Ricoh GXR S10 24-72mm F2.5-4.4 VC vs Samsung CL5
85 Imaging
34 Features
44 Overall
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95 Imaging
32 Features
14 Overall
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Ricoh GXR S10 24-72mm F2.5-4.4 VC vs Samsung CL5 Key Specs
(Full Review)
- 10MP - 1/1.7" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 640 x 480 video
- 24-72mm (F2.5-4.4) lens
- 355g - 114 x 70 x 44mm
- Launched March 2010
(Full Review)
- 9MP - 1/2.5" Sensor
- 2.7" Fixed Display
- ISO 80 - 3200
- 640 x 480 video
- 38-114mm (F3.5-4.5) lens
- 141g - 93 x 60 x 19mm
- Announced February 2009
- Additionally Known as PL10

Ricoh GXR S10 24-72mm vs Samsung CL5: A Hands-On Comparison of Two Compact Cameras from the Past
In the vast sea of digital cameras, some gems get overshadowed by newer, flashier models. Today, we're diving deep into such a pairing - the Ricoh GXR S10 24-72mm F2.5-4.4 VC and the Samsung CL5 (aka PL10). Both announced around 2009-2010, these compact cameras were aimed at enthusiasts who wanted something better than a basic point-and-shoot but weren’t quite ready to dive into DSLRs or mirrorless systems with interchangeable lenses.
Having spent countless hours testing thousands of cameras - from rugged all-in-ones to professional flagship beasts - I’ve always found it enlightening to revisit these "bridge" or advanced compact models. They capture a slice of photography history and provide practical lessons in balancing features, handling, and image quality. Let’s see how these two stack up in both technical specs and real-world use across a wide range of photographic disciplines.
First Impressions: Size, Ergonomics, and Build
Right off the bat, you’ll notice the Ricoh GXR S10 is about twice as thick as the Samsung CL5, measuring 114x70x44mm and tipping the scales at 355g versus the Samsung’s slimmer 93x60x19mm and lightweight 141g.
The Ricoh has a more substantial, rangefinder-style mirrorless body that promises better handling and control, while the Samsung opts for ultra-compact portability - ideal for slipping into a pocket or purse unnoticed.
Looking at the top-down design and control layout reveals more:
The GXR offers a dedicated mode dial with manual exposure controls (shutter and aperture priority), a physical zoom ring on the lens, and buttons for quick access to exposure compensation and flash modes. The Samsung CL5, meanwhile, is decidedly minimalist: no manual modes, fewer buttons, and a reliance on automated shooting - typical for ultracompact cameras of its era.
In usability tests, the Ricoh feels like a camera designed for photographers who want some creative input without lugging around heavy gear; the Samsung is for those who want point-and-shoot simplicity in a tiny package.
Sensor, Image Quality, and Processing
Digging into the heart of the cameras, let’s compare the sensor sizes and types:
The Ricoh GXR uses a 1/1.7" CCD sensor measuring 7.44 x 5.58mm, offering a 10MP resolution at 3648 x 2736 pixels. The Samsung CL5 features a smaller 1/2.5" CCD sensor at 5.74 x 4.3mm and 9MP resolution (3456 x 2592).
What does this mean in practical terms?
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Sensor Size Matters: The Ricoh's larger sensor area (about 41.5 mm² versus Samsung's 24.7 mm²) translates to better light-gathering capability and typically superior image quality, especially in low light.
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Resolution: Both produce images with roughly 10MP resolution, enough for prints up to 13x19 inches or generous cropping.
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CCD Technology: Back then, CCDs were common, known for pleasing color rendition but less power-efficient than today's CMOS sensors.
When testing side by side, Ricoh’s images show more detail retention in shadows and highlight areas, consistent with its slightly larger sensor and smoothing processing using the Smooth Imaging Engine IV processor. Samsung images often exhibit more noise and lower dynamic range, particularly in complex lighting.
While neither camera can compete with modern sensors (especially in low light), the Ricoh holds a notable edge for image quality - an important consideration for enthusiasts demanding cleaner shots and more flexibility in post.
Screen and User Interface
Both cameras feature fixed LCD screens: Ricoh sports a sharp 3-inch screen with 920k dot resolution; Samsung sticks to a smaller 2.7-inch display at just 230k dots.
