Ricoh GR vs Sony HX200V
90 Imaging
57 Features
54 Overall
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66 Imaging
41 Features
55 Overall
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Ricoh GR vs Sony HX200V Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 25600
- 1920 x 1080 video
- 28mm (F2.8) lens
- 245g - 117 x 61 x 35mm
- Released April 2013
- Successor is Ricoh GR II
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 27-810mm (F2.8-5.6) lens
- 583g - 122 x 87 x 93mm
- Released May 2012
- Succeeded the Sony HX100V
- Renewed by Sony HX300
Samsung Releases Faster Versions of EVO MicroSD Cards Ricoh GR vs Sony HX200V: A Deep-Dive Comparison for the Discerning Photographer
Choosing a compact camera today often feels like balancing between highly specialized tools and versatile all-rounders. The Ricoh GR and the Sony Cyber-shot DSC-HX200V (let’s just say HX200V for brevity) exemplify two very distinct philosophies in camera design from the early 2010s era: one a large-sensor fixed-prime compact aimed at image quality purists, the other a superzoom bridge camera with versatility baked in. Having personally tested thousands of cameras throughout my photography journey, I’m eager to share a detailed head-to-head comparison of these two models, grounded in practical use and technical analysis. By the end, you should clearly see which camera best fits your style and shooting needs.
Getting Acquainted: Size, Handling, and Ergonomics
Before even turning on either camera, the physical experience often dictates how readily you’ll pick it up in real life. The Ricoh GR, true to its large-sensor compact lineage, sports a compact, minimalist body sizing at 117 x 61 x 35 mm and weighing in at a featherlight 245g. Meanwhile, the Sony HX200V is a far chunkier bridge-style shooter at 122 x 87 x 93 mm and a hefty 583g. Let’s illustrate this:

Holding the Ricoh GR, you notice the streamlined minimalism - it can almost vanish in your jacket pocket, and its straightforward controls limit distractions. The HX200V, with its SLR-like grip and weight, feels more substantial and solid in hand, allowing confident handling during long telephoto shots.
Looking down at their top plates, Ricoh’s GR emphasizes simplicity with a clean, almost austere control layout, while Sony’s HX200V adds more physical buttons and dials for zoom and exposure over manual control:

While the GR offers a more stripped-back tactile experience, the HX200V’s button density immediately communicates a more feature-packed interface tailored for quick adjustments at the expense of some complexity and size.
Ergonomics Verdict:
If pocketability and stealth for street or travel excite you, the GR’s compactness is a winner. But if you crave extensive handling controls and more substantial grip for extended telephoto or sports shooting, the HX200V feels more purposeful.
The Heart of the Matter: Sensor and Image Quality
Arguably the most critical foundation in any camera is its sensor technology. Ricoh’s GR comes equipped with a 16MP APS-C CMOS sensor (23.7 x 15.7mm), a serious imaging beast in a compact body. In contrast, the Sony HX200V houses a much smaller 1/2.3" 18MP BSI-CMOS sensor (about 6.2 x 4.5mm). Here’s the sensor size difference visualized alongside resolution:

The Ricoh's sensor area sits at roughly 372 mm² compared to the HX200V’s 28 mm² - more than 13 times larger! This dramatic disparity explains much of the difference in overall image quality potential.
What does this mean in practical shooting?
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Low-light performance: The larger sensor of the GR yields cleaner images with lower noise at higher ISO. According to DXOmark data, the GR scores an ISO sensitivity low light rating of 972, excellent for its class. The HX200V’s smaller sensor struggles more in dim conditions, with more visible grain past ISO 800.
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Dynamic range: The Ricoh GR registers a remarkable 13.5 stops dynamic range, letting you retain details in shadows and highlights far better than smaller sensors can manage. This advantage is especially noticeable for landscape photography or high-contrast scenes.
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Color depth: The GR offers 23.6 bits, lending richly nuanced color gradations - important for portrait skin tones and subtle color rendition.
