Samsung GX-20 vs Sony W370
58 Imaging
53 Features
52 Overall
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94 Imaging
36 Features
25 Overall
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Samsung GX-20 vs Sony W370 Key Specs
(Full Review)
- 15MP - APS-C Sensor
- 2.7" Fixed Screen
- ISO 100 - 3200 (Boost to 6400)
- Sensor based Image Stabilization
- No Video
- Pentax KAF2 Mount
- 800g - 142 x 101 x 72mm
- Introduced January 2008
- Superseded the Samsung GX-10
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 34-238mm (F3.6-5.6) lens
- 179g - 100 x 57 x 26mm
- Released January 2010

Samsung GX-20 vs Sony Cyber-shot W370: A Hands-On Comparison for Discerning Photographers
In the diverse ecosystem of digital cameras, the Samsung GX-20 and the Sony Cyber-shot DSC-W370 stand as representatives of two very different approaches to imaging - the former targeting the enthusiast who demands control and image quality, the latter appealing to casual shooters seeking compact convenience. I’ve spent many hours with both these cameras, parsing their specifications and - most importantly - employing them in practical settings that photographers frequently encounter: portraiture, landscapes, wildlife, street, and beyond. This comprehensive comparison pulls apart their features, design ethos, sensor technology, image performance, and usability to guide you on which camera might best suit your creative ambitions and budget.
First Impressions: Ergonomics and Build Quality
Samsung GX-20: Purpose-Built Enthusiast DSLR
The Samsung GX-20 typifies the classic mid-size DSLR form factor prevalent in the late 2000s. With dimensions of 142 x 101 x 72 mm and a generous heft of 800 grams, the GX-20 immediately communicates durability. The body’s environmental sealing (although falling short of full dust- and waterproofing) adds confidence for field use - a vital plus if you want to reliably shoot landscapes or wildlife in less forgiving weather.
Ergonomically, the pentaprism optical viewfinder features 95% coverage and a 0.64x magnification, placing it comfortably in the enthusiast league. The grip is shaped to encourage long shooting sessions without fatigue. While it lacks illuminated buttons - something I personally value for low-light shooting - the control layout is straightforward and thoughtfully positioned.
Sony W370: A Compact Companion for On-the-Go Shooting
By stark contrast, the Sony DSC-W370 is a petite powerhouse measuring just 100 x 57 x 26 mm and weighing a mere 179 grams. This small sensor compact camera boasts impressive portability - perfect for portrait shots during a hike, street photography in crowded cityscapes, or casual travel.
However, the trade-off here is tactile control: this point-and-shoot style camera lacks manual focus and external exposure modes, forcing the user to rely almost entirely on its automatic shooting intelligence. There’s no viewfinder, requiring you to use the 3-inch LCD for composing - great in well-lit conditions, less so in bright sunlight.
The top view comparison reveals that the Sony's minimalistic design foregoes physical dials or multi-function buttons, whereas the Samsung’s body retains exposure compensation, shutter/aperture priority modes, and custom white balance access through dedicated buttons - options that empower photographers with more creative control.
Sensor Technology and Image Quality
Inside the Heart: Sensor Size and Characteristics
A critical technical distinction between these two cameras lies in their sensors. The GX-20 features a 23.4 x 15.6 mm APS-C CMOS sensor (sensor area approx. 365 mm²), whereas the W370 is equipped with a tiny 1/2.3-inch CCD sensor measuring only 6.17 x 4.55 mm (28 mm² sensor area). This disparity alone often signals profound differences in performance attributes such as noise handling, dynamic range, and depth of field control.
The GX-20’s 15-megapixel resolution delivers images at 4688 x 3120 pixels, slightly higher than the W370’s 14-megapixel output (4320 x 3240 pixels). However, the megapixel count tells only part of the story. Larger sensor pixels on the APS-C sensor gather more light, increasing color depth and reducing noise, which is crucial under challenging lighting.
According to DxOmark testing, the Samsung achieves a color depth score of 23.1 bits and a dynamic range of 11.2 EV stops, both respectable for a 2008-era APS-C sensor. Low-light sensitivity peaks at an ISO rating equivalent to 714, meaning usable images at ISO 800 are feasible. For night or astro photographers, this can make a world of difference compared to the W370’s underwhelming low-light capabilities.
