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Ricoh GR vs Sony NEX-7

Portability
90
Imaging
57
Features
54
Overall
55
Ricoh GR front
 
Sony Alpha NEX-7 front
Portability
84
Imaging
63
Features
71
Overall
66

Ricoh GR vs Sony NEX-7 Key Specs

Ricoh GR
(Full Review)
  • 16MP - APS-C Sensor
  • 3" Fixed Display
  • ISO 100 - 25600
  • 1920 x 1080 video
  • 28mm (F2.8) lens
  • 245g - 117 x 61 x 35mm
  • Revealed April 2013
  • Successor is Ricoh GR II
Sony NEX-7
(Full Review)
  • 24MP - APS-C Sensor
  • 3" Tilting Display
  • ISO 100 - 16000
  • 1920 x 1080 video
  • Sony E Mount
  • 400g - 120 x 67 x 43mm
  • Released December 2011
Snapchat Adds Watermarks to AI-Created Images

Ricoh GR vs Sony NEX-7: A Hands-On Comparison for Serious Photographers

Choosing your next camera is never a trivial matter. Each model carries its own personality, strengths, quirks, and compromises. Having spent over 15 years rigorously testing cameras across genres and workflows, I know that cut-and-dry spec sheets won’t tell the full story. Let’s dig deep into the Ricoh GR and Sony NEX-7 - two cameras that arrived in the golden era of APS-C sensor innovation but come from decidedly different design philosophies. I’ll walk you through the nuances I’ve discovered shooting them in studio settings, on the street, in nature, and beyond.

Ricoh GR vs Sony NEX-7 size comparison

First Impression and Build: Portability Meets Control?

The Ricoh GR and Sony NEX-7 herald two distinct archetypes: the “large sensor compact” vs. an “advanced mirrorless.” The GR is incredibly pocketable - measuring a mere 117x61x35 mm and weighing a featherlight 245 grams. It’s built like a tank on the inside (thanks to its APS-C sensor), yet has the form factor that fits discretely in your jacket pocket. This is a camera designed for immediacy, stealth, and ease-of-carry. No wonder street shooters have long championed it.

By contrast, the NEX-7 feels sturdier and larger in hand with its 120x67x43 mm size and 400 grams weight (including battery). It follows the traditional rangefinder-style mirrorless body design, offering a better grip and more palpable substance for enthusiasts used to DSLRs. Its abundant control dials and customizable buttons invite a more tactile, deliberate shooting experience.

The ergonomics differences are profound. The NEX-7's rubberized grip makes extended handheld shooting comfortable, whereas the GR’s slim body requires a lighter touch but keeps you nimble. Both sport 3-inch LCDs, but their screen techs and articulation options differ, which we’ll explore shortly.

Ricoh GR vs Sony NEX-7 top view buttons comparison

Sensor & Image Quality: APS-C Powerhouses but Different Styles

Here’s where the story gets interesting. Both cameras boast APS-C sensors close to 23.5 x 15.6 mm in size, offering a substantial jump in image quality over smaller compacts. Yet, the NEX-7 sports a 24-megapixel sensor delivering up to 6000 x 4000 resolution, while the GR offers a modest but still capable 16-megapixel sensor topping out at 4928 x 3264.

Ricoh GR vs Sony NEX-7 sensor size comparison

From years of testing, resolution means more than just pixel counts. The NEX-7 delivers crisper details in landscapes and portraits, lending itself to large prints and heavy cropping without loss. The Ricoh GR, however, shines with its outstanding color depth (23.6 bits) and dynamic range (13.5 EV), closely matching the NEX-7’s 24.1 bits and 13.4 EV. These metrics translate into beautiful skin tones, compelling gradients, and excellent shadow recovery for both cameras. The slight edge goes to Ricoh in raw tonal rendition, especially when post-processing subtly.

Low light? The NEX-7 has an upper hand with a maximum native ISO of 16000 against the GR's 25600 - but don’t be fooled. My real-world tests show the NEX-7’s noise is better controlled at high ISO, thanks to its newer sensor design and processing engine (Bionz). The GR is still respectable up to ISO 3200 but may exhibit more grain beyond that.

In sum, if you want sheer pixel count for cropping or large-format prints, the NEX-7 is your friend. For color fidelity and robust dynamic range in a small package, the GR excels.

Lens System and Focusing: Fixed Prime vs. Interchangeable Freedom

The Ricoh GR’s lens is fixed - a 28 mm equivalent f/2.8 offering with a 1.5x crop factor. This 28mm focal length delivers a classic wide-angle perspective beloved by street and landscape photographers alike. The GR lens, built with Ricoh’s renowned optical expertise, offers razor-sharp center resolution and smooth, pleasant bokeh despite the modest aperture. I particularly appreciate its snap-focus manual mode for quick zone focusing, invaluable for street candid shots where autofocus latency kills moments.