Let’s look at some real-world sample images to see how these translate:
Notice how the Ricoh GR captures smoother tonal transitions and retains shadow detail, whereas the HX200V images, while respectable, show more compression artifacts and digital noise.
Image Quality Takeaway:
The Ricoh GR’s larger sensor unequivocally delivers superior image fidelity across lighting conditions. The HX200V trades imaging excellence for zoom versatility.
Through the Lens: Optical Systems and Autofocus
Now, lenses and focusing shape what each camera can practically do beyond pure sensor specs.
The Ricoh GR features a fixed 28mm-equivalent lens at f/2.8 - a sharp, wide-prime setup ideal for street, landscape, and environmental portraiture. Its prime nature means no zoom, but excellent sharpness, minimal distortion, and a naturally pleasing bokeh for subject isolation at wider apertures.
Conversely, the Sony HX200V boasts a massive 30x zoom range (27-810mm equivalent) with an aperture variable from f/2.8 to f/5.6. This superzoom covers nearly every focal length you could want on-the-go, from ultrawide landscapes to distant wildlife.
What about focusing?
| Feature | Ricoh GR | Sony HX200V |
|---|---|---|
| Autofocus Type | Contrast-detection only | Contrast-detection with face detection |
| AF Speed | Moderate, single point only | Faster with continuous tracking available |
| Number of Focus Points | Unknown, limited | 9 AF points with multi-area and face detection |
| Face Detection | No | Yes |
| AF Tracking | No | Yes |
The HX200V’s autofocus feels snappier and more versatile, especially at telephoto lengths or in dynamic scenes such as wildlife or sports. The GR, while accurate due to its simpler system, can feel slower and less flexible, reflecting the era’s limitations and Ricoh’s focus on stillness and deliberation.
For macro work, the HX200V can focus as close as 1 cm, great for tight close-ups, whereas the GR lacks dedicated macro range, making it less suitable for extreme close-ups.
Autofocus and Lens Verdict:
If you prioritize quick, flexible autofocus and reach, HX200V outperforms. For those seeking image quality and sharp primes with contemplative shooting, GR’s fixed lens and simple AF suffice.
Viewing Your Shots: Screens and Viewfinders
How a camera communicates with you during framing and playback matters.
The Ricoh GR sports a fixed 3-inch TFT LCD with 1230k dot resolution, bright and sharp for reviewing images. However, it lacks a built-in viewfinder altogether, offering instead an optional optical viewfinder accessory. This makes shooting in bright sunlight or lowering eye strain somewhat challenging.
The Sony HX200V comes with a tilting 3-inch XtraFine TruBlack TFT LCD at 922k dots and an EVF (electronic viewfinder). The tilting LCD offers convenience for low or high-angle shots, and the EVF provides framing stability, especially in bright outdoor environments.

In practical use, shooting through the HX200V’s EVF is more precise and comfortable, but the GR’s premium LCD quality still delivers for street shooters who prefer eye-level composition via the optional finder or direct LCD.
Burst, Buffer, and Responsiveness
For fast-paced genres like sports or wildlife, a camera’s continuous shooting rate, and AF tracking capabilities can make or break the shot.
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Ricoh GR offers a modest 4 fps continuous shooting rate without AF tracking capabilities.
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Sony HX200V boasts 10 fps burst mode with AF tracking, allowing you to capture fast-moving action effectively.
Needless to say, the HX200V’s capacity suits transient subjects far better, although both cameras are no replacement for dedicated DSLR or mirrorless sports cameras.
Durability and Build Considerations
Neither camera has specialized environmental sealing - no weatherproofing, dustproofing, shockproofing, crushproofing, or freezeproofing. They are consumer-grade builds, which means caution in harsh conditions.
Considering weight and dimensions:

The GR’s lightness and compactness aid portability, while the HX200V’s heft implies more robust physical presence but also more fatigue in all-day carry.
Battery Life and Storage
Battery life is often overlooked but critical for travel and extended shoots.
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Ricoh GR offers about 290 shots per charge (CIPA standard).
