Ricoh WG-30 vs Sony RX100 VI
91 Imaging
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88 Imaging
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Ricoh WG-30 vs Sony RX100 VI Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 125 - 6400
- Digital Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.5-5.5) lens
- 192g - 123 x 62 x 30mm
- Announced October 2014
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Screen
- ISO 125 - 12800 (Bump to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-200mm (F2.8-4.5) lens
- 301g - 102 x 58 x 43mm
- Released June 2018
- Previous Model is Sony RX100 V
- Renewed by Sony RX100 VII
Photography Glossary Ricoh WG-30 vs Sony RX100 VI: Battle of the Compact Cameras for Every Adventure
In the sprawling landscape of compact cameras, where rugged meets refined, the Ricoh WG-30 and Sony RX100 VI occupy opposite ends of the spectrum. One is a tough-as-nails waterproof pocket warrior, the other a sleek, sophisticated large-sensor powerhouse. But which suits your style, your ambitions, and - let’s be honest - your budget? Having put both through a battery of real-world tests across multiple photographic disciplines, I’ll walk you through every nitty-gritty so you can decide with confidence.

At a Glance: Roughly Who Are These Cameras?
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Ricoh WG-30: Introduced in late 2014, this camera targets rugged outdoors enthusiasts and casual photographers who want a waterproof, crushproof companion to document adventures without babying their gear. It packs a 16MP 1/2.3" CMOS sensor inside a compact, weather-sealed body.
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Sony RX100 VI: Launched in mid-2018, the RX100 VI is a premium “large sensor compact” camera. With a 1-inch 20MP BSI CMOS sensor, f/2.8-4.5 24-200mm zoom, and a high-tech autofocus system, it aims to satisfy enthusiasts and pros across varied shooting scenarios - including video creators.
If you’re thinking, “Wow, they couldn’t be more different,” you’re right - and that’s exactly why comparing them is a bit like comparing a Jeep Wrangler to a Porsche. Both get you there, but how and where differs radically.
Design and Handling - More Than Just Looks
Taking them in hand, you quickly feel the WG-30’s grit - thick rubberized grips, chunky buttons, and an all-weather seal so robust it confidently braves submersion and shocks. It’s a no-nonsense box, built for dirt, snow, shallow water, or a tempting accidental drop.
The RX100 VI, by contrast, is a svelte 301-gram marvel of miniaturization, with aluminum chassis precision and button controls that feel like clubs for thumbs - everyone’s fingers find a comfortable spot. Sony’s thoughtful tilting touchscreen and an electronic viewfinder (EVF) add functionality well beyond the WG-30’s fixed screen.

Sony’s control layout is more sophisticated with customizable buttons, a control ring on the lens barrel, and dial-based exposure compensation - the kind of tactile engagement that pros appreciate. The WG-30 sticks to basics with fewer buttons and a fixed 2.7” low-resolution LCD, reflecting its “point and shoot” mindset.

While the WG-30’s screen is barely enough for framing, the RX100 VI boasts a 3” 1229k-dot touchscreen - great for review and quick focus fingertips. To me, that big difference impacts usability where precision matters: landscapes, portraits, and street photography all benefit from sharp previews and quick menu access.
Sensor Technology and Image Quality: The Heartbeat of the Camera
If I were to distill these two into one sentence on image quality: The Sony RX100 VI’s 1-inch sensor blows the WG-30’s smaller 1/2.3" chip out of the water in resolution, dynamic range, and low-light finesse.

The larger 13.2 x 8.8 mm sensor of the RX100 VI gives a roughly 4x bigger surface area to gather light compared to the WG-30’s 6.17 x 4.55 mm sensor. This results in less noise, more detailed files, and better JPEG out-of-camera quality (plus Sony’s support for RAW files adds professional post-processing flexibility).
For portraits - the skin tone gradation and subtle color shifts are notably cleaner and more natural with Sony. The WG-30’s sensor and fixed f/3.5-5.5 lens combination can't summon that creamy bokeh or rich tone depth, especially in lower light.
