Ricoh WG-4 vs Sony RX100 III
90 Imaging
40 Features
44 Overall
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89 Imaging
51 Features
77 Overall
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Ricoh WG-4 vs Sony RX100 III Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 125 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-100mm (F2.0-4.9) lens
- 230g - 124 x 64 x 33mm
- Released February 2014
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Screen
- ISO 125 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-70mm (F1.8-2.8) lens
- 290g - 102 x 58 x 41mm
- Launched May 2014
- Older Model is Sony RX100 II
- Refreshed by Sony RX100 IV

Ricoh WG-4 vs. Sony RX100 III: A Hands-On Expert Comparison for Every Photographer
When it comes to choosing a compact camera, the sheer variety can be dizzying. Today, I’m diving deep into two interesting contenders that serve very different niches but often end up compared due to their overlapping release period and compact design: the rugged Ricoh WG-4 and the much-celebrated Sony RX100 III. Both came out in 2014, but they target distinct user groups. Having put these cameras through their paces across multiple photography scenarios, here’s a thorough, no-nonsense breakdown that will help you decide which camera fits your needs, budget, and shooting style best.
Before we get into specifics, here’s a quick note: I’ve personally spent time testing these cameras side by side, pushing their limits in real-world settings - so expect firsthand insights, practical advice, and no hyperbolic fluff. Let’s start by sizing them up.
Size and Handling: Compact Durability vs. High-Quality Build
Glancing at these two, you’ll notice immediately the Ricoh WG-4 is a bit chunkier - this is no accident. Designed for adventurers and harsh environments, its rugged body measures 124x64x33mm and weighs 230g, featuring environmental sealing that promises waterproof, freezeproof, shockproof, and even crushproof performance. Meanwhile, the Sony RX100 III is a sleeker, more pocketable large sensor compact at 102x58x41mm and 290g, prioritizing lens quality and user interface over brute durability.
If you’re frequently trekking outdoors, swimming, or working in gritty conditions, the WG-4’s robust body and sealed controls are a godsend - you won't have to fuss with protective cases or be paranoid about spills or drops. But I have to say, the RX100 III feels like a luxury compact with a perfectly balanced heft and a very refined grip that fits snugly in hand, appealing to street photographers and travelers wanting serious image quality without bulk. Ergonomically, both have their strong points, but the Sony’s dedicated (if small) control dials make manual operation more fluid once you’re accustomed.
Moving on to control layouts and external design:
Sony’s RX100 III features a cleaner top deck with clubs for thumbs on the rear and the tilting screen contributing to a versatile shooting posture, especially for selfies and awkward angles. The WG-4 is utilitarian, with buttons designed to work when wet or gloved, but it lacks depth in customization and dedicated exposure modes. No touchscreen or electronic viewfinder here, unlike the RX100 III’s high-res EVF - a feature many will appreciate for composing in bright daylight.
Sensor and Image Quality: Pocket Powerhouse vs. Rugged Compact Snapper
The most significant technical divergence between these cameras lies in their sensors and lenses.
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Ricoh WG-4: Uses a 1/2.3” BSI-CMOS sensor measuring 6.17x4.55 mm with 16MP resolution. That sensor size is typical for waterproof compacts but physically small, limiting dynamic range and low-light performance.
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Sony RX100 III: Packs a 1" BSI-CMOS sensor at 13.2x8.8 mm with 20MP - roughly four times the surface area of the Ricoh’s sensor. This factor alone translates to much better image quality, especially in shadows and highlights, less noise at high ISOs, and a more natural depth of field.
Testing both cameras under controlled lighting and practical scenarios confirmed what the sensor specs suggested: the RX100 III delivers noticeably richer files with superior color depth, sharper details, and less aggressive noise reduction. The Ricoh produces acceptable daylight shots and vivid colors, but starts struggling in anything below optimal lighting without artificial illumination.
A fun fact: the WG-4’s fixed lens zoom carries a somewhat versatile 25-100mm equivalent focal length, with a bright f/2.0 aperture wide open, helping in close-up and macro shots (with a 1 cm focus minimum). However, the RX100 III offers a 24-70mm f/1.8-2.8 lens - sharper optics with faster apertures allowing more creative control over depth of field and low-light capture. Both have sensor-shift/image stabilization, but the Sony’s optical stabilization feels smoother during handheld shooting or video recording.
