Samsung SL202 vs Sony A7S II
94 Imaging
32 Features
17 Overall
26


68 Imaging
60 Features
76 Overall
66
Samsung SL202 vs Sony A7S II Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 1600
- 640 x 480 video
- 28-102mm (F2.8-5.7) lens
- 168g - 92 x 61 x 23mm
- Introduced February 2009
- Alternative Name is PL50
(Full Review)
- 12MP - Full frame Sensor
- 3" Tilting Screen
- ISO 100 - 102400 (Raise to 409600)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony E Mount
- 627g - 127 x 96 x 60mm
- Announced October 2015
- Old Model is Sony A7S
- Successor is Sony A7S III

Understanding Two Divergent Cameras: Samsung SL202 vs. Sony A7S II – An Expert Comparative Analysis
Choosing a camera often requires decoding a complex interplay between intended use, technical capabilities, and operational nuances. In this comprehensive comparison, we examine two distinctly different cameras: the 2009-era Samsung SL202, a compact point-and-shoot, and the 2015 flagship Sony A7S II, a pro-grade full-frame mirrorless. This analysis dissects their technology, performance, and value propositions across major photography disciplines and use cases, providing photography enthusiasts and professionals with an authoritative perspective rooted in years of experience testing thousands of cameras.
Physical Design and Ergonomics: Size, Handling, and User Interface
Understanding the physicality of a camera is foundational. The Samsung SL202 is a pocketable compact measuring a mere 92x61x23 mm and weighing 168g. Its slim profile, molded plastic body, and fixed 3.6x zoom lens emphasize convenience over manual control. Ergonomics here are minimal, intended for grab-and-go snapshots with limited tactile feedback. The absence of a viewfinder and a small, fixed 2.7-inch screen with 230k-dot resolution restrict framing and operational precision.
In stark contrast, the Sony A7S II weighs 627g (body-only) and measures 127x96x60 mm, resembling an SLR in scale and build quality. The camera features a robust magnesium alloy chassis with full weather sealing, underscoring its professional reliability. Its grip is pronounced and comfortable for extended handheld use despite the larger overall dimensions, which may challenge portability in casual travel. Control layout includes dedicated dials for shutter speed, aperture, ISO, and exposure compensation, supporting rapid in-field adjustments.
The SL202’s controls are sparse, offering neither manual exposure modes nor customizable buttons, whereas the A7S II delivers tactile interfaces designed for direct access, an essential factor for professional workflows and responsiveness during dynamic shooting situations.
Sensor Technology and Image Quality: Foundations of Photographic Output
The heart of image quality lies in sensor technology, size, and processing. The SL202 employs a 1/2.3” CCD sensor measuring 6.08x4.56 mm (27.72mm²), capturing 10 megapixels with a maximum resolution of 3648x2736 pixels. CCD sensors, common in compact cameras of that period, generally produce noisier images with limited dynamic range compared to contemporary CMOS sensors. The relatively small surface area and anti-aliasing filter attenuate fine detail and high ISO performance, capped at ISO 1600 native.
The Sony A7S II boasts a full-frame 35.6x23.8 mm (847.28 mm²) CMOS sensor with a moderate 12-megapixel resolution (4240x2832 pixels). While resolution is modest by modern standards, its sensor excels in light sensitivity and dynamic range - achieving a DxO Mark overall score of 85, color depth of 23.6 bits, and a remarkable dynamic range of 13.3 EV. Notably, its native ISO tops at 102,400 and can be boosted up to 409,600, catering to extreme low-light scenarios with comparatively low noise.
In practical use, this means the A7S II produces images with superior tonal gradation, excellent shadow recovery, and minimal noise at high ISOs - aspects where the SL202 falls short due to inherent sensor size and technology limitations.
Display and Viewfinder: Composition and Feedback Mechanisms
Both cameras provide live view, but their compositional tools differ considerably. The SL202’s fixed, non-touch 2.7-inch screen with low resolution restricts visual precision. It lacks an electronic or optical viewfinder, forcing reliance on the LCD - even in bright outdoor conditions - which hampers accurate framing and details scrutiny.