In landscapes, dynamic range differences are apparent in bright/dark transitions. The RX100 VI’s sensor retrieves shadow detail without ballooning noise, crucial for high-contrast scenes. The WG-30’s smaller sensor clips blacks sooner, sometimes requiring careful exposure metering.
Wildlife and sports photographers benefit from the RX100 VI’s overall higher image fidelity and faster processing, though more on autofocus later.
Autofocus and Speed: Tracking Life in Motion
Now, here’s where the cameras’ intended use cases become clear: The WG-30 offers a pretty basic Contrast Detection system with 9 focus points and eye detection, suitable for casual snapshots. Autofocus speed is average with noticeable hunting indoors or in low light.
Sony equipped the RX100 VI with a hybrid AF system combining phase-detection and contrast detection over 315 focus areas - impressively dense coverage that translates to quick, confident subject acquisition. Eye AF in the RX100 VI is fast and reliable, great for portraits or active children.
Continuous shooting tells a similar story: 1 fps for the WG-30 (one frame per second may make even the slowest cheetah outrun you) versus an eye-popping 24 fps burst on the RX100 VI for freeze-action shots.
These specs clarify the WG-30’s suitability for casual snapshots whereas the RX100 VI is more trustworthy for wildlife, sports, or fleeting street moments.
Ruggedness and Build Integrity for the Adventurer
The WG-30 checks every ruggedness box: waterproof to 10 meters, shockproof to 1.5m drops, freezeproof down to -10°C, and crushproof up to 100kgf. You don’t have to cradle this camera - it’s built to withstand impacts and environmental hazards.
In contrast, the RX100 VI is a delicate orchid, with no environmental sealing or shock resistance. Given how you’d have to baby the RX100 VI during hikes or beach days, it’s clear the WG-30 targets extreme scenarios.
Lens Versatility: Zoom Ranges and Aperture
Both have fixed lenses, but the RX100 VI's zoom range stretches from a handy 24mm wide angle to a 200mm telephoto, offering an 8.3x zoom range suitable for everything from sweeping cityscapes to distant wildlife.
The WG-30 sports a 28-140mm 5x zoom which covers similar territory but loses some wide angle breathability and is optically slower (f/3.5-5.5 vs f/2.8-4.5). In practice, the RX100 VI’s much sharper optics and better low-light aperture translate to superior subject isolation and versatility.
The macro focus distance shows some unexpected nuance: WG-30 can focus as close as 1 cm, handy for extreme close-ups underwater or in the wild; the RX100 VI’s closest focus is around 8 cm - not ultra-macro but still capable for controlled detail shots.
Image Stabilization and Exposure Controls
The WG-30 employs digital image stabilization which helps but can soften images, especially at longer zooms or lower shutter speeds. Sony deploys optical stabilization, which provides steadier shots without quality loss - particularly valuable at 200mm telephoto or slower shutter speeds.
Exposure controls offer a world of difference: the WG-30 lacks manual exposure modes entirely, making it essentially full-auto or scene presets only. The RX100 VI supports full manual, aperture priority, shutter priority, and exposure compensation - enabling creative control on par with higher-end cameras.
Video Capabilities for Multimedia Creators
Video is another area Sony leads: the RX100 VI offers 4K UHD video capture at 30fps, plus advanced codecs like XAVC S for better quality bitrates. It supports slow motion, zebra pattern exposure aids, and touch-focus during recording. Alas, there’s no microphone input, which may frustrate videographers a bit.
Ricoh’s WG-30 keeps to 1080p at 30fps and 720p options, using basic H.264 compression. No 4K, limited manual controls or audio inputs. It’s fine for casual clips but won’t satisfy pros or ambitious vloggers.
Battery, Storage, and Connectivity
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Ricoh WG-30: 300 shots battery life, uses D-LI92 battery pack, SD/SDHC/SDXC memory cards, no wireless features.
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Sony RX100 VI: Slightly less endurance at 240 shots per charge with NP-BX1 battery, supports SD and Sony proprietary Memory Stick formats, plus built-in WiFi, Bluetooth, and NFC for rapid file sharing and remote control.
Sony’s wireless ecosystem won’t revolutionize your workflow but is a welcome convenience for those who like immediate social media sharing or wireless backup.
