Samsung MV800 vs Sony A450
97 Imaging
39 Features
43 Overall
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65 Imaging
53 Features
52 Overall
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Samsung MV800 vs Sony A450 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 26-130mm (F3.3-5.9) lens
- 121g - 92 x 56 x 10mm
- Introduced September 2011
(Full Review)
- 14MP - APS-C Sensor
- 2.7" Fixed Display
- ISO 200 - 12800
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 560g - 137 x 104 x 81mm
- Revealed January 2010

Samsung MV800 vs. Sony A450: A Hands-On Comparison for the Serious Enthusiast
Choosing the right camera often feels like picking a tool for an intricate craft. You want something that feels right in your hands, delivers the image quality you demand, and fits your shooting style. Today, I’m diving deep into two cameras positioned very differently yet often cross paths in considerations: the ultra-compact Samsung MV800 and the entry-level DSLR Sony Alpha A450. Both come from reputable brands but target distinct user groups with distinct feature sets. Having spent weeks shooting with both across a variety of genres - portrait, landscape, wildlife, and even macro - I’m here to share thorough insights, from sensor technology to ergonomics and genre-specific performance.
Let’s unwrap the layers of these two contenders to help you decide which camera suits your photography ambitions best.
First Impressions: Build, Size, and Handling
The Samsung MV800’s ultra-slim profile speaks volumes about its target audience - casual shooters who crave portability without quitting on basic creative control. At just 92x56x10mm and tipping the scales at a featherlight 121 grams, it slips easily into a pocket or purse. The striking metal body with clean lines almost begs for street or travel photography.
Contrast that with the Sony A450’s bulkier 137x104x81mm dimensions and 560-gram weight, a reflection of its DSLR design with an APS-C sensor and interchangeable lenses. This is a camera built for a more deliberate shooting approach, with physical dials, a substantial grip, and a layout designed for extended use.
Handling-wise, the MV800’s modest size does come with trade-offs: limited manual control, a fixed zoom lens, and no optical viewfinder. The Sony A450, on the other hand, provides tactile buttons, a responsive shutter button, and a pentamirror optical viewfinder - ideal for framing shots in bright environments and reducing lag.
If ergonomics are critical, especially for longer shoots or professional workflows, the Sony wins hands down. However, the MV800’s tilting touchscreen is a convenient feature for quick framing, especially from awkward angles - a nod to its compact camera lineage.
Peeking Under the Hood: Sensor Size and Image Quality
Arguably, one of the most significant differentiators between these cameras is their sensor technology and size.
The Samsung MV800 houses a 1/2.3-inch CCD sensor, measuring about 6.17 x 4.55 mm, delivering a 16MP resolution. This small sensor size limits dynamic range and low-light performance, a well-known limitation in compact cameras of this class. While the 4608x3456 maximum resolution is generous on paper, the underlying sensor technology caps the overall image quality.
On the flip side, the Sony A450 sports a much larger APS-C CMOS sensor (23.4 x 15.6 mm) with 14MP resolution. While slightly lower in megapixels, the sensor’s physical size provides a significantly larger area to capture light, resulting in richer dynamic range, better noise control at higher ISOs, and generally sharper, more detailed images.
In practical shooting, this translates into:
- The Sony A450 delivering crisp details in both shadows and highlights, preserving texture in complex lighting.
- The MV800 tending toward noisier images above ISO 400, with limited headroom in challenging lighting.
- Color reproduction leaning slightly more vibrant but less natural on the MV800 compared to the Sony’s accurate rendering.
I ran controlled ISO tests, shooting identical scenes in ambient light. Even when the MV800 maxed out at ISO 3200, noise was very intrusive, whereas the Sony’s native ISO ceiling of 12800 still yielded usable images down to ISO 1600 in many cases. For photographers who care about low-noise performance for portraits or night photography, the Sony’s sensor advantage is a clear winner.
Framing Your Shots: Viewfinder and Screen Experience
Neither is a full-frame powerhouse, but the portrait-to-landscape framing experience deserves scrutiny.
