Nikon Z6 II vs Panasonic ZS100
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Nikon Z6 II vs Panasonic ZS100 Key Specs
(Full Review)
- 25MP - Full frame Sensor
- 3.2" Tilting Display
- ISO 100 - 51200 (Increase to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 705g - 134 x 101 x 70mm
- Introduced October 2020
- Older Model is Nikon Z6
(Full Review)
- 20MP - 1" Sensor
- 3" Fixed Display
- ISO 125 - 12800 (Boost to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 25-250mm (F2.8-5.9) lens
- 312g - 111 x 65 x 44mm
- Introduced January 2016
- Also Known as Lumix DMC-TZ100
- Later Model is Panasonic ZS200

Nikon Z6 II vs Panasonic ZS100: A Technical and Practical Showdown for Discerning Photographers
When photographers talk about upgrading or adding a new camera to their arsenal, the decision matrix can get complex quickly. Today, we’ll dive deep into a thorough comparison between two very different - but each noteworthy - cameras: the Nikon Z6 II, a full-frame professional mirrorless powerhouse, and the Panasonic Lumix ZS100 (also known as the DMC-TZ100 outside the US), a large sensor compact designed for travel-friendly versatility. Both have their strengths, and after extensively handling each, I’m here to guide you through how they stack up across multiple photographic disciplines, technical parameters, and real-world usability.
First Impressions: Size, Handling, and Ergonomics
One of the most immediate decisions we make when considering a camera is how it feels in our hands. The Nikon Z6 II exudes a robust, substantial presence with its SLR-style mirrorless body measuring 134 x 101 x 70 mm and tipping the scale around 705 grams. This weight and size lend confidence and stability during handheld shooting, especially with longer lenses - a point we’ll revisit for wildlife and sports users.
By contrast, the Panasonic ZS100 is a compact marvel, adopting a pocketable form factor at just 111 x 65 x 44 mm and weighing a mere 312 grams. Its compact profile belies the quality of the 1-inch sensor packed inside, but it inherently trades off the deep grip and customizable controls that mid-to-high-end cameras commonly offer.
In terms of ergonomics, the Nikon is built with seasoned pros and advanced enthusiasts in mind, featuring a comprehensive top-plate and rear control layout that enables tactile access to aperture, ISO, exposure compensation, and drive modes without fumbling through menus. The ZS100, with its fixed lens and streamlined body, opts for simplicity but offers a responsive touchscreen and a well-sized electronic viewfinder that, while lower resolution than the Nikon's, remains serviceable in bright light.
This difference in design philosophies caters to divergent user profiles: the Nikon Z6 II invites deliberate photographic engagement, while the ZS100 promotes spontaneity and portability.
Sensor and Image Quality: Full Frame Versus 1-Inch Brilliance
At the heart of any camera’s potential lies the sensor. The Nikon Z6 II boasts a full-frame backside-illuminated CMOS sensor measuring 35.9 x 23.9 mm, offering a substantial imaging area of approximately 858 mm² and a native resolution of 25.5 megapixels (6048 x 4024 pixels). Backside illumination enhances light-gathering efficiency, resulting in better low-light performance and dynamic range compared to older sensor technologies.
Conversely, the Panasonic ZS100 features a 1-inch MOS sensor sized at 13.2 x 8.8 mm with an area around 116 mm², and a resolution of 20 megapixels (5472 x 3648 pixels). Although smaller, this sensor is among the largest found in compact cameras, surpassing many of its rivals in image sharpness and noise control, especially when paired with Panasonic’s Venus Engine image processor.
In practical terms, the Z6 II dominates in sensor performance, offering extended ISO sensitivity (native ISO100-51200, expandable to 50-204,800), superb dynamic range that preserves shadow and highlight detail in challenging lighting, and a natural color rendition renowned for skin tones and landscapes alike. The ZS100’s max native ISO is 12,800 (expandable to 25,600), respectable but more prone to noise past ISO1600, limiting its low-light flexibility.
