Ricoh WG-30W vs Sony WX150
91 Imaging
40 Features
34 Overall
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95 Imaging
41 Features
43 Overall
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Ricoh WG-30W vs Sony WX150 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 125 - 6400
- Digital Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.5-5.5) lens
- 194g - 123 x 62 x 30mm
- Released October 2014
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 25-250mm (F3.3-5.9) lens
- 133g - 95 x 56 x 22mm
- Introduced February 2012

Ricoh WG-30W vs Sony WX150: A Hands-On Comparison for Everyday Photographers
Making sense of the camera jungle - especially when faced with two compact, fixed-lens models - is a challenge I often hear from photography enthusiasts trying to balance price, versatility, and real-world usability. The Ricoh WG-30W and Sony WX150 both vie for spots in the compact camera lineup at around the $280-$300 price range, but their design philosophies couldn’t be more different.
I’ve spent significant time putting these two through their paces - analyzing sensor tech, ergonomics, image quality, autofocus reliability, and usability across multiple photography disciplines - from portraits to wildlife, landscapes to video. Whether you’re an adventurous traveler eyeing a rugged all-rounder or a casual snapper craving that zoom reach, my goal here is to provide you a grounded, experience-rich breakdown that helps you pick the best fit.
Let’s dive in.
Size, Build, and Handling: Rugged vs Sleek - Which Suits You?
The Ricoh WG-30W embraces a waterproof, shockproof, and freezeproof body designed for outdoor use. In contrast, the Sony WX150 is a sleek, pocket-friendly compact aimed at everyday shooting with a maximum reach zoom.
Here’s the size and ergonomics comparison to give you the first impression:
The Ricoh weighs 194g with dimensions 123×62×30 mm - chunkier, more solid, with textured grips designed to perform in slippery, rugged conditions. Its controls are straightforward but somewhat utilitarian, prioritizing durability over flair.
The Sony weighs a lighter 133g and measures a trim 95×56×22 mm, fitting snugly into pockets or small bags. Its smooth, rounded design makes it more discreet - ideal for street photography or casual shooting.
Just as any serious reviewer, I benchmarked control layouts by how intuitively I could work them under various conditions. The Ricoh’s buttons have a firm, “clicky” tactile feel, easily handled even with gloves (bonus outdoors). The Sony’s controls are smaller but well-labeled, making for quick adjustments indoors or casual handholding.
The top view comparison showcasing button and dial placement:
While neither has clubs for thumbs or full manual dials, the Sony supports manual exposure mode, something the Ricoh lacks entirely. This makes the Sony more appealing to enthusiasts wanting creative control, though the Ricoh's ruggedness may overshadow this gap for adventure types.
Sensor Technology and Image Quality: Size Matters But So Does Processing
Both cameras sport a 1/2.3-inch sensor with an identical sensor dimension of 6.17x4.55mm, but here’s where their sensor technology diverges:
- Ricoh WG-30W: 16MP CMOS sensor, F3.5-5.5 lens, max ISO 6400 (native 125-6400), digital (electronic) image stabilization.
- Sony WX150: 18MP BSI-CMOS sensor, F3.3-5.9 lens, max ISO 12800 (native 100-12800), optical image stabilization (SteadyShot).
The BSI-CMOS sensor in the Sony offers better light gathering due to backside illumination technology, typically resulting in cleaner images in low light and improved dynamic range compared to traditional CMOS sensors. The Ricoh's sensor is a bit behind here, and it shows in noise control when cranking up ISO beyond 800 in my tests.
Thanks to the Sony’s optical stabilization, handheld shots in dim settings or with longer zooms held up noticeably better than the Ricoh’s digital stabilization, which tends to soften details and can create artifacts.
Regarding sharpness and resolution, the Sony edged out slightly due to higher megapixels, but keep in mind genuine output quality depends on processing and lens sharpness, not just sensor stats alone.
LCD and Interface: Navigating Your Settings With Ease
When reviewing many cameras, I always take my time with the user interface and LCD screens since these impact day-to-day shooting comfort more than specs suggest.
Here’s the comparison of rear displays:
- The Sony features a crisp 3.0-inch 461K-dot ClearPhoto TFT LCD that delivers bright, vibrant images, good for outdoor visibility and detailed playback.
- The Ricoh uses a smaller 2.7-inch 230K-dot display which feels outdated and dimmer under bright sunlight, often requiring you to eyeball the exposure settings more intuitively or review shots back indoors.
Neither model includes touchscreens or electronic viewfinders, which limits framing precision in bright environments, but standard for this price segment.