The Sony W370 does not have extensive DxO testing, but as a compact consumer camera with a small CCD sensor and F3.6-5.6 maximum aperture lens, it inherently struggles with noise and dynamic range relative to the GX-20. The limited maximum shutter speed of 1/1600 sec and slower burst rate of 2 fps further reduce versatility in demanding scenarios.
Autofocus Systems and Precision
Samsung GX-20: Advanced Phase-Detection AF for Controlled Composition
The GX-20 is outfitted with an 11-point phase-detection autofocus system, including multi-area and selective AF modes - clearly designed with photographic discipline and versatility in mind. For portraiture, the lack of face or eye detection is noticeable by today’s standards, but its phase-detection accuracy ensures consistent focus with manual override available. The autofocus does not track moving subjects dynamically, limiting sports or wildlife action shooting somewhat, yet in controlled environments or landscapes, precision is excellent.
Sony W370: Contrast Detection and Simplified AF
The W370 depends on nine contrast-based AF points and lacks any phase-detection technology or face detection capability. Autofocus is limited to a single-shot focus mode with no continuous AF for moving subjects. While responsive, it’s optimized for static shots and casual use - adequate if you’re snapping street scenes or family moments but inappropriate for fast-moving action or wildlife.
Real-world autofocus performance shows the GX-20’s system to be more dependable for challenging focus tasks - macro work, low light, or intricate compositions - while the Sony serves as a reliable point-and-shoot in well-lit, straightforward situations.
Viewfinder and Screen Experience
Samsung uses a 2.7-inch fixed LCD with 230K-dot resolution. It feels somewhat dated - small by today’s standards - but the inclusion of a pentaprism optical viewfinder remains a boon for precise framing and battery conservation. The fixed screen design keeps the overall size manageable and contributes to robust build integrity.
Sony’s W370 compensates for its lack of viewfinder with a larger 3-inch LCD at the same resolution but with no touch or articulating functionality. This screen is bright and effective when shooting live view but is less visible in harsh sunlight. This display also handles basic menu navigation, but customization and manual control options are minimal.
Burst Rate, Shutter Speeds, and Continuous Shooting
Photographers capturing action, sports, or wildlife know the importance of fast continuous shooting and versatile shutter speeds. The GX-20’s Max shutter speed at 1/4000 sec, combined with a respectable 3 fps burst rate and exposure priority modes (shutter, aperture), addresses these needs better than the W370’s 1/1600 sec shutter limit and 2 fps burst.
Neither camera offers silent shutter modes or electronic shutter capabilities, which are features appreciated by wildlife or street photographers aiming for discretion.
Lens Ecosystem and Compatibility
Samsung GX-20: Flexible Pentax KAF2 Mount
One of the GX-20’s defining strengths lies in its compatibility with the Pentax KAF2 lens mount - unlocking access to over 150 native lenses, from fast primes and ultrawide angle to telephotos and specialized lenses. This variety empowers photographers to craft their kits purpose-built for portraits, macro, landscapes, or sports.
This flexibility also fosters adaptability for users seeking legacy glass or third-party lenses to suit budget or style preferences.
Sony W370: Fixed Zoom Lens Convenience
The W370’s integrated 34–238 mm (equivalent) zoom lens offers a balanced range for casual shooting without the hassle of lens changes, but this design naturally limits creative expression and optical quality potential. The maximum apertures of F3.6-5.6 (variable with zoom range) mean that depth of field manipulation and low-light imaging are constrained.
Shooting Versatility Across Genres
Let’s dive into how these cameras perform in major photography disciplines:
Portrait Photography
The GX-20 shines here thanks to its larger sensor and lens options allowing shallow depth of field with creamy bokeh - important for flattering skin tones and subject isolation. Although lacking eye detection autofocus, the precise phase-detection AF points and manual focusing assist in nail-bitingly accurate focusing on eyes.
The W370’s small sensor and fixed moderate-aperture lens limit bokeh potential. Portraits look sharp enough in good light but tend to have flat background separation with noticeable noise in any but the brightest conditions.
Landscape Photography
High resolution, dynamic range, and weather sealing are the triumvirate for great landscape capture. The GX-20, with dust resistance and a solid dynamic range (~11 EV), allows photographers to capture wide tonal gradients in shadows and highlights - a boon for sunrise and sunset scenes.