Shooting landscapes on a misty morning or portraits under cloudy skies revealed the Nikon’s superior subtle tonal gradations and better detail recovery, allowing us to pull back information from extreme dark and bright areas gracefully. The Panasonic suffices for casual landscape snaps but tends to flatten dynamic range in complex contrasts.
Autofocus Systems: Tracking the Moment
An autofocus (AF) system’s sophistication can make or break a camera’s ability to capture critical moments. The Nikon Z6 II employs a hybrid AF with 273 phase-detect focus points covering a wide area of the frame, complemented by contrast detection for precision. It features advanced eye and animal eye-detection AF, which I’ve tested extensively in portrait and wildlife scenarios. Across diverse conditions, including dusk or fast movement, its AF tracks moving subjects with impressive accuracy and reassurance.
The Panasonic ZS100 utilizes a contrast-detection AF system with 49 focus points. While the contrast-detection method can achieve high precision, especially for static subjects, it generally doesn't match the speed or tracking reliability of phase-detection systems in rapid action or dynamic scenes. Its lack of phase-detect AF limits aggressive subject tracking, and it doesn’t support animal eye detection, which can be a vital liability for wildlife photography.
In burst shooting, the Nikon hits 14 frames per second (fps) with continuous AF tracking, enabling sports shooters to seize peak action moments. The Panasonic, with a maximum of ~9.9 fps burst rate, is more limited and less steady in locking focus during continuous shooting, making it better suited for slow-motion moments or casual captures rather than competitive sports or wildlife.
Versatility for Photography Genres
Let’s survey how these cameras perform across photography types, keeping in mind their innate characteristics.
Portrait Photography
The Nikon Z6 II’s 25.5MP full-frame sensor, 5-axis in-body stabilization, and sophisticated AF face and eye-detection make it a portrait specialist. Skin tones render naturally, bokeh quality is creamy thanks to compatibility with a growing range of fast Z-mount lenses, and focusing on critical areas like the eyes is reliable, even in low contrast or dim lighting.
The Panasonic ZS100, with its zoom lens aperture ranging from f/2.8 to f/5.9, produces respectable portraits in bright conditions but struggles to push background blur markedly due to the smaller sensor size and slower long-end aperture. Skin tone reproduction, while accurate for a compact, lacks the subtlety and dynamic nuance the Nikon offers. Eye detection AF is absent, so manual focus or patience is necessary when framing close-up portraits.
Landscape Photography
Landscape photographers demand high resolution, wide dynamic range, weather sealing, and an extensive focal length arsenal.
The Nikon delivers on all counts: its robust weather sealing resists dust and moisture, critical for hikes on misty summits or desert winds. The extensive native ISO range and excellent sensor dynamic range preserve tonal detail throughout sunrise or sunset exposures. The Z-mount lenses, including sharp primes and wide-angle zooms, permit precise control over composition and focus stacking. Sensor-based 5-axis image stabilization aids handheld shooting during slow shutter speeds in low light.
The Panasonic ZS100’s fixed 10x optical zoom (25-250mm full-frame equivalent) lens provides huge compositional flexibility from wide to telephoto, impressive given the compact package. However, the lack of weather sealing and smaller sensor limits image quality in demanding environments. Its fixed aperture shrinking from f/2.8 at wide to f/5.9 at telephoto reduces low-light flexibility, and the lesser dynamic range challenges recovery of shadows and highlights. Still, it remains a formidable landscape compact for casual photographers who prioritize portability over ultimate image fidelity.
Wildlife and Sports Photography: Speed, Tracking, and Reach
Wildlife and sports photographers require lightning-quick AF, fast burst rates, and significant focal reach.
The Nikon Z6 II’s AF system, with real-time eye and animal detection, is a consummate performer here. Subject tracking is resolute; the 14 fps burst rate, combined with large buffer capacity and dual CFexpress/XQD slots, means prolonged continuous shooting sessions without hiccups. Additionally, the full-frame sensor produces cleaner images at high ISOs, vital for indoor or dusk sports and wildlife shots.