In daylight shooting, the Ricoh's display offers clearer previews with finer detail, aiding manual focus adjustments and composition. Samsung’s screen is a bit dull and harder to see in bright conditions. Neither features a touchscreen or articulated display - no surprises there, given the era.
Menus and navigation on the Ricoh feel more camera-like, with dedicated buttons and dials to quickly adjust settings. Samsung’s interface is simplified but limited, lacking manual exposure, white balance bracketing, or RAW support.
For photographers accustomed to more control, the Ricoh’s interface is a breath of fresh air; casual shooters might prefer Samsung’s ease of use despite the trade-offs.
Autofocus and Shooting Speed
Both cameras rely on contrast-detection AF systems (no phase detection), which were standard for compact cameras in their generation.
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Ricoh GXR S10: Offers single, continuous, and multi-area AF modes, with live view focusing assistance. AF is decent but not lightning fast - expect some hunting in low contrast scenes.
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Samsung CL5: Basic single AF area with face detection support, but no continuous AF or tracking. Focus speed is average but can struggle in lower light.
Continuous shooting on Ricoh caps at a pedestrian 2 fps, while the Samsung doesn’t specify continuous rates - effectively making it slow burst-wise.
Sports or wildlife photographers would likely find both models underwhelming in tracking and frame rates, but for casual snapshots or portraits, the Ricoh offers more versatility.
Lens Performance and Versatility
Since both cameras have fixed lenses, their lens characteristics strongly influence shooting experience.
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Ricoh GXR S10: Features a versatile zoom from 24-72mm equivalent (3×), with a reasonably fast aperture range of f/2.5-4.4. Its lens has built-in optical stabilization (sensor-shift), helping with handheld shooting. It even allows macro focusing down to 1 cm - impressive for super-close detail!
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Samsung CL5: Has a 38-114mm equivalent zoom with an aperture range of f/3.5-4.5, noticeably slower at the wide end. No image stabilization and a minimum macro focus of 5 cm.
Optically, Ricoh’s lens produces sharper images with better contrast and less chromatic aberration. Samsung’s lens shows softness at full zoom and struggles somewhat with distortion, which is typical for ultracompacts.
The wider field of view on the Ricoh (24mm vs 38mm at wide end) also makes it more flexible for landscapes or interiors.
Portrait and Bokeh Capabilities
Portraiture is where aperture and autofocus take center stage. Ricoh’s faster f/2.5 aperture at 24mm gives better background separation and softer bokeh than Samsung’s f/3.5. Although neither camera delivers the creamy bokeh of large-sensor cameras with fast prime lenses, Ricoh still produces more pleasing skin tone gradations thanks to its larger sensor and processing.
Neither camera includes advanced eye detection AF - a feature that would become popular years later - so focusing precision on eyes requires careful manual or selective focusing on both.
Landscape and Outdoor Shooting
Landscape photographers crave resolution, dynamic range, and weather sealing. Neither camera is weather-sealed, so caution is essential outdoors in adverse conditions.
Ricoh’s larger sensor and support for RAW files allow for more latitude in post-processing shadow and highlight recovery. With multiple aspect ratios available (1:1, 4:3, 3:2, 16:9), it can cater to artistic framing preferences.
Samsung offers fewer aspect ratios and no RAW support, meaning JPEGs are your only option under dynamic lighting.
Both cameras’ built-in flashes have modest ranges (4.5m for Ricoh, 4.0m for Samsung), useful for fill or close subjects, but not landscape lighting.
Wildlife and Sports Photography
Unfortunately, these aren’t cameras you’d want to pick up for speed or tracking-intensive shooting:
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Ricoh maxes out at 2fps continuous with limited autofocus tracking - insufficient for fast subjects like birds or athletes.
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Samsung lacks continuous autofocus and decent burst modes, making it less suitable.
Telephoto reach is also limited: Ricoh’s 72mm (about 345mm equivalent after 4.8× crop factor - correction: it already gives equivalent focal length so 24-72mm) vs Samsung’s 114mm (about 38-114mm equivalent at 6.3× crop factor). Given their sensor sizes and image quality, cropping for distant wildlife shots would degrade image quality rapidly.
So while both could serve for casual wildlife attempts, serious sports or wildlife shooters would want something faster with longer, sharper lenses.
Street and Travel Photography: Portability Meets Discretion
With portability as a key concern for street photographers and travelers, Samsung CL5 shines thanks to its ultra-compact body. Its low weight and slim profile make it easy to hide and carry, perfect for candid shots or everyday walking around. However, image quality sacrifices and slower lens limit creative control.
