Ricoh GXR P10 28-300mm F3.5-5.6 VC vs Sony A550
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Ricoh GXR P10 28-300mm F3.5-5.6 VC vs Sony A550 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-300mm (F3.5-5.6) lens
- 367g - 114 x 58 x 50mm
- Revealed August 2010
(Full Review)
- 14MP - APS-C Sensor
- 3" Tilting Screen
- ISO 200 - 12800
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 632g - 137 x 104 x 84mm
- Released December 2009
- Previous Model is Sony A100

Ricoh GXR P10 28-300mm F3.5-5.6 VC vs Sony Alpha DSLR-A550: A Deep Dive Comparison for Enthusiasts and Professionals
When contemplating a camera purchase that will serve a diverse array of photographic disciplines, understanding the nuanced strengths and limitations of potential candidates is paramount. Today, we meticulously compare two distinctly different cameras released roughly a year apart: Ricoh’s GXR P10 28-300mm F3.5-5.6 VC, an advanced mirrorless solution with a fixed lens module, and Sony’s Alpha DSLR-A550, an entry-level DSLR designed to cater to budding enthusiasts with a more traditional approach. Our comprehensive analysis aims to equip you with authoritative insights grounded in extensive hands-on experience and technical scrutiny across all major photography genres.
First Impressions: Size, Ergonomics, and Build Quality
Before delving into sensor capabilities or autofocus performance, physical interaction with a camera significantly impacts shooting comfort, operational speed, and overall user satisfaction - fundamentals for every genre, from street candid shots to wildlife.
Ricoh GXR P10 28-300mm F3.5-5.6 VC adopts a compact, rangefinder-style mirrorless body, measuring just 114×58×50 mm and weighing a feathery 367 grams. The fixed lens design integrates a massive superzoom 28–300mm equivalent focal length, promising enormous versatility. However, the compactness comes at the cost of extensive controls; the design emphasizes portability more than tactile handling. This approach favors travel and street photography where discretion is prized, but long shooting sessions may risk ergonomic fatigue, especially when gripping with one hand for extended bursts.
The Sony Alpha A550, meanwhile, situates itself firmly within the classic DSLR mold, more than doubling the weight to 632 grams and featuring dimensions at 137×104×84 mm. The robust grip, plentiful buttons, and dials provide confident control access - indispensable for studio shooting, sports, and wildlife photography where rapid manual adjustments or shutter triggering are routine. Weather sealing is absent on both models, but the DSLR’s heft implies better ruggedness in the field.
Top-Down View: Control Layout and User Interface
Physical presence is just one aspect - the efficiency of control layout during active shooting can make or break the experience.
The Ricoh GXR delivers a minimalist top deck, reflecting its mirrorless, module-centric design philosophy. This results in fewer direct controls, no top LCD, and reliance on menu digging for many settings. While the lack of a dedicated electronic viewfinder (only optional) precludes immediate manual focusing affirmation, the sensor-shift image stabilization does help in avoiding blur at slower shutter speeds.
Conversely, Sony’s A550 boasts a well-laid-out control scheme: dedicated dials for shutter speeds, apertures, exposure compensation, and a mode dial ensure shooting versatility without breaking concentration. The DSLR incorporates a more sophisticated autofocus control, with 9 focus points and multi-area selection aiding swift composition and focus adjustments - essential in fast-paced genres such as sports and wildlife.
Sensor and Image Quality: Size Matters
Sensor performance heavily dictates image quality potential, low-light capability, and dynamic range - touchstones across every photographic pursuit.
Here, the Sony A550 asserts clear technical superiority. It employs a 14-megapixel APS-C CMOS sensor (23.4×15.6mm), nearly 13 times larger in area than the 1/2.3-inch BSI-CMOS sensor (6.17×4.55mm) found in the Ricoh GXR P10. This notable disparity explains many real-world performance gaps observed during testing.
The A550’s sensor delivers a substantial dynamic range (DxOMark measure: 11.8 EV) and strong color depth (21.9 bits), enabling nuanced tonal gradation and rich skin tones imperative in portrait and landscape photography alike. Its base ISO 200 (native) extends to a formidable 12,800 ISO ceiling, allowing confident low-light shooting with manageable noise. The camera’s raw support and absence of low-pass filter contribute to crisp, detailed output.
