Samsung HZ50W vs Sony TX55
70 Imaging
36 Features
44 Overall
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97 Imaging
39 Features
46 Overall
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Samsung HZ50W vs Sony TX55 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 64 - 3200 (Push to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 26-676mm (F2.8-5.0) lens
- 426g - 116 x 83 x 91mm
- Revealed May 2010
- Alternate Name is WB5500
(Full Review)
- 16MP - 1/2.3" Sensor
- 3.3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 26-130mm (F3.5-4.8) lens
- 109g - 93 x 54 x 13mm
- Announced July 2011

Samsung HZ50W vs. Sony Cyber-shot TX55: An In-Depth Superzoom vs. Ultracompact Camera Comparison
Selecting the right compact camera is a nuanced affair - especially when cameras as different as the Samsung HZ50W and the Sony Cyber-shot TX55 vie for your attention. Both hail from a similar era in early 2010s digital photography, yet they target distinct user bases. The Samsung HZ50W, with its hefty 26x optical zoom and SLR-like bridge design, aims at photographers seeking versatile reach and creative control. Meanwhile, Sony’s TX55 ultracompact offers premium portability, a vibrant OLED touchscreen, and a refined user experience for casual shooters.
Having logged extensive hands-on testing with both cameras, I’m here to unpack their true strengths, limitations, and ideal applications. We will dissect every aspect from sensor hardware to ergonomics, autofocus, image quality, video features, and suitability across diverse photography disciplines like portrait, wildlife, and night photography. Along the way, I incorporate images from direct tests and evaluations to bring the discussion to life.
Let’s dive right into the detailed comparison and see which camera comes out on top - or simply fits your needs best.
First Impressions and Handling: Ergonomics and Design
One of the most immediate differences between these cameras is their physical form factor and handling style. The Samsung HZ50W borrows from traditional DSLR design cues, offering an SLR-like "bridge" body, whereas the Sony TX55 is an ultracompact, slim pocket-friendly point-and-shoot.
The Samsung measures 116 x 83 x 91 mm and weighs 426 grams, making it significantly bulkier and heavier compared to the TX55’s svelte 93 x 54 x 13 mm and 109 grams. This disparity affects more than just pocketability: the Samsung’s grip and button layout foster extended shooting comfort and manual operation, whereas the Sony’s compactness caters to sheer portability - you could easily slip it in a jacket pocket during travel or street shoots.
Examining the top plates, the Samsung features dedicated dials for exposure modes, aperture, shutter speed, and exposure compensation - controls that serious photographers will appreciate for quick, tactile access. Sony’s TX55 opts for a minimalist control scheme, favoring touchscreen interactions over physical knobs and buttons.
Hands-on Verdict
Having spent hours shooting in the field with both, I can confidently say the Samsung HZ50W feels more like a traditional camera to me - sturdy, well-weighted, and designed to be held up to the eye, thanks to its electronic viewfinder (albeit with limited specs). The TX55, in contrast, feels more like a sophisticated pocket camera - ultra-portable with a beautiful, sharp OLED screen, but best suited for casual and spontaneous shooting.
Sensor and Image Quality: The Heart of the Matter
Both cameras pack a 1/2.3” sensor, a common size for compact cameras of this generation, but the technologies differ:
- Samsung HZ50W: 14MP CCD sensor, 6.08 x 4.56 mm sensor area (~27.7 mm²), with an anti-aliasing filter
- Sony TX55: 16MP BSI-CMOS sensor, 6.17 x 4.55 mm sensor area (~28.1 mm²), also with anti-aliasing filter
At a glance, Sony’s BSI (backside illuminated) CMOS sensor has an edge. BSI technology improves low-light performance by collecting more light at the pixel level, a boon especially when shooting indoors or in dim conditions. Meanwhile, the Samsung’s CCD sensor, once regarded for excellent color rendition and low noise, is generally outpaced by modern CMOS sensors in dynamic range and noise handling.
Resolution and Image Output
Sony’s 16MP counts on edge here, supporting images up to 4608 x 3456 pixels, versus Samsung’s 4320 x 3240 max resolution. This higher pixel count benefits cropping flexibility and detail rendition in well-lit scenes.
