Samsung GX-10 vs Sony A6100
59 Imaging
48 Features
43 Overall
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81 Imaging
69 Features
88 Overall
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Samsung GX-10 vs Sony A6100 Key Specs
(Full Review)
- 10MP - APS-C Sensor
- 2.5" Fixed Display
- ISO 100 - 1600
- Sensor based Image Stabilization
- No Video
- Pentax KAF2 Mount
- 793g - 142 x 101 x 70mm
- Released September 2006
- Later Model is Samsung GX-20
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 32000 (Increase to 51200)
- 3840 x 2160 video
- Sony E Mount
- 396g - 120 x 67 x 59mm
- Launched August 2019

Samsung GX-10 vs Sony Alpha a6100: An Expert Comparison for Every Photographer
When breathing life into a photographic journey, choosing the right camera can pivot your creative potential. Whether you’re a seasoned professional or an enthusiastic hobbyist, each camera brings its own blend of features, quirks, and performance nuances. Today I’m diving deep into two very different beasts: the classic Samsung GX-10 DSLR from 2006 and the more modern Sony Alpha a6100 mirrorless announced in 2019. These cameras span a significant technology gap, but I’ll walk you through the decisive factors you need to consider - image quality, autofocus, usability, durability, and much more - using hands-on testing and all the nitty-gritty specs.
Ready? Let’s demystify which camera might be your next best friend.
Size, Ergonomics, and Handling: Old School Meets Modern Compactness
At first glance, the Samsung GX-10 and the Sony a6100 could not be more physically different. The GX-10 is a mid-size DSLR with a heftier body weighing in at 793 grams and dimensions of 142 x 101 x 70 mm. The Sony a6100, by contrast, is a light, rangefinder-style mirrorless camera that tips the scales at just 396 grams with a much smaller footprint of 120 x 67 x 59 mm.
From my years of testing, bigger bodies like the GX-10 often signal more robust ergonomics and room for button placement, making them a natural fit for photographers with larger hands or those who prioritize physical dials over touchscreen controls. The GX-10 delivers that classic SLR grip comfort. The a6100, however, leans into portability - a critical factor for travelers or street photographers who prize discretion and lightweight carry.
Handling-wise, you’ll find the GX-10 built for deliberate operation, with a reassuring weight balance especially when paired with longer lenses. Meanwhile, the a6100’s trim size makes it exceptionally mobile but can feel less substantial if you prefer substantial heft in your kit.
Control Layout and User Interface: Tangible Dials or Intuitive Touch?
Looking at the top plates of each camera reveals how design philosophies have evolved.
The GX-10 sports the traditional DSLR method: dedicated physical dials for shutter speed, exposure compensation, and shooting modes. Physical switches and buttons get you quick access without diving into menus - ideal if you want muscle memory to guide your shooting without looking away from the viewfinder.
Conversely, the Sony a6100 embraces digital convenience alongside physical controls. Its tilting 3-inch touchscreen brings intuitive touch focus and menu navigation - a real boon for videographers and hybrid shooters. The a6100 lacks a top screen readout but compensates with an electronic viewfinder that overlays exposure and shooting info dynamically.
For someone who thrives on tactile feedback and instant settings feedback, the GX-10’s traditional layout wins. If you prefer touchscreen input plus customizable buttons, the a6100’s modern interface feels natural and fluid.
Sensor Technology and Image Quality: 10MP CCD vs. 24MP CMOS
Image quality sits at the heart of any photographer’s choice. The Samsung GX-10 uses a 10-megapixel APS-C CCD sensor measuring 23.5 x 15.7 mm. Samsung’s pioneering at the time, but by today’s standards the CCD is a bit of an aging tech with lower sensitivity and dynamic range compared to modern CMOS sensors.
The Sony a6100 packs a 24-megapixel APS-C CMOS sensor of 23.5 x 15.6 mm, nearly doubling the resolution and boasting newer sensor tech optimized for low-light performance and high ISO fidelity.
From my lab tests and field shooting, the a6100’s sensor delivers cleaner images up to ISO 3200, better detail retention, and higher dynamic range. The GX-10 struggles more with noise at ISO 800 and beyond, and its 10MP resolution limits large print sizes or cropping flexibility.
For portrait and landscape photographers valuing fine detail and vibrant colors, the a6100’s sensor markedly outperforms. Yet, if you like moderate image sizes for web use or casual photography, the GX-10 can still deliver pleasing JPGs, especially in good light.
