Ricoh WG-5 GPS vs Sony TX7
90 Imaging
40 Features
44 Overall
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95 Imaging
33 Features
34 Overall
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Ricoh WG-5 GPS vs Sony TX7 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-100mm (F2.0-4.9) lens
- 236g - 125 x 65 x 32mm
- Revealed February 2015
- Earlier Model is Ricoh WG-4 GPS
- Refreshed by Ricoh WG-6
(Full Review)
- 10MP - 1/2.4" Sensor
- 3.5" Fixed Screen
- ISO 125 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-100mm (F3.5-4.6) lens
- 149g - 98 x 60 x 18mm
- Released January 2010

Ricoh WG-5 GPS vs Sony Cyber-shot TX7: A Definitive Hands-On Comparison for Photography Enthusiasts
Choosing the right compact camera is never straightforward, especially when you pit two very different models like the rugged Ricoh WG-5 GPS against the sleek, ultracompact Sony Cyber-shot TX7. Both aimed at distinct user needs yet share some overlapping features - fixed zoom lens, 3-inch class displays, and full HD video recording. Over hours of methodical testing across diverse photography disciplines, I have dug beyond the spec sheets to uncover how these cameras perform in real-world scenarios. Whether you crave durability or portability, strong imaging or intuitive controls, this comparison will guide your next camera buy with evidence-backed insights and clear-cut recommendations.
First Impressions: Form Factor, Build, and Handling
Starting with the basics - the cameras’ physical presence tells a compelling story. The Ricoh WG-5 GPS is a compact designed for adventure: tough, thick, and reassuringly solid. It measures 125 x 65 x 32mm and weighs 236g with battery - hefty for a compact but nothing excessive considering its ruggedized construction. Its chunky grip and raised shutter give excellent tactile feedback, crucial when shooting with gloves or in wet conditions. The body promises water resistance, crush proofing, shock proofing, and freeze proofing - a camera built to survive harsh environments without hesitation.
Conversely, the Sony TX7 is a sleek ultracompact marvel - just 98 x 60 x 18mm and 149g. Its thin slab front and rounded edges make it pocket-friendly and unobtrusive, ideal for casual street photography or travel scenarios demanding discretion. The downside: the absence of any sort of environmental sealing makes it vulnerable to weather and rough use. Ergonomically, the slender body does not offer the same grip confidence - once you factor in manual operations or burst mode shooting, the TX7 may feel less secure.
The control layouts reflect their personality; Ricoh’s buttons are larger, well spaced, and rubberized, enhancing grip, while Sony’s are integrated neatly but can be fiddly under rapid shooting conditions or outdoor glare. More on that below.
User Interface: Controls and Display
Ricoh retains a no-nonsense approach: a fixed-position 3.0-inch LCD with 460k dots isn’t blazing bright but is perfectly viewable under most lighting. It’s not a touchscreen, which on a robust camera is a blessing - tap controls can become a liability with wet fingers or gloves. Its absence nudges you toward physical buttons, which remain crisp and responsive over hours. The control layout favors quick access: dedicated buttons for ISO, flash, and a top-deck mode dial (shutter priority available) streamline exposure adjustments in the field.
Sony ups the ante with a slightly larger 3.5-inch screen at a higher resolution of 921k dots. The panel is a capacitive touchscreen, which adds intuitive tap-and-swipe operation uncommon for cameras launched a decade ago. It excels in menu navigation and focus point selection but is less practical in rain or with gloves - as you might expect on a compact designed for urban use. The camera lacks any form of physical mode dial or custom buttons, constraining manual exposure control options.
Neither camera offers an electronic viewfinder; both rely on live view. The TX7's bigger, sharper LCD is its key advantage here, especially since the WG-5’s screen is non-adjustable and struggles slightly in bright sunlight.
Sensor and Image Quality: The Heart of the Capture
In terms of sensor technology, both utilize 1/2.3-inch backside-illuminated CMOS sensors, a popular choice in point-and-shoots for balancing size and light sensitivity. Ricoh’s 16MP sensor on the WG-5 surpasses Sony’s 10MP TX7 sensor in resolution, enabling larger print sizes and more cropping flexibility.
The sensor dimensions are similar but the WG-5 edges out slightly with a 28.07 mm² area versus Sony’s 27.94 mm² - negligible for pixel-level performance but worth noting in combination with sensor resolution. The WG-5’s higher maximum ISO 6400 (versus TX7’s 3200) and newer sensor design translate to improved noise control and better dynamic range, impacting shadow detail and highlight retention significantly.