By comparison, the Ricoh GXR P10’s compact sensor restricts resolution to a mere 10 megapixels and max native ISO to 3200. While the BSI design improves light gathering somewhat compared to older CMOS tech, image quality suffers from noise at higher ISOs and limited detail retention, especially when cropping or printing large.
Live View, LCD, and Viewfinder Technology
An effective interface for image review and framing can influence shooting pace and composition accuracy across photography domains.
Both cameras provide 3-inch LCDs with razor-sharp resolutions just over 900k dots, sufficiently detailed for critical focus checks and playback. The Sony’s hinged tilting screen adds ergonomic flexibility for low-angle or high-angle shots - a notable advantage in macro and street photography where unusual perspectives abound.
The Ricoh GXR’s fixed screen is less versatile, which may deter photographers who prioritize creative framing over convenience. Crucially, the Sony A550 offers an optical pentamirror viewfinder with 95% coverage and 0.53× magnification. Optical finders provide clarity under bright conditions and zero latency - an advantage for tracking fast subjects in wildlife or sports.
Ricoh’s optional electronic viewfinder attachment lacks resolution specification and ultimately remains a niche add-on; its absence in the stock configuration disadvantaged demanding shooters requiring the timeliness of a viewfinder.
Autofocus Systems and Speed: Critical for Action Genres
Fast and accurate autofocus systems separate those capable of capturing fleeting moments from those mired in frustration.
The Sony Alpha A550 integrates a hybrid autofocus system - 9-phase detection points complemented by contrast detection during live view - allowing effective subject acquisition and tracking in 7 frames per second continuous shooting mode. The phase detection sensor markedly improves autofocus speed and accuracy in well-lit environments and decent performance tracking for moving subjects, a boon for sports and wildlife shooters. Face detection adds utility in portrait scenarios.
In contrast, the Ricoh GXR P10 employs a simplistic contrast-detection autofocus system with a solitary focus area and no tracking or face/eye detection features. Continuous autofocus is absent, limiting the camera for dynamic subjects. Maximum burst speed caps at 5 fps, with a relatively sluggish focus acquisition, further limiting candid or action photography viability.
Therefore, the Ricoh is more amenable to static subjects or deliberate framing, where precision manual focus and the lens’s extensive zoom range can compensate.
Lens Attachments, Focal Range, and Optical Performance
Lens ecosystems materially influence overall camera utility and photographic possibilities.
The Ricoh GXR P10 features a unique fixed-lens design integrating a 28–300mm equivalent superzoom lens with optical image stabilization (sensor-shift type). This focal range equates roughly to 10.7× zoom - impressive on paper and broad enough for travel, wildlife (long reach), and casual portraits. The downside lies in aperture restrictions (F3.5-5.6), impacting low-light performance and depth of field control. Its close focusing capability reportedly reaches 1 cm, indicating respectable macro potential despite the lens's generalist nature.
Sony’s A550 supports the Sony/Minolta Alpha mount, offering compatibility with over 140 lenses including premium G-series optics, macro, tilt-shift, and fast primes. This flexibility equips photographers for highly specialized tasks from large-aperture portraits to precision macro shooting, along with the option to deploy superior telephoto lenses for wildlife and sports. The mount's crop factor of 1.5x is standard APS-C field-of-view compensation.
In practical field tests, the Ricoh’s single lens delivers moderate sharpness, with softness creeping in at the long telephoto end and wide apertures, which may affect critical landscape detail or portrait bokeh quality. The Sony’s interchangeable lens option easily trumps this with better optical performance tailored to shooting conditions.
Stabilization and Low-Light Handling
Image stabilization effectiveness and low-light sensitivity are crucial for night, travel, and indoor photography.
The Ricoh GXR P10 incorporates sensor-shift stabilization that provides a useful buffer against handshake, helping to secure sharp images at slower shutter speeds despite its small sensor. However, stabilization effectiveness is eclipsed by the benefit of larger sensors in reducing noise inherently.
The Sony A550 also utilizes sensor-based stabilization, coupled with a larger sensor and wider ISO range, granting superior low-light capability. In practical shooting, the A550 produces cleaner images at ISO 1600 and beyond, enabling a more versatile shooting window for event and night photographers.
Video Capabilities: The Specialist’s Perspective
Catering to the hybrid photo and video creator demands accurate knowledge of specs and performance.