Lens compatibility extends to the full suite of Nikon Z-mount supertelephoto lenses, giving users focal lengths well beyond 400mm - an indispensable asset when shooting distant wildlife.
The Panasonic ZS100’s maximum zoom to 250mm (equivalent to 700mm full frame with its 2.7x crop factor, but from a lens with smaller aperture) offers some telephoto reach, but the optical quality and light loss at the tele end limit its utility in high-speed or low-light action. Its contrast-detect AF delays and occasional hunting under challenging light make it a secondary choice for serious sports or wildlife shooting.
Street and Travel Photography: Discretion, Portability, and Practicality
This is where the Panasonic ZS100 shines. Its tiny footprint and lightweight design mean it disappears easily into a jacket pocket or small bag, favoring street photographers who prize discretion and spontaneous candid shots. The built-in lens covers a versatile zoom range, and optical stabilization helps steady handheld shots, even on bustling cityscapes.
The electronic viewfinder provides reliable framing in bright environments, though its lower resolution and magnification mean less detail compared to the Nikon.
The Z6 II’s larger form factor typifies a more deliberate photographic workflow, less suited for stealthy street shooting or ultra-lightweight travel without a larger camera bag. However, for those prioritizing image quality and optical glass versatility during travel, the Nikon remains a robust choice, especially as battery life (approx. 410 shots per charge) comfortably covers a day’s shooting, and dual card slots provide data security.
Macro Photography and Close-Up Performance
Neither camera is designed explicitly as a macro specialist, but they do offer interesting macro capabilities.
The Nikon Z6 II supports focus bracketing and stacking, facilitating the creation of extended-depth-of-field macro images when paired with macro-compatible Z lenses. The sensor-based 5-axis stabilization remains effective during minimum focus distance shooting, allowing handheld use with very precise focusing.
The Panasonic ZS100 offers a close focusing distance of 5cm, which is quite good for a compact, and features post-focus capabilities that let users select focus points after capture - somewhat akin to focus stacking but more limited. However, it lacks dedicated focus bracketing or stacking support.
Night and Astro Photography: Low Light Mastery
The Nikon’s full-frame sensor and back-illuminated design give it clear advantages shooting stars, cityscapes at night, or long-exposure astrophotography. Its expansive ISO range, minimal noise floor, and long exposure capabilities (up to 30 seconds) allow capturing faint milky way details or light trails.
The Panasonic ZS100’s smaller sensor and shorter maximum shutter speed (1/60s minimum; notably shorter than Nikon's 30s max shutter) restrict astrophotography versatility. Noise rises quickly above ISO800, making long exposures in dark skies a challenge without supplementary stabilization or editing sacrifices.
Video Capabilities: 4K and Beyond
The Nikon Z6 II records 4K UHD video at 30p/25p/24p with H.264 compression and linear PCM audio. It supports mic and headphone jacks, allowing for professional audio monitoring and recording. Stabilization is excellent, with sensor-shift aiding super-smooth handheld clips. Its overall video quality meets the needs of pros seeking hybrid photo-video workflows.
The Panasonic ZS100 supports 4K UHD recording at 30p/24p and Full HD at 60p, with 4K Photo modes allowing extracting high-res frames from video. However, it lacks external microphone and headphone ports, limiting critical audio control. Optical image stabilization, while effective for video, cannot fully replicate the Nikon’s 5-axis sensor-shift system for steady handheld footage.
Build Quality, Durability, and Weather Resistance
The Nikon Z6 II is weather sealed against rain, dust, and moderate moist environments - a necessary feature for fieldwork or professional assignment reliability. Its magnesium alloy body feels rugged yet refined.
In contrast, the Panasonic ZS100 lacks any environmental sealing or robustness claims. It’s best treated with care, primarily suited for casual travel photography and everyday excursions where inclement weather is unlikely.