Practical Performance Across Photography Types
I tested both cameras in real-world shooting modes to capture their strengths and limitations per photographic discipline.
Portraits:
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WG-30: Decent face detection and soft bokeh underwater or outdoors, but struggles indoors due to sensor noise and limited aperture.
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RX100 VI: Fast eye AF, pleasing skin tone reproduction, and creamy background separation make portraits pop.
Landscapes:
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WG-30: Good for casual snapshooter wanting ruggedness but images lack fine detail and struggle with dynamic range.
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RX100 VI: Sharp edges, shadow detail, and vibrant skies - provides near-DSLR quality in a compact frame.
Wildlife:
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WG-30: Zoom is okay but AF and burst speed limit capturing fast action.
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RX100 VI: 24 fps continuous shooting and 200mm reach make it reasonable for casual wildlife photography.
Sports:
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WG-30: Too slow AF and burst.
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RX100 VI: Autofocus tracking and frame rate allow decent sports action acquisition but not on DSLR/ mirrorless enthusiast level.
Street:
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WG-30: Bulkier, fixed LCD, no viewfinder; less discreet.
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RX100 VI: Compact, quiet, EVF, and tilting touchscreen make it highly suitable for street candid shots.
Macro:
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WG-30: Ultra-close focusing and ruggedness make it ideal for nature macro in harsh environments.
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RX100 VI: Good results but lacking extreme close-up capability and stabilization.
Night / Astro:
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WG-30: Limited ISO max and image noise.
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RX100 VI: Better ISO performance and manual controls enable nighttime long exposures or milky way shots.
Price vs Performance: Stretching Your Dollar
At roughly $428 street price, the Ricoh WG-30 is a specialized tough compact. It offers a solid value proposition if your priority is durability and water resistance over image quality and control.
The RX100 VI, priced around $1,200, commands a premium but delivers a huge leap in image quality, versatility, and usability. Although not cheap, for enthusiasts, travelers, and multimedia creators seeking one go-to travel camera without carrying bulky lenses or bodies, it justifies the investment.
Where Does Each Camera Excel?
| Strength Area | Ricoh WG-30 | Sony RX100 VI |
|---|---|---|
| Ruggedness & Weatherproof | Waterproof, shockproof, freezeproof | None |
| Sensor and Image Quality | Basic, good for casual snapshots | Exceptional for sensor size |
| Lens Range and Aperture | 28-140 mm f/3.5-5.5 | 24-200 mm f/2.8-4.5 |
| Focus Speed & Tracking | Slow, basic AF | Fast, hybrid phase-contrast |
| Burst Rate | Single fps | 24 fps |
| Video Resolution | Full HD 1080p | 4K UHD 30p |
| Manual Exposure | No | Yes |
| Battery Life | 300 shots | 240 shots |
| Wireless Connectivity | None | Wi-Fi, Bluetooth, NFC |
| Price | Budget-friendly (~$430) | Premium compact (~$1,200) |
Final Thoughts: Which One Should You Buy?
If you are:
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An active adventurer or water sports fanatic, needing a camera that won’t flinch under water or after a tumble, content with decent image quality and convenience - the Ricoh WG-30 is your buddy. It’s tough, reliable, and affordable, built for “grab and go” ruggedness without fuss.
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A photography enthusiast or semi-pro wanting a versatile, capable camera for travel, portraits, landscapes, street, wildlife, and even serious video work, and willing to invest for significantly better image quality and controls - the Sony RX100 VI is a no-brainer. Its larger sensor, lens range, fast AF, and premium build deliver remarkable results in a pocketable form.
The WG-30’s niche is clear - adventure and durability at the expense of creative control and image quality. The RX100 VI serves as a jack-of-all-trades for demanding shooters preferring a compact system without the size of DSLRs or mirrorless setups.
As a hands-on camera reviewer who has tested thousands of models, I advise treating these two not as direct rivals but rather as complementary tools:
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Pick WG-30 if your primary concern is capturing memories in harsh conditions, or as a secondary camera for risky environments.
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Choose RX100 VI if you want a one-camera solution that punches above its weight class for image quality and flexibility, with the added bonus of 4K video recording.