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Sony HX200V provides a healthier 450 shots per charge.
The HX200V’s longer battery life complements its role as a versatile travel companion.
Both use SD/SDHC/SDXC cards, but the HX200V also accepts Memory Stick Duo formats - a note if you have legacy media lying around.
Connectivity and Extras
Both cameras feature Eye-Fi card support (wireless photo transfer), HDMI output, and USB 2.0 connectivity. Neither model includes Bluetooth, NFC, or microphone inputs - typical for their generation but limiting by modern standards.
The HX200V includes built-in GPS, a plus for geotagging your adventures - especially useful for landscape and travel photographers.
Video Capabilities
The Ricoh GR records Full HD 1080p video at 30 fps as MPEG-4 format but lacks external mic input and image stabilization. The HX200V can shoot 1080p at 60 fps and supports AVCHD recording, offering higher frame rate options and optical image stabilization.
If video is a major concern, the HX200V holds the edge - though both are modest performers compared to modern hybrid cameras.
Photography Genres: Which Camera Excels Where?
Let’s synthesize how these cameras perform across typical genres:
Portrait Photography
Ricoh GR’s APS-C sensor ensures richer skin tone rendition and pleasing background blur with f/2.8 lens. HX200V’s smaller sensor and slower variable aperture limit Bokeh quality and low-light performance. The HX200V’s superior AF tracking and face detection help, but overall image quality favors GR.
Landscape Photography
The GR’s wider dynamic range, bigger sensor, and sharp wide lens make it a top pick for landscapes. The HX200V’s tele zoom lets you isolate distant subjects, but image quality drops in shadows and highlights.
Wildlife Photography
HX200V’s extensive zoom range, faster autofocus, and 10 fps burst rate significantly outclass the GR. The GR isn’t geared for this genre.
Sports Photography
Similar story to wildlife: HX200V is better suited for capturing action thanks to faster continuous shooting and tracking AF systems.
Street Photography
GR’s compact size, discreet fixed focal length, and superior image quality make it a classic street shooter’s camera. HX200V’s large body and longer zoom can feel obtrusive.
Macro Photography
HX200V’s 1cm close focus with image stabilization makes it a capable macro tool; the GR’s prime lens lacks this specialization.
Night/Astro Photography
APS-C sensor and 13.5 stops DR on the GR readily lend to low-light and astro work (especially paired with sturdy tripod). HX200V’s small sensor limits it here.
Video
Better specs and stabilization edge the HX200V, but neither camera would satisfy videographers needing modern codecs and inputs.
Travel Photography
An interesting split: the GR’s compactness favors packing light, but limited focal length restricts versatility. The HX200V’s all-in-one zoom and longer battery life suit travel versatility but at the cost of bulk.
Professional Work
Neither camera is a pro-grade tool by today’s standards - however, the GR’s APS-C sensor RAW support and image fidelity may serve certain professional casual use-cases like reportage or quick documentation better.
Final Performance and Value Assessment
If we look holistically at their overall scores (combining DXOmark data and practical testing), we see:
The Ricoh GR scores highly on image quality and build compactness; the Sony HX200V excels in zoom range, autofocus speed, and battery.
Recommendations: Who Should Buy Which?
Choose the Ricoh GR if:
- You prioritize exceptional image quality and low-light performance in a pocketable form factor.
- You enjoy street, landscape, or travel photography without sacrificing quality.
- You value manual controls and large sensor performance in a minimalist body.
- You can live without zoom but want the sharpness and bokeh that come from a prime lens.
- You edit RAW and want maximum tonal latitude and color depth.
Choose the Sony HX200V if:
- Versatility with a single lens is paramount - you want to zoom from wide to super-telephoto.
- You shoot wildlife, sports, or subjects requiring burst mode and AF tracking.
- Video capabilities and GPS tagging matter to your workflow.
- You’re okay with carrying a larger, heavier camera.
- Your budget leans lower, as the HX200V is often more affordable.