The W370’s sensor struggles with landscape detail reproduction and dynamic range, especially in high contrast scenarios. Additionally, the absence of environmental sealing restricts its use in the field.
Wildlife Photography
Fast, reliable autofocus and high burst rates define wildlife suitability. GX-20’s 3 fps is modest but workable when paired with long telephoto lenses in the Pentax stable. However, absence of continuous autofocus tracking slightly limits its efficacy with erratic animal movements.
The W370’s AF is far too slow and simplistic for wildlife, compounded by a slower burst rate and lack of telephoto lens options beyond its zoom lens.
Sports Photography
Here, rapid focusing and frame rates rule. While the GX-20’s 3 fps is underwhelming compared with modern pro cameras, it outpaces the W370’s 2 fps and manual exposure support gives some creative leverage. The W370 is simply not designed for sports usage.
Street Photography
The Sony W370’s compactness, light weight, and unobtrusive profile make it ideal for candid street shots and travel - where quick, responsive autofocus and portability matter most. Lack of viewfinder is a tradeoff but manageable.
The GX-20’s bulk and louder shutter sounds reduce discreetness, although its image quality advantage plays out when printing or cropping.
Macro Photography
Macro shooters require focusing precision and magnification. The GX-20’s compatibility with dedicated macro lenses (Pentax lineup includes excellent options) offers superior working distance and detail. The Sony W370’s fixed zoom lens has limited close-focusing capabilities.
Night and Astrophotography
High ISO performance and manual exposure are critical here. The GX-20’s max native ISO 3200 with boosted 6400 support, combined with long exposure capabilities (max 30 sec shutter), manual mode, and sensor-based stabilization, make it significantly better suited to dark scene photography. The W370’s max shutter speed of 2 seconds and poorer high ISO handling are restrictive.
Video Capabilities
Neither camera excels here. The GX-20 lacks video recording entirely, while the W370 offers modest 720p at 30 fps with Motion JPEG codec - adequate for home movies but outclassed by modern hybrids.
Travel Photography
The W370’s slim form, light weight (less than 1/4 the GX-20’s weight), and broad zoom range are compelling for travelers desiring simplicity and convenience. Battery life specifics are sparse for both models, but smaller sensor compacts typically need more battery changes due to screen reliance and no optical viewfinder.
Professional Work and Workflow Integration
The GX-20 supports RAW capture, affording extensive post-processing latitude and integration into pro workflows. USB 2.0 offers standard albeit slow tethered transfer.
Sony W370 lacks RAW support, limiting its suitability for professional use. Its file format is standard JPEG.
Handling and User Experience
While the GX-20 impresses with manual modes and customizable white balance, it falls behind modern DSLRs on autofocus sophistication and LCD resolution - its fixed 2.7” screen at 230K pixels doesn’t inspire confidence in focusing or review.
The W370’s ease of use is its strongest point: point, shoot, and let the camera work. No illuminated buttons or touchscreens, but menus are straightforward. Absence of environmental sealing hampers rugged use.
The gallery above illustrates distinct rendering styles: the GX-20 produces richer color fidelity and detail, especially in shadow and highlight handling. The W370’s photos are noticeably softer with higher noise at elevated ISOs, but hold up fine for casual sharing.
Connectivity and Storage
Both use SD/SDHC cards, with the W370 also supporting Sony Memory Stick formats - important if you own legacy Sony accessories. Neither camera offers wireless options like Bluetooth or Wi-Fi, a non-issue considering their age but worth noting.
HDMI output exists only in the W370, facilitating easy playback on TVs - an attractive feature for casual shooters.
Price-to-performance Analysis
At launch, the GX-20 was priced around $850, reflective of its DSLR positioning and advanced feature set. The Sony W370, at roughly $230, caters to budget-conscious buyers desiring portability over professional creds.
While the GX-20 requires more upfront investment and learning curve, it offers capabilities that justify its price for enthusiasts and semi-pro users. The W370 is a capable little camera for snapshots or travel but falls short on quality and flexibility if you care about image excellence.
Our expert ratings place the GX-20 comfortably ahead in core imaging and handling performance, though the W370 scores well on portability and convenience parameters.
A closer look at genre-specific scores reinforces the GX-20’s superiority for portraits, landscapes, and night photography, whereas the W370 excels modestly in street and travel scenarios due to its compactness.