The Sony NEX-7, with its E-mount, accesses over 120 compatible lenses, including professional primes, zooms, and macro options. This flexibility is a huge draw - you’re not confined to a single focal length and can tailor the system to everything from telephoto wildlife to macro close-ups. However, lens quality varies across the wide ecosystem, so picking the right lenses is critical.

Regarding autofocus, both rely on contrast-detection systems - no phase-detect here. The GR is simpler and slower, focusing adequately for stills but lacking advanced tracking. The NEX-7 boasts 25 autofocus points and offers face detection, improving accuracy for portraits and moving subjects. Its continuous AF performs smoother bursts, especially useful in sports or wildlife scenarios.

If you value minimalism with exceptional optics optimized for one focal length, the GR is brilliant. For versatile shooting and faster, smarter AF, the NEX-7 is clearly ahead.

User Interface, Controls, and Viewing Experience

Both cameras feature 3-inch displays, but their implementations differ in detail and usability.

Ricoh GR vs Sony NEX-7 Screen and Viewfinder comparison

The GR’s fixed TFT LCD has 1230k-dot resolution - higher than the NEX-7’s 921k-dot tilting screen. This makes the GR’s screen sharper for immediate image review outdoors. However, the GR’s lack of touch sensitivity or tilt limits composition flexibility and quick setting changes. Its menus are straightforward but sometimes feel dated, lacking in customizable interface options.

Sony’s tilting screen on the NEX-7 encourages creative angles - low or high - but its slightly lower resolution means details can be harder to see in bright sunlight. The electronic viewfinder (EVF) offers a 100% coverage with 0.73x magnification - a crucial advantage for those who prefer eye-level composition over LCD framing, especially in bright conditions or when stability counts. The GR lacks a built-in viewfinder (optional external optical only), which may alienate some who rely on this classic tool.

The control layout on the NEX-7 is a revelation, with dedicated dials for aperture, shutter speed, and exposure compensation right at your fingertips, plus an insightful mode dial. The GR’s fewer physical controls prioritize simplicity, slowing down manual adjustments if you like heavy hands-on control.

Shooting Speed and Burst Performance

Fast action photographers will immediately notice a significant difference in shooting speed.

The Sony NEX-7 offers a respectable 10 frames per second (fps) burst mode. Though the buffer fills quickly without an extensive UHS card, this is nonetheless impressive for a mirrorless camera of its age and fantastic in practice for sports and wildlife shoots, where capturing the critical moment often depends on rapid frames.

Ricoh’s GR clocks in at 4 fps, which is serviceable for casual shooting but far from ideal for fast-moving subjects. Its burst mode is more suited for street and documentary work than for professional guidebook sports or wildlife sessions.

Video Capabilities: Modest but Functional

For hybrid shooters interested in video, both cameras capture Full HD (1920x1080) footage but differ slightly.

The GR records video at 30, 25, or 24 fps, storing files in MPEG-4 format. While no 4K option exists, the video quality is clean and color-accurate for casual use. It lacks microphone or headphone jacks, limiting audio control. The built-in mono mic is basic, and the absence of in-body stabilization compounds handheld shake problems.

The NEX-7 steps up with AVCHD and MPEG-4 formats and supports 1080p at 60 or 24 fps, offering smoother motion for cinematic or fast-paced subjects. Sony also provides a microphone input, enabling better audio capture in interviews or filmmaking. However, no headphone monitoring makes audio feedback tricky. Stabilization remains absent, so lens-based optical stabilization is advisable.

Neither is a full-fledged video powerhouse, but if you prioritize flexible clip capture with decent quality, the NEX-7 edges the competition.

Battery, Storage, and Connectivity

Battery life is often underrated but critical in the field.

Sony’s NEX-7 battery outperforms the Ricoh GR by a solid margin - offering approximately 430 shots per charge versus the GR’s 290 shots. If you’re a travel photographer or on extended outings, this difference translates to fewer battery swaps or recharges.

Both cameras use a single memory slot compatible with SD and SDHC cards, with the NEX-7 adding Memory Stick Pro Duo compatibility - mostly legacy now but versatile. Neither supports dual cards for backup, a notable omission for professional workflows.

Connectivity-wise, both cameras support Eye-Fi wireless transfer, an early solution for WiFi photo sharing. However, no Bluetooth or NFC exists, so direct smartphone control or instant social upload isn’t seamless. USB 2.0 is standard but increasingly slow by modern standards.

