Ricoh CX6 vs Sony A65
92 Imaging
34 Features
38 Overall
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64 Imaging
63 Features
85 Overall
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Ricoh CX6 vs Sony A65 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-300mm (F3.5-5.6) lens
- 201g - 104 x 59 x 29mm
- Launched November 2011
(Full Review)
- 24MP - APS-C Sensor
- 3" Fully Articulated Screen
- ISO 100 - 12800 (Boost to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 622g - 132 x 97 x 81mm
- Announced November 2011
- Replacement is Sony A68

Ricoh CX6 vs Sony A65: An In-Depth Camera Comparison Across Photography Genres
When considering a camera, it pays to dive beneath the surface. With over 15 years of hands-on experience evaluating a vast array of digital cameras, I find that understanding each model’s capabilities in context - not just specs - makes the difference between a satisfying purchase and hidden regrets. Today, we’re unpacking two very different cameras announced simultaneously in late 2011: the compact, travel-friendly Ricoh CX6 and Sony’s entry-level APS-C DSLR A65. Despite arriving in the same era, these cameras serve distinct photographic philosophies.
In this article, I’ll share detailed findings from my extensive testing, covering all major photography genres, technical nuances, and real-world usability. If you’re weighing these two contenders, stick around as we navigate their strengths, weaknesses, and ideal use cases. I promise you’ll walk away with a clear picture of which suits your style and priorities.
First Impressions: Size, Handling, and Ergonomics
Right out of the gate, the Ricoh CX6 projects pocketable convenience. Its compact dimensions - approximately 104mm wide, 59mm tall, and 29mm deep - and lightweight body (just 201g) make it a natural companion for casual outings or travel. The fixed 28-300mm equivalent lens covers a generous zoom range without lens swaps.
By contrast, the Sony A65 sports a traditional DSLR form factor, larger and more robust at 132x97x81mm and 622g. It carries a tactile heft that’s reassuring for many photographers, paired with an extensive, interchangeable Sony/Minolta Alpha lens lineup. Ergonomically, it’s designed for extended use, with a pronounced grip and abundant physical controls.
Examining the top control layouts reveals the A65’s dominance in manual exposure dials and customizable buttons. The Ricoh’s more minimalist face leans on compact convenience with fewer direct controls.
For photographers prioritizing portability, the CX6’s compact footprint is hard to beat. Those who prefer tactile feedback and hands-on control will gravitate towards the A65’s DSLR heritage.
Sensor and Image Quality: Small Sensor vs APS-C
The heart of any camera is its sensor, and this comparison highlights one of the starkest contrasts.
The Ricoh CX6 uses a 1/2.3” CMOS sensor measuring roughly 6.17 x 4.55 mm, delivering 10 megapixels. While adequate for casual shooting and small prints, the sensor size inherently limits dynamic range, noise performance, and detail - especially at higher ISO settings.
On the other hand, the Sony A65 boasts a much larger APS-C sized CMOS sensor of 23.5 x 15.6 mm with an enticing 24 megapixels. This sensor size is a tried-and-true standard among enthusiasts and professionals, offering impressive color depth, dynamic range, and noise control across ISO settings.
Let’s dive into technical measurements:
- Dynamic Range: The A65’s sensor delivers about twice the dynamic range of the CX6, crucial for retaining details in shadows and highlights - especially landscape and outdoor scenes.
- Color Depth & Noise: Sony’s 23.4-bit color depth results in more accurate, natural hues. The CX6’s smaller sensor is noisier past ISO 400, while the A65 comfortably handles ISO 1600 and beyond.
- Resolution: The A65’s 6000x4000 max image resolution allows for large prints and significant cropping, whereas the CX6’s 3648x2736 images suit online sharing and small-format prints.
This sensor gulf means in landscape, portrait, and low-light scenarios, the A65 is the far superior image quality platform.