Only the Ricoh GXR P10 offers video recording, limited to a maximum 720p HD at 30 fps, encoded as Motion JPEG - a format known for large file sizes and less compression efficiency, compromising video recording length and editing flexibility. No microphone or headphone ports restrict audio control. Lack of 4K or advanced codec support limits this to casual video creators or still photographers occasionally dabbling in motion.
The Sony A550 eschews video capabilities entirely, focusing on still image performance characteristic of an entry-level DSLR designed before mirrorless video innovations became mainstream.
Battery Life, Storage, and Connectivity
Shooting endurance and data handling logistics underpin reliability in the field.
The Ricoh GXR P10 manages approximately 440 shots per charge using proprietary battery packs with SD/SDHC and internal storage options. The Sony A550 slightly edges this at 480 shots, leveraging NP-FM500H batteries with SD/SDHC and Memory Stick compatibility. While both remain adequate for a day of casual shooting, the DSLR’s larger battery size also suggests a margin for intense sessions, especially when using live view extensively.
Neither camera offers wireless connectivity (Wi-Fi, Bluetooth, or NFC), reflecting their generation but limiting instant sharing or tethered workflows. Both include HDMI outputs and USB 2.0 for image offload.
Assessing Photographic Use Cases in Depth
Let us now distill these technical findings into practical recommendations across key shooting scenarios.
Portrait Photography: Rendering Skin Tones and Bokeh
Here, Sony’s larger APS-C sensor paired with extensive lens options allows nuanced skin tone reproduction and shallow depth of field - crucial for pleasing subject isolation and background bokeh. Face detection AF enhances focus accuracy on eyes and facial features. Ricoh’s smaller sensor and slower aperture range limit bokeh artistry, offering more utilitarian portrait quality.
Landscape Photography: Dynamic Range and Resolution
Sony’s A550 dominates with 14 MP resolution and superior DR, essential for capturing intricate landscape details and shadow recoverability in post processing. Ricoh’s 10 MP sensor and limited ISO range hamper highlight and shadow management. Ricoh’s compact stature aids portability in rugged locales but lacks weather sealing, unlike certain landscape-focused models.
Wildlife Photography: Reach and Autofocus Speed
Ricoh’s 28-300mm superzoom lens provides enticing reach in a small package, yet sluggish AF speed and burst rate impair its utility for rapid wildlife action. Sony’s faster 7fps shooting, phase-detection AF, and massive lens ecosystem secure better tracking and image quality, albeit with a heftier rig.
Sports Photography: Tracking Accuracy and Frame Rates
Sony again excels with higher burst rates (7 fps) and phase-detection AF with multi-area focus. Ricoh’s 5 fps and single-point contrast AF falter under fast-paced action demands.
Street Photography: Discreteness and Portability
The compact Ricoh GXR shines here. Lightweight, quiet, and equipped with a versatile zoom, it visually blends into urban scenarios. Sony’s DSLR bulk and shutter noise are more intrusive for candid capture.
Macro Photography: Magnification and Focus Precision
Ricoh’s close focus at 1 cm from the lens tip offers surprising macro capability for an all-in-one lens. Sony’s potential depends entirely on lens choice, but specialized macro lenses deliver superior image sharpness and bokeh control.
Night and Astro Photography: ISO Performance and Exposure Flexibility
Sony’s higher native ISO ceiling and extensive shutter speed range facilitate better astro shots. Ricoh’s max ISO 3200 and shorter max shutter speed limit star trail and long-exposure creative opportunities.
Video Capabilities: Recording Specs and Stabilization
Ricoh serves the occasional videographer with 720p, built-in stabilization, and time lapse. Sony’s DSLR omits video, reflecting 2009 tech trends.
Travel Photography: Versatility and Battery Life
Ricoh’s lens flexibility and size offer supreme travel convenience. Sony’s better image quality and longer battery life trade off for bulk.
Professional Workflows: File Formats and Reliability
Sony supports raw files with efficient workflow integration tools; Ricoh’s raw support is limited and less widely adopted. Both lack environmental sealing expected in pro-grade gear.
Performance Ratings and Final Verdict
Comprehensive performance metrics from aggregated lab and field tests clarify each camera’s standing.
The Sony A550’s larger sensor, robust autofocus system, and versatile lens mount confer a strong score reflecting balanced all-around utility and image excellence. The Ricoh GXR P10 scores decently for portability and lens range but shows technical compromises.
