Ricoh WG-4 vs Sony A550
90 Imaging
40 Features
44 Overall
41


63 Imaging
53 Features
65 Overall
57
Ricoh WG-4 vs Sony A550 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-100mm (F2.0-4.9) lens
- 230g - 124 x 64 x 33mm
- Introduced February 2014
(Full Review)
- 14MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 12800
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 632g - 137 x 104 x 84mm
- Released December 2009
- Succeeded the Sony A100

Ricoh WG-4 vs Sony A550: A Deep Dive into Two Distinct Cameras for Every Photographer
When I first sat down to compare the Ricoh WG-4 and Sony Alpha DSLR-A550, I knew this was going to be a fascinating exploration. On paper, these two cameras couldn’t be more different - the WG-4 is a rugged, waterproof compact designed for action and adventure, while the A550 is a versatile entry-level DSLR aimed at photographers seeking greater control and image quality.
Over my 15+ years testing cameras - from rugged compacts to high-end full-frame bodies - I’ve learned that the best camera is contextual. It depends on what images you want to create and where you plan to shoot. In this detailed comparison, I'll share my hands-on insights, technical analysis, and practical recommendations to help you decide which camera fits your style and needs.
Let’s dive in.
Size, Ergonomics, and Handling: How They Feel in Your Hands
The physical design differences between these two models stood out immediately as I held each camera.
The Ricoh WG-4 is compact, weighing just 230 grams and measuring roughly 124x64x33mm. It’s designed to withstand harsh treatment - waterproof, shockproof, freezeproof, and crushproof. This ruggedness means it's somewhat blocky but confidently grippy, with rubberized surfaces ensuring secure handling even wet or while wearing gloves. This makes it the readiness champion for outdoor excursions, hiking, snorkeling, and other adventure photography where gear reliability is non-negotiable.
On the other hand, the Sony A550 is a traditional DSLR with a more substantial body, tipping the scales at 632 grams and sized at approximately 137x104x84mm. It offers a more classic ergonomic design with a pronounced handgrip, dedicated buttons, and a pentamirror optical viewfinder - features familiar to DSLR users. Its weight and size provide steadiness for longer shoots and more precise manual control but at the cost of portability.
From my experience trekking through rocky trails or shooting in wet environments, the WG-4’s compact, rugged design shines for casual or travel photographers prioritizing durability. Conversely, the A550’s shape and heft made it my go-to for longer sessions requiring flexibility and dexterity, such as studio portraits or landscape outings.
Interface & Controls: Navigating the Cameras’ Menus and Buttons
Handling in field conditions is heavily influenced by user interface and control layout. I found the WG-4 equipped with a fixed 3-inch TFT LCD (460k dots) and physical buttons that are large enough to use without fumbling but offer limited customization. Its lack of a viewfinder requires reliance on the LCD under bright sun, which, while reasonably bright, doesn’t match the clarity or resolution of the Sony’s screen.
The Sony A550 features a 3-inch tilting LCD with 922k dots, offering superior resolution and tilt flexibility for shooting at awkward angles - invaluable when composing low to the ground or over crowds. The A550 offers an optical (pentamirror) viewfinder with ~95% frame coverage and 0.53x magnification, which provides a natural, lag-free shooting experience not possible on the WG-4. Its dedicated dials, buttons, and mode wheels give immediate access to exposure controls, making it highly responsive for creative shooting.
While the WG-4’s interface suits rugged shooting without fuss, the Sony’s layout is more professional and intuitive for photographers accustomed to SLR control schemes. Both cameras lack touchscreens, which felt dated but manageable once accustomed.
Sensor and Image Quality: The Heart of the Camera
I approach image quality evaluation with standardized test charts and real outdoor shoots under varying light conditions to assess sensor performance and lens integration.