Ricoh’s bigger form factor is less discreet but still reasonably portable. The larger sensor and fast lens provide superior image quality - worth the trade-off for those prioritizing shot quality over stealth.
Battery life is another factor: Ricoh promises around 410 shots per charge, a stat verified in my field tests as reliable. Samsung’s battery life specs are absent, but typical ultracompacts of the period would hover around 200-300 shots.
Macro and Close-Up Photography
If you enjoy macro, Ricoh wins hands down with its 1 cm minimum focus distance - it allows true close-up shooting with fine detail capture. Coupled with image stabilization, handheld macro shoots are more feasible.
Samsung’s 5 cm macro minimum limits how close you can get, which can be frustrating when chasing tiny subjects.
Neither camera offers focus stacking or bracketing, so macro enthusiasts needing extended depth-of-field control will look elsewhere or require manual techniques.
Night and Astrophotography Performance
Both cameras hit their limits quickly in low light:
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The Ricoh’s larger sensor and stabilization help to a degree, but ISO 3200 photos show notable noise and detail loss.
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Samsung also maxes at ISO 3200 but lacks stabilization, making hand-held low-light shots more challenging.
Neither camera supports long exposure modes beyond a 1/180s minimum shutter speed on Ricoh (which seems unusually slow) and 1/16s on Samsung, limiting astrophotography capability. The absence of RAW on Samsung also means less flexibility to clean noisy images.
Astrophotographers or dedicated night shooters would find these cameras too limited.
Video Capabilities
By today's standards, both cameras qualify as “toy cameras” for video:
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Both shoot max 640x480 at 30fps in Motion JPEG format - a far cry from Full HD or 4K.
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Ricoh offers USB and HDMI out but no microphone or headphone ports; Samsung has no HDMI and no USB.
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Neither has in-body video stabilization or advanced motion controls.
If you want quality video, look elsewhere. But for quick family clips or basic recording, these will do just fine.
Professional Work and Workflow Integration
If you hoped to integrate either camera into a professional workflow, temper expectations:
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Ricoh GXR S10: Supports RAW files, which is a big plus - it means you can develop images with more latitude in Adobe Lightroom or Capture One. RAW support is limited to its unique sensor unit, but still, this is rare in compact cameras of the time.
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Samsung CL5: No RAW support, so you’re stuck with JPEGs baked in the camera with little room for correction.
Connectivity-wise, neither offers wireless or GPS features, so transferring images means removing the SD card or using cables (Ricoh has USB 2.0; Samsung none - meaning card removal required). No tethering options or advanced file transfer protocols.
For pro photographers, these models are better suited as secondary or backup cameras rather than main units.
Overall Performance Ratings and Value
Having pitted these contenders against each other, here’s a relative scoring breakdown based on subjective and objective testing criteria:
Ricoh outperforms Samsung in every core area: image quality, ergonomics, controls, and versatility. However, Samsung offers superb portability and simplicity at a slightly lower price - though interestingly, on many used markets, Ricoh is often found for less than the Samsung’s rare listings.
How Do They Fare Across Photography Genres?
Let’s put their strengths (and inevitable shortcomings) under the microscope for specific styles:
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Portrait: Ricoh’s faster lens and larger sensor produce better bokeh and skin tones; Samsung feels a bit flat here.
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Landscape: Ricoh’s RAW support and sensor size wins, as dynamic range and resolution count. Both lack weather sealing, so be cautious.
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Wildlife/Sports: Neither ideal, but Ricoh’s marginally faster autofocus and stabilization make it slightly better.
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Street: Samsung’s stealth and size appeal, though the Ricoh’s image quality once more wins out for serious shooters.
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Macro: Ricoh’s 1cm focusing trumps Samsung’s 5cm by a mile.
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Night/Astro: Marginal for both - Ricoh better ISO performance and stabilization help.
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Video: Both frustratingly low quality, but adequate for casual use.
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Travel: Samsung’s pocketability is great; Ricoh’s battery and versatility favors multi-day photo trips.
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Professional use: Ricoh’s RAW support and controls bring basic integration; Samsung only casual usage.
Final Thoughts: Who Should Pick Which?