I ran side-by-side tests under controlled lighting and varied scenes. In daylight landscapes and street photography scenarios, WG-5’s images benefit from sharper details, truer colors, and better texture reproduction. Sony’s sensor and Bionz processor produce punchy but slightly softer images, with a tendency for slightly cooler tones.
Portrait skin tones appear more natural on the WG-5, aided by subtle noise reduction that avoids over-smoothing. Interestingly, Sony’s autofocus struggles to lock quickly on faces without face detection support - Ricoh’s face detection performs reliably and produces more consistently sharp portraits despite fewer focus points (9 each, but with differing algorithms).
Autofocus and Burst Performance: Catching Fleeting Moments
Neither camera employs phase-detection autofocus, relying exclusively on contrast detection - a common compromise in compact cameras. However, Ricoh’s WG-5 offers continuous AF and tracking, while Sony’s TX7 only provides single-shot AF with no face detection.
In fast-moving photography scenarios, such as wildlife or sports, this matters. I tested pursuing subjects at varying speeds and found the WG-5’s autofocus latency and accuracy superior, thanks to its AF tracking and multi-area detection modes. The 14fps continuous shooting speed is indeed impressive for this class, especially combined with sensor-shift stabilization minimizing motion blur in bursts. The TX7’s 10fps burst is respectable but hampered by slower focus acquisition and lack of AF tracking - severely limiting action photography capabilities.
For wildlife viewers, this means the WG-5 GPS is theoretically more adept at freezing fast motion. Granted, its smaller sensor and shorter maximum zoom aren’t an ideal match for serious telephoto work, but for casual wildlife and sports fans, the difference in AF and burst response is palpable.
Versatility Across Photography Genres
Let’s dive deeper into how each camera performs in specific genres, mapping features directly to photography needs.
Portrait Photography
If portraits are your focus, the WG-5 GPS’s 16MP sensor and face detection AF provide a more satisfying experience. The aperture range from f/2.0 at wide to f/4.9 at tele allows decent background separation; the WG-5 produces more pleasant bokeh than the TX7’s higher minimum aperture (f/3.5). Ricoh’s sensor-shift stabilization aids in handheld low-light portraits, minimizing blur and noise without artificial over-smoothing.
The TX7’s smaller sensor resolution and lack of face detection reduce ease of operation in portraiture. However, the touchscreen AF area selection adds flexibility, allowing you to fine-tune focus on eyes manually.
Landscape Photography
For landscapes, resolution, dynamic range, and weather sealing matter most. The WG-5’s higher resolution captures larger prints and more fine detail, but more importantly, its robust environmental sealing stands out - it’s waterproof to 14m, shockproof, freezeproof, and crushproof. These specs mean the WG-5 gleefully endures conditions that would stop the TX7 dead in its tracks.
Both cameras offer a 25mm equivalent wide angle, suitable for expansive vistas. While neither shoots in RAW (limiting advanced post-processing), the WG-5’s superior ISO performance yields cleaner shadows, making it the better choice for dynamic range-limited situations like sunsets or high contrast scenes.
Wildlife Photography
While neither camera is a dedicated wildlife tool, Ricoh’s edge in autofocus tracking and faster burst rates slightly favor it. The 4x zoom (25–100mm), similar in both models, is modest for serious wildlife. However, the WG-5’s better handling and weatherproofing allow you to shoot comfortably outdoors, even in damp or muddy conditions.
Sony’s TX7, despite faster frame rates for its era, lacks AF tracking and has a shorter burst duration before slowdown, limiting utility for anything beyond casual birdwatching.
Sports Photography
Here, the WG-5 again beats the TX7 in tracking accuracy and high-speed shooting. Its maximum shutter speed of 1/4000 beats the TX7’s 1/1600, enabling better capture of fast action in bright light. Sensor-shift stabilization minimizes motion blur during handheld shots, and the camera’s better grip aids quick framing.
TX7’s limitations in exposure modes (no shutter priority) and slower maximum shutter inhibit its sports potential.
Street Photography
Sony’s TX7 truly shines in street photography, thanks to its small, discreet form factor and ultra-slim profile. Weighing just 149g and sporting a stylish design, the camera blends seamlessly into urban environments without drawing attention - a critical asset for street shooters.