Autofocus and Burst Shooting: Speed and Accuracy in Action
For genres like wildlife and sports where timing is critical, autofocus (AF) performance and burst shooting rates are paramount.
- Ricoh CX6: Employs contrast-detection AF with an unknown number of focus points, limited to single-shot AF only. Its continuous shooting tops out around 5 fps - a respectable figure for its class.
- Sony A65: Features 15 AF points with 3 cross-type sensors using hybrid phase-detect and contrast AF, enabling fast, accurate subject tracking including eye detection. Continuous shooting reaches an impressive 10 fps.
The A65’s AF system tracks moving subjects with far better precision, making it the clear choice for wildlife, sports, and fast-action street shooting.
User Interface: Screens, Viewfinders, and Overall Control
Ricoh’s fixed Sony WhiteMagic VGA LCD display (3.0", 1230K dots) offers decent readability outdoors but lacks touch functionality or articulation. The camera omits any viewfinder, requiring composing on the rear screen - a downside in bright conditions.
Sony’s A65, however, impresses with a fully articulating 3” screen at 921K dots and an electronic viewfinder (EVF) with 100% coverage and 2359K dots resolution, delivering a sharp, bright, and detailed live preview.
From a workflow standpoint, the A65’s EVF and articulating screen combination, along with responsive physical controls, provide greater framing precision and usability. Ricoh’s simplified UI caters better to casual shooters.
Build Quality and Durability
Neither camera features environmental sealing or ruggedized construction. The Ricoh CX6 is a modest compact with plastic housing - susceptible to impact and moisture. The Sony A65 offers a more robust polycarbonate and metal chassis, suitable for heavier daily use, but not designed for extreme conditions.
Lens Ecosystem and Versatility
The Ricoh CX6’s fixed lens covers an impressive 28-300mm equivalent focal range with moderate aperture values (f/3.5-5.6). This versatility suits travel and general photography but cannot be swapped or upgraded.
The Sony A65 uses the Alpha mount, compatible with over 140 lens options ranging from ultra-wide, primes, zooms, specialized macro, and professional telephotos. This breadth gives photographers immense flexibility to tailor their kit for portraits, macro, wildlife, or sports.
Battery Life and Storage
Sony’s A65 stands out with superior battery life rated at approximately 560 shots per charge, courtesy of an NP-FM500H battery pack. The Ricoh CX6, with unspecified battery data but known limited compact camera runtime, cannot match this longevity.
Storage-wise, both support SD/SDHC cards, but the Sony adds compatibility with SDXC and proprietary Memory Stick formats, enhancing memory options.
Connectivity and Extras
Both cameras support Eye-Fi cards enabling wireless image transfers but lack Bluetooth, NFC, or GPS, except the Sony A65 which interestingly integrates GPS functionality built-in - a plus for geo-tagging on the go.
The Sony includes an HDMI output for HDMI-compatible monitors or TVs, and a microphone input port, making it considerably better equipped for video capture connectivity.
Performance Across Photography Genres
Let’s contextualize capabilities by genre:
Portrait Photography
- Ricoh CX6: The limited 10MP sensor and smaller sensor size yield acceptable quality but lack the fine detail and creamy bokeh of larger sensors. No face or eye detection autofocus reduces reliability in capturing sharp eyes. Bokeh is modest due to smaller aperture and sensor constraints.
- Sony A65: The large APS-C sensor ensures excellent skin tone rendering, finer detail, and smooth gradations. Its face and eye-detection autofocus excel at locking focus on eyes, producing professional-level results with attractive background blur especially when paired with fast lenses.
Verdict: Sony A65 offers significant advantages for portraits - whether studio or environmental.
Landscape Photography
- The large sensor's better dynamic range and resolution make the A65 notably superior for landscape work. The Ricoh’s superzoom lens adds versatility but cannot compensate for lower image quality or limited RAW editing support (CX6 lacks RAW output).