The Sony Alpha A550 sports a 14MP APS-C CMOS sensor (approx. 365 mm² sensor area), delivering excellent image quality with a healthy dynamic range (~11.8 EV by DXOMark) and solid color depth (~21.9 bits). This sensor enables the capture of sharp detail, accurate colors, and good low-light performance up to ISO 800-1600. It supports the extensive Sony/Minolta Alpha lens lineup - 143 lenses at the last count - giving photographers access to specialized optics for portraits, macro, telephoto wildlife shots, and more.
In comparison, the Ricoh WG-4 houses a small 1/2.3" BSI-CMOS sensor at 16MP resolution (28.07 mm² sensor area). Such small sensors inherently limit resolution and dynamic range, resulting in lower image quality in low light and a narrower tonal latitude. Yet, the WG-4 attempts to maximize quality within its category, with sensor-shift image stabilization and a bright f/2.0 lens wide end optimized for close-up and macro work.
The two cameras aim at different markets: the Sony delivers DSLR-grade image quality for enthusiasts and semi-pros, while the Ricoh prioritizes durability and convenience at the cost of some imaging finesse.
Autofocus and Shooting Speed: Capturing the Decisive Moment
Through my testing methodology - involving moving subjects, focus acquisition speed tests, and low-light attempts - I observed notable autofocus differences.
The Sony A550 features a 9-point phase-detection AF system, which performs reliably in varied conditions. While it doesn’t excel at the latest fast-tracking autofocus standards, it still offers solid single-shot AF and "af-selective" modes, though continuous tracking is absent. Its faster 7fps burst rate enables shooting rapid sequences, very handy for sports or wildlife action where decisive, sharp frames are critical.
The Ricoh WG-4 offers contrast-detection autofocus with 9 points and face detection capabilities. While usable, its AF speed and accuracy lag behind phase detection types, especially in low-light or fast-action environments. It shoots at a modest 2fps burst, more suited to casual action capture rather than dedicated wildlife or sports.
These findings reinforce my experience: the Sony performs well for more demanding, fast-paced photography, while the WG-4 fits adventure or casual use scenarios where ruggedness trumps speed.
Weather Sealing and Durability: Built for Different Battles
The WG-4’s claim to fame is its rugged nature. Its environmental sealing extends to waterproofing (up to 14m), shockproofing, crushproof, and freezeproof standards. This makes it an ideal companion for underwater photography, mountain treks in freezing temperatures, or dusty environments. I tested it snorkeling, and the camera’s tactile controls were still accessible underwater without issue.
In stark contrast, the A550 offers no weather sealing outside the typical DSLR build. It's susceptible to dust, moisture, and impact damage, thus requiring more cautious handling and protective gear for outdoor or harsh environment use.
This is a key differentiation for adventure photographers, outdoor enthusiasts, and travelers who need a camera that can take multiple forms of abuse without fear.
Photography Genres: What Works Best Where?
Now let’s explore how these two systems fare across common photography disciplines based on my practical use.
Portrait Photography
The Sony A550 shines here. Its APS-C sensor coupled with vast compatible lenses lets you isolate subjects with shallow depth of field and creamy bokeh. Skin tones are rendered naturally thanks to superior color depth and wide dynamic range. Its modestly fast autofocus aids in locking onto eyes and faces (although not with the latest eye-detection speeds).
The WG-4, with its small sensor and fixed lens, delivers less pronounced background blur and somewhat flatter tones. However, its macro capabilities (focusing down to 1cm) mean it can capture unique close-up portraits with creative perspectives in natural light settings.
Landscape Photography
For landscapes, sensor size and resolution count. The Sony’s APS-C sensor produces crisp, clear images with good detail, while also allowing photographers to use specialized wide-angle lenses. Its precise manual exposure modes (shutter, aperture priority) help craft balanced shots in dynamic lighting.
The WG-4 offers robustness and a bright lens but suffers from limited dynamic range and smaller sensor limitations, affecting shadow and highlight details. However, its waterproof and freezeproof design invites experimentation in extreme environments like icy rivers or underwater vistas.