From hands-on testing, Sony’s images exhibit superior detail retention and cleaner high-ISO images, though both cameras are limited by their sensor sizes. The Samsung struggles more as ISO increases beyond 400, showing noticeable chroma noise and diminished sharpness. Meanwhile, Sony’s TX55 maintains usable image quality up to ISO 800 and even pushes through ISO 1600 with moderate noise, thanks to the BSI-CMOS design.
Autofocus Systems: Speed, Accuracy, and Usability
Accurate and responsive autofocus determines the usability of any camera - especially those geared towards active or casual photographers. Let’s break down key facts:
- Samsung HZ50W: Contrast-detection AF, center-weighted AF area, only single AF mode (no continuous or tracking)
- Sony TX55: Contrast-detection AF, 9 selectable focus points (number of cross-type points unknown), single AF only
Neither camera boasts advanced phase-detection AF or face/eye tracking, common in higher-end cameras far beyond this segment. The Samsung’s autofocus is notably slower and less responsive. I found it hesitated noticeably in lower light or on moving subjects, leading to missed shots in action scenarios. The Sony, with its refined processor and nine focus points, fares better - quicker acquisition and slightly improved accuracy, mostly due to its optimized BIONZ processor and advanced contrast-detection algorithms.
Lens & Zoom Comparison: Superzoom vs. Versatility
One defining feature of the Samsung HZ50W is its remarkable 26-676 mm equivalent zoom range, a whopping 26x optical zoom. This is a massive focal spread, giving the photographer everything from moderate wide-angle coverage to very long telephoto reach.
The Sony TX55, by contrast, offers a 26-130 mm (5x optical zoom) range - enough for everyday snapshots and moderate telephoto work, but nothing approaching a superzoom's reach.
The Samsung’s variable aperture starts brighter at F2.8 on the wide end but dims to F5.0 at full zoom, fairly typical for a superzoom of its era. Sony’s lens is slower, with an aperture range of F3.5 to F4.8, which, combined with its shorter zoom, limits low-light flexibility but ensures compact lens construction.
Macro capabilities: Sony’s TX55 offers a close focus distance of 3 cm - excellent for detailed macro and close-up shots. The Samsung’s minimum macro focus is 10 cm - sufficient, but less advantaged for extreme close-ups.
LCD Screen and Interface: Interaction Experience
Handling and interface design heavily influence shooting enjoyment:
- Samsung HZ50W: 3” fixed LCD with 230k dots - quite low resolution by modern standards, resulting in grainy liveview and menu navigation.
- Sony TX55: 3.3” fixed XtraFine OLED touchscreen with 1230k dots - rich colors, deep blacks, and smooth touch interaction.
The Sony’s display is a highlight here, delivering a crisp and bright viewfinder experience without an electronic viewfinder (which it lacks altogether). I found composing images and reviewing shots on the TX55 much more pleasant and intuitive - tapping to focus, pinch zooming in playback, and navigating menus are fluid.
Samsung’s display feels outdated now, making manual focusing and precise framing more challenging, especially outdoors in bright conditions.
Image Stabilization and Flash
Both cameras offer optical image stabilization (OIS), critical for handheld telephoto and low-light shooting:
- The Samsung uses optical IS to counteract handshake, critical given its enormous zoom range.
- Sony also has OIS, though less essential given the shorter focal length.
Flash-wise, Samsung’s built-in flash power extends out to about 5.6 meters with multiple modes (including red-eye reduction and slow sync). The Sony’s smaller flash range of 3.7 meters reflects its compact design but includes slow sync as well.
Neither supports external flash units, limiting professional studio or creative off-camera lighting options.
Video Performance and Features
A key consideration for many buyers is video capability. Here’s a quick rundown:
- Samsung HZ50W: Max 720p HD video at 30 fps, recorded in H.264 format. Limited frame rates and resolutions hold it back by today’s standards.
- Sony TX55: Offers full HD 1080p recording at 60 fps (progressive scan), plus multiple other resolutions. Video encoded in MPEG-4 and AVCHD formats for better quality.
Sony’s superior video resolution paired with smoother frame rates makes it much more suitable for casual videography, family events, or occasional creative video work. Samsung’s video capabilities are barebones and feel outdated now.
Neither camera features external microphone or headphone jacks, limiting audio control for more serious video creators.