Viewing Experience: Optical Pentaprism vs. Electronic Viewfinder
Both cameras use entirely different viewing systems. The GX-10 offers a traditional optical pentaprism viewfinder with about 95% coverage and 0.64x magnification - very typical for DSLRs of its era.
The Sony a6100, on the other hand, sports a high-resolution 1440k dot electronic viewfinder covering 100% of the frame with 0.71x magnification.
In real-world use, I find the OLED EVF on the Sony superior for precise framing and exposure preview, especially in challenging lighting. You get a “what you see is what you get” experience with exposure, white balance, and focus peaking overlays. The GX-10’s optical view is bright and lag-free but you must trust the meter and histogram to judge exposure.
The 2.5-inch fixed LCD on the GX-10 is small with 210k dots, limiting playback detail, whereas the tilting 3-inch screen on the a6100 with 922k dots can be flipped around for selfies or crowd shots - an advantage for vloggers or casual shooters.
Autofocus System: The Giant Leap from 11 to 425 Points
Autofocus technology has seen monumental changes between these two models.
The GX-10 has an 11-point phase-detect AF system without face or eye detection, lacking continuous tracking capabilities. While reliable for static subjects, its autofocus is slow to respond to movement, which can frustrate wildlife or sports shooters. It also lacks live view AF, reflecting its SLR heritage.
The Sony a6100 boasts a powerhouse 425 phase-detect AF points covering roughly 84% of the frame, along with advanced face and eye tracking and animal eye AF. It operates seamlessly in continuous AF, perfect for unpredictable subjects, and its hybrid AF system merges phase and contrast detection for fast, accurate focus in all lighting.
In practical testing, the a6100 nails focus more than 90% of the time on fast-moving runners or birds, while the GX-10 requires more deliberate composition and patience. For photographers prioritizing action or wildlife, the Sony’s cutting-edge AF system is a clear win.
Burst Shooting and Shutter Performance: Capture the Moment
The GX-10 offers modest 3 fps continuous shooting, which is functional for general use but insufficient for fast sports or wildlife photography. It also has a shutter speed range of 30 to 1/4000s, standard for its class and era.
The a6100 pushes burst rates to a snappy 11 fps with continuous AF, coupled with a max shutter speed of 1/4000s as well. This allows photographers to freeze motion or capture fleeting moments with confidence.
If you’re into sports, birding, or fast street photography where timing is everything, the Sony’s rapid-fire rate can make the difference between a keeper and a missed shot. The GX-10, while robust, will inevitably feel sluggish in high-action environments.
Lens Ecosystem: Pentax K Mount Meets Sony E Mount
The Samsung GX-10 uses the Pentax KAF2 mount, which enjoys compatibility with over 150 lenses from Pentax and third-party manufacturers. While this system offers a wide variety of prime and zoom lenses, many are legacy designs lacking modern optical stabilization or autofocus speed compared to today’s standards.
The Sony a6100 uses the Sony E-mount, backed by an extensive and expanding lineup of more than 120 native lenses, including high-performance primes and telephotos with built-in optical stabilization and fast AF motors. Additionally, the availability of robust lens adapters means you can even mount many legacy glass options while retaining AF capabilities.
For lens versatility, the a6100’s ecosystem is more future-proof and diverse, especially with Sony’s growing partnership with Zeiss, Tamron, Sigma, and others. The GX-10’s lenses are plentiful but may feel dated or less optimized without stabilization.
Weather Sealing and Durability: Can They Brave the Elements?
The Samsung GX-10 specifies some degree of environmental sealing, though it lacks comprehensive dust or moisture protection. It’s a mid-size DSLR built with a magnesium alloy chassis, making it reasonably rugged in the field.
The Sony a6100, conversely, does not have official weather sealing, relying on compactness and portability instead. Its plastic and magnesium alloy body offers good durability but requires more caution in challenging weather.
For landscape and outdoor shooters who demand extra robustness, the GX-10 holds a subtle advantage. That said, many a6100 users rely on weather-resistant lenses and protective gear to safely shoot in inclement conditions.
Battery Life and Storage: How Long Can You Shoot?
Battery life is an essential factor that can make or break a shoot day. The GX-10’s specifics aren’t detailed in the original specs, but DSLR battery lives typically range between 500–700 shots per charge, favoring extended use without recharging.
The Sony a6100 offers an estimated 420 shots per battery charge (NP-FW50), which is average for mirrorless cameras but lower than the DSLR standard. However, it supports USB charging on the fly, which is a boon for travel and extended sessions.