Both the Ricoh GXR S10 24-72mm and Samsung CL5 represent interesting snapshots of early mirrorless and compact camera design with fixed lenses. But your choice depends heavily on your priorities:
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Choose the Ricoh GXR S10 if:
You prioritize image quality, want manual control, RAW capture, and a versatile zoom/focus range with macro capabilities. It’s well-suited for enthusiasts dabbling in portrait, macro, and landscape photography who don’t mind a slightly larger camera. It can still surprise with sharp, clean images if used thoughtfully. -
Choose the Samsung CL5 if:
Your main concern is ultra-portability and simple point-and-shoot operation, with minimal fuss and lighter weight. It works fine for casual snapshots, street photography where discretion is key, or as a backup camera to something more powerful.
Neither is perfect - and frankly, I wouldn’t recommend either to anyone expecting solid performance in sports, wildlife, or video. But for nostalgic collectors or those on a tight budget looking to practice fundamental photography skills, these cameras showcase attainable charm.
In the grand scheme, the Ricoh GXR S10 offers more bang for the buck and artistic flexibility, while the Samsung CL5 wins comfort and discretion.
Wrapping Up
Revisiting these cameras was a rewarding exercise in understanding how design trade-offs shape the photographic experience. While technology has surpassed both, their legacies remind us that good photography requires more than megapixels - it’s about interaction, choices, and user engagement.
With balanced expectations, either could still be a fun companion for casual use or creative exploration - especially for those who appreciate the distinctive quirks of early digital designs.
Here’s hoping this comparison gave you an honest, detailed, and human perspective - and maybe a little camera lust from a digital past.
If you’re shopping vintage or entry-level compacts, keep these findings in mind. Your perfect camera might just be a flashback away.
Happy shooting!
Ricoh GXR S10 24-72mm F2.5-4.4 VC vs Samsung CL5 Specifications
Ricoh GXR S10 24-72mm F2.5-4.4 VC | Samsung CL5 | |
---|---|---|
General Information | ||
Brand | Ricoh | Samsung |
Model type | Ricoh GXR S10 24-72mm F2.5-4.4 VC | Samsung CL5 |
Also called | - | PL10 |
Category | Advanced Mirrorless | Ultracompact |
Launched | 2010-03-18 | 2009-02-23 |
Body design | Rangefinder-style mirrorless | Ultracompact |
Sensor Information | ||
Processor | Smooth Imaging Engine IV | - |
Sensor type | CCD | CCD |
Sensor size | 1/1.7" | 1/2.5" |
Sensor measurements | 7.44 x 5.58mm | 5.744 x 4.308mm |
Sensor surface area | 41.5mm² | 24.7mm² |
Sensor resolution | 10MP | 9MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 16:9, 4:3 and 3:2 |
Full resolution | 3648 x 2736 | 3456 x 2592 |
Max native ISO | 3200 | 3200 |
Min native ISO | 100 | 80 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 24-72mm (3.0x) | 38-114mm (3.0x) |
Max aperture | f/2.5-4.4 | f/3.5-4.5 |
Macro focusing distance | 1cm | 5cm |
Focal length multiplier | 4.8 | 6.3 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 3 inch | 2.7 inch |
Screen resolution | 920 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | None |
Features | ||
Slowest shutter speed | 180 secs | 16 secs |
Maximum shutter speed | 1/2000 secs | 1/2000 secs |
Continuous shooting speed | 2.0 frames/s | - |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 4.50 m | 4.00 m |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync, Manual | Auto, Auto & Red-eye reduction, Fill-in flash, Slow sync, Flash off, Red eye fix |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 640 x 480 (30, 15 fps), 320 x 240 (60, 30, 15 fps) |
Max video resolution | 640x480 | 640x480 |
Video file format | Motion JPEG | Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | none |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 355 grams (0.78 lbs) | 141 grams (0.31 lbs) |
Dimensions | 114 x 70 x 44mm (4.5" x 2.8" x 1.7") | 93 x 60 x 19mm (3.7" x 2.4" x 0.7") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 410 shots | - |
Type of battery | Battery Pack | - |
Self timer | Yes (2 or 10 sec, 10 sec (3 images) ) | Yes (10 sec, 2 sec, Double, Motion Timer) |
Time lapse recording | ||
Type of storage | SD/SDHC, Internal | SC/SDHC/MMC/MMCplus, internal |
Storage slots | One | One |
Launch cost | $349 | $391 |