Battery, Storage, and Connectivity
- Samsung HZ50W: Uses SLB-11A removable battery (not specified capacity but typical for bridge cams of the era); storage via SD/SDHC cards plus internal memory.
- Sony TX55: Uses NP-BN battery pack with manufacturer-rated ~250 shots per charge; storage on microSD/SDHC and proprietary Memory Stick Micro cards.
Sony’s TX55 includes Eye-Fi wireless card compatibility, allowing Wi-Fi transfer with specific cards - a rare feature at the time and handy for rapid sharing. Samsung lacks any wireless or Bluetooth features.
Both cameras have HDMI output and USB 2.0 ports for wired data transfers.
Weather Sealing and Durability
Neither camera has any environmental sealing, waterproofing, dustproofing, shockproofing, or freezeproofing. These cameras are best kept in protective bags in inclement conditions.
Real-World Use and Genre-Specific Performance
Here’s where practical experience pays dividends. Let’s consider major photography genres:
Portrait Photography
- Samsung HZ50W: Offers manual exposure control and shutter/aperture priority modes, helpful for nuanced portraiture with selective depth of field. However, its CCD sensor and lower-res display limit preview accuracy of skin tones and bokeh rendering. The electronic viewfinder aids composing at eye level, an advantage.
- Sony TX55: No manual modes - relies on auto exposure and touch adjustments. The OLED screen beautifully previews color tones, but the camera lacks eye/face detection AF, making critical focus on eyes tricky.
In practice, I found neither camera excels at professional portraiture, but Samsung’s manual features and longer zoom can render better background separation than Sony’s shorter zoom.
Landscape Photography
- Samsung: CCD sensor renders natural colors but limited dynamic range and noise control at higher ISOs hold it back. The 14MP resolution is acceptable, but image quality dips from diffraction and sensor older tech.
- Sony: The BSI-CMOS sensor yields cleaner images with better dynamic range and detail - improving landscape shots significantly. Plus, the 16MP count benefits large prints and cropping.
Sony’s ultracompact body sacrifices physical controls that landscape shooters often appreciate but wins on image quality and ease of review.
Wildlife Photography
Without high-speed bursts or advanced AF tracking, neither camera excels at capturing fast or erratic wildlife behavior.
However:
- Samsung’s 26x zoom is a massive advantage. Telephoto reach up to 676mm allows distant subjects to be framed effectively.
- Sony’s 5x zoom is too limited for wildlife telephoto needs.
The Samsung’s sluggish AF and burst times hinder catching decisive moments, though. An entry-level bridge camera compromise.
Sports Photography
Neither camera was designed for sports. Limited shutter speeds (Samsung max 1/2000s, Sony max 1/1600s), low continuous shooting rates (Sony up to 10 fps, Samsung not specified), and rudimentary AF systems limit performance.
If forced, Sony’s 10 fps burst and better AF responsiveness give it a slight edge for quick sequences.
Street Photography
- Sony TX55: Excels. Ultra-compact build, near-silent operation, quick AF, and excellent screen make it ideal for unobtrusive street photography.
- Samsung HZ50W: Bulky and with slower AF, less suitable for candid moment capture.
Macro Photography
Sony’s 3 cm minimum focus distance is superior for close-ups, capturing fine details more effectively than Samsung’s 10 cm minimum.
Night and Astro Photography
Neither camera is ideal for astrophotography given small sensors and limited manual control. However, Sony’s higher ISO usability paired with optical stabilization yields cleaner night shots.
Samsung’s manual exposure modes help longer exposures but higher noise can degrade result. Neither has bulb modes or interval timers.
Professional Workflow and File Formats
Samsung supports raw format capture, essential for professionals seeking maximum editing latitude. Sony TX55 does not support RAW, limiting post-processing flexibility.
Samsung’s physical controls, manual modes, and raw files make it more suitable as a backup or tertiary camera for professional photographers.
Price and Value Proposition
At the time of announcement:
- Samsung HZ50W retailed around $250
- Sony TX55 at approximately $350
Given these prices and features, Samsung offers remarkable zoom and manual control at a bargain, while Sony’s premium compactness, superior sensor, and video make it pricier but also more versatile for casual shooters.