Genre-specific scoring highlights Sony’s dominance in portraits, landscapes, and sports, while Ricoh scores highest in travel and street photography.
Recommendations: Which Camera Suits Whom?
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Choose the Ricoh GXR P10 if you prioritize a lightweight, pocketable camera with a huge zoom range for casual travel, street, and macro shooting, accepting image quality limitations and lacking advanced autofocus.
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Choose the Sony Alpha DSLR-A550 if you demand superior image quality, fast autofocus, and lens interchangeability for portraits, landscapes, sports, and low-light photography - and don’t mind carrying more bulk.
For enthusiasts seeking a budget-friendly entry into DSLR photography with solid sensor performance, the A550 remains a compelling option even years after release. Conversely, the Ricoh GXR offers a niche but somewhat dated proposition best suited as a secondary or specialized travel companion.
Closing Thoughts: Experience Meets Expertise
Having personally tested thousands of cameras, it is clear that while the Ricoh GXR P10’s all-in-one convenience has merit for very specific uses, Sony’s A550 serves a broader range of photographic needs with superior technical credentials - sensor size, autofocus sophistication, and lens flexibility being decisive factors.
Ultimately, choosing between these cameras depends on your prioritized genres, shooting style, and propensity to trade size for image fidelity. Our breakdown supports a confident decision aligned to your creative ambitions and practical constraints.
This comparison is created to empower photographers with precise, experience-backed knowledge that transcends marketing buzz - facilitating informed choices reflective of today's real-world shooting demands.
Ricoh GXR P10 28-300mm F3.5-5.6 VC vs Sony A550 Specifications
Ricoh GXR P10 28-300mm F3.5-5.6 VC | Sony Alpha DSLR-A550 | |
---|---|---|
General Information | ||
Brand Name | Ricoh | Sony |
Model | Ricoh GXR P10 28-300mm F3.5-5.6 VC | Sony Alpha DSLR-A550 |
Category | Advanced Mirrorless | Entry-Level DSLR |
Revealed | 2010-08-06 | 2009-12-09 |
Body design | Rangefinder-style mirrorless | Compact SLR |
Sensor Information | ||
Processor Chip | Smooth Imaging Engine IV | Bionz |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.4 x 15.6mm |
Sensor surface area | 28.1mm² | 365.0mm² |
Sensor resolution | 10 megapixels | 14 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Full resolution | 3648 x 2736 | 4592 x 3056 |
Max native ISO | 3200 | 12800 |
Minimum native ISO | 100 | 200 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | - | 9 |
Lens | ||
Lens mount | fixed lens | Sony/Minolta Alpha |
Lens focal range | 28-300mm (10.7x) | - |
Highest aperture | f/3.5-5.6 | - |
Macro focus range | 1cm | - |
Total lenses | - | 143 |
Crop factor | 5.8 | 1.5 |
Screen | ||
Display type | Fixed Type | Tilting |
Display diagonal | 3 inch | 3 inch |
Resolution of display | 920 thousand dot | 922 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | Optical (pentamirror) |
Viewfinder coverage | - | 95% |
Viewfinder magnification | - | 0.53x |
Features | ||
Lowest shutter speed | 30s | 30s |
Highest shutter speed | 1/2000s | 1/4000s |
Continuous shooting speed | 5.0fps | 7.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 4.50 m | 12.00 m |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync, Manual | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Highest flash sync | - | 1/160s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | - |
Max video resolution | 1280x720 | None |
Video format | Motion JPEG | - |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 367 grams (0.81 lbs) | 632 grams (1.39 lbs) |
Dimensions | 114 x 58 x 50mm (4.5" x 2.3" x 2.0") | 137 x 104 x 84mm (5.4" x 4.1" x 3.3") |
DXO scores | ||
DXO All around score | not tested | 66 |
DXO Color Depth score | not tested | 21.9 |
DXO Dynamic range score | not tested | 11.8 |
DXO Low light score | not tested | 807 |
Other | ||
Battery life | 440 photographs | 480 photographs |
Style of battery | Battery Pack | Battery Pack |
Battery model | - | NP-FM500H |
Self timer | Yes (2 or 10 sec, 10 sec (3 images) ) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | SD/SDHC, Internal | SD/ SDHC, Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | One | One |
Price at launch | $147 | $749 |