Interface-wise, the Sony’s menu system is more feature-rich (eg. custom white balance, manual exposure tweaks) allowing more artistic input. The Ricoh keeps it basic but includes helpful modes like exposure and white balance bracketing - a nice touch for tough lighting situations despite lacking manual modes.
Autofocus and Shooting Speed: Tracking the Action
The Ricoh and Sony both use contrast-detection AF with 9 focus points and face detection capabilities. However, their autofocus strategies diverge:
- Ricoh WG-30W: continuous AF, face detection, plus center and multi-area options with some tracking ability.
- Sony WX150: single AF with face detection and tracking, although no continuous AF during burst shooting.
In real-world field testing - especially wildlife and sports scenarios - the Sony’s fast burst speed of 10 fps makes a real difference for capturing sequences and fleeting poses. The Ricoh is stuck at a plodding 1 fps, limiting it severely for any action photography.
Contrast this with the Sony’s shutter speed range (max 1/1600 sec) which limits some freezing of very fast motion, but paired with burst shooting, still good enough for casual sports or pets.
The Ricoh’s wider shutter speed range (up to 1/4000 sec) offers flexibility for bright light shooting but hampered by its slow continuous shooting rate.
Versatility Across Photography Disciplines
Let’s analyze practical performance across genres where these cameras might find themselves.
Portrait Photography
- WG-30W: Face detection works well; 9 AF points good but lens aperture (F3.5-5.5) and sensor limitations reduce background blur (bokeh) appeal. Skin tone reproduction is decent - Ricoh’s color science tends to warmer tones pleasing to skin.
- WX150: Slightly better bokeh due to aperture and sensor; BSI sensor enhances skin tone accuracy and low noise even indoors; manual exposure gives more creative control; lack of eye detection means you’ll need to nail focus manually, but face detection is reliable.
Landscape Photography
- Ricoh’s ruggedness (waterproof to 10m, shockproof, freezeproof) elevates it in extreme outdoor landscapes; less worry about conditions.
- Sony’s higher resolution and better dynamic range benefit detailed landscapes, but lack of weather sealing is a downside for all-weather shooters.
- Both shoot RAW unsupported, which limits post-processing latitude for serious landscapes.
Wildlife and Sports
Sony’s 10 fps burst and longer zoom (25-250 mm vs Ricoh’s 28-140 mm) make it a clear winner here. Faster autofocus tracking aids capturing movement. Ricoh’s slower AF and shooting speed make it awkward for moving subjects.
Despite Ricoh’s rugged design, its max 5x zoom isn’t ideal for distant subjects compared to Sony’s 10x reach.
Street Photography
Sony’s compact size and discreet styling serve street shooters better. Its quieter shutter and bright LCD ease candid shooting.
Ricoh’s bulk and sporty look near waterproof seals may attract unwanted attention or limit stealth.
Macro Photography
Ricoh stakes an advantage here with a macro focus distance down to 1cm, allowing closeups of flora and tiny critters. Sony’s minimum focus distance at 5cm is less impressive comparatively.
Digital stabilization on Ricoh helps handheld macro shots but can soften detail.
Night and Astro Photography
Sony’s higher max ISO and BSI sensor translate to cleaner night shots with less noise. It also feels a bit more responsive in low light AF.
Ricoh’s max ISO is limited, and noise becomes prominent beyond ISO 800. Lack of manual bulb or long exposure modes restricts astro photography appeal on both.
Video Recording
- Ricoh: Full HD 1080p at 30p with basic H.264 codec, lacks external mic port or advanced stabilization.
- Sony: Full HD 1080p at 60p plus AVCHD and MPEG-4 formats, optical stabilization holds advantage; no mic input but video quality is noticeably smoother.
Battery Life and Storage
Ricoh’s 300 shot battery life edges out Sony’s 240 shots per CIPA standard, likely due to simpler electronics and display.
Both use common SD/SDHC/SDXC cards with Sony additionally supporting proprietary Memory Stick formats. Single card slot in both cameras.
Connectivity and Extras
- Ricoh offers built-in Wi-Fi (no Bluetooth or NFC) making wireless transfers easy in theory but interface feels clunky in practice.
- Sony features Eye-Fi Connected support for wireless transfer using Eye-Fi cards, which is slightly outdated and cumbersome compared to native Wi-Fi.
- Both have micro USB 2.0 and HDMI ports but no headphone/microphone jacks for video users.
Environmental Sealing and Durability
This is where Ricoh WG-30W shines unequivocally:
- Waterproof to 10m, shockproof from 1.5m drops, crushproof to 100kgf, and freezeproof to -10°C.
- Built for rugged use in hiking, snorkeling, and harsh conditions.
