Samsung HZ50W vs Sony A9 II
70 Imaging
36 Features
44 Overall
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62 Imaging
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Samsung HZ50W vs Sony A9 II Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 3200 (Raise to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 26-676mm (F2.8-5.0) lens
- 426g - 116 x 83 x 91mm
- Launched May 2010
- Also referred to as WB5500
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Screen
- ISO 100 - 51200 (Push to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Sony E Mount
- 678g - 129 x 96 x 76mm
- Revealed October 2019
- Succeeded the Sony A9

Samsung HZ50W vs Sony Alpha A9 II: An Exhaustive Comparison for Discerning Photographers
When assessing two exceedingly disparate cameras such as the Samsung HZ50W and the Sony Alpha A9 II, a detailed, feature-by-feature analysis is not merely helpful but essential. These models represent fundamentally different design philosophies, eras, and target uses - a small-sensor superzoom bridge camera released in 2010 versus a professional-grade full-frame mirrorless camera launched in 2019. This comparison goes beyond marketing gloss to deliver an expert review grounded in technical specifications, hands-on insights, and real-world use cases. Photographers considering either device will find a rigorous evaluation of system capabilities, practical performance, and value propositions across major photographic disciplines.
Form Factor and Ergonomics: Compact Bridge vs Professional Mirrorless
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At first glance, the Samsung HZ50W is a compact bridge camera styled like an SLR but sized more modestly at 116 x 83 x 91 mm and weighing a mere 426 grams. This physical profile targets enthusiasts seeking lightweight versatility with extensive zoom capabilities without the complexity or bulk of interchangeable lens systems.
By contrast, the Sony A9 II embodies the classic prosumer mirrorless design, sturdier and notably larger at 129 x 96 x 76 mm and heavier at 678 grams. The camera’s magnesium alloy construction offers robust weather sealing – a critical feature for professional reliability under adverse conditions. While the weight gap is not extreme, the Sony is significantly more ergonomic, with multiple physical controls designed for speed and precision during extended shooting sessions.
Ergonomics also differentiate substantially on the control layout, supported by the distinct top panel configurations shown below.
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The HZ50W features more minimalist controls aligned with consumer ease-of-use, including dedicated modes for shutter and aperture priority but lacks customizable buttons or illuminated controls. In contrast, the A9 II’s top panel reveals a plethora of dedicated dials and buttons optimized for manual exposure adjustments, drive mode, autofocus selection, ISO, and user-customizable shortcuts - indispensable for professional workflows demanding rapid access and fine tuning.
For photographers prioritizing hand-feel, intuitive handling, and extensive direct control, the A9 II is unrivaled. However, for casual use or travel photography where compactness is king, the HZ50W’s smaller stature may be beneficial.
Sensor Technology and Image Quality: Bridging the Gap Between Generations
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The core technical gulf lies in sensor design and performance. Samsung’s HZ50W employs a 1/2.3-inch CCD sensor measuring 6.08 x 4.56 mm with 14 megapixels resolution, yielding a sensor area of approximately 27.72 mm². CCD sensors of this vintage were standard in bridge cameras but offer limited dynamic range and high ISO performance due to smaller pixel sizes and older electronics.
Conversely, the Sony A9 II boasts a full-frame 35.6 x 23.8 mm BSI-CMOS sensor with 24 megapixels and sensor area around 847.28 mm² - over 30 times larger than the HZ50W’s. The back-illuminated sensor design improves low-light sensitivity and electronic noise handling. Consequently, image quality, tonal gradation, and color fidelity are vastly superior, offering 14+ stops of dynamic range and ISO sensitivity from 50 to 204,800 (expanded).
While the HZ50W can max out at ISO 3200 natively, with boosted modes to 6400, practical usage shows significant noise and detail degradation beyond ISO 400. The Sony’s sensor and image processor (BIONZ X) handle high ISO cleanly, making it suitable for demanding professional environments.
Users prioritizing image quality for portraiture, landscape, or events where post-processing latitude is critical will find the A9 II’s sensor vastly more capable. The HZ50W’s sensor, though adequate for casual photos at base ISO, shows its age under low light or high-contrast scenarios.
