Samsung PL120 vs Sony A6100
99 Imaging
37 Features
20 Overall
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81 Imaging
69 Features
88 Overall
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Samsung PL120 vs Sony A6100 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 0 - 3200
- 1280 x 720 video
- ()mm (F) lens
- n/ag - 94 x 54 x 19mm
- Introduced January 2011
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 32000 (Increase to 51200)
- 3840 x 2160 video
- Sony E Mount
- 396g - 120 x 67 x 59mm
- Revealed August 2019

From Pocket-Friendly to Pro-Ready: Comparing the Samsung PL120 and Sony A6100
When you’re hunting for a new camera, the choice can feel like navigating a maze of specs, marketing jargon, and sometimes bewildering promises. Today, we’re diving deep into two very different beasts - the humble Samsung PL120 and the advanced Sony A6100 - to uncover what they really bring to the table. Spoiler: It’s not just about megapixels or lens mounts, but how these cameras handle real-world photography challenges across genres.
Having personally tested thousands of cameras ranging from compact point-and-shoots to heavyweight professional mirrorless systems, I find it’s usually the nitty-gritty details - ergonomics, autofocus reliability, lens choices, and usability under varied lighting - that separate fleeting appeal from enduring performance.
Let’s break down these two contenders by their design, technology, shooting capabilities, and suitability for various photographic styles. Whether you want a pocket companion or a versatile tool for creative exploration, by the end, you’ll have a clear sense of which fits your vision.
Size & Handling: Compact Convenience vs. Contoured Control
At first glance, the Samsung PL120 almost disappears in the palm. Measuring just 94 x 54 x 19 mm, it’s a classic ultracompact designed for effortless portability. If your main priority is something pocket-friendly for casual snapping or travel as a backup, the PL120 feels like a natural choice.
On the other hand, the Sony A6100 is noticeably larger - 120 x 67 x 59 mm - and heavier at around 396 grams. This extra heft and bulk come with ergonomics aimed at enthusiasts and pros, including a deep grip, tactile buttons, and a control layout optimized for one-handed operation under pressure.
The PL120's minimalist design sacrifices manual controls - it doesn’t even offer manual focus or exposure modes - while the A6100’s physical interface encourages creative experimentation and quick access to settings like shutter priority and aperture priority.
If you’ve handled cameras before, you’ll appreciate the A6100’s layout, especially in fast-paced shooting scenarios; the Samsung, though slick and small, feels more like a digital snapshot device than a creative tool.
First Impressions: A Peek at the Top - Control Layout and Displays
Looking down on both cameras, the Samsung PL120 is strikingly simple. One power button, a shutter release, and a handful of limited function controls - you won’t find dedicated dials or customizable buttons here. It’s perfect for point-and-shoot simplicity but not for users craving hands-on exposure.
The Sony A6100 counters with an intuitive blend of buttons, a mode dial, and a substantial shutter button conspicuously ready for action. This design reflects years of user feedback from Sony’s Alpha series, balancing compactness with professional usability.
Moving to their rear screens vents more of their differences:
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Samsung PL120: Fixed 2.7-inch LCD with 230k dots resolution, adequate for framing but limited in fidelity and flexibility. No touchscreen or articulating mechanism.
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Sony A6100: 3-inch tilting touchscreen with 922k dots - sharp, responsive, and selfie-ready. This makes composing difficult angles a breeze and offers quick tap-to-focus or menu navigation.
For anyone shooting moving subjects or layering effects, the A6100’s live view is responsive and detailed, while the PL120’s lack of touchscreen and small screen make interaction feel dated.
Sensor Fundamentals: Size, Resolution, and Impact on Image Quality
Here’s where the gulf between the cameras really comes into focus.
The Samsung PL120 sports a tiny 1/2.3-inch CCD sensor measuring 6.16 x 4.62 mm with a resolution of 14 megapixels. This small sensor restricts light-gathering capability, influences depth of field characteristics, and raises noise levels at higher ISOs.
Conversely, the Sony A6100 shines with its APS-C CMOS sensor sized at 23.5 x 15.6 mm, packing 24 megapixels. That’s a sensor area roughly 13x larger than the PL120’s. The expanded sensor real estate yields multiple benefits:
- Superior low-light performance with lower noise
- Greater dynamic range to capture highlight and shadow detail
- Better control over depth of field, enabling creamy bokeh
- Higher resolution images enabling large prints or flexible cropping
This sensor advantage also means the A6100 can handle higher native ISO settings - up to 32,000 (expandable to 51,200) - whereas the PL120 maxes out at 3200 ISO and lacks the raw file support critical for serious post-processing.
If image quality is your North Star, the Sony’s sensor technology and Bionz X processor combine to deliver notably sharper images, richer colors, and smoother tonal gradations.