Lens Ecosystem and Expandability
Nikon’s Z mount is relatively new but rapidly growing, with 15 native lenses at the time of this writing, spanning ultra-wide to super-telephoto, with excellent optical quality. Third-party manufacturers are also releasing lenses, broadening choices.
The Panasonic ZS100’s fixed lens integrated 10x zoom cannot be changed, but its 25-250mm equivalent focal range covers many common shooting scenarios. The trade-off is flexibility and optical quality at extreme ends compared to interchangeable lenses.
Battery Life and Storage
Battery life on the Nikon Z6 II generally meets or exceeds 400 shots per charge, a solid performance for full-frame mirrorless standards, helping during day-long shoots. Its dual card slots (CFexpress/XQD) add reliability and capacity, ideal for pro use where data security is paramount.
The Panasonic ZS100 claims about 300 shots per battery, decent for a compact. It uses one SD card slot with standard SD/SDHC/SDXC compatibility.
Connectivity and Additional Features
Both cameras offer built-in Wi-Fi for image transfer and remote control, but the Nikon Z6 II further integrates Bluetooth for streamlined device pairing.
The Nikon includes advanced features like customizable buttons, focus bracketing, and greater exposure control granularity. The ZS100 offers post-focus functionality and 4K Photo capture mode, innovative for its category.
Pricing and Value
At approximately $2,000 USD, the Nikon Z6 II positions itself solidly in the pro mirrorless full-frame segment, commanding a premium for its sensor size, performance, and ruggedness.
The Panasonic ZS100 is a budget-friendly large sensor compact priced around $700 USD, making it accessible for hobbyists or travelers seeking image quality beyond typical point-and-shoots without the bulk of DSLRs or mirrorless systems.
How They Score Across Genres
Looking at genre-specific performance ratings aggregated from both technical specs and field experience...
- Portraits: Nikon leads with superior skin tone rendering and focus precision.
- Landscapes: Nikon’s sensor and dynamic range hold clear win.
- Wildlife & Sports: Nikon’s AF speed, tracking, and burst rate make it the only serious candidate.
- Street: Panasonic’s compact size and discreet design score higher for casual urban exploration.
- Macro: Nikon’s focus bracketing support gives it a technical edge; Panasonic’s post-focus is an interesting compact alternative.
- Night/Astro: Nikon full frame sensor shines; Panasonic limited by sensor size/shutter.
- Video: Nikon’s audio jacks, 5-axis stabilization, and 4K support boost professional usability.
- Travel: Panasonic scores for portability and all-in-one versatility, Nikon for quality and battery endurance in demanding trips.
- Professional Work: Nikon tailors to professionals with workflow features and ruggedness.
Overall Performance and Final Thoughts
Combining the many factors...
The Nikon Z6 II is unquestionably a serious tool, designed for professionals and enthusiasts who demand versatility, top image quality, and ergonomic refinement. It excels in almost every photographic discipline, albeit at the expense of weight and price.
The Panasonic ZS100, released years earlier and targeting a different user base, holds its own as one of the best large sensor compacts in its class, offering strong image quality, long zoom versatility, and striking portability at an affordable price.
Who Should Buy the Nikon Z6 II?
- Professional photographers needing a reliable, full-frame mirrorless system.
- Enthusiasts upgrading from crop sensors wanting better low light, autofocus, and lens flexibility.
- Portrait, landscape, wildlife, or sports shooters requiring advanced AF, high frame rates, and rugged body.
- Videographers seeking 4K with strong stabilization and audio inputs.
- Anyone looking for a camera that grows with their skill and professional demands.
Who Should Consider the Panasonic ZS100?
- Travelers and street photographers prioritizing extreme portability and convenience.
- Casual enthusiasts seeking better-than-average image quality in a compact.
- Those valuing a versatile zoom without carrying multiple lenses.
- Budget-conscious buyers wanting raw shooting and 4K video in a pocketable package.
- Beginners learning photography basics without investing heavily in gear.
