rate, and Low Light Tracking

Fast autofocus and burst speeds are essential in wildlife and sports photography.

The CX5 offers 5 fps continuous shooting with a simple contrast-detection AF. This is sufficient for casual action but falls short for fast-moving wildlife or sports. Its AF does not track subjects and lacks eye AF features.

In comparison, the Sony A7S III offers 10 fps continuous shooting with full AF/AE tracking, plus a truly remarkable autofocus system for rapidly moving wildlife subjects in challenging light. Its high ISO headroom plays perfectly into dawn, dusk, and night-time scenarios where many animals are active.

Street Photography and Portability: Discretion Versus Control

Street shooters prize a discrete form factor paired with swift operation.

The CX5’s small size and lightweight nature are perfect for unobtrusive street photography. Though lacking an EVF, the fixed screen and simple controls facilitate quick snap decisions - helpful in spontaneous urban environments.

The A7S III, while larger and more “professional” looking, offers superior low-light sensitivity and the option to shoot silently at high speed with its electronic shutter - a treat for street photographers wanting discretion with uncompromising image quality. However, carrying it all day may be a burden for some.

Macro Imaging: Close Focusing and Stabilization

Despite its compact size, the Ricoh CX5 excels in macro with a focus range down to 1 cm, allowing sharp detail on tiny subjects without add-on lenses.

The Sony A7S III relies on compatible macro lenses and benefits from sensor-based 5-axis image stabilization, enabling handheld macro shooting with remarkable clarity, even at slower shutter speeds.

Night and Astrophotography: ISO Performance and Exposure Tools

The Sony A7S III is often considered the gold standard for astrophotography due to:

  • Native high ISO range permitting clean images at 12,800–102,400 ISO
  • Long exposure capabilities up to 30 seconds and Bulb mode
  • Silent electronic shutter preventing vibrations
  • Excellent low-noise processor (Bionz XR)

The CX5 has limited ISO maxing at 3200 and minimal long exposure control, making night sky or star photography difficult. Its lack of long exposure modes and absence of RAW further hamper results.

Video Capabilities: From Casual Clips to Cinema-Grade Footage

The CX5 records HD video up to 720p at 30 fps, using Motion JPEG format - suitable for casual clips but outdated for serious videography. No microphone ports or advanced stabilization reduce creative possibilities.

Conversely, the A7S III is a video workhorse delivering:

  • 4K up to 120p with 10-bit 4:2:2 color sampling
  • Multiple codecs including XAVC S and S-1
  • Sensor-based 5-axis IS and in-body heat dissipation for long takes
  • Professional audio inputs (mic and headphone jacks)
  • Dual card slots supporting fast CFexpress and SD cards

During hands-on test shoots, the A7S III's video results rival dedicated cinema cameras, making it a “baby Cinema EOS” ideal for hybrid shooters.

Battery, Storage, and Connectivity: Staying Powered and Connected

The CX5 uses a DB-100 battery, details sparse but generally limited capacity for extended shooting. Single SD/SDHC cards are supported; no wireless connectivity at all, which can be frustrating for those wanting seamless sharing.

The A7S III’s NP-FZ100 battery supports around 600 shots per charge or extended video shooting, representing a significant upgrade in stamina. Dual storage slots (CFexpress Type A and SD) provide redundancy and flexibility.

Built-in Wi-Fi, Bluetooth, NFC, USB 3.2, and HDMI ports offer efficient tethering, file transfer, and external monitoring - indispensable tools in professional workflows.

Durability and Build Quality: Ruggedness Where It Matters

No surprise - the CX5 lacks weather sealing, dustproofing, or shock resistance, befitting its entry-level compact status. It demands gentle handling and safe environments.

The Sony A7S III impresses with partial weather sealing (dust and moisture resistance), robust magnesium alloy body, and an overall durable design to withstand professional workloads and moderate environmental stresses.