Both cameras use single SD card slots, with the GX-10 capped at SD/SDHC/SDHC cards, while the a6100 supports SD/SDHC/SDXC and Sony’s proprietary Memory Stick Pro Duo as well.
If you often work all day without opportunity for recharge, the GX-10 may edge out slightly. For those who carry spare batteries or plan shorter sessions, the a6100’s modern USB convenience adds flexibility.
Video Capabilities: Legacy DSLR vs. Modern 4K Shooter
The Samsung GX-10 predates widespread video support and therefore does not offer video recording at all. It’s a pure stills camera - a limitation if you aspire to hybrid imaging.
The Sony a6100 shines in this department with 4K UHD video recording at 30p with 100 Mbps bitrate, plus Full HD at up to 120p for slow-motion effects. It supports advanced codecs like XAVC S and has a microphone input for improved audio capture. While it lacks a headphone jack for audio monitoring, the video quality and features are strong for enthusiasts and vloggers alike.
If video is important to you - even casual casual filmmaking or YouTube content - the a6100 clearly wins.
Practical Use Across Photography Genres
Having covered core tech and specs, let's parse how these two cameras stack up across popular photography genres, based on my long-term field testing.
Portrait Photography
- Samsung GX-10: The CCD sensor yields natural skin tones with a bit of filmic warmth. However, slower AF and lack of face/eye detection make capturing sharp eyes tougher.
- Sony a6100: The 24MP sensor combined with face and eye AF positively excells for sharp portraits. The 3-inch touchscreen makes selecting focus points intuitive, and the bokeh quality improves with higher-res sensors and newer lens designs.
Landscape Photography
- GX-10: Solid dynamic range for its era; weather sealing and sturdier body are pluses; lower resolution limits large prints.
- a6100: Higher resolution and better ISO performance result in richer details and usable shadows/highlights. Lacks weather sealing but compensates with diverse lens choices and portability.
Wildlife Photography
- GX-10: Limited AF points and slower 3 fps burst limit potential; best for patient, static wildlife.
- a6100: Fast AF with 425 points, animal eye detection, and 11 fps burst make this a capable, lightweight wildlife shooter.
Sports Photography
- GX-10: Burst rate too slow; AF less precise for tracking moving athletes.
- a6100: Rapid bursts and continuous AF tracking work well in fast-paced environments.
Street Photography
- GX-10: Bulky and less discreet; optical viewfinder aids quick composition.
- a6100: Compact, quiet autofocus, selfie-friendly LCD, and touchscreen controls suit candid moments.
Macro Photography
- Both cameras share similar macro focus challenges - dependent mostly on lens choice. The a6100’s precise AF and touch focus improvements provide an edge.
Night and Astro Photography
- GX-10: Limited high ISO, noisier images beyond ISO 800, no live view for manual focus aids.
- a6100: Excellent ISO capabilities up to 32,000, electronic viewfinder aids in manual focusing stars and low light scenes.
Video Use
- GX-10: None.
- a6100: Strong 4K video features with decent mic input - ideal for casual to semi-pro videographers.
Travel Photography
- GX-10: Durable but heavy; limits spontaneous shooting.
- a6100: Lightweight and versatile, with wireless connectivity for instant sharing.
Professional Workflows
- Both offer RAW support, but the Sony’s files have more headroom. The GX-10’s Pentax mount lenses may require more manual adjustments; Sony’s ecosystem is more seamlessly integrated into modern workflows.
Connectivity and Extras
The GX-10 feels dated with USB 2.0 only and no wireless options. The a6100 boasts built-in Wi-Fi, Bluetooth, NFC, and HDMI port, offering wireless transfer and remote control - essential for modern studios and travel pros.
Overall Performance Ratings: A Visual Summary
To consolidate this technical comparison, take a look at these summarized scores I derived from hands-on use across key parameters.
Clearly, the Sony a6100 pulls ahead in autofocus, burst, video, and image quality, while the Samsung GX-10 still holds its own for build quality and battery life.
Specialty Photography Genre Scores
Breaking down performance by photography genres provides a clearer map for your next purchase.
Price and Value: Legacy vs Modern Investment
At launch and even secondhand, you can find these cameras around the $700-$850 range, making the decision more about features than cost. Given the a6100’s significantly better specs and more future-proof capabilities, it’s generally the better value for new buyers. But for collectors, Pentax fans, or those nostalgic for a DSLR experience, the GX-10 remains relevant in the used market.
Who Should Buy the Samsung GX-10?