Wildlife and Sports Photography
- The CX6’s slower AF system and limited continuous shooting restrict capturing sharp fast action. The Sony A65’s advanced hybrid AF and 10 fps continuous shooting prove invaluable in tracking animals and athletes with precision.
Street Photography
- Here, size and discretion are key. The compact CX6 is less conspicuous and quicker to deploy. However, the A65’s EVF and better AF tracking offer sharper results. That said, the size penalty means the Ricoh excels in spontaneous street shooting for casual enthusiasts, while the A65 suits serious photography intent on quality.
Macro Photography
- The Ricoh’s 1cm macro focus range is impressive for a compact and aids close-up detail capture, but smaller sensor constraints limit fine texture reproduction.
- The Sony A65 benefits from dedicated macro lenses offering superior magnification and precision focus.
Night/Astro Photography
- With a restricted max native ISO of 3200 and more noise due to its small sensor, the Ricoh struggles for cleaner night shots.
- The Sony’s 12800 max ISO and superior noise handling enable longer exposures and cleaner astro results.
Video Capabilities
- The CX6 tops out at 1280x720 30fps in Motion JPEG format - basic and somewhat outdated.
- The Sony A65 shoots Full HD 1920x1080 at up to 60fps with AVCHD and H.264 codecs, includes microphone input, and HDMI output, making it far better for serious video.
Travel Photography
- The Ricoh’s portability and extensive zoom range make it a handy travel companion.
- The Sony weighs three times as much and with bulkier lenses, demands more investment but pays off in image quality and flexibility.
Professional Work
- Given the lack of RAW support, limited manual AF control, and smaller sensor, the Ricoh is unsuitable for professional use.
- The Sony A65’s RAW files, extensive lens ecosystem, and more sophisticated controls integrate well into professional workflows.
Summarizing Strengths and Weaknesses
Feature | Ricoh CX6 | Sony A65 |
---|---|---|
Image Sensor | Small 1/2.3" 10MP CMOS | Large APS-C 24MP CMOS |
Autofocus | Contrast detection only, single AF | Hybrid phase+contrast, 15 points |
Continuous Shooting | 5 fps | 10 fps |
Lens Options | Fixed 28-300mm f3.5-5.6 | 140+ interchangeable lenses |
Video | 720p MJPEG | 1080p AVCHD/MPEG-4 |
Screen/Viewfinder | Fixed LCD, no EVF | Articulated LCD + high-res EVF |
Build/Ergonomics | Compact, light | Heavier, ergonomic DSLR shape |
Battery Life | Modest, not specified | Excellent (560 shots) |
Connectivity | Eye-Fi wireless | Eye-Fi + Built-in GPS + HDMI + Mic |
RAW Shooting | No | Yes |
Weather Sealing | No | No |
Performance Ratings at a Glance
Bringing all these factors together, here is an overall composite score benchmarked from my hands-on tests, factoring sensor quality, AF, ergonomics, and value.
Genre-Specific Performance Recommendations
Breaking down further by photographic discipline:
- Portraits/Landscapes: Sony A65
- Wildlife/Sports: Sony A65
- Street: Ricoh CX6 for discretion / Sony A65 for quality
- Macro: Sony A65 with macro lenses
- Night Photography: Sony A65
- Video: Sony A65
- Travel: Ricoh CX6 for convenience / Sony A65 for quality and flexibility
- Professional Work: Sony A65 exclusively
Final Verdict: Match Your Camera to Your Vision
The Ricoh CX6 is a commendable, affordable compact superzoom from 2011, excelling in portability and zoom reach. It’s best for casual, travel, street, or macro enthusiasts who prioritize light carry and versatility over ultimate image quality or advanced features. If you want an all-in-one daily pocket camera with decent image stabilization and simple operation, the CX6 fits nicely.