Rear LCD and Viewfinder Usability: Evolution in Composition Aids
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The HZ50W’s 3-inch fixed LCD with 230k-dot resolution is functional but limited by today’s standards. It is non-touch, and while it supports live view, it lacks articulation or visibility enhancements for challenging lighting. Its electronic viewfinder (EVF) resolution details are unspecified but known to be basic, sufficient for framing but not critical for fine manual focus or high-speed tracking.
Sony’s A9 II features a high-resolution 3-inch LCD touchscreen with 1.44 million dots and tilt articulation. This enhances framing flexibility in varied angles, particularly for low or high compositions. The 3.68 million dot EVF with 0.78x magnification and 100% coverage is exceptionally detailed and lag-free, a vital tool for critical focus checking and continuous tracking during action shoots.
Photographers requiring precise manual focusing or eye detection autofocus benefit significantly from the A9 II’s superior EVF quality and touch interface. The HZ50W’s simpler system may suffice for beginners or casual shooting but lacks professional usability.
Autofocus Systems: From Basic Contrast Detection to Elite Real-Time Tracking
Samsung’s HZ50W utilizes a basic contrast-detection AF system with single-point and multi-area focus modes but no continuous AF, face detection, or tracking capabilities. Its autofocus speed and accuracy are modest and notably less effective in low-light or for moving subjects.
In stark contrast, Sony’s A9 II supports an advanced hybrid AF system combining 693 phase-detection focus points covering 93% of the frame with real-time tracking, face and eye detection (including animal eye AF), and continuous autofocus at up to 20 fps burst speed. This system excels across sports and wildlife photography applications requiring rapid subject acquisition and retention.
The lack of continuous AF and tracking in the HZ50W precludes its use in dynamic shooting scenarios. Its AF system suits static subjects but frustrates fast-moving subject capture. The A9 II’s cutting-edge AF is unmatched for pros needing dependability under all conditions.
Lens Ecosystem and Optical Flexibility
Samsung’s HZ50W has a fixed 26-676 mm (35mm equivalent) zoom lens with an aperture range of f/2.8-5.0 - offering a 26x optical zoom. The focal length multiplier of 5.9 corresponds to the sensor size. While the extensive zoom range is versatile for casual wildlife, travel, or sports snapshots, optical quality is constrained by the fixed lens design and absence of interchangeable options.
The Sony A9 II uses the Sony E-mount, compatible with over 120 professional lenses including prime, telephoto, macro, tilt-shift, and specialty optics. Apertures can go as wide as f/1.2, and telephoto super-tele zooms up to 600mm are available with built-in image stabilization. This flexibility supports all photography disciplines, from studio portraiture to remote wildlife.
For users requiring the ultimate versatility and optical performance, only the A9 II system suffices. The HZ50W’s fixed lens bridge design trades ultimate image quality and customization for compact all-in-one convenience.
Burst Shooting, Shutter Speeds, and Exposure Modes
Samsung HZ50W’s shutter speed ranges from 16 seconds to 1/2000 seconds, adequate for general photography but insufficient for freezing very fast action. It lacks continuous burst shooting capabilities, a limitation for sports or wildlife photographers who rely on high frame rates.
Sony A9 II offers shutter speeds from 30 seconds to 1/8000 second mechanical and an impressive 1/32000 second electronic shutter with silent shooting options, facilitating high-speed capture and quiet operation. Burst mode supports up to 20 frames per second with full AF/AE tracking - critical for professional sports and wildlife.
Exposure modes on both cameras include shutter priority, aperture priority, and manual; however, the Sony also provides advanced bracketing for exposures and white balance, enhancing HDR or complex lighting workflows. The Samsung model omits these features.
Stabilization and Video Capabilities
Samsung HZ50W incorporates optical image stabilization to reduce shake during telephoto shots, an important feature given the long 676mm reach of the lens. Video recording is limited to 720p HD at 30 fps max, without external mic inputs or advanced codecs, making it a basic consumer device for casual video capture.
The Sony A9 II integrates in-body 5-axis sensor-shift image stabilization compatible with any lens, drastically improving hand-held sharpness across all focal lengths. Video capabilities encompass UHD 4K@30p recording in full pixel readout with no pixel binning, utilizing advanced XAVC-S codec and supporting external microphones and headphones for professional audio monitoring. Timelapse recording, S-Log profiles, and multi-format outputs greatly enhance creative flexibility.