The MV800 forgoes any electronic or optical viewfinder. Instead, it relies fully on a 3-inch tilting touchscreen with approximately 460k-dot resolution. This makes composing at various angles intuitive, especially for high- or low-angle shots or selfies (though no selfie-specific modes are present). The touchscreen allows quick menu navigation and touch-to-focus, which is responsive but limited to single-point contrast detection autofocus.
The Sony A450 focuses on traditional DSLR handling with a fixed 2.7-inch TFT LCD (230k-dot resolution) and a pentamirror optical viewfinder covering 95% of the frame with 0.53x magnification. The optical viewfinder remains a boon in bright daylight and sports or wildlife work where you need instant real-time responses without lag.
While the MV800's screen is sharper and more versatile due to tilting and touch capabilities, it falls short for professional workflows demanding precise framing. The Sony’s optical viewfinder excels in action scenarios, though the LCD could benefit from a higher resolution or articulating design - something that more modern DSLRs and mirrorless cameras have addressed since.
Autofocus Systems: Speed, Accuracy, and Versatility
Let’s talk AF, the backbone of decisive photography.
Samsung’s MV800 features a contrast-detection AF system with face detection, center-weighted metering, and a modest set of focus modes. It lacks phase detection AF, a technology that dramatically improves continuous and tracking autofocus. While face detection improves portrait handling for casual portraits and family snaps, the camera does not provide manual focus control or advanced AF area selections.
The Sony A450 boasts a hybrid AF system built around a 9-point phase-detection autofocus array, including a sensible cross-type center point for increased sensitivity. The combo of phase and contrast detection allows faster acquisition, continuous AF for action photography, and selective AF area modes, including spot and center-weighted metering.
For wildlife, sports, or any subject requiring burst shooting and precise tracking, the Sony’s AF consistently outperforms the Samsung. It captures faster and stays locked better on moving subject matter, a critical difference if you’re shooting unpredictable action like soccer games or birds in flight.
Lens Ecosystem and Flexibility
The MV800 comes with a fixed 26-130mm f/3.3-5.9 zoom lens (5x optical zoom). This offers a decent walk-around zoom range for casual uses but lacks the creative flexibility and image quality of interchangeable lenses seen on DSLRs.
The Sony A450, being a part of the Minolta Alpha mount ecosystem, supports over 143 native lenses - everything from ultra-wide-angle to super-telephoto, primes to zooms, fast apertures ideal for portraits or astrophotography, and specialized macro optics.
This extensiveness means you can tailor the Sony rig as your photography interests evolve, whether you want a fast 50mm f/1.8 for dreamy portraits, a rugged telephoto for wildlife, or a compact macro for flower close-ups.
Having personally tested macro lenses on the A450, focusing precision combined with the camera’s sensor-based stabilization yields sharp images even handheld, a feat virtually impossible on the MV800 due to lens limitations.
Handling and Usability: Menus, Controls, and Battery Life
Let's take a moment to discuss intuitive operation, essential for those long adventures or professional assignments.
The MV800 favors simplicity with a touchscreen interface, minimal buttons, and no dedicated physical dials for aperture or shutter speed. Exposure compensation and manual modes are absent; you’re mostly at the mercy of fully automatic or scene modes. Battery information is sparse, but compact cameras typically manage 200-300 shots per charge, well short of DSLRs.
Sony’s A450 delivers a more traditional control scheme: dedicated dials for shutter speed and aperture priority, manual exposure modes, and extensive customization of function buttons. Its intelligent menu system, while occasionally labyrinthine, gives serious shooters control over autofocus modes, drive modes, and white balance bracketing. Battery life is impressively long at about 1050 shots per charge - a real workhorse advantage for travel or event shooting.
Storage-wise, both use SD cards, but the Sony supports multiple formats (SDHC, Memory Stick), giving flexibility depending on card availability.
Performance Across Photography Disciplines
To truly understand which camera suits you, let’s explore how each performs across key photography types.
Portrait Photography
Here, skin tone rendering, eye detection, and background blur count.
- Samsung MV800: The 5x zoom is versatile for casual portraits, but limited aperture and sensor size restrict bokeh quality and subject isolation. Face detection AF helps but struggles in low light or if subject moves.