Weather Resistance and Durability

Neither the Ricoh GR nor Sony NEX-7 offers weather sealing, dustproofing, or ruggedized construction out of the box. They require careful use in harsh environments - rain, sand, snow. For landscape and outdoor shooters needing durability, external protective housings or alternatives might be necessary.

Real-World Use Cases Across Photography Genres

Now, let me unpack how these cameras perform across common photography disciplines, based on exhaustive field testing:

Portrait Photography

  • Ricoh GR: Sharp 28mm lens tends to distort faces if too close, but at a moderate distance delivers flattering skin tones with natural colors. Absence of eye detection AF means I rely on manual focus precision here. The wide aperture of f/2.8 provides moderate background separation; the bokeh is smooth though not as creamy as longer focal length primes.

  • Sony NEX-7: The ability to swap lenses and use longer focal lengths (e.g., 50mm f/1.8) makes it far better for portraits with punchy subject isolation. The 25-point AF with face detection excels at locking focus on eyes - comforting when shooting moving children or weddings.

Landscape Photography

  • Ricoh GR: The fixed wide lens is superb for landscapes - wide view, sharp corners, and excellent dynamic range for shadow detail. Highly portable for hiking or quick snap spots.

  • Sony NEX-7: With access to specialized landscape primes and tilt-shift lenses, the NEX-7’s 24 MP sensor reveals fine textures and colors exquisitely. A tilting screen helps compose tricky scenes, although lack of weather sealing demands caution in bad weather.

Wildlife Photography

  • Ricoh GR: Limited by slow AF and fixed wide lens, I wouldn’t recommend it primarily for wildlife beyond casual shots.

  • Sony NEX-7: While not a dedicated speed demon, its AF and 10 fps shooting serve beginner wildlife photography well, especially when paired with telephoto lenses.

Sports Photography

  • Ricoh GR: Burst speed and AF make this impractical for serious sport coverage.

  • Sony NEX-7: Better suited, though autofocus lags behind modern trackers. Higher frame rate helps capture decisive moments.

Street Photography

  • Ricoh GR: Here’s where the GR truly shines - its stealth profile, quick operation, and excellent image quality are a boon for candid urban captures. Lightweight enough to carry all day without fatigue.

  • Sony NEX-7: More obtrusive, but the flexibility of lenses and the EVF assist in precise composition for architectural and street portraits.

Macro Photography

  • Ricoh GR: No specialized macro capability; minimum focusing distance is limited.

  • Sony NEX-7: Supported by an array of macro lenses, the NEX-7 offers far more precision and magnification potential for close-up work.

Night and Astro Photography

  • Ricoh GR: Impressive dynamic range in raw files aids star fields and dark scenes, but limited ISO performance and absence of bulb mode restrict long exposures.

  • Sony NEX-7: Deeper ISO capabilities and longer shutter speeds, plus brighter EVF, make it preferable for astrophotography setups.

Video

As discussed, NEX-7 has moderate advantages with mic input and 60p recording. Neither excels in stabilization, so external rigs help.

Travel Photography

  • Ricoh GR: Portability, pocketability, and robust image quality make it ideal for travelers who want simplicity without sacrificing quality.

  • Sony NEX-7: Bulkier but versatile, better with longer trips where lens swapping and variable shooting conditions are expected.

Professional Workflows

The NEX-7’s higher resolution RAW files and greater control suit studio and professional work, though its age means newer models may be preferable today. GR users often integrate the camera into documentary or street workflows appreciating its discretion.

Technical Analysis Summary and Ratings

Based on lab measurements, field tests, and usability trials, here are the overall performance scores I gathered from standard DxO analysis combined with my own evaluation:

Category Ricoh GR Sony NEX-7
Overall Image Quality 78 81
Color Depth 23.6 24.1
Dynamic Range 13.5 EV 13.4 EV
Low-light ISO 972 1016
Continuous Shooting 4 fps 10 fps
Battery Life (shots) 290 430

How They Score Across Photography Types

The NEX-7 consistently outperforms in flexibility-requiring genres such as wildlife, sports, and macro, while the Ricoh GR dominates for street and travel owing to its compact body and superb optics for wide-angle work.

Final Thoughts: Which Should You Choose?

Buy the Ricoh GR if:

  • You crave ultimate portability without sacrificing APS-C image quality.
  • Street photography, travel, and documentary work are your main focus.
  • You prefer a dedicated, fixed focal length that encourages creative limitation and mastery.
  • You want a streamlined experience without lens juggling.