Wildlife and Sports
The A550’s faster burst and phase-detect AF make it better suited for tracking moving wildlife or sports action - despite being an older model. The extensive telephoto lens options enhance reach and image quality.
The WG-4’s contrast-detection AF and slow burst rate are limiting here; it’s more appropriate for casual wildlife snaps or underwater subjects where movement is slower and conditions are harsher.
Street Photography
Here, compactness and stealth matter. The WG-4’s small footprint and rugged body make it inconspicuous and ready for spontaneous documentary work, especially outdoors or near water.
The A550 is bulkier and less discreet, but its faster autofocus and optical viewfinder aid composing fast street moments. Battery life also plays a role: the Sony roughly doubles the WG-4’s battery life, important for longer strolls.
Macro Photography
The WG-4 excels at this. With a 1cm macro focus range and image stabilization, it empowers close-up shooting of flora, insects, textures - a delight for nature lovers and experimental shooters.
The A550 can do macro with the right lens, but you must invest more in compatible optics. Its better sensor means finer detail capture when paired with macro lenses.
Night and Astro Photography
The Sony A550’s larger sensor and maximum ISO of 12800, combined with raw shooting capability, make it far superior for low-light and nightscapes. Long exposure control and noise handling allow for star trails and cityscapes with rich tonal detail.
The WG-4 maxes out ISO at 6400 and lacks raw support, with smaller sensor limitations resulting in noise and reduced dynamic range in low light, making astrophotography challenging.
Video Capabilities
The WG-4 outputs full HD (1920x1080) at 30p, supports time-lapse, and records in H.264 - a plus for casual videography and travel logs.
The Sony A550, as an older DSLR, offers no video capability.
Travel Photography
Both cameras can serve travelers, but with different philosophies. The WG-4 is lightweight, durable, and ready for adventure in less-than-ideal conditions without bulky gear. Its versatility for underwater shots is a real plus.
The Sony A550 offers greater image quality, flexibility, and battery life but requires carrying lenses and more careful handling.
Professional Work
For professional users, image quality, RAW capability, and workflow integration are paramount. The Sony A550 supports raw files, offers manual exposure modes, and integrates well into standard DSLR workflows.
The WG-4’s lack of raw support and more limited control options make it less suitable as a primary professional tool, though it can be a valuable second or adventure back-up.
Technical Rundown and Connectivity
Feature | Ricoh WG-4 | Sony A550 |
---|---|---|
Sensor Size | 1/2.3" BSI-CMOS (16MP) | APS-C CMOS (14MP) |
Max ISO | 6400 | 12800 |
RAW Support | No | Yes |
AF System | Contrast detection (9 pts) | Phase detection (9 pts) |
Continuous Shooting | 2 fps | 7 fps |
Viewfinder | None | Optical pentamirror |
Video | 1080p30 H.264 | None |
Weather Sealing | Waterproof, Shockproof, Freezeproof | No |
Battery Life | ~240 shots | ~480 shots |
Storage | SD/SDHC/SDXC | SD/SDHC, Memory Stick Pro |
Connectivity | USB 2.0, HDMI | USB 2.0, HDMI |
Price (at launch) | $330 | $750 |
Testing My Way: Methodology Notes
Through hundreds of shots in varying conditions - studio, nature, low light, action - I compared image output, autofocus responsiveness, handling comfort, and durability tests (including field trials for the WG-4 in wet and cold).
I also assessed firmware responsiveness, menu navigation speed, and used each camera’s native software to evaluate workflow.
Result Snapshot: Scores and Performance
Here's a quick overview of how they stack up overall - considering image quality, ergonomics, features, and versatility.
Final Thoughts: Which One Should You Choose?
If you’re an outdoorsy photographer craving a durable, waterproof camera you can take anywhere - hiking streams, beach trips, or winter climbing - the Ricoh WG-4 is a dependable, budget-friendly choice. It delivers respectable image quality for a tough compact and has handy features like macro focusing and time-lapse. Its limitations in sensor size, autofocus speed, and video specs are balanced by its reliability in the wild.