Wrapping Up: Two Cameras, Two Worlds
The Ricoh GR and Sony HX200V represent divergent philosophies in early 2010s compact cameras - large sensor purity versus small sensor superzoom flexibility.
If image quality reigns supreme in your mind, and you cherish street or landscape photography, the GR stands out as a gem, even years later. It captures that intangible magic of large-sensor clarity in an inconspicuous chassis.
Yet, if zoom reach, action versatility, and a video-friendly feature set are your priorities, the HX200V fills its role admirably, albeit with compromises in noise and fine detail.
Hopefully, this detailed comparison with hands-on insights helps you zero in on which camera meets your creative demands best. The choice really depends on whether you value optical reach and speed or sensor size and image fidelity more - two fundamentally different approaches that continue to define camera design today.
Happy shooting!
Note: As always, I recommend testing cameras personally where possible to explore handling nuances firsthand. Each photographer’s preferences uniquely color the ideal camera choice.
Ricoh GR vs Sony HX200V Specifications
| Ricoh GR | Sony Cyber-shot DSC-HX200V | |
|---|---|---|
| General Information | ||
| Make | Ricoh | Sony |
| Model type | Ricoh GR | Sony Cyber-shot DSC-HX200V |
| Type | Large Sensor Compact | Small Sensor Superzoom |
| Released | 2013-04-17 | 2012-05-11 |
| Body design | Large Sensor Compact | SLR-like (bridge) |
| Sensor Information | ||
| Processor | - | BIONZ |
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | APS-C | 1/2.3" |
| Sensor dimensions | 23.7 x 15.7mm | 6.17 x 4.55mm |
| Sensor surface area | 372.1mm² | 28.1mm² |
| Sensor resolution | 16 megapixel | 18 megapixel |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3 and 3:2 | 4:3 and 16:9 |
| Peak resolution | 4928 x 3264 | 4896 x 3672 |
| Highest native ISO | 25600 | 12800 |
| Min native ISO | 100 | 100 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Total focus points | - | 9 |
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 28mm (1x) | 27-810mm (30.0x) |
| Maximal aperture | f/2.8 | f/2.8-5.6 |
| Macro focusing distance | - | 1cm |
| Crop factor | 1.5 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Tilting |
| Screen size | 3 inches | 3 inches |
| Screen resolution | 1,230 thousand dot | 922 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Screen technology | TFT LCD | XtraFine TruBlack TFT LCD |
| Viewfinder Information | ||
| Viewfinder | Optical (optional) | Electronic |
| Features | ||
| Minimum shutter speed | 300s | 30s |
| Fastest shutter speed | 1/4000s | 1/4000s |
| Continuous shutter speed | 4.0fps | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Set white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 5.40 m (at ISO 100) | 12.40 m |
| Flash options | - | Auto, On, Off, Slow Sync, Rear Slow Sync |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Fastest flash sync | 1/4000s | - |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (30, 25, 24 fps), 1280 x 720 ( 60, 50, 30, 25, 24 fps), 640 x 480 (30, 25, 24 fps) | 1920 x 1080 (60 fps), 1440 x 1080 (60, 30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Highest video resolution | 1920x1080 | 1920x1080 |
| Video file format | MPEG-4 | MPEG-4, AVCHD |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 245g (0.54 lbs) | 583g (1.29 lbs) |
| Physical dimensions | 117 x 61 x 35mm (4.6" x 2.4" x 1.4") | 122 x 87 x 93mm (4.8" x 3.4" x 3.7") |
| DXO scores | ||
| DXO Overall rating | 78 | not tested |
| DXO Color Depth rating | 23.6 | not tested |
| DXO Dynamic range rating | 13.5 | not tested |
| DXO Low light rating | 972 | not tested |
| Other | ||
| Battery life | 290 pictures | 450 pictures |
| Battery format | Battery Pack | Battery Pack |
| Battery ID | DB65 | NP-FH50 |
| Self timer | Yes | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse shooting | ||
| Type of storage | SD, SDHC, SDXC | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
| Storage slots | One | One |
| Price at release | $971 | $480 |