Sony WX150 offers no such protections; careful handling indoors or mild outdoor shooting only.
Price-to-Performance: What’s the Better Bang?
With retail prices close ($279.95 Ricoh, $299.95 Sony), the Sony arguably delivers better general versatility: longer zoom, better sensor, higher burst rates, manual controls.
Ricoh caters to a niche audience wanting indestructibility and waterproofing, ideal for rough environments or casual adventurers who prioritize toughness over image quality nuances.
Real-World Sample Gallery
To give you a feel for image output, here are sample photos shot side-by-side:
- The Sony images show cleaner noise control and sharper details in low light.
- The Ricoh images have muted contrast but warmer color casts, suiting outdoor snapshots.
- Both show lens distortion at wide angles but acceptable levels for casual shooters.
Scores and Performance Summary
An expert-combined scoring based on photo quality, handling, features, durability, and value:
Further broken down by genre-specific scores:
- Portrait and Landscape: Tie with slight Sony edge on image quality
- Wildlife/Sports: Sony clear winner
- Macro/Night/Astro: Ricoh better at macro; Sony better at night
- Video: Sony superior
- Build/Weather-Sealing: Ricoh dominant
Final Verdict: Who Should Buy Which?
Choose the Ricoh WG-30W if you...
- Need a camera that survives tough environments without additional housing.
- Frequently shoot outdoors in rain, snow, or underwater.
- Prioritize durability and waterproofing over fast autofocus or zoom length.
- Are an outdoor hobbyist or casual traveler mindful of camera damage.
- Appreciate simple operation without fussing over manual controls.
Go for the Sony WX150 if you...
- Want longer zoom reach with sharper images and better low light capability.
- Shoot sports, wildlife, street, or video frequently.
- Desire some manual exposure controls for creative flexibility.
- Prefer a compact, pocket-friendly design for everyday carry.
- Can handle the delicate nature of a typical compact camera with no weather sealing.
Personal Takeaway
During my hands-on testing, the Ricoh WG-30W consistently reminded me why rugged compacts still have their use: they survive abuse that stove-top reflexes and mirrorless marvels dread.
But as someone who also loves the thrill of timing a decisive moment in sports or wildlife, the Sony WX150’s zoom, responsiveness, and richer feature set won my heart for day-to-day balanced photography.
If budget is tight, you won’t regret either, but your shooting style and environment must guide your choice here.
Whether you pick the bulletproof Ricoh or the versatile Sony, remember that no budget compact is perfect - but knowing their strengths and limits will ensure your next camera lifts your photos without breaking the bank or your spirit.
Happy shooting!
Ricoh WG-30W vs Sony WX150 Specifications
Ricoh WG-30W | Sony Cyber-shot DSC-WX150 | |
---|---|---|
General Information | ||
Brand | Ricoh | Sony |
Model type | Ricoh WG-30W | Sony Cyber-shot DSC-WX150 |
Category | Waterproof | Small Sensor Compact |
Released | 2014-10-09 | 2012-02-28 |
Body design | Compact | Compact |
Sensor Information | ||
Processor Chip | - | BIONZ |
Sensor type | CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 16 megapixel | 18 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3 and 16:9 | 4:3 and 16:9 |
Highest resolution | 4608 x 3456 | 4896 x 3672 |
Highest native ISO | 6400 | 12800 |
Minimum native ISO | 125 | 100 |
RAW format | ||
Autofocusing | ||
Manual focusing | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 9 | 9 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 28-140mm (5.0x) | 25-250mm (10.0x) |
Largest aperture | f/3.5-5.5 | f/3.3-5.9 |
Macro focusing range | 1cm | 5cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen size | 2.7 inch | 3 inch |
Screen resolution | 230k dot | 461k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen technology | - | ClearPhoto TFT LCD display |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Slowest shutter speed | 4 secs | 30 secs |
Maximum shutter speed | 1/4000 secs | 1/1600 secs |
Continuous shooting speed | 1.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 3.90 m (Auto ISO) | 3.70 m |
Flash settings | Auto, flash off, flash on, auto + redeye | Auto, On, Off, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30p), 1280 x 720 | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video format | H.264 | MPEG-4, AVCHD |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 194 grams (0.43 lbs) | 133 grams (0.29 lbs) |
Dimensions | 123 x 62 x 30mm (4.8" x 2.4" x 1.2") | 95 x 56 x 22mm (3.7" x 2.2" x 0.9") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 300 pictures | 240 pictures |
Battery form | Battery Pack | Battery Pack |
Battery ID | D-LI92 | NP-BN |
Self timer | Yes | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC, internal | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Storage slots | 1 | 1 |
Launch cost | $280 | $300 |