Autofocus and Shooting Speed: Tracking Action and Nail-Biting Moments
A common pitfall of ultracompact cameras is sluggish autofocus, making it tricky to catch fleeting expressions or fast-moving subjects. The PL120 falls squarely into this category, lacking autofocus tracking, face detection, or even manual focus control. It relies on contrast detection without advanced focus zones and does not support continuous autofocus modes.
The Sony A6100, a mirrorless powerhouse, boasts 425 phase-detection autofocus points, eye and animal eye AF, and real-time tracking that’s positively uncanny in responsiveness and accuracy. In sports or wildlife scenarios, this means you can keep runners, birds, or kids perfectly sharp - a blessing when moments count.
Continuous shooting clocks in at up to 11 frames per second for the A6100, helping fill your buffer with identical crisp frames during fast action. The PL120 doesn’t specify continuous shooting speeds, but practical use shows it’s not built for rapid bursts.
Real-World Photography: Comparing Across Genres
Portrait Photography
Skin tones, eye sharpness, and bokeh aesthetics often separate a casual snapshot from a portrait worth framing. The PL120’s small sensor limits background blur and often renders skin tones somewhat flat, especially indoors. The lack of face or eye detection autofocus means you rely on guesswork in focus placement - frustrating when doing headshots.
By contrast, the A6100 shines with accurate eye AF, smooth background separation thanks to its large sensor and interchangeable lenses, and a fully manual exposure mode for creative lighting control.
Landscape Photography
Dynamic range and resolution are king here. The PL120’s limited sensor size means harsh highlights and crushed shadows in contrasty scenes, and image files are smaller and less detailed. The lack of environmental sealing and low maximum shutter speed (1/2000s) can also be restrictive.
The Sony A6100 doesn’t offer weather sealing either (a common omission at this price point), but the sensor’s impressive dynamic range and 24MP resolution help capture expansive vistas with excellent tonality and fine detail.
Wildlife and Sports Photography
Tracking errant squirrels or athletes demands rapid autofocus, long lens compatibility, and high-speed shooting. The PL120’s fixed lens with 5.8x digital zoom multiplier pales next to Sony’s E-mount ecosystem, boasting over 120 native lenses, including fast telephotos.
The A6100’s ability to pair with lenses like the Sony 100-400mm f/4.5-5.6 G series and its blazing 11fps burst with real-time AF tracking make it a nimble weapon for wildlife or sports adventures.
Street Photography
The PL120’s diminutive size and stealth make it a discreet street shooter - no question. It’s lightweight, fast to power up, and can fit into a coat pocket. The downside? The mediocre image quality and limited control might frustrate enthusiasts wanting more artistic input.
The A6100 is less covert but still portable for a mirrorless camera. Its silent electronic shutter helps when discretion is key, and the pop-up flash can aid low light situations. Plus, the tilting touchscreen makes candid framing more flexible.
Macro Photography
Without manual focus or focus peaking, the PL120 struggles for fine control in close-up work. The sensor and lens combination limit detailed close-up resolution.
With the A6100, macro focuses excel when paired with high-quality macro lenses, aided by focus assist and manual focus modes. Optical stabilization isn’t built-in, but lens-based stabilization helps.
Night and Astrophotography
The Sony’s ability to shoot native ISOs up to 32,000, manual exposure control, and long shutter speeds (up to 30 seconds) opens up nightscapes and star fields. The PL120 caps at ISO 3200, fixed exposure modes, and limited shutter speeds maxing at 1/2000s limit creative night work.
Video Capabilities: Brief vs. Big League
The PL120 records 720p HD video - not much by today’s standards but OK for casual clips. A basic microphone input is present but limited.
The Sony A6100 impresses with 4K UHD video at 30p, delivering sharp, clean footage suited for serious vloggers and filmmakers. The inclusion of a microphone port allows better sound control, but no headphone jack restricts monitoring. Also, the improved video autofocus makes it reliable for moving subjects.
Build Quality and Durability: Everyday Use and Beyond
Neither camera offers environmental sealing or rugged construction, precluding extreme weather or harsh environments. However, the A6100’s body construction feels more solid and better suited to professional workflow.
Battery Life and Connectivity: Staying Powered and Connected
Samsung’s PL120 specs don’t clarify battery life, but expectations for ultracompacts are understandably modest - several hundred shots per charge at best. No wireless features are included.
The Sony A6100 offers 420 shots per charge per CIPA standards - respectable but not best in class - with built-in Wi-Fi and Bluetooth for seamless image transfer and remote control via smartphone apps.
Storage-wise, the PL120’s undocumented storage slot may hamper swapping cards, while the A6100 supports SD and Memory Stick Duo cards, delivering expandable options.
The Lens Ecosystem: Fixed vs. Expansive
The PL120’s fixed lens is limited in focal range and maximum aperture, providing little room to grow creatively or adapt to different shooting needs.
In contrast, the Sony Alpha system boasts over 120 native lenses, from fast primes to versatile zooms and specialized glass - a playground for creative photographers demanding precise control.
Verdict: Who Should Buy Which?