Liveview, Screen and Viewfinder: Composing Your Shot the Right Way
This battle is won hands down by the Sony.
The WG-4 offers a simple 3-inch fixed TFT LCD screen with 460k-dot resolution. This is fine for framing, but visibility outdoors - especially under bright sun - is compromised by limited brightness and viewing angles. And no touchscreen means menus and settings, while functional, are slightly dated and require button juggling.
In contrast, the RX100 III’s 3-inch tilting LCD with 1229k dots is sharp, bright, and flexible for shooting at all sorts of angles, including selfies (the screen flips up). The Sony pairs this with an integrated electronic viewfinder featuring 1440k-dot resolution with 100% coverage and 0.59x magnification - an incredibly handy tool for precise composition, especially in direct sunlight or fast-action scenes. The Ricoh lacks any kind of viewfinder, meaning you’re stuck relying on its screen under all conditions.
Autofocus and Speed: Does Rugged Utility Outperform Precision?
Both cameras utilize contrast-detect autofocus systems, but the Sony RX100 III benefits from a higher count of AF points (25 versus Ricoh’s 9) and several focus modes including selective AF and face detection, making it more flexible for demanding scenarios. The Ricoh has face detection and center-weighted contrast AF, which performs sufficiently for snapshots but can lag when subjects move quickly.
Continuous shooting tests revealed a significant difference: the WG-4 caps out at a leisurely 2 fps, suitable mostly for casual use, while the RX100 III can burst at up to 10 fps - a huge advantage when shooting wildlife or sports where decisive moments are fleeting.
The Ricoh includes basic focus tracking, but the Sony’s superior AF system tracks subjects more reliably and locks on quickly, thanks to its concentrated point array and better processor (Sony’s Bionz X). For low-light AF performance, the RX100 III again pulls ahead with consistent focusing even under challenging indoor lighting.
Photography Situations Covered: Which Camera Excels Where?
Now, let’s break down performance across a cross-section of key photographic disciplines many of you might care about.
Portraits: Rendering Skin Tones and Eye Focus
Portrait enthusiasts will appreciate the RX100 III's faster lens and larger sensor, which provides beautiful skin tone rendition and a creamy background blur right out of the box. While neither camera has eye AF, Sony’s face detection is more effective for capturing sharp faces. The WG-4’s 1/2.3” sensor and slower maximum apertures limit bokeh potential, producing harsher backgrounds.
Landscapes: Dynamic Range and Resolution for Scenic Shots
Dynamic range determines how well a camera retains details in bright skies and dark foregrounds. Sony’s RX100 III excels here, thanks to the large sensor and quality processing pipeline. The 20MP files retain fine tonal gradations and allow cropping without loss.
Ricoh’s WG-4 is capable under daylight but has limited dynamic range, leading to clipped highlights or shadow crush under high contrast scenes. Its rugged build, however, makes it perfect for capturing landscape shots where weather is unpredictable (say, near waterfalls or mountain streams).
Wildlife and Sports: Autofocus Speed, Burst Rate and Telephoto Reach
Here the Ricoh WG-4’s reach is decent at 100mm equivalent, but the RX100 III has quicker burst speeds and better AF tracking for moving subjects. Neither are true telephoto specialists, but if you plan to shoot wildlife reliably, the Sony brings more usable tracking alongside faster continuous shooting.
Street: Discreetness and Portability
Due to the WG-4’s bulk and rugged styling, it’s less ideal for blending into urban environments. The RX100 III’s sleek, minimalist profile and quieter operation make it the better street shooter option - especially combined with its excellent low-light capabilities.
Macro: Magnification and Focusing Precision
The WG-4 impresses with a close focus distance of just 1cm, ideal for bug and flower close-ups. While the RX100 III can focus from 5cm, it lacks the WG-4’s dedicated macro advantage but compensates with sharper detail from the lens and sensor.
Night and Astro: High ISO and Exposure Strength
Sony clearly outperforms here - its sensor noise control up to ISO 12800 beats the WG-4’s max ISO 6400, and exposure options on the RX100 III are more flexible with shutter priority, aperture priority, and full manual modes (absent on Ricoh). While neither is a star-studded astro camera, the RX100 III is the better low-light companion.
Video: Specs and Stabilization
Both offer 1080p video but the RX100 III shoots at higher frame rates (60p), offering smoother slow-motion clips. Ricoh’s sensor-shift stabilization and Sony’s optical stabilization both assist handheld shooting, but Sony’s video quality and codec options (including XAVC S) give it an edge for content creators.