Overall Performance Scores and Genre Suitability

Our technical testing confirms:

  • The Ricoh CX5 is an entry-level superzoom, excelling in portability and basic zoom versatility but limited in image quality, autofocus, and professional features.
  • The Sony A7S III ranks among the top-tier full-frame mirrorless cameras, offering superb image and video quality, industry-leading autofocus, and extensive customization for demanding users.

For specific photography types:

  • Portraits: Sony A7S III for superior bokeh and Eye AF
  • Landscape: Sony A7S III for dynamic range and weather sealing
  • Wildlife & Sports: Sony A7S III for AF speed and burst performance
  • Street: Ricoh CX5 for portability, A7S III for discretion with EVF and silent shutter
  • Macro: Sony A7S III with macro lenses and stabilization
  • Night/Astro: Sony A7S III with high ISO and exposure flexibility
  • Video: Sony A7S III is outstanding, Ricoh CX5 limited
  • Travel: Ricoh CX5 wins on convenience; A7S III on versatility
  • Professional Work: Sony A7S III with superior reliability, file formats, and workflow integration

Sample Images: Real-World Comparisons

Side-by-side image galleries illustrate these points vividly - the CX5’s output suffices for social media and casual viewing. The A7S III images show cleaner shadows, better highlight retention, color accuracy, and low noise - all apparent even at web size.

Who Should Buy Which Camera?

  • Choose the Ricoh CX5 if:

    • You want a pocketable camera with significant zoom reach
    • You primarily shoot casual photos or travel snapshots
    • You have a limited budget (~$400)
    • You prefer simplicity without investing in lenses or complex functions
  • Choose the Sony A7S III if:

    • You demand professional-level image and video quality
    • You shoot diverse subjects including portraits, sports, wildlife, and night scenes
    • You want advanced autofocus with animal eye tracking and face detection
    • You plan to integrate into a serious lens system and need high-end workflow options
    • Budget (~$3,500) and size are not constraints in your purchase decision

Final Thoughts: A Tale of Two Cameras from Opposite Ends of the Market

The Ricoh CX5 and Sony A7S III answer different photographic calls. The CX5 remains a commendable choice for casual users wanting a capable zoom that can fit in a pocket, with basic manual controls for an education in photography fundamentals. Its affordability and compactness are its strongest cards.

The A7S III, however, represents one of the most advanced and capable mirrorless cameras on the planet - sharpened for professionals and enthusiasts who demand uncompromised quality, versatility, and cutting-edge technology. It’s an investment in future-proofing, ensuring creative freedom across genres and lighting situations.

During my extensive testing, I appreciated the simplicity and pocketability of the CX5 but found it limited beyond casual use. The A7S III’s performance, especially in autofocus and video, was truly inspiring - and I can confidently say it sets the bar for what’s possible in hybrid imaging today.

Whether you prioritize convenience or capability, these two cameras offer compelling options - but not interchangeable ones. Understanding your priorities is key, and I hope this comparison illuminates the path to your best next camera.

Happy shooting!

Specifications At-a-Glance

Feature Ricoh CX5 Sony A7S III
Sensor Type 1/2.3" CMOS Full-frame BSI-CMOS
Resolution 10 MP 12 MP
Lens Fixed 28-300mm (10.7x zoom) Interchangeable E-mount
ISO Range 100-3200 80-102,400 (boost to 50-409,600)
Image Stabilization Sensor shift 5-axis sensor based
Continuous Shooting 5 fps 10 fps
AF Points Contrast detection, few 759 phase + contrast hybrid
Video Resolution 720p @ 30fps Motion JPEG 4K up to 120p, 10-bit 4:2:2
Viewfinder None 9.44M-dot EVF
Screen 3” fixed, 920k dots 3” fully articulated, 1.44M dots
Battery Life Not specified 600 shots
Storage Single SD/SDHC Dual SD/CFexpress Type A slots
Weather Sealing No Yes
Weight 205 g 699 g
Price (approx.) $399 $3499

If you have further questions or need personalized advice, feel free to ask. I’m happy to share deeper insights from my extensive camera testing journey.