Conversely, the A7S II features a high-resolution (1229k dots) 3-inch tilting LCD and a 2359k-dot full-coverage electronic viewfinder with 0.78x magnification. This EVF offers critical advantages: focus confirmation, exposure preview, and color accuracy within the viewfinder, conducive to professional-grade shooting. The tilting LCD also enhances versatility in low-angle or overhead shots.
The A7S II’s interface benefits from customizable menus and multifunction dials that deliver streamlined operation. The SL202’s interface is straightforward but linear, reflecting its casual user orientation.
Autofocus System and Focusing Performance Across Genres
Autofocus (AF) is a paramount consideration, especially in challenging photographic disciplines. The SL202 utilizes a contrast-detection AF system with face detection for single AF. Due to the fixed lens, no phase-detection technology, and limited AF points, it supports only center-weighted or multi-area focusing. No continuous or tracking AF is available, which constrains performance in dynamic subjects such as wildlife or sports.
The Sony A7S II’s 169-point contrast-detection AF system enhances focus accuracy and tracking capabilities. Though it lacks phase-detection AF (common in later Sony models), its hybrid implementation affords effective subject tracking and continuous autofocus modes. This results in reliable eye-detection AF for portraits and steady focus lock-on for moving subjects across wildlife and sports scenarios.
Image Stabilization and Low-Light Behavior
The absence of image stabilization on the SL202 limits handheld performance at slow shutter speeds, increasing reliance on flash indoors or well-lit compositions. Its maximum shutter speed stretches down to 8 seconds but with no sensor-shift stabilization, motion blur at slower speeds becomes a risk.
By contrast, the A7S II integrates sensor-based 5-axis image stabilization, substantially mitigating handshake effects. This capability complements its outstanding high ISO performance, enabling handholding at shutter speeds 3-4 stops slower than unstabilized alternatives. This is invaluable for night photography, astrophotography, and video, where long exposures or steady framing are critical.
The SL202’s optical zoom lens aperture varies from f/2.8 to f/5.7, with maximum magnification from 28-102 mm equivalent (35mm crop factor ~5.9x). The A7S II’s lens compatibility is contingent on Sony E-mount optics, with over 120 native lens options ranging from ultra-fast primes to super-telephoto zooms - an ecosystem supporting unlimited photographic applications.
Lens Ecosystem and Flexibility
The fixed zoom lens on the SL202 imposes tight constraints. Its 28-102 mm focal length (equivalent) is suitable for general snapshots but insufficient for specialized photography (macro beyond 5 cm, ultra-wide landscapes, or super-telephoto wildlife). The limited aperture range affects bokeh quality and low-light depth-of-field control.
In contrast, the Sony A7S II’s compatibility with an expansive E-mount lens lineup broadens creative horizons significantly. Fast prime lenses excel in portraiture with shallow depth-of-field and natural skin tone rendition facilitated by full-frame depth and lens quality. Similarly, professional telephotos and macro lenses enable specialized disciplines without compromise.
Photography Discipline Breakdown: Practical Performance Insights
Portrait Photography
The Sony A7S II's full-frame sensor and lens flexibility deliver exceptional skin tone rendering and fine bokeh, critical for flattering portraits. Its eye AF system (though limited compared to successors) assists in maintaining sharpness on critical focus points. SL202’s small sensor and limited lens aperture lead to heavier depth of field and less control over background separation.
Landscape Photography
Dynamic range and resolution elevate the A7S II’s landscape prowess, capturing extensive highlight-to-shadow detail and fine textures. Weather sealing supports outdoor endurance in variable conditions. The SL202, unsealed and limited in DR, can only serve casual landscape needs and struggles with raw shadow detail and noise handling.
Wildlife Photography
The SL202’s slow contrast-detection AF and modest focal length limit wildlife applicability. The A7S II shines with continuous AF, rapid shutter speeds, and compatibility with tele lenses, enabling dynamic subject tracking - though burst rate at 5 FPS is moderate compared to some professional sports cameras.