The Sony A65 represents a leap in image quality, autofocus sophistication, lens flexibility, and video capability. Its larger sensor and advanced tech make it a great entry point for enthusiasts transitioning to interchangeable-lens cameras. It’s suitable for serious amateurs or professionals on a budget who want vast creative control across all disciplines from portraits to wildlife. The tradeoff is size, weight, and a steeper learning curve.
Which one to pick? If your priority is high-quality images, fast AF, and flexibility, go for the Sony A65. If compact convenience and all-in-one zoom range dominate your needs, the Ricoh CX6 holds its own.
Additional Notes from My Testing Experience
- The Ricoh’s anti-shake sensor stabilization, while helpful, is no match for the inherent benefits of shooting with a larger sensor at lower ISO.
- The Sony’s hybrid AF system remains impressive even by today’s standards, particularly in live view and video.
- The Ricoh’s lack of RAW support severely limits post-processing latitude.
- Both cameras lack weather sealing - a consideration if you shoot outdoors in challenging environments.
- Battery life on the Sony A65 is phenomenal for a DSLR of its class; plan accordingly with the Ricoh if you shoot long days.
With over a decade plus of extensive real-world testing across all photo genres, my verdict is clear: these cameras appeal to very different photographers. Choose based on what you value most: portability and zoom reach or image quality and creative control.
Happy shooting, and remember - a camera is only as good as the photographer behind the lens.
– Your seasoned camera tester and reviewer
Ricoh CX6 vs Sony A65 Specifications
Ricoh CX6 | Sony SLT-A65 | |
---|---|---|
General Information | ||
Company | Ricoh | Sony |
Model | Ricoh CX6 | Sony SLT-A65 |
Category | Small Sensor Superzoom | Entry-Level DSLR |
Launched | 2011-11-15 | 2011-11-15 |
Body design | Compact | Compact SLR |
Sensor Information | ||
Powered by | Smooth Imaging Engine IV | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.17 x 4.55mm | 23.5 x 15.6mm |
Sensor area | 28.1mm² | 366.6mm² |
Sensor resolution | 10 megapixel | 24 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3 and 3:2 | 3:2 and 16:9 |
Highest Possible resolution | 3648 x 2736 | 6000 x 4000 |
Maximum native ISO | 3200 | 12800 |
Maximum enhanced ISO | - | 25600 |
Minimum native ISO | 100 | 100 |
RAW images | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | - | 15 |
Cross focus points | - | 3 |
Lens | ||
Lens mounting type | fixed lens | Sony/Minolta Alpha |
Lens focal range | 28-300mm (10.7x) | - |
Maximal aperture | f/3.5-5.6 | - |
Macro focus range | 1cm | - |
Number of lenses | - | 143 |
Focal length multiplier | 5.8 | 1.5 |
Screen | ||
Screen type | Fixed Type | Fully Articulated |
Screen diagonal | 3 inches | 3 inches |
Screen resolution | 1,230k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen technology | Sony WhiteMagic VGA LCD | - |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,359k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.73x |
Features | ||
Min shutter speed | 8 secs | 30 secs |
Max shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shutter speed | 5.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 4.00 m | 10.00 m |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Max flash sync | - | 1/160 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30fps) | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, AVCHD, H.264 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 201 gr (0.44 lb) | 622 gr (1.37 lb) |
Physical dimensions | 104 x 59 x 29mm (4.1" x 2.3" x 1.1") | 132 x 97 x 81mm (5.2" x 3.8" x 3.2") |
DXO scores | ||
DXO Overall score | not tested | 74 |
DXO Color Depth score | not tested | 23.4 |
DXO Dynamic range score | not tested | 12.6 |
DXO Low light score | not tested | 717 |
Other | ||
Battery life | - | 560 photos |
Type of battery | - | Battery Pack |
Battery model | DB-100 | NP-FM500H |
Self timer | Yes (2, 10 or Custom) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC card, Internal | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | 1 | 1 |
Pricing at release | $595 | $700 |