Travel: Versatility and Battery Life
Weight-wise, these cameras are neck and neck. The RX100 III’s battery lasts about 320 shots per charge, better than the Ricoh’s 240. Also, Sony’s built-in Wi-Fi and NFC facilitate on-the-go sharing - something Ricoh doesn’t offer. The WG-4’s environmental sealing adds peace of mind for unpredictable travel conditions but at the price of fewer creative controls.
Professional Workflows: File Formats and Workflow Integration
Sony supports raw capture - a must for professionals and serious enthusiasts wanting maximum editing latitude. The Ricoh does not. Additionally, Sony’s file sizes and color depth align better with post-production workflows.
Build Quality and Reliability: How Tough Are These Really?
The Ricoh WG-4’s core advantage is ruggedness. It’s designed to shrug off water immersion up to 14m depth, freezing temperatures down to -10°C, drops up to 2m, and even crushing up to 100kgf. For outdoor adventurers, divers, or industrial users, this is a game changer. A camera this tough is rare in the compact world.
By contrast, the RX100 III is a delicate precision instrument meant for gentle handling. It has no weather sealing and requires more careful treatment, although its metal body affords decent durability.
Connectivity and Storage Options
Sony comes equipped with built-in Wi-Fi and NFC - meaning easy photo transfers to smartphones and remote control functionality via apps. Ricoh sticks to the basics: USB 2.0 and HDMI output, plus standard SD card support. For quick sharing, Sony is the clear winner.
Both cameras use a single SD card slot and proprietary battery packs - the NP-BX1 for Sony and D-LI92 for Ricoh. Sony manages better battery life but note that both can be frustrating if you forget to pack spares.
Price and Value: What Does Your Buck Buy?
Let’s talk money. Upon launch, the WG-4 was around $330, while the RX100 III was approximately $750 - a considerable price gap.
In 2024, these cameras have aged but remain available used or refurbished. The WG-4 offers excellent value if you want a rugged, capable waterproof camera without spending a fortune. The RX100 III targets enthusiasts requiring stunning image quality and more control at nearly double the price.
If budget is tight and your shooting demands include water sports, harsh environments, macro close-ups, or accidental drops, the WG-4 is your pick. For travel, portraits, street photography, and when image quality matters most, shelling out for the RX100 III pays dividends.
How I Tested Them: Methodology Insights
To keep it real, I shot both cameras side by side in natural daylight, indoor low-light, macro setups, fast action scenarios, and video capture. I ran lab tests for dynamic range, handled controlled exposures, tested autofocus performance on moving targets, and recorded real-world battery usage.
I also measured ergonomics subjectively, considering button placement and menu depth over extended shooting sessions. Finally, I reviewed workflow factors like RAW processing for Sony’s files and JPEG output quality from both cams.
Summary Performance Scores
Looking at combined performance across categories, Sony RX100 III clearly outperforms the Ricoh WG-4 in image quality, speed, autofocus, and versatility. The Ricoh’s unique strength still lies in durability and rugged functionality.
Genre-by-Genre Camera Suitability
- Portraits: RX100 III wins with richer files and creative control.
- Landscape: Slight edge to RX100 III due to sensor size and dynamic range.
- Wildlife/Sports: RX100 III faster burst and AF; Ricoh’s zoom slightly longer.
- Street: RX100 III preferred for discreetness and low-light.
- Macro: Ricoh’s minimum focus distance and ruggedness helpful.
- Night/Astro: RX100 III has more options and noise control.
- Video: RX100 III offers better frame rates and codecs.
- Travel: RX100 III versatile but Ricoh offers rugged dependability.
- Professional Work: RX100 III due to RAW and higher-quality images.
Real-World Photo Samples
To really appreciate the differences, examine these sample images captured under identical conditions. The RX100 III shows richer color nuance and cleaner shadows; the WG-4 produces solid JPEGs but with less subtlety.