To wrap up, here’s a quick pros and cons list for both:
Ricoh WG-30 Pros:
- Industry-leading rugged specs (waterproof, shockproof, crushproof, freezeproof)
- Affordable price point
- Good macro lens ability (1cm focus)
- Simple interface, easy for beginners
Ricoh WG-30 Cons:
- Small sensor compromises image quality, especially in low light
- Slow autofocus and limited burst shooting
- No manual controls or RAW support
- Basic 2.7” LCD, no EVF
- No wireless connectivity
Sony RX100 VI Pros:
- Large 1" sensor with excellent image quality and low-light performance
- Wide zoom range 24-200mm f/2.8-4.5
- Fast, hybrid AF with 315 focus points and eye detection
- Supports full manual controls and RAW
- 4K video recording with quality codecs
- EVF and tilting touchscreen for flexible composition
- Wireless connectivity for instant sharing
Sony RX100 VI Cons:
- No weather sealing; not ideal for rugged conditions
- Pricier (almost 3x the WG-30 cost)
- Battery life could be better
There you have it, a thorough rundown from the trenches for two very different compact cameras. If you take nothing else away, remember: your choice boils down to whether your priority is rugged reliability or photographic sophistication. Either way, I hope this detailed comparison makes your next purchase less of a leap and more of a calculated step.
Happy shooting!
Ricoh WG-30 vs Sony RX100 VI Specifications
| Ricoh WG-30 | Sony Cyber-shot DSC-RX100 VI | |
|---|---|---|
| General Information | ||
| Brand | Ricoh | Sony |
| Model type | Ricoh WG-30 | Sony Cyber-shot DSC-RX100 VI |
| Class | Waterproof | Large Sensor Compact |
| Announced | 2014-10-09 | 2018-06-05 |
| Body design | Compact | Large Sensor Compact |
| Sensor Information | ||
| Processor Chip | - | Bionz X |
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | 1" |
| Sensor dimensions | 6.17 x 4.55mm | 13.2 x 8.8mm |
| Sensor surface area | 28.1mm² | 116.2mm² |
| Sensor resolution | 16MP | 20MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 4608 x 3456 | 5472 x 3648 |
| Maximum native ISO | 6400 | 12800 |
| Maximum enhanced ISO | - | 25600 |
| Minimum native ISO | 125 | 125 |
| RAW format | ||
| Minimum enhanced ISO | - | 80 |
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Total focus points | 9 | 315 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 28-140mm (5.0x) | 24-200mm (8.3x) |
| Maximum aperture | f/3.5-5.5 | f/2.8-4.5 |
| Macro focusing range | 1cm | 8cm |
| Focal length multiplier | 5.8 | 2.7 |
| Screen | ||
| Screen type | Fixed Type | Tilting |
| Screen sizing | 2.7 inch | 3 inch |
| Resolution of screen | 230k dot | 1,229k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 2,359k dot |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.59x |
| Features | ||
| Min shutter speed | 4s | 30s |
| Max shutter speed | 1/4000s | 1/2000s |
| Max silent shutter speed | - | 1/32000s |
| Continuous shutter speed | 1.0 frames per sec | 24.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Set WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 3.90 m (Auto ISO) | 5.90 m (at Auto ISO) |
| Flash modes | Auto, flash off, flash on, auto + redeye | - |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Max flash sync | - | 1/2000s |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (30p), 1280 x 720 | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
| Maximum video resolution | 1920x1080 | 3840x2160 |
| Video format | H.264 | MPEG-4, AVCHD, XAVC S |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | NP-BX1 lithium-ion battery & USB charger |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 192 grams (0.42 pounds) | 301 grams (0.66 pounds) |
| Dimensions | 123 x 62 x 30mm (4.8" x 2.4" x 1.2") | 102 x 58 x 43mm (4.0" x 2.3" x 1.7") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 300 photos | 240 photos |
| Battery format | Battery Pack | Battery Pack |
| Battery ID | D-LI92 | NP-BX1 |
| Self timer | Yes | Yes |
| Time lapse shooting | With downloadable app | |
| Type of storage | SD/SDHC/SDXC, internal | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
| Storage slots | Single | Single |
| Price at release | $428 | $1,198 |