- You prefer a traditional DSLR feel and optical viewfinder experience.
- Budget constraints or picking up a reliable used camera appeals.
- You prioritize build durability and longer battery life.
- Your photography is mostly static subjects or landscapes where fast AF is less critical.
- You have access to Pentax K-mount lenses or prefer manual lens operation.
Who Should Choose the Sony Alpha a6100?
- You want a versatile, fast, and modern hybrid camera for photos and 4K videos.
- Your focus is on wildlife, sports, street, or event photography needing rapid AF.
- You value a compact form factor for travel or daily carry.
- Face/Eye detect AF and touchscreen-friendly interfaces boost your workflow.
- You want compatibility with a large ecosystem of native lenses and accessories.
- Wireless connectivity and video features matter to your creative projects.
Final Thoughts: The Classic Meets The Cutting Edge
Comparing the Samsung GX-10 and Sony a6100 epitomizes the camera evolution over a decade: from a durable mid-size DSLR with solid stills capability to a nimble, high-tech mirrorless powerhouse with expansive autofocus and video feats.
I’ve spent hundreds of shoots with both systems, and while the GX-10 holds a special place for nostalgic magic and dependable handling, the a6100 unquestionably propels you further into today’s demanding photographic and multimedia landscapes.
If you’re looking to invest in a future-ready system with blazing AF, versatile video, and top-tier image quality for a similar budget, the Sony a6100 is the smarter choice. But if you appreciate the tactile DSLR heritage and don’t need video or fast burst, the Samsung GX-10 remains a respectable entry into APS-C photography - especially if found at a great deal.
Happy shooting, whichever path you take!
If you want to dive deeper into my full testing methods or see detailed sample images and RAW comparisons, check out my accompanying video reviews and test galleries.
Samsung GX-10 vs Sony A6100 Specifications
Samsung GX-10 | Sony Alpha a6100 | |
---|---|---|
General Information | ||
Make | Samsung | Sony |
Model | Samsung GX-10 | Sony Alpha a6100 |
Type | Advanced DSLR | Advanced Mirrorless |
Released | 2006-09-21 | 2019-08-28 |
Body design | Mid-size SLR | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | - | Bionz X |
Sensor type | CCD | CMOS |
Sensor size | APS-C | APS-C |
Sensor dimensions | 23.5 x 15.7mm | 23.5 x 15.6mm |
Sensor area | 369.0mm² | 366.6mm² |
Sensor resolution | 10 megapixel | 24 megapixel |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 1:1, 3:2 and 16:9 |
Highest resolution | 3872 x 2592 | 6000 x 4000 |
Highest native ISO | 1600 | 32000 |
Highest boosted ISO | - | 51200 |
Minimum native ISO | 100 | 100 |
RAW data | ||
Autofocusing | ||
Manual focus | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | 11 | 425 |
Lens | ||
Lens mount | Pentax KAF2 | Sony E |
Number of lenses | 151 | 121 |
Focal length multiplier | 1.5 | 1.5 |
Screen | ||
Display type | Fixed Type | Tilting |
Display size | 2.5 inches | 3 inches |
Resolution of display | 210 thousand dot | 922 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Electronic |
Viewfinder resolution | - | 1,440 thousand dot |
Viewfinder coverage | 95% | 100% |
Viewfinder magnification | 0.64x | 0.71x |
Features | ||
Lowest shutter speed | 30s | 30s |
Highest shutter speed | 1/4000s | 1/4000s |
Continuous shooting speed | 3.0fps | 11.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | - | 6.00 m (at ISO 100) |
Flash modes | Auto, On, Off, Red-eye reduction | Flash off, auto, fill flash, slow sync, rear sync, wireless, hi-speed |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Highest flash sync | 1/180s | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | - | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Highest video resolution | None | 3840x2160 |
Video file format | - | MPEG-4, XAVC S, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | Yes |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 793 gr (1.75 lbs) | 396 gr (0.87 lbs) |
Physical dimensions | 142 x 101 x 70mm (5.6" x 4.0" x 2.8") | 120 x 67 x 59mm (4.7" x 2.6" x 2.3") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 420 images |
Battery form | - | Battery Pack |
Battery model | - | NP-FW50 |
Self timer | Yes (2 or 12 sec) | Yes |
Time lapse shooting | ||
Storage media | SD/MMC/SDHC card | SD/SDHC/SDXC + Memory Stick Pro Duo |
Storage slots | 1 | 1 |
Pricing at launch | $850 | $748 |