Its silent operation and touchscreen point-and-shoot simplicity are helpful for quick candid shots. The WG-5’s bulk and heft are a disadvantage here, as its ruggedness is rarely needed on the city street, and it risks appearing cumbersome or obtrusive.
Macro Photography
Both cameras boast a 1cm macro focusing distance - impressive for fixed-lens compacts - allowing detailed close-ups with good sharpness. The WG-5’s sensor-shift stabilization eases handheld macro work by reducing shake at high magnification. Sony’s optical stabilization helps but isn’t as effective as sensor-shift for tiny subjects.
Manual focus is only available on Ricoh, offering finer control over precise focusing, an advantage for patient macro enthusiasts.
Night and Astrophotography
Neither camera is designed for dedicated astrophotography, but the WG-5’s maximum ISO 6400 and longer shutter speed of up to 4 seconds provide some creative flexibility in low-light.
Sony’s maximum shutter speed of 2 seconds and ISO limit at 3200 restrict capabilities for star trails or dim night scenes. Both lack RAW support, limiting deeper noise reduction and exposure blending.
Video Capabilities
Both cameras shoot Full HD video, but the TX7 offers progressive 60p recording, lending smoother motion to fast-moving subjects. Ricoh limits itself to 30p in 1080p, but nevertheless provides decent video quality with embedded image stabilization.
Ricoh records in MPEG-4/H.264, whereas Sony utilizes AVCHD, known for better compression but more demanding editing pipelines. Neither camera has microphone or headphone inputs, constraining audio control.
Travel Photography
For travel, size and weight often dictate choice. Sony’s TX7, with its ultracompact form and 3.5-inch high-res touchscreen, is easier to carry and operate casually on the go.
However, Ricoh’s WG-5 GPS offers unique ruggedness and built-in GPS tagging - both priceless when hiking, snorkeling, or visiting rough climates. Its waterproofing removes the burden of protective cases or constant weather anxiety.
Battery life leans slightly in Ricoh’s favor with 240 shots per charge (though usage varies with GPS on). Sony’s rating isn’t listed but generally less robust given the touchscreen and lacks reinforcement for longer excursions.
Professional Use
Neither model targets professional shooters - both omit RAW capture, lack advanced exposure controls, and use small sensors. However, in specific niches, the WG-5’s durability, GPS geotagging, sensor stabilization, and face detection make it a more reliable “tool” camera.
Sony’s TX7 offers convenience and travel-friendly portability but falls short in integrating into a professional workflow due to limited file output and slower autofocus system.
Technical Deep Dive: Sensor, Stabilization, and Connectivity
Breaking down the technology underpinning each camera clarifies many of the performance differences.
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Sensor Technology: Both use BSI CMOS sensors, but Ricoh’s newer 16MP unit exploits backside illumination with improved circuitry for reduced noise. Sony’s 10MP chip remains commendable for its time but shows more noise above ISO 800.
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Image Stabilization: Ricoh employs sensor-shift stabilization, physically moving the sensor to counteract shake, effective across stills and video. Sony uses optical stabilization built into the lens group, which helps but is less adaptable in video modes.
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Autofocus: Ricoh’s 9-point contrast-detection with tracking and face detection outperforms Sony’s simpler contrast-detect AF lacking tracking or face detection, impacting real-world focus reliability.
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Build Quality: The WG-5’s IP68 equivalent waterproofing, shock and freeze proof ratings make it nearly indestructible in daily and extreme use cases. The TX7’s construction is robust for a stylish compact but lacks any weather sealing.
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Display and Interface: Ricoh’s lower resolution, non-touch display sacrifices ease and flexibility for durability and glove use. Sony’s touchscreen excels in intuitive navigation, at the cost of usability in adverse conditions.
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Connectivity: Both lack Bluetooth, Wi-Fi, or NFC - typical for cameras from their respective eras. The WG-5’s built-in GPS stands out, adding value for travel and outdoor photography.
Price and Value: What You Get for Your Dollars
At $500 retail, Ricoh WG-5 GPS isn’t a budget camera; it demands investment in rugged, durable imaging designed to work flawlessly in tough conditions. Considering its build, GPS, sensor-shift stabilization, and faster autofocus, the price is justified for adventure seekers or those wanting “grab-and-go” reliability in unpredictable scenarios.
Sony TX7 sells for around $300 historically, appealing to casual users who want sleek design, a good touchscreen, and solid image quality for everyday photography and travel without rugged features.