Sports Photography
Effective tracking AF, high native ISO, and fast shutter speeds make the A7S II usable for lower to mid-tier sports photography. The SL202 is inadequate due to minimal burst capabilities and autofocus limitations.
Street Photography
SL202’s compactness favors discreet shooting and portability, ideal for casual street snapshots. However, A7S II’s size and weight can impede spontaneity, though its low-light sensitivity and lens choices benefit street photographers prioritizing image quality over stealth.
Macro Photography
The SL202 offers a macro focus as close as 5cm but lacks stabilization. The A7S II paired with specialized macro glass and 5-axis IS provides superior focus precision and image steadiness.
Night / Astrophotography
SL202’s noise levels at high ISO and absence of stabilization inhibit star photography or long exposure night scenes. The A7S II excels in this territory, with ultra-high ISO, excellent noise control, and IS facilitating sharp exposures even handheld or on limited-tripod setups.
Video Capabilities
SL202 records low-resolution Motion JPEG video limited to 640x480 at 30fps max, unsuitable for professional video or high-quality content. A7S II offers 4K UHD recording at 30/24p, Full HD slow motion up to 120fps, and supports external audio input with microphone and headphone jacks. Its 5-axis IS stabilizes handheld footage making it a robust hybrid photo-video tool.
Travel Photography
SL202’s minimal weight and compact dimensions cater to travelers prioritizing ease. However, image quality and flexibility are limited. A7S II demands more from the traveler in terms of bulk and cost but yields vastly superior image and video results for those seeking professional-grade travel documentation.
Professional Use
Raw format support, superior dynamic range, extensive lens compatibility, and durable construction place the A7S II firmly in professional workflows. SL202 lacks raw files, advanced flash support, or tethering options, restricting it to casual or entry-level use.
Battery Life and Storage Considerations
The SL202 uses the SLB-10A battery, with manufacturer-stated endurance typical for compact cameras, but generally short by modern or professional standards. Storage via single SD MMC/SDHC cards is standard.
The A7S II, powered by the NP-FW50 battery, offers approximately 370 shots per charge under CIPA conditions and supports one storage slot compatible with SDXC and Memory Stick formats. While battery life may require spares for extended sessions, it remains adequate for professional needs.
Connectivity and Workflow Integration
SL202 provides minimal connectivity, restricted to USB 2.0 for image transfer, with no Wi-Fi, Bluetooth, or GPS functionalities, limiting instant sharing or geo-tagging.
A7S II features built-in Wi-Fi and NFC for wireless image transfer, remote control, and smartphone integration. HDMI output supports external monitors/recorders, essential for professional video workflows. USB 2.0 limits tethering speed but is workable with compatible software.
Price-to-Performance Analysis: Budgeting Perspectives
SL202 retailed originally around $140, targeting consumers desiring simple, inexpensive digital cameras. Its limited features reflect this position.
Sony A7S II, priced around $2,767 new (body only), represents a significant investment justified by professional-grade features, exceptional low-light image quality, and versatile video capabilities.
Photographers must weigh needs carefully: the SL202 is a capable casual shooter for minimal cost, while the A7S II is a specialized tool offering excellence for demanding creative projects.
Observing sample images highlights the stark contrast in image clarity, color fidelity, and noise performance underscoring the sensor and lens technology gap.
Summarized Strengths and Weaknesses
Feature | Samsung SL202 | Sony A7S II |
---|---|---|
Sensor | 10 MP, 1/2.3" CCD, limited low-light | 12 MP, Full-frame CMOS, exceptional low-light |
Lens | Fixed 28–102 mm, f/2.8–5.7 | Interchangeable, extensive E-mount ecosystem |
Autofocus | Basic contrast-detection, single AF | Advanced hybrid AF, continuous, tracking |
Image Stabilization | None | 5-axis sensor-shift IS |
Video | VGA max at 30fps, MJPEG codec | 4K UHD, Full HD slow motion, advanced codecs |
Build | Lightweight, unsealed plastic | Durable magnesium alloy, weather-sealed |
Controls | Minimal ergonomics, no manual modes | Comprehensive dials, customizable buttons |
Connectivity | None besides USB | Wi-Fi, NFC, HDMI, microphone/headphone jacks |
Price | Budget | Premium professional |
Recommendations by User Profile
Casual Users and Beginners on a Budget
The Samsung SL202 offers a straightforward experience for casual snapshots and travel photography with limited expectations on image quality. It excels in portability but cannot compete in demanding or creative photography.