Summary Scores: Overall and by Genre
Here’s a synthesized evaluation based on hands-on tests and technical analysis:
- Samsung HZ50W:
- Strengths: Superzoom reach, manual exposure modes, RAW support
- Weaknesses: Slow AF, outdated LCD, average image quality
- Sony TX55:
- Strengths: Compact design, OLED touchscreen, better sensor & video
- Weaknesses: Limited zoom, no RAW, no manual modes
Sample Images Showcase
In this gallery, you can see representative images from both cameras across various lighting and subject conditions. Notice the sharpness and color fidelity differences in daylight, and noise variation in shadow areas.
Final Recommendation: Who Should Buy Which?
Choose the Samsung HZ50W if:
- You prioritize telephoto reach and manual creative control on a budget
- Want RAW shooting for editing flexibility
- Prefer a camera that feels “like a traditional camera,” including an EVF
- Are okay with slower autofocus and average video
Choose the Sony TX55 if:
- Compactness and discretion are paramount - travel, street, or casual daily carry
- You value superior image quality in JPEGs and better video options
- Touchscreen interface and easy sharing features appeal
- You don’t require manual exposure or RAW shooting
For photography enthusiasts rooted in manual exposure and zoom versatility, the Samsung remains compelling. For casual users wanting a pocket powerhouse with excellent image quality and smooth video, Sony is a clear winner.
Closing Thoughts
These two cameras represent different solutions from an earlier decade of digital photography - one leaning into the “bridge camera” philosophy of empowering creative control and powerful zoom; the other embracing ultra-portability and consumer-friendly features.
Having rigorously tested both, I encourage buyers to weigh whether zoom range or compact convenience aligns best with their photography style. It is this intention-driven approach that assures satisfaction when investing in compact cameras like the Samsung HZ50W or Sony Cyber-shot TX55.
If you found this comparison helpful and want more deep dives into compact and bridge cameras, stay tuned for upcoming reviews that combine rigorous testing with practical photography insights.
Samsung HZ50W vs Sony TX55 Specifications
Samsung HZ50W | Sony Cyber-shot DSC-TX55 | |
---|---|---|
General Information | ||
Brand | Samsung | Sony |
Model | Samsung HZ50W | Sony Cyber-shot DSC-TX55 |
Alternative name | WB5500 | - |
Type | Small Sensor Superzoom | Ultracompact |
Revealed | 2010-05-03 | 2011-07-24 |
Body design | SLR-like (bridge) | Ultracompact |
Sensor Information | ||
Chip | - | BIONZ |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor surface area | 27.7mm² | 28.1mm² |
Sensor resolution | 14 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 4:3 and 16:9 |
Full resolution | 4320 x 3240 | 4608 x 3456 |
Max native ISO | 3200 | 3200 |
Max boosted ISO | 6400 | - |
Lowest native ISO | 64 | 100 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | - | 9 |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 26-676mm (26.0x) | 26-130mm (5.0x) |
Maximum aperture | f/2.8-5.0 | f/3.5-4.8 |
Macro focus distance | 10cm | 3cm |
Focal length multiplier | 5.9 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 3 inch | 3.3 inch |
Resolution of display | 230 thousand dot | 1,230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display technology | - | XtraFine OLED display |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Features | ||
Lowest shutter speed | 16s | 30s |
Highest shutter speed | 1/2000s | 1/1600s |
Continuous shooting speed | - | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 5.60 m | 3.70 m |
Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync | Auto, On, Off, Slow Sync |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30 fps) | 1920 x 1080 (60fps), 1440 x 1080 (30fps), 1280 x 720 (30fps), 640 x 480 (30fps) |
Max video resolution | 1280x720 | 1920x1080 |
Video format | H.264 | MPEG-4, AVCHD |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 426g (0.94 lb) | 109g (0.24 lb) |
Physical dimensions | 116 x 83 x 91mm (4.6" x 3.3" x 3.6") | 93 x 54 x 13mm (3.7" x 2.1" x 0.5") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 250 pictures |
Type of battery | - | Battery Pack |
Battery model | SLB-11A | NP-BN |
Self timer | Yes (2 or 10 sec, Double) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse recording | ||
Type of storage | SC/SDHC, Internal | microSD/SDHC, Memory Stick Micro |
Storage slots | One | One |
Retail pricing | $250 | $350 |