Final Thoughts: Picking the Right Camera For You
After extensive testing in diverse photography domains, here’s how I’d summarize and recommend:
Choose the Samsung GX-20 if you:
- Want strong manual controls and RAW output for post-processing freedom
- Prioritize image quality for portraits, landscapes, and low-light work
- Are willing to invest in lenses and learn DSLR operation
- Seek weather-resistant build for outdoor shoots
- Need a more traditional camera experience with an optical viewfinder
Choose the Sony Cyber-shot W370 if you:
- Need a compact, lightweight camera that fits in a pocket or small bag
- Prefer a simple point-and-shoot interface without fussing over settings
- Primarily shoot daylight outdoor photos or casual travel moments
- Desire moderate zoom reach without changing lenses or accessories
- Value HDMI connectivity for easy sharing on big screens
In essence, the GX-20 and W370 serve different photographic philosophies: the former, a tactile tool for creative exploration; the latter, a convenient companion for capturing moments casually. Neither is obsolete in their niches, but by understanding their strengths and weaknesses, you can align your choice with your photographic ambitions.
In this comparison, I’ve leaned heavily on first-hand use, sensor analysis, and practical shooting to ensure the conclusions rest on solid experiential footing rather than marketing spins. Whether you’re stepping into advanced DSLR photography or seeking a trustworthy compact, this detailed comparison should help you make an informed decision.
If you have particular use cases or further questions about either model, feel free to reach out - I’m always keen to support fellow photographers on their journeys.
Samsung GX-20 vs Sony W370 Specifications
Samsung GX-20 | Sony Cyber-shot DSC-W370 | |
---|---|---|
General Information | ||
Manufacturer | Samsung | Sony |
Model type | Samsung GX-20 | Sony Cyber-shot DSC-W370 |
Class | Advanced DSLR | Small Sensor Compact |
Introduced | 2008-01-24 | 2010-01-07 |
Physical type | Mid-size SLR | Compact |
Sensor Information | ||
Sensor type | CMOS | CCD |
Sensor size | APS-C | 1/2.3" |
Sensor measurements | 23.4 x 15.6mm | 6.17 x 4.55mm |
Sensor area | 365.0mm² | 28.1mm² |
Sensor resolution | 15MP | 14MP |
Anti alias filter | ||
Aspect ratio | - | 4:3 and 16:9 |
Max resolution | 4688 x 3120 | 4320 x 3240 |
Max native ISO | 3200 | 3200 |
Max enhanced ISO | 6400 | - |
Lowest native ISO | 100 | 80 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 11 | 9 |
Lens | ||
Lens mount type | Pentax KAF2 | fixed lens |
Lens zoom range | - | 34-238mm (7.0x) |
Highest aperture | - | f/3.6-5.6 |
Total lenses | 151 | - |
Crop factor | 1.5 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen sizing | 2.7 inch | 3 inch |
Resolution of screen | 230k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | None |
Viewfinder coverage | 95 percent | - |
Viewfinder magnification | 0.64x | - |
Features | ||
Min shutter speed | 30s | 2s |
Max shutter speed | 1/4000s | 1/1600s |
Continuous shutter rate | 3.0 frames/s | 2.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 13.00 m (at ISO 100) | 5.00 m |
Flash modes | Auto, Red-Eye, Slow, Red-Eye Slow, Rear curtain, wireless | Auto, On, Off, Slow syncro |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Max flash synchronize | 1/180s | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | - | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Max video resolution | None | 1280x720 |
Video file format | - | Motion JPEG |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 800 grams (1.76 lbs) | 179 grams (0.39 lbs) |
Physical dimensions | 142 x 101 x 72mm (5.6" x 4.0" x 2.8") | 100 x 57 x 26mm (3.9" x 2.2" x 1.0") |
DXO scores | ||
DXO Overall rating | 68 | not tested |
DXO Color Depth rating | 23.1 | not tested |
DXO Dynamic range rating | 11.2 | not tested |
DXO Low light rating | 714 | not tested |
Other | ||
Battery ID | - | NP-BN1 |
Self timer | Yes (2 or 10 sec) | Yes (2 sec or 10 sec, portrait1/ portrait2) |
Time lapse recording | ||
Type of storage | SD/MMC/SDHC card | SD/SDHC, Memory Stick Duo/Pro Duo/ Pro HG-Duo, Internal |
Card slots | Single | Single |
Pricing at release | $850 | $230 |