In Closing: The Right Tool for the Right Job
Our extensive testing underscores a key lesson: no single camera fits all needs perfectly. The Nikon Z6 II and Panasonic ZS100 serve very different photographic philosophies and practical priorities.
If image quality, speed, and flexibility are paramount and budget permits, the Nikon Z6 II is a compelling, future-proof choice. For photographers valuing all-around convenience, zoom versatility, and compactness for casual and travel use, the Panasonic ZS100 remains an excellent, cost-effective option. Knowing their strengths and limits lets you choose a camera that empowers your creative goals with clarity and confidence.
Happy shooting!
Nikon Z6 II vs Panasonic ZS100 Specifications
Nikon Z6 Mark II | Panasonic Lumix DMC-ZS100 | |
---|---|---|
General Information | ||
Brand | Nikon | Panasonic |
Model type | Nikon Z6 Mark II | Panasonic Lumix DMC-ZS100 |
Also called as | - | Lumix DMC-TZ100 |
Class | Pro Mirrorless | Large Sensor Compact |
Introduced | 2020-10-14 | 2016-01-05 |
Physical type | SLR-style mirrorless | Large Sensor Compact |
Sensor Information | ||
Powered by | - | Venus Engine |
Sensor type | BSI-CMOS | MOS |
Sensor size | Full frame | 1" |
Sensor dimensions | 35.9 x 23.9mm | 13.2 x 8.8mm |
Sensor area | 858.0mm² | 116.2mm² |
Sensor resolution | 25 megapixels | 20 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 5:4, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 6048 x 4024 | 5472 x 3648 |
Max native ISO | 51200 | 12800 |
Max boosted ISO | 204800 | 25600 |
Minimum native ISO | 100 | 125 |
RAW data | ||
Minimum boosted ISO | 50 | 80 |
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 273 | 49 |
Lens | ||
Lens support | Nikon Z | fixed lens |
Lens zoom range | - | 25-250mm (10.0x) |
Maximum aperture | - | f/2.8-5.9 |
Macro focusing range | - | 5cm |
Number of lenses | 15 | - |
Crop factor | 1 | 2.7 |
Screen | ||
Type of display | Tilting | Fixed Type |
Display sizing | 3.2 inches | 3 inches |
Display resolution | 2,100 thousand dots | 1,040 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 3,690 thousand dots | 1,166 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.8x | 0.46x |
Features | ||
Slowest shutter speed | 30s | 60s |
Maximum shutter speed | 1/8000s | 1/2000s |
Maximum quiet shutter speed | - | 1/16000s |
Continuous shooting rate | 14.0 frames per second | 9.9 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 8.00 m (at Auto ISO) |
Flash settings | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash synchronize | 1/200s | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 144 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 25p / 144 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 24p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 120p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 100p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 60p / 56 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 50p / 56 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 30p / 28 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 25p / 28 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 24p / 28 Mbps, MOV, H.264, Linear PCM | 4K/UHD (3840 x 2160 @ 30p/24p), 1920 x 1080 @ 60p/60i/30p/24p, 640 x 480 (30p) |
Max video resolution | 3840x2160 | 3840x2160 |
Video data format | MPEG-4, H.264 | MPEG-4, AVCHD |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 705 grams (1.55 pounds) | 312 grams (0.69 pounds) |
Physical dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 111 x 65 x 44mm (4.4" x 2.6" x 1.7") |
DXO scores | ||
DXO All around rating | not tested | 70 |
DXO Color Depth rating | not tested | 22.8 |
DXO Dynamic range rating | not tested | 12.5 |
DXO Low light rating | not tested | 559 |
Other | ||
Battery life | 410 pictures | 300 pictures |
Battery type | Battery Pack | Battery Pack |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (2 or 10 secs, 3 shots @ 10 sec) |
Time lapse feature | ||
Storage type | CFexpress Type B / XQD | SD/SDHC/SDXC card |
Card slots | 2 | One |
Price at launch | $1,997 | $700 |