For those on a strict budget or who simply want a pocket-ready, fuss-free camera for casual use and travel snapshots, the Samsung PL120 remains a competent player. Its ultracompact form and quick grab-and-shoot appeal suit holidaymakers or beginners wary of complexity.
But if you’re serious about photography - whether portraits, sports, wildlife, landscapes, or video - the Sony A6100 is the clear winner. With its larger sensor, pro-grade autofocus, manual controls, and expansive lens options, it remains a versatile, future-proof platform that grows with your skills.
Price differences reflect these realities: roughly $150 for the PL120 versus $750 for the A6100 body, which is a significant investment but justified by the performance and creative potential unlocked.
A Genre-by-Genre Performance Breakdown
Here’s a quick snapshot of how both cameras stack up in key photographic areas:
Photography Type | Samsung PL120 | Sony A6100 |
---|---|---|
Portrait | Modest | Excellent (Eye AF, Bokeh control) |
Landscape | Limited dynamic range | Excellent dynamic range, resolution |
Wildlife | Not recommended | Highly capable (AF, lens options) |
Sports | Not recommended | Strong autofocus and burst rate |
Street | Very portable | Portable, discrete with silent shutter |
Macro | Basic | Advanced with proper lenses |
Night/Astro | Limited ISO and exposure control | Strong high ISO and manual modes |
Video | Basic 720p | Professional 4K, mic input |
Travel | Ultra compact | Lightweight mirrorless, versatile |
Professional Work | No raw, limited controls | Raw capture, manual controls, tethering |
Sample Images: Seeing is Believing
Comparing real shots, you can see the A6100’s superior resolution, dynamic range, and clarity in everything from delicate skin tones to shadow details. The PL120 images often appear softer and noisier, especially in challenging light.
Parting Thoughts: A Tale of Two Cameras
Photography is an art - but it’s also a craft influenced deeply by your tools. Cameras like the PL120 excel as simple, nimble companions, capturing memories with a tap and go approach. The A6100 caters to creatives desiring deep control, image quality, and the flexibility to grow without changing systems quickly.
Ultimately, knowing your priorities - portability vs. versatility, price vs. performance - guides the best choice. For hobbyists or casual shooters, the PL120 can serve well without overwhelming complexity. But if you aspire to create professional-quality images, delve into video production, or branch across multiple photography styles, the Sony A6100 offers a compelling, future-proof path.
Feel free to reach out if you want recommendations tailored to your shooting style or want to explore how lenses and accessories can elevate your Sony A6100 experience. After all, no two photographers are the same - and the best gear is the one that inspires you to click that shutter with confidence.
Happy shooting!
Images used:
Samsung PL120 vs Sony A6100 Specifications
Samsung PL120 | Sony Alpha a6100 | |
---|---|---|
General Information | ||
Company | Samsung | Sony |
Model type | Samsung PL120 | Sony Alpha a6100 |
Category | Ultracompact | Advanced Mirrorless |
Introduced | 2011-01-05 | 2019-08-28 |
Physical type | Ultracompact | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | - | Bionz X |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.16 x 4.62mm | 23.5 x 15.6mm |
Sensor area | 28.5mm² | 366.6mm² |
Sensor resolution | 14 megapixel | 24 megapixel |
Anti alias filter | ||
Aspect ratio | - | 1:1, 3:2 and 16:9 |
Maximum resolution | 4608 x 3456 | 6000 x 4000 |
Maximum native ISO | 3200 | 32000 |
Maximum boosted ISO | - | 51200 |
Minimum native ISO | - | 100 |
RAW data | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | - | 425 |
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | Sony E |
Lens zoom range | () | - |
Amount of lenses | - | 121 |
Crop factor | 5.8 | 1.5 |
Screen | ||
Type of screen | Fixed Type | Tilting |
Screen diagonal | 2.7" | 3" |
Screen resolution | 230 thousand dots | 922 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 1,440 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.71x |
Features | ||
Lowest shutter speed | 8 seconds | 30 seconds |
Highest shutter speed | 1/2000 seconds | 1/4000 seconds |
Continuous shooting rate | - | 11.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | - | 6.00 m (at ISO 100) |
Flash settings | - | Flash off, auto, fill flash, slow sync, rear sync, wireless, hi-speed |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Maximum video resolution | 1280x720 | 3840x2160 |
Video file format | - | MPEG-4, XAVC S, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | none | Yes |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | - | 396 grams (0.87 pounds) |
Dimensions | 94 x 54 x 19mm (3.7" x 2.1" x 0.7") | 120 x 67 x 59mm (4.7" x 2.6" x 2.3") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 420 photos |
Style of battery | - | Battery Pack |
Battery ID | - | NP-FW50 |
Self timer | - | Yes |
Time lapse recording | ||
Storage type | - | SD/SDHC/SDXC + Memory Stick Pro Duo |
Card slots | - | Single |
Price at launch | $150 | $748 |