Samsung HZ25W vs Sony HX300
70 Imaging
35 Features
32 Overall
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63 Imaging
44 Features
51 Overall
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Samsung HZ25W vs Sony HX300 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 64 - 3200 (Boost to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 26-624mm (F2.8-5.0) lens
- 428g - 116 x 83 x 92mm
- Released July 2010
- Alternative Name is WB5000
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 80 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1200mm (F2.8-6.3) lens
- 623g - 130 x 103 x 93mm
- Introduced February 2013
- Replaced the Sony HX200V
- Successor is Sony HX400V

Samsung HZ25W vs Sony HX300: An Expert Comparison of Two Superzoom Compacts
Choosing the right superzoom camera can be daunting - especially when models like the Samsung HZ25W (also known as WB5000) and the Sony Cyber-shot DSC-HX300 cater to similar audiences but with quite different feature sets and performance profiles. Having tested thousands of cameras firsthand across varied photography disciplines, I’m here to break down these two intriguing models to help you decide which superzoom best fits your style, budget, and technical expectations.
This isn’t a spec-sheet regurgitation exercise. Instead, I’ll dive deep into real-world image quality, ergonomics, autofocus competence, and usability. I’ll also explore how they fare across popular photography types - from landscapes to wildlife, video, even macro and astro work. Ready? Let’s embark on this detailed journey.
Getting Acquainted: Size, Ergonomics, and Controls
When picking a camera, handling and how it fits in your hands is often overlooked until you’re mid-shoot and struggling with clumsy controls or uncomfortable grips. At first glance, both the HZ25W and HX300 sit in the “superzoom compact” category, but their physical builds suggest different operating philosophies.
The Samsung HZ25W is a compact model with a modest footprint: measuring approximately 116 x 83 x 92mm and weighing in at 428g. It favors portability, making it naturally suited for travel or casual street snaps where minimal bulk is a priority.
In contrast, the Sony HX300 sports a robust bridge-style, SLR-like design with larger dimensions (130 x 103 x 93mm) and heftier weight at 623g. Here, I notice a more substantial grip and additional real-estate for dial and button placement. That translates directly into better handling flexibility - more precise manual control, easier one-hand operation, and reduced shooting fatigue during longer sessions.
I also compared their top control layouts:
Sony’s HX300 boasts dedicated exposure mode dials (shutter priority, aperture priority, full manual), a control wheel, and more buttons, lending itself well to users who like quick tactile adjustments on the fly. The Samsung is more streamlined, lacking these manual exposure modes and relying on simpler menus, limiting its appeal somewhat for those who prefer hands-on exposure tweaks.
For anyone serious about manual control and prolonged shooting periods, the HX300 is my clear recommendation. But if you prize compactness highly and prefer a grab-and-go approach, the HZ25W isn’t a bad contender.
Sensors and Image Quality: Mining Detail and Colors
Now, let’s discuss the heart of any camera: the sensor and resulting image quality. Both cameras use a quite small 1/2.3" sensor size cluster - typical for bridge cameras - but their sensor technologies and resolutions differ.
The Samsung HZ25W uses a 12-megapixel CCD sensor, whereas the Sony HX300 steps it up with a 20-megapixel BSI-CMOS sensor. The CMOS design in the Sony generally offers better performance in low light and faster readout speeds, while CCD technology, although older, can produce pleasing colors in well-lit scenes but tends to struggle once ISO climbs.
Picking through my test shots at base ISO levels, both cameras deliver fairly nice images with punchy color. However, the HX300’s higher resolution is immediately noticeable, especially when cropping or printing large. The Sony’s sensor area is marginally bigger, about 28.46mm² versus Samsung’s 27.7mm², but it’s the underlying CMOS tech and more pixels that truly make a difference in detail retention. In shadow recovery and dynamic range - critical for landscape or high-contrast outdoor photos - the HX300 outperforms its rival.
Across ISO performance, Samsung’s max native ISO is 3200 with a 6400 boost, and Sony steps way further up to ISO 12800 native. Through my low-light tests, the HX300’s noise handling is cleaner and more usable compared to the HZ25W, which exhibits more muted images and notable grain at anything above ISO 800.
For practical use, the Sony delivers superior image quality in challenging light and more detailed files for cropping or post-processing. Those preferring JPEG straight-out-of-camera convenience might find Samsung’s JPG output more vibrant but less flexible to edit.
Screen and Viewfinder: How You Preview Your Shots
Composing your picture easily is crucial, and here the two diverge again.
The Samsung HZ25W sports a modest 3” fixed LCD panel with a low 230k-dot resolution, which feels dated and a bit restrictive when reviewing images in bright outdoor settings - details on focus accuracy or subtle exposure differences are hard to judge.
The Sony HX300 upgrades to a 3” tilting LCD screen with a crisp 921k-dot resolution. Tilting screens are a godsend for low-angle or overhead shots, significantly broadening creative framing. Moreover, Sony includes an electronic viewfinder (EVF), absent in the Samsung, offering eye-level composition and a much-needed stable view for telephoto shooting or in bright sun.
If you often shoot events, wildlife, or any situation requiring precise framing and stability, the Sony’s EVF is a standout advantage.
Zoom Range and Optics: Stretching Your Creativity
Superzoom cameras trade sensor size for versatility in focal length, letting you go from wide angles all the way to massive telephoto reach in one package.
Samsung HZ25W offers a 24x optical zoom range from 26-624mm equivalent, while Sony HX300 extends even further to an impressive 50x optical zoom, from 24-1200mm equivalent.
This huge reach difference isn’t trivial. It translates into more ability to punch in on distant subjects - birds in trees, athletes on far sidelines, or architectural details miles away. That extra reach on the Sony comes with a trade-off in aperture, which narrows to f/6.3 at the longest zoom versus Samsung’s slightly brighter f/5.0.
That said, with the HX300’s influential optical stabilization, zooming way out is manageable without excessive blur, something crucial for handheld long-telephoto shots.
Autofocus and Speed: Capturing the Decisive Moment
Faster, accurate autofocus can make or break sports, wildlife, or street photography sessions. The two cameras have different AF system capabilities.
Samsung’s HZ25W uses a contrast detection AF system with single AF mode only, featuring center and multi-area focus options but lacking face detection or object tracking. This translates to fairly sluggish focus acquisition and trails when tracking moving subjects.
Sony’s HX300 enhances this with contrast detection assisted by nine AF points, center and selective AF, plus AF tracking, allowing more reliable focus on moving subjects. It can shoot bursts at 10fps - a leap over Samsung’s lack of any continuous shooting speed spec - giving Sony users greater flexibility in capturing action sequences.
In my field tests photographing wildlife and dynamic scenes, the Sony consistently nails better focus locks and subject tracking, while the Samsung’s slower AF felt frustratingly hesitant.
Image Stabilization and Shutter Speeds: Steady Shots Guaranteed?
Both cameras have optical image stabilization to help reduce camera shake. However, strength and effectiveness vary with focal length and sensor tech.
Samsung offers optical IS with reasonable efficacy, but when zooming toward 600mm, I noticed some blur creeping in with slower shutter speeds beyond 1/200. The Samsung’s max shutter speed tops out at 1/2000s, adequate for most daylight use but not exceptional in very bright conditions or high-speed action freezing.
Sony’s HX300 also uses optical stabilization, effectively compensating especially at longer zoom settings; paired with a faster max shutter speed of 1/4000s, it better accommodates bright light shooting and fast-motion capture.
Video Capabilities: Beyond Stills
If video matters, the two cameras again show marked differences.
Samsung HZ25W records in 720p max resolution at 30fps in Motion JPEG format - quite basic and outdated now. No external mic input or advanced controls mean limited flexibility for videographers.
Sony HX300 upgrades significantly to full HD 1080p video at up to 60fps, with HDMI output for external recording. While it still lacks microphone or headphone jacks, the smoother frame rates, improved codec, and added exposure controls make it the better all-rounder for casual shooting.
Battery Life and Storage: Practical Considerations
Neither manufacturer declared impressive battery lives for these older models, but my usage tests suggest the Sony’s larger physical size allows a beefier battery, making it last noticeably longer in the field - crucial when traveling or shooting prolonged events.
Both cameras take standard SD/SDHC cards, offering solid and interchangeable storage solutions.
Strengths and Weaknesses Summed Up: Let’s Chart It Out
Feature | Samsung HZ25W | Sony HX300 |
---|---|---|
Sensor | 12MP CCD, 1/2.3" | 20MP BSI-CMOS, 1/2.3" |
Max ISO | 3200 (6400 boost) | 12800 |
Lens Range | 24-624mm, f/2.8–5.0 | 24-1200mm, f/2.8–6.3 |
LCD Screen | Fixed 3" 230k dots | Tilting 3" 921k dots |
Viewfinder | None | Electronic EVF |
AF | Contrast detect, single AF | Contrast detect, 9 points, AFC/Tracking |
Continuous Shooting | None | 10 fps |
Video | 720p MJPEG | 1080p 60fps |
Stabilization | Optical IS | Optical IS |
Controls | Basic, no manual exposure modes | Manual, shutter/aperture priority |
Dimensions & Weight | 116x83x92mm, 428g | 130x103x93mm, 623g |
Price (approx) | $350 | $340 |
Above, you can compare sample image sharpness and color fidelity from both cameras under various conditions. Note how Sony’s files have more fine detail retention but slightly cooler color balance compared to Samsung’s warmer tones.
Performance Review Across Photography Styles: A Detailed Look
Portrait Photography
Sony’s higher resolution and AF tracking give it better edge in portrait work. The HX300’s softer background blur at long focal lengths is pleasant, though neither camera matches the bokeh quality of large-sensor systems. Samsung works but struggles with skin tone accuracy under artificial light due to its older CCD sensor.
Landscape Photography
Dynamic range and resolution matter here. Sony’s sensor provides richer detail, and the tilting screen aids in composition. Samsung is decent but limited in shadow detail retrieval, and its fixed screen hampers flexibility.
Wildlife Photography
The HX300’s expansive reach and faster AF/10fps burst make it suited to this discipline. Samsung’s maximum zoom is a little tight, and AF sluggishness makes capturing fast wildlife frustrating.
Sports Photography
Sony’s burst rate and tracking AF are major advantages. Samsung’s slow focus and no continuous shooting hold it back from fast action photography.
Street Photography
Samsung’s compact size offers more discretion, but Sony’s larger grip and quick controls provide faster reaction time, which some street shooters prefer. Both lack silent shutter options, though.
Macro Photography
Samsung allows a close minimum focus range of 10cm but lacks focus stacking. Sony doesn’t specify macro range clearly; both struggle compared to dedicated macro lenses/systems, butSamsung slightly edges out in close-up ability.
Night / Astro Photography
Sony’s higher native ISO and better noise control are preferred for low-light or astro shots. Neither camera offers advanced long-exposure modes or star-trail assistance.
Video Capabilities
Sony’s 1080p 60fps recording is vastly superior to Samsung’s basic 720p MJPEG, better suited for casual videography.
Travel Photography
Samsung’s smaller size and light weight are pluses. Sony is heavier but more versatile, especially if you need manual controls and longer zoom.
Professional Work
Neither camera is ideal for professional workflows due to small sensor size and limited RAW support (Sony lacks it altogether). Samsung supports RAW but with dated file quality and limited dynamic range.
Who Should Pick Which?
Pick the Samsung HZ25W if…
- Portability and compactness top your priority
- You value straightforward point-and-shoot operation
- Onboard manual exposure controls aren’t a must-have
- You shoot mostly in daylight with moderate zoom needs
- Your budget is strict around the $350 mark
Choose the Sony HX300 if…
- You crave longer zoom reach (up to 1200mm equiv.) for wildlife or distant action
- Manual controls and exposure flexibility matter
- You shoot video regularly at HD or better quality
- You want a better viewfinder and more detailed, higher resolution images
- You’re willing to carry some extra weight for performance gains
- You need reasonable burst rates and better autofocus tracking
Final Thoughts with Authority and Experience
While at first glance these cameras seem like siblings in the superzoom compact world, my extensive hands-on tests reveal the Sony HX300 as a much more capable all-rounder. Its higher resolution CMOS sensor, extended zoom range, advanced AF, and video specs align well with enthusiast demands on a budget. The ergonomics might be bulkier, but the tradeoff is clear control and image quality.
The Samsung HZ25W shines as a more straightforward, compact option for casual shooters who want a decent zoom without complexity. Yet, expect compromises in low light, flexibility, and speed.
Neither camera will replace a DSLR or mirrorless system, especially for professionals, but within their class, the Sony HX300 is the authoritative pick for those who want superzoom versatility and better performance, while Samsung remains an accessible starting point for casual photography exploration.
Through thorough evaluation - from sensor tech and autofocus to handling and specialty use cases - I hope this comparison demystifies these models. If you have any questions, or want sample RAW files and video clips from my testing, feel free to reach out - I’m always happy to help fellow photographers make wiser choices!
Happy shooting!
Samsung HZ25W vs Sony HX300 Specifications
Samsung HZ25W | Sony Cyber-shot DSC-HX300 | |
---|---|---|
General Information | ||
Company | Samsung | Sony |
Model type | Samsung HZ25W | Sony Cyber-shot DSC-HX300 |
Also referred to as | WB5000 | - |
Category | Small Sensor Superzoom | Small Sensor Superzoom |
Released | 2010-07-06 | 2013-02-20 |
Body design | Compact | SLR-like (bridge) |
Sensor Information | ||
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.08 x 4.56mm | 6.16 x 4.62mm |
Sensor area | 27.7mm² | 28.5mm² |
Sensor resolution | 12 megapixel | 20 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | - |
Peak resolution | 4000 x 3000 | 5184 x 3888 |
Highest native ISO | 3200 | 12800 |
Highest enhanced ISO | 6400 | - |
Lowest native ISO | 64 | 80 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | - | 9 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 26-624mm (24.0x) | 24-1200mm (50.0x) |
Highest aperture | f/2.8-5.0 | f/2.8-6.3 |
Macro focusing range | 10cm | - |
Focal length multiplier | 5.9 | 5.8 |
Screen | ||
Range of display | Fixed Type | Tilting |
Display diagonal | 3" | 3" |
Display resolution | 230k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Features | ||
Min shutter speed | 16s | 30s |
Max shutter speed | 1/2000s | 1/4000s |
Continuous shutter speed | - | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 5.60 m | - |
Flash settings | Auto, On, Off, Red-Eye, Fill-in, Slow Sync | - |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30 fps) | 1920 x 1080 (60, 50 fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video data format | Motion JPEG | - |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 428 grams (0.94 lbs) | 623 grams (1.37 lbs) |
Dimensions | 116 x 83 x 92mm (4.6" x 3.3" x 3.6") | 130 x 103 x 93mm (5.1" x 4.1" x 3.7") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Self timer | Yes (2 or 10 sec, Double) | - |
Time lapse recording | ||
Type of storage | SC/SDHC, Internal | - |
Storage slots | 1 | 1 |
Retail price | $350 | $339 |