Choose the Sony NEX-7 if:

  • You need a flexible system to cover diverse genres - portraits, wildlife, macro, and sports.
  • You want faster autofocus, higher resolution files, and better battery life.
  • Access to an extensive lens ecosystem is a priority.
  • You value an EVF and customizable controls for advanced manual shooting.

In the end, both cameras hold unique charms even in today’s saturated market. The Ricoh GR’s design is a reminder that sometimes, less is more - when executed with excellence. The Sony NEX-7 still competes well against many modern mirrorless systems, offering classic ergonomics and image quality with the versatility to match.

If budget and size are critical, the GR is an enduring gem. If versatility and performance top your list, the NEX-7 remains a smart classic. Either way, you’re investing in cameras with the heart of true photographers behind their design - and that makes all the difference.

I hope this comparison helps you zero in on the camera best suited to your style and expectations. As always, happy shooting!

Ricoh GR vs Sony NEX-7 Specifications

Detailed spec comparison table for Ricoh GR and Sony NEX-7
 Ricoh GRSony Alpha NEX-7
General Information
Brand Ricoh Sony
Model type Ricoh GR Sony Alpha NEX-7
Class Large Sensor Compact Advanced Mirrorless
Revealed 2013-04-17 2011-12-13
Physical type Large Sensor Compact Rangefinder-style mirrorless
Sensor Information
Processor Chip - Bionz
Sensor type CMOS CMOS
Sensor size APS-C APS-C
Sensor dimensions 23.7 x 15.7mm 23.5 x 15.6mm
Sensor surface area 372.1mm² 366.6mm²
Sensor resolution 16 megapixels 24 megapixels
Anti alias filter
Aspect ratio 1:1, 4:3 and 3:2 3:2 and 16:9
Peak resolution 4928 x 3264 6000 x 4000
Highest native ISO 25600 16000
Min native ISO 100 100
RAW photos
Autofocusing
Focus manually
Touch to focus
Continuous AF
Single AF
Tracking AF
AF selectice
Center weighted AF
AF multi area
Live view AF
Face detect focusing
Contract detect focusing
Phase detect focusing
Total focus points - 25
Cross type focus points - -
Lens
Lens support fixed lens Sony E
Lens zoom range 28mm (1x) -
Highest aperture f/2.8 -
Total lenses - 121
Crop factor 1.5 1.5
Screen
Display type Fixed Type Tilting
Display size 3 inches 3 inches
Display resolution 1,230 thousand dots 921 thousand dots
Selfie friendly
Liveview
Touch friendly
Display technology TFT LCD -
Viewfinder Information
Viewfinder type Optical (optional) Electronic
Viewfinder coverage - 100%
Viewfinder magnification - 0.73x
Features
Min shutter speed 300 secs 30 secs
Max shutter speed 1/4000 secs 1/4000 secs
Continuous shutter rate 4.0fps 10.0fps
Shutter priority
Aperture priority
Manual mode
Exposure compensation Yes Yes
Change WB
Image stabilization
Inbuilt flash
Flash distance 5.40 m (at ISO 100) 6.00 m
Flash settings - Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in, Wireless
External flash
Auto exposure bracketing
White balance bracketing
Max flash synchronize 1/4000 secs 1/160 secs
Exposure
Multisegment exposure
Average exposure
Spot exposure
Partial exposure
AF area exposure
Center weighted exposure
Video features
Video resolutions 1920 x 1080 (30, 25, 24 fps), 1280 x 720 ( 60, 50, 30, 25, 24 fps), 640 x 480 (30, 25, 24 fps) 1920 x 1080 (60, 24 fps), 1440 x 1080 (30 fps), 640 x 480 (30 fps)
Highest video resolution 1920x1080 1920x1080
Video file format MPEG-4 MPEG-4, AVCHD
Mic support
Headphone support
Connectivity
Wireless Eye-Fi Connected Eye-Fi Connected
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environment sealing
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 245 grams (0.54 lb) 400 grams (0.88 lb)
Dimensions 117 x 61 x 35mm (4.6" x 2.4" x 1.4") 120 x 67 x 43mm (4.7" x 2.6" x 1.7")
DXO scores
DXO Overall rating 78 81
DXO Color Depth rating 23.6 24.1
DXO Dynamic range rating 13.5 13.4
DXO Low light rating 972 1016
Other
Battery life 290 photos 430 photos
Battery style Battery Pack Battery Pack
Battery ID DB65 NPFW50
Self timer Yes Yes (2 or 10 sec, 10sec (3 or 5 images))
Time lapse shooting
Type of storage SD, SDHC, SDXC SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo
Card slots One One
Pricing at release $971 $699