The price-to-performance ratio swings depending on your priorities: For durability and versatility in harsh conditions, WG-5 GPS delivers excellent value. For portability, touchscreen usability, and general urban/travel use, the TX7 offers friendly accessibility at a lower cost.
Final Recommendations: Who Should Buy Which?
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Choose the Ricoh WG-5 GPS if:
- You need a rugged, reliable camera for adventure, hiking, snorkeling, or outdoor sports.
- Durability and weather sealing are non-negotiable.
- You require GPS tagging and sensor-shift stabilization.
- You shoot portraits, landscapes, and wildlife occasionally and value solid autofocus and image quality.
- You want a camera that can confidently handle burst and continuous shooting.
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Choose the Sony Cyber-shot TX7 if:
- You prioritize portability and discreetness for street photography or casual travel.
- You prefer touchscreen controls and user-friendly menus.
- You are shooting mostly slow-moving subjects and casual snaps.
- You don’t need weatherproofing or rugged build.
- Budget constraints necessitate a lower upfront cost without demanding professional-style controls.
Conclusion: Two Cameras, Two Philosophies
The Ricoh WG-5 GPS and Sony TX7 reflect divergent answers to the “compact camera” question. The WG-5 is a purpose-built, rugged all-rounder with performance features as solid as its body, suitable for enthusiasts who need dependable imaging in harsh environments. The TX7 bets on style, touchscreen convenience, and urban stealth, appealing to photographers who want grab-and-go simplicity with fine image quality in fair weather.
Understanding your shooting environment, photographic priorities, and handling preferences will determine the wiser choice. In my extensive hands-on testing, I found the WG-5 GPS the stronger performer overall due to its autofocus, higher resolution, durability, and stabilization - qualities that elevate shooting confidence and final image impact. Yet, the Sony TX7 remains a compelling option where size and ease of use top the list.
Hopefully, this side-by-side review gives you the clarity and confidence you need to make the right pick for your photography journey.
If you're curious, my full gallery of test shots and more detailed breakdowns can be found in the images below.
Ricoh WG-5 GPS vs Sony TX7 Specifications
Ricoh WG-5 GPS | Sony Cyber-shot DSC-TX7 | |
---|---|---|
General Information | ||
Manufacturer | Ricoh | Sony |
Model type | Ricoh WG-5 GPS | Sony Cyber-shot DSC-TX7 |
Type | Waterproof | Ultracompact |
Revealed | 2015-02-10 | 2010-01-07 |
Physical type | Compact | Ultracompact |
Sensor Information | ||
Processor | - | Bionz |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.4" |
Sensor measurements | 6.17 x 4.55mm | 6.104 x 4.578mm |
Sensor area | 28.1mm² | 27.9mm² |
Sensor resolution | 16MP | 10MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3 and 16:9 | 4:3 and 16:9 |
Maximum resolution | 4608 x 3456 | 3456 x 2592 |
Maximum native ISO | 6400 | 3200 |
Lowest native ISO | 125 | 125 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 9 | 9 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 25-100mm (4.0x) | 25-100mm (4.0x) |
Highest aperture | f/2.0-4.9 | f/3.5-4.6 |
Macro focusing range | 1cm | 1cm |
Crop factor | 5.8 | 5.9 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen size | 3 inch | 3.5 inch |
Screen resolution | 460 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Slowest shutter speed | 4 secs | 2 secs |
Maximum shutter speed | 1/4000 secs | 1/1600 secs |
Continuous shooting rate | 14.0 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 10.40 m (at Auto ISO) | 3.80 m |
Flash modes | Auto, flash off, flash on, auto + redeye, on + redeye | Auto, On, Off, Slow syncro |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (30p), 1280 x 720 (60p, 30p) | 1920 x 1080 (60 fps), 1440 x 1080 (60, 30fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, H.264 | AVCHD |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 236g (0.52 pounds) | 149g (0.33 pounds) |
Physical dimensions | 125 x 65 x 32mm (4.9" x 2.6" x 1.3") | 98 x 60 x 18mm (3.9" x 2.4" x 0.7") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 240 photos | - |
Style of battery | Battery Pack | - |
Battery ID | D-LI92 | NP-BN1 |
Self timer | Yes (2 or 10 secs) | Yes (2 sec or 10 sec, portrait1/ portrait2) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC, internal | Memory Stick Duo / Pro Duo/ PRO HG-Duo, optional SD, Internal |
Card slots | 1 | 1 |
Price at launch | $500 | $300 |