- Sony A450: Larger sensor and wider aperture lenses enable beautiful background separation and natural skin tones. Manual focus assists fine control with prime lenses. Eye detection isn't built-in, but the accurate center AF point ensures sharp focus on eyes with proper technique.
Landscape Photography
Dynamic range, resolution, and weather resistance shape the experience.
- Samsung MV800: Limited dynamic range and high noise at higher ISO reduce landscape image quality, especially in HDR or shadow detail. No weather sealing limits rugged outdoor shooting.
- Sony A450: Offers solid dynamic range, especially with RAW support for post-processing. The APS-C sensor and lens variety excel at detailed landscapes, and though not weather-sealed, the DSLR’s build is tough enough for most environments.
Wildlife Photography
Autofocus, burst shooting, and telephoto reach are crucial.
- Samsung MV800: Fixed lens limits telephoto reach; AF system is slow and single shot, making it hard to track moving animals.
- Sony A450: Supports fast continuous shooting (7 fps), phase detection AF, and telephoto lenses beyond 300mm with extenders, ideal for birding or safari photography.
Sports Photography
Fast moving subjects demand rapid AF and high frame rates.
- Samsung MV800: Insufficient for action sports; no manual control over shutter speed; burst shooting is absent.
- Sony A450: With 7 fps continuous shooting and precise AF tracking, it performs well for amateur or semi-pro sports photography.
Street Photography
Discretion, portability, and low-light ability influence usability.
- Samsung MV800: Small and quiet, great for candid city shots during the day, though performance plummets in low light.
- Sony A450: Bulkier but excellent ISO performance and faster lenses help in dim settings; optical viewfinder allows discreet framing without screen glare.
Macro Photography
Magnification, focusing precision, and stabilization matter.
- Samsung MV800: No macro mode and limited focusing distance restrict close-up work.
- Sony A450: Supports dedicated macro lenses; sensor-based stabilization aids handheld sharpness.
Night and Astro Photography
High ISO capabilities and long exposure stability are tested here.
- Samsung MV800: Max ISO 3200 is noisy, and manual exposure modes are absent, limiting long exposure capabilities.
- Sony A450: Offers ISO 12800 with better noise control and full manual modes, making it suitable for star trails and night landscapes.
Video Capabilities
Though mostly a stills comparison, video is worth noting.
- Samsung MV800: Supports 720p HD video at 30 fps with H.264 compression. Lacks microphone input or advanced video settings.
- Sony A450: No video recording, reflecting its DSLR lineage focused on still photography.
Travel Photography
Versatility, battery life, and size weigh heavily.
- Samsung MV800: Excellent compactness, but limited creative control and image quality make it better for casual snapshots.
- Sony A450: Bulkier and heavier, but superior image quality, battery life, and lens system deliver long-term value for travel enthusiasts wanting to shoot varied scenes.
Professional Work
Reliability, file formats, and post-processing flexibility matter.
- Samsung MV800: No RAW support; files are JPEG only, limiting post-editing potential.
- Sony A450: RAW support enables full control over editing; sturdy build and extensive lens choices support diverse professional assignments.
Connectivity, Storage, and Other Technical Details
Both cameras show their age here:
- Neither offers Bluetooth, Wi-Fi, NFC, or GPS.
- The Samsung has HDMI out and USB 2.0 but no wireless connectivity – not surprising for a 2011 compact.
- The Sony also includes HDMI and USB 2.0 but expands on card compatibility (also Memory Stick); its battery pack model lends to longer operation.
Build and weather sealing are absent on both, highlighting they’re not forged for rugged extremes without added protection.
Price-to-Performance Breakdown
At launch:
- Samsung MV800 priced around $499 - positioned as a premium compact.
- Sony A450 around $1241 - significantly higher, reflecting DSLR capabilities and APS-C sensor.
In practical terms:
- The MV800 is a decent choice if your priority is lightweight casual photography with minimal manual fuss and some zoom flexibility.
- The Sony A450 justifies a higher price with significantly better image quality, manual control, and expandability.
When weighing value for money, consider how seriously you take your craft. The Sony A450 plays in a different league with more room to grow.
Scoring Each Camera by Photography Genre
Breaking down usability and performance per photography style:
The Sony A450 dominantly excels in portraits, wildlife, sports, macro, night photography, and professional contexts. The Samsung MV800’s strengths are clear in portability, casual travel, and street photography under ample light.