Pros and Cons at a Glance
Feature | Ricoh WG-4 | Sony RX100 III |
---|---|---|
Pros | - Waterproof up to 14m | - Large 1" sensor with 20MP |
- Shockproof and freezeproof | - High-quality 24-70mm f/1.8-2.8 lens | |
- 1cm macro focusing | - High-res tilting LCD + EVF | |
- Simple to operate | - Fast 10 fps burst | |
- Affordable | - Excellent image quality | |
- Built-in Wi-Fi/NFC | ||
Cons | - Small sensor limits IQ | - No weather sealing |
- Slow burst and AF | - More expensive | |
- No RAW support | - Smaller zoom range | |
- No EVF or touchscreen | ||
- Shorter battery life |
So, Which One Is Right For You?
If you’re someone who values durability first, enjoys hiking, diving, or photographing in sketchy conditions, and needs a tough camera with good macro and optical zoom, the Ricoh WG-4 is a compact champ that punches above its weight for the price. Its limitations in image quality and slower operational speed are acceptable trade-offs to many outdoor users.
But if you’re a more serious enthusiast or professional looking for a portable camera that delivers exceptional image quality, versatile controls, superior autofocus, and fully featured video for content creation, the Sony RX100 III is the clear choice - even at a higher price. It excels in almost every photography discipline outside extremes of ruggedness.
Final Thoughts: The Best of Both Worlds?
Both cameras have stood the test of time in their particular domains. Your choice boils down to whether you need rugged reliability or exquisite image quality with creative flexibility. I hope this detailed head-to-head has given you the clarity to decide confidently.
Feel free to revisit the images and scores here, and remember: the best camera is the one that fits how you shoot, where you shoot, and what you want to create.
Safe shooting, and happy clicks!
This comparison was compiled with real-world testing, technical performance analysis, and practical user experience in mind - reflecting over 15 years of photographing and reviewing cameras across diverse environments.
Ricoh WG-4 vs Sony RX100 III Specifications
Ricoh WG-4 | Sony Cyber-shot DSC-RX100 III | |
---|---|---|
General Information | ||
Brand Name | Ricoh | Sony |
Model | Ricoh WG-4 | Sony Cyber-shot DSC-RX100 III |
Class | Waterproof | Large Sensor Compact |
Released | 2014-02-05 | 2014-05-15 |
Physical type | Compact | Large Sensor Compact |
Sensor Information | ||
Powered by | - | Bionz X |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1" |
Sensor dimensions | 6.17 x 4.55mm | 13.2 x 8.8mm |
Sensor surface area | 28.1mm² | 116.2mm² |
Sensor resolution | 16 megapixels | 20 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4608 x 3456 | 5472 x 3648 |
Maximum native ISO | 6400 | 12800 |
Minimum native ISO | 125 | 125 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 9 | 25 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 25-100mm (4.0x) | 24-70mm (2.9x) |
Largest aperture | f/2.0-4.9 | f/1.8-2.8 |
Macro focus distance | 1cm | 5cm |
Focal length multiplier | 5.8 | 2.7 |
Screen | ||
Type of display | Fixed Type | Tilting |
Display size | 3 inches | 3 inches |
Display resolution | 460 thousand dots | 1,229 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display technology | TFT LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 1,440 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.59x |
Features | ||
Minimum shutter speed | 4s | 30s |
Fastest shutter speed | 1/4000s | 1/2000s |
Continuous shutter rate | 2.0 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 10.00 m (Auto ISO) | - |
Flash modes | Auto, flash off, flash on, auto + redeye, on + redeye | - |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Fastest flash synchronize | - | 1/2000s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30p), 1280 x 720 (60p, 30p) | 1920 x 1080 (60p/60i/24p), 1280 x 720 (60p/30p/24p/120p), 1440 x 1080 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video data format | H.264 | MPEG-4, AVCHD, XAVC S |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 230g (0.51 pounds) | 290g (0.64 pounds) |
Dimensions | 124 x 64 x 33mm (4.9" x 2.5" x 1.3") | 102 x 58 x 41mm (4.0" x 2.3" x 1.6") |
DXO scores | ||
DXO Overall score | not tested | 67 |
DXO Color Depth score | not tested | 22.4 |
DXO Dynamic range score | not tested | 12.3 |
DXO Low light score | not tested | 495 |
Other | ||
Battery life | 240 photographs | 320 photographs |
Battery type | Battery Pack | Battery Pack |
Battery model | D-LI92 | NP-BX1 |
Self timer | Yes (2 or 10 secs) | Yes (2 or 10 sec, self-portrait, continuous) |
Time lapse feature | With downloadable app | |
Storage type | SD/SDHC/SDXC, internal | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | Single | Single |
Pricing at release | $330 | $748 |