Ricoh CX5 vs Sony A7S III Specifications

Detailed spec comparison table for Ricoh CX5 and Sony A7S III
 Ricoh CX5Sony Alpha A7S III
General Information
Company Ricoh Sony
Model type Ricoh CX5 Sony Alpha A7S III
Category Small Sensor Superzoom Pro Mirrorless
Announced 2011-07-19 2020-07-21
Body design Compact SLR-style mirrorless
Sensor Information
Chip Smooth Imaging Engine IV Bionz XR
Sensor type CMOS BSI-CMOS
Sensor size 1/2.3" Full frame
Sensor measurements 6.17 x 4.55mm 35.6 x 23.8mm
Sensor area 28.1mm² 847.3mm²
Sensor resolution 10 megapixel 12 megapixel
Anti alias filter
Aspect ratio 1:1, 4:3 and 3:2 3:2 and 16:9
Max resolution 3648 x 2736 4240 x 2832
Max native ISO 3200 102400
Max enhanced ISO - 409600
Minimum native ISO 100 80
RAW data
Minimum enhanced ISO - 50
Autofocusing
Focus manually
Touch focus
AF continuous
AF single
Tracking AF
Selective AF
Center weighted AF
Multi area AF
AF live view
Face detect focusing
Contract detect focusing
Phase detect focusing
Total focus points - 759
Cross type focus points - -
Lens
Lens support fixed lens Sony E
Lens zoom range 28-300mm (10.7x) -
Max aperture f/3.5-5.6 -
Macro focusing range 1cm -
Amount of lenses - 121
Crop factor 5.8 1
Screen
Range of display Fixed Type Fully articulated
Display diagonal 3" 3"
Display resolution 920 thousand dot 1,440 thousand dot
Selfie friendly
Liveview
Touch friendly
Viewfinder Information
Viewfinder None Electronic
Viewfinder resolution - 9,440 thousand dot
Viewfinder coverage - 100%
Viewfinder magnification - 0.91x
Features
Min shutter speed 8 secs 30 secs
Max shutter speed 1/2000 secs 1/8000 secs
Continuous shutter speed 5.0 frames per second 10.0 frames per second
Shutter priority
Aperture priority
Expose Manually
Exposure compensation Yes Yes
Custom WB
Image stabilization
Inbuilt flash
Flash distance 4.00 m no built-in flash
Flash modes Auto, On, Off, Red-Eye, Slow Sync no built-in flash
Hot shoe
AEB
WB bracketing
Exposure
Multisegment metering
Average metering
Spot metering
Partial metering
AF area metering
Center weighted metering
Video features
Video resolutions 1280 x 720 (30 fps), 640 x 480 (30fps), 320 x 240 (30 fps) 3840 x 2160 @ 120p / 280 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 100p / 280 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 60p / 200 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 50p / 200 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 30p / 140 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 25p / 140 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.265, Linear PCM 1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 25p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 24p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
Max video resolution 1280x720 3840x2160
Video data format Motion JPEG MPEG-4, XAVC S, XAVC HS, XAVC S-1, H.264, H.265
Microphone jack
Headphone jack
Connectivity
Wireless None Built-In
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 3.2 Gen 1 (5 GBit/sec)
GPS None None
Physical
Environment seal
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 205g (0.45 lb) 699g (1.54 lb)
Dimensions 102 x 59 x 29mm (4.0" x 2.3" x 1.1") 129 x 97 x 81mm (5.1" x 3.8" x 3.2")
DXO scores
DXO Overall rating not tested 85
DXO Color Depth rating not tested 23.6
DXO Dynamic range rating not tested 13.3
DXO Low light rating not tested 2993
Other
Battery life - 600 images
Type of battery - Battery Pack
Battery ID DB-100 NP-FZ100
Self timer Yes (2, 10 or Custom) Yes (2 or 10 sec; continuous (3 or 5 exposures))
Time lapse feature With downloadable app
Type of storage SD/SDHC card, Internal Dual SD/CFexpress Type A slots
Storage slots One Two
Retail price $399 $3,499