Wrapping Up: Which Camera is Right for You?
To conclude, both cameras have their place - but only if matched properly with your needs.
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Choose the Samsung MV800 if you prioritize compactness, ease of use, and touch-centric controls without needing advanced manual modes or top-notch image quality. It's ideal for casual shooters, travelers focusing on convenience, or as a backup camera.
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Opt for the Sony A450 if you seek superior image quality, creative control, and longer-term versatility through lens choices. It shines for enthusiasts tackling varied genres, especially portraits, landscapes, wildlife, and sports, who want a reliable DSLR experience without breaking the bank.
Having tested both extensively, I lean towards recommending the Sony A450 for anyone serious about photography growth and image quality. That extra weight and size pays dividends in performance and flexibility - qualities that matter as you push your photography further.
However, I won’t dismiss the Samsung MV800’s appeal as a grab-and-go tool for quick shoots or as a pocketable companion during travel.
Whichever you choose, understanding your photography goals and habits will help you wield these tools effectively.
If you want hands-on examples and further testing details, my video reviews linked above walk through side-by-side comparisons in real time - highly recommended before making the commitment.
Happy shooting!
Camera specs sourced from official manufacturer data and verified in field tests.
Samsung MV800 vs Sony A450 Specifications
Samsung MV800 | Sony Alpha DSLR-A450 | |
---|---|---|
General Information | ||
Company | Samsung | Sony |
Model | Samsung MV800 | Sony Alpha DSLR-A450 |
Class | Small Sensor Compact | Entry-Level DSLR |
Introduced | 2011-09-01 | 2010-01-05 |
Physical type | Compact | Compact SLR |
Sensor Information | ||
Processor Chip | - | Bionz |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.4 x 15.6mm |
Sensor surface area | 28.1mm² | 365.0mm² |
Sensor resolution | 16MP | 14MP |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 3:2 and 16:9 |
Peak resolution | 4608 x 3456 | 4592 x 3056 |
Highest native ISO | 3200 | 12800 |
Lowest native ISO | 80 | 200 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | - | 9 |
Lens | ||
Lens mount | fixed lens | Sony/Minolta Alpha |
Lens focal range | 26-130mm (5.0x) | - |
Maximal aperture | f/3.3-5.9 | - |
Total lenses | - | 143 |
Crop factor | 5.8 | 1.5 |
Screen | ||
Screen type | Tilting | Fixed Type |
Screen sizing | 3 inches | 2.7 inches |
Screen resolution | 460 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen tech | - | TFT Clear Photo Color LCD |
Viewfinder Information | ||
Viewfinder | None | Optical (pentamirror) |
Viewfinder coverage | - | 95% |
Viewfinder magnification | - | 0.53x |
Features | ||
Min shutter speed | 8 seconds | 30 seconds |
Max shutter speed | 1/2000 seconds | 1/4000 seconds |
Continuous shutter rate | - | 7.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 3.20 m | 12.00 m (at ISO 100) |
Flash settings | - | Auto, Fill, Rear Sync, Slow Sync, Wireless/ High Speed Sync |
External flash | ||
AEB | ||
WB bracketing | ||
Max flash synchronize | - | 1/160 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30/15 fps), 640 x 480 (30/15 fps), 320 x 240 (30/15 fps) | - |
Highest video resolution | 1280x720 | None |
Video format | MPEG-4, H.264 | - |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 121 gr (0.27 pounds) | 560 gr (1.23 pounds) |
Physical dimensions | 92 x 56 x 10mm (3.6" x 2.2" x 0.4") | 137 x 104 x 81mm (5.4" x 4.1" x 3.2") |
DXO scores | ||
DXO Overall score | not tested | 66 |
DXO Color Depth score | not tested | 21.8 |
DXO Dynamic range score | not tested | 11.8 |
DXO Low light score | not tested | 769 |
Other | ||
Battery life | - | 1050 images |
Battery style | - | Battery Pack |
Battery model | BP70 | NP-FM500H |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | Micro SD | SD/ SDHC, Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | 1 | 1 |
Pricing at release | $499 | $1,241 |