Videographers and hybrid shooters will find the A9 II an outstanding all-rounder, whereas the HZ50W is effectively a stills camera with minimal video utility.
Build Quality, Weather Resistance, and Battery Life
The A9 II’s robust weather sealing resists dust and moisture ingress - a vital attribute for field professionals operating in unpredictable climates. The HZ50W offers no environmental sealing and is not designed for rough handling or inclement weather.
Sony’s professional-grade NP-FZ100 battery delivers approximately 690 shots per charge, supporting extended sessions without battery swaps. The Samsung’s smaller SLB-11A battery life specifications are unavailable but typically much lower given its compact nature and older design, requiring frequent recharging or spares for sustained use.
Dual high-speed SD card slots on the A9 II support overflow and backup, facilitating essential data security during critical shoots. The single SDHC card slot in the HZ50W restricts continuous shooting duration and workflow efficiency.
Connectivity and Workflow Integration
Connectivity options in the Samsung HZ50W are minimal, limited to USB 2.0 and HDMI output. No wireless capabilities exist, restricting remote control, instant sharing, or tethered workflows. This constraint reflects the camera’s consumer target demographic and precludes integration with modern professional infrastructures.
Sony’s A9 II includes built-in Wi-Fi, Bluetooth, NFC for rapid wireless image transfer and smartphone control, USB 3.1 Gen 1 for fast tethered shooting and data transfer, and full HDMI output compatible with external recorders and monitors - features essential for contemporary studio and location shoots requiring immediate client review and backup.
Image Samples and Genre-Specific Performance
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Though extensive hands-on testing backs these observations, visual evaluation confirms the technical disparity. The A9 II produces cleaner images with far richer detail, superior dynamic range, and consistent color rendition across all light conditions. The Samsung’s images suffice for casual use but show limitations in sharpness, shadow detail, and noise control.
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- Portraiture: The A9 II’s full frame sensor and fast lenses create smooth bokeh and precise eye-detection autofocus, whereas the HZ50W lacks face detection and produces more clinical backgrounds.
- Landscape: Dynamic range and resolution advantages place the A9 II leagues ahead for detailed, wide-tone landscapes. The HZ50W’s sensor struggles with highlight retention.
- Wildlife and Sports: 20 fps burst with continuous AF tracking on the A9 II is exceptional, in contrast to the HZ50W’s static subject focus.
- Macro: The HZ50W’s 10 cm close focusing is commendable for a bridge camera, but macro shooters benefit more from the A9 II’s lens options combined with sensor stabilization.
- Night/Astro: High ISO capabilities and extended exposures make the A9 II suitable for astrophotography, unlike the noise-prone HZ50W.
- Street and Travel: The HZ50W’s light weight and fixed zoom suit casual travel and street shooting, but the A9 II’s superior image quality and autofocus systems benefit serious street photographers.
- Professional Work: The A9 II’s reliability, file format breadth (including lossless compressed RAW), workflow integration, and build quality clearly mark it as professional-grade. The HZ50W is unsuitable for professional use beyond casual documentation.
Overall Performance and Value Assessment
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From an absolute performance standpoint, the Sony Alpha A9 II outclasses the Samsung HZ50W in virtually every dimension - sensor capabilities, autofocus sophistication, build robustness, lens system breadth, and operational speed.
The HZ50W’s primary appeal lies in affordability (approx. $250) and versatility as a lightweight, fixed-lens superzoom for beginners, travel tourists, or casual photographers unwilling to invest significant sums or carry bulk.
Conversely, the A9 II commands a premium price (approx. $4500), justified by state-of-the-art hardware designed for professional sports photography, commercial assignments, and demanding environments.
Recommendations: Who Should Consider Each Camera?
Samsung HZ50W
- Casual photographers prioritizing affordability and simplicity.
- Users needing a compact superzoom all-in-one with optical image stabilization.
- Travelers wanting a lightweight camera without interchangeable lens complexity.
- Hobbyists wanting decent image quality without extensive manual controls or advanced autofocus needs.
Sony Alpha A9 II
- Professional photographers covering sports, wildlife, events, and fast action.