Enthusiasts Exploring Still Imaging and Video
The Sony A7S II suits serious photographers requiring superb low-light capabilities and video integration. Its moderate resolution paired with superb sensitivity makes it ideal for event photographers, videographers, and semi-professionals focusing on image quality and flexibility.
Professionals Specializing in Low-Light, Video, and Creative Workflows
The Sony A7S II is the clear choice. Its full-frame sensor, 5-axis IS, advanced autofocus, and expansive lens support facilitate complex shoots involving portraiture, wildlife, landscapes, sports, and night photography, coupled with top-tier video specifications. The investment is substantial but justified by professional reliability and output standards.
Conclusion: Contextualizing Two Generations and Camera Classes
Comparing the Samsung SL202 and Sony A7S II is akin to contrasting two cameras from separate solar systems - one a compact consumer model, the other a professional mirrorless powerhouse. Their design intentions, technological bases, and performance targets differ fundamentally.
The SL202 appeals as a lightweight, affordable photographic companion for casual everyday shooting, emphasizing convenience over advanced features. The A7S II demands professional commitment, rewarding users with exceptional low-light performance, video prowess, and creative latitude unattainable for the SL202.
Selecting between them requires alignment of photographic ambitions with budget and use-case realities. For those requiring high image quality, versatility, and future-proofing, investing in the Sony A7S II is well justified. Those prioritizing simplicity and portability with nominal financial outlay may find the SL202 adequate within its applied constraints.
This comprehensive review synthesizes technical specifications, real-world operational experience, and genre-specific performance evaluations, delivering an expert vantage point designed to inform and empower well-grounded purchasing decisions.
End of article.
Samsung SL202 vs Sony A7S II Specifications
Samsung SL202 | Sony Alpha A7S II | |
---|---|---|
General Information | ||
Manufacturer | Samsung | Sony |
Model | Samsung SL202 | Sony Alpha A7S II |
Also called as | PL50 | - |
Type | Small Sensor Compact | Pro Mirrorless |
Introduced | 2009-02-17 | 2015-10-12 |
Physical type | Compact | SLR-style mirrorless |
Sensor Information | ||
Powered by | - | Bionz X |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor measurements | 6.08 x 4.56mm | 35.6 x 23.8mm |
Sensor area | 27.7mm² | 847.3mm² |
Sensor resolution | 10MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 3:2 and 16:9 |
Full resolution | 3648 x 2736 | 4240 x 2832 |
Max native ISO | 1600 | 102400 |
Max boosted ISO | - | 409600 |
Minimum native ISO | 80 | 100 |
RAW files | ||
Minimum boosted ISO | - | 50 |
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | - | 169 |
Lens | ||
Lens mount | fixed lens | Sony E |
Lens focal range | 28-102mm (3.6x) | - |
Highest aperture | f/2.8-5.7 | - |
Macro focus distance | 5cm | - |
Number of lenses | - | 121 |
Crop factor | 5.9 | 1 |
Screen | ||
Type of screen | Fixed Type | Tilting |
Screen size | 2.7 inch | 3 inch |
Resolution of screen | 230k dots | 1,229k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,359k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.78x |
Features | ||
Lowest shutter speed | 8 secs | 30 secs |
Highest shutter speed | 1/1500 secs | 1/8000 secs |
Continuous shooting rate | - | 5.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 4.60 m | no built-in flash |
Flash modes | Auto, On, Off, Auto & Red-Eye reduction, Slow Sync, Fill-in Flash, Flash Off, Red-Eye Fix | no built-in flash |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 800 x 592 (20 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30 fps) | 4K (3840 x 2160 @ 30p/24p [60-100Mbps]), Full HD (1920 x 1080 @ 120p/60p/60i/30p/24p [50-100Mbps]), 720p (30p [16Mbps]