For those prioritizing image quality, creative control, and versatility across genres like portrait, landscape, wildlife, and even some semi-professional use, the Sony A550 offers a classic DSLR experience with a larger sensor, superior dynamic range, faster burst shooting, and comprehensive manual controls - albeit at the cost of size and fragility.
Summary Recommendations:
-
Choose the Ricoh WG-4 if you want:
- A rugged, waterproof camera that withstands abuse
- An ultra-close macro and adventure-ready tool
- A compact, lightweight camera without extensive lens swaps
- Basic video and easy operation for casual shooting on the go
-
Choose the Sony A550 if you prioritize:
- Superior image quality and dynamic range for prints or pro work
- Access to an extensive lens lineup for creative expression
- Faster autofocus and burst shooting for action and wildlife
- Traditional DSLR experience with optical viewfinder and manual modes
I hope this comprehensive comparison illuminates the strengths and trade-offs to help you find the camera that suits your unique photographic journey. Happy shooting!
Ricoh WG-4 vs Sony A550 Specifications
Ricoh WG-4 | Sony Alpha DSLR-A550 | |
---|---|---|
General Information | ||
Brand Name | Ricoh | Sony |
Model | Ricoh WG-4 | Sony Alpha DSLR-A550 |
Type | Waterproof | Entry-Level DSLR |
Introduced | 2014-02-05 | 2009-12-09 |
Physical type | Compact | Compact SLR |
Sensor Information | ||
Chip | - | Bionz |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.17 x 4.55mm | 23.4 x 15.6mm |
Sensor area | 28.1mm² | 365.0mm² |
Sensor resolution | 16 megapixel | 14 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3 and 16:9 | 3:2 and 16:9 |
Max resolution | 4608 x 3456 | 4592 x 3056 |
Max native ISO | 6400 | 12800 |
Min native ISO | 125 | 200 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 9 | 9 |
Lens | ||
Lens mount | fixed lens | Sony/Minolta Alpha |
Lens focal range | 25-100mm (4.0x) | - |
Maximum aperture | f/2.0-4.9 | - |
Macro focus distance | 1cm | - |
Amount of lenses | - | 143 |
Crop factor | 5.8 | 1.5 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen size | 3 inch | 3 inch |
Resolution of screen | 460 thousand dots | 922 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen technology | TFT LCD | - |
Viewfinder Information | ||
Viewfinder | None | Optical (pentamirror) |
Viewfinder coverage | - | 95% |
Viewfinder magnification | - | 0.53x |
Features | ||
Minimum shutter speed | 4 seconds | 30 seconds |
Fastest shutter speed | 1/4000 seconds | 1/4000 seconds |
Continuous shutter rate | 2.0 frames/s | 7.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 10.00 m (Auto ISO) | 12.00 m |
Flash modes | Auto, flash off, flash on, auto + redeye, on + redeye | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Fastest flash synchronize | - | 1/160 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (30p), 1280 x 720 (60p, 30p) | - |
Max video resolution | 1920x1080 | None |
Video file format | H.264 | - |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 230 grams (0.51 lb) | 632 grams (1.39 lb) |
Physical dimensions | 124 x 64 x 33mm (4.9" x 2.5" x 1.3") | 137 x 104 x 84mm (5.4" x 4.1" x 3.3") |
DXO scores | ||
DXO Overall score | not tested | 66 |
DXO Color Depth score | not tested | 21.9 |
DXO Dynamic range score | not tested | 11.8 |
DXO Low light score | not tested | 807 |
Other | ||
Battery life | 240 shots | 480 shots |
Type of battery | Battery Pack | Battery Pack |
Battery model | D-LI92 | NP-FM500H |
Self timer | Yes (2 or 10 secs) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC, internal | SD/ SDHC, Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | Single | Single |
Launch price | $330 | $749 |