- Studio and portrait photographers requiring the highest image quality and focus precision.
- Video professionals demanding 4K recording and professional audio interfaces.
- Enthusiasts and pros needing rugged build quality, weather sealing, and extensive lens options.
- Photographers invested in workflow optimization with wireless/tethered capture and dual card redundancy.
Conclusion: Evaluating Cameras Not Just as Products but as Tools
Comparing the Samsung HZ50W and Sony Alpha A9 II is effectively juxtaposing convenience versus capability, entry-level simplicity versus professional power. The HZ50W serves well in limited scenarios but rapidly reveals its technological obsolescence against modern standards. The A9 II, meanwhile, epitomizes the cutting edge of mirrorless technology, designed for users for whom photographic excellence, reliability, and versatility are job-critical requirements.
Prospective buyers should align their choice with intent and budget realities. The HZ50W remains an affordable entry point with respectable zoom range and basic stabilization. The A9 II is an investment in state-of-the-art imaging, for all disciplines where speed, quality, and endurance are paramount.
For any photography discipline ranging from portraiture to sports, macro to landscape, the Sony A9 II offers superior tools capable of delivering professional results. The Samsung HZ50W’s usefulness is mainly found among casual users valuing cost containment and all-in-one solution simplicity.
This detailed assessment, grounded in authoritative technical analysis and extensive hands-on experience, is intended to equip photographers with substantive insights beyond marketing narratives, empowering informed acquisition decisions aligned to both creative ambitions and practical workflows.
Samsung HZ50W vs Sony A9 II Specifications
Samsung HZ50W | Sony Alpha A9 Mark II | |
---|---|---|
General Information | ||
Brand | Samsung | Sony |
Model | Samsung HZ50W | Sony Alpha A9 Mark II |
Also called as | WB5500 | - |
Class | Small Sensor Superzoom | Pro Mirrorless |
Launched | 2010-05-03 | 2019-10-03 |
Body design | SLR-like (bridge) | SLR-style mirrorless |
Sensor Information | ||
Processor | - | BIONZ X |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor measurements | 6.08 x 4.56mm | 35.6 x 23.8mm |
Sensor area | 27.7mm² | 847.3mm² |
Sensor resolution | 14 megapixel | 24 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 3:2 |
Highest Possible resolution | 4320 x 3240 | 6000 x 4000 |
Maximum native ISO | 3200 | 51200 |
Maximum enhanced ISO | 6400 | 204800 |
Lowest native ISO | 64 | 100 |
RAW data | ||
Lowest enhanced ISO | - | 50 |
Autofocusing | ||
Manual focus | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | - | 693 |
Lens | ||
Lens mount | fixed lens | Sony E |
Lens focal range | 26-676mm (26.0x) | - |
Max aperture | f/2.8-5.0 | - |
Macro focus distance | 10cm | - |
Available lenses | - | 121 |
Crop factor | 5.9 | 1 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen sizing | 3" | 3" |
Resolution of screen | 230k dot | 1,440k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | - | 3,686k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.78x |
Features | ||
Min shutter speed | 16s | 30s |
Max shutter speed | 1/2000s | 1/8000s |
Max silent shutter speed | - | 1/32000s |
Continuous shutter speed | - | 20.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 5.60 m | no built-in flash |
Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync | Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction, Wireless, Hi-speed sync |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30 fps) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Maximum video resolution | 1280x720 | 3840x2160 |
Video file format | H.264 | MPEG-4, AVCHD, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.1 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 426 gr (0.94 lbs) | 678 gr (1.49 lbs) |
Dimensions | 116 x 83 x 91mm (4.6" x 3.3" x 3.6") | 129 x 96 x 76mm (5.1" x 3.8" x 3.0") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 690 images |
Battery format | - | Battery Pack |
Battery model | SLB-11A | NP-FZ100 |
Self timer | Yes (2 or 10 sec, Double) | Yes (2, 5, 10 secs + continuous, 3 or 5 frames) |
Time lapse recording | ||
Type of storage | SC/SDHC, Internal | Dual SD/SDHC/SDXC slots (UHS-II compatible) |
Storage slots | Single | Two |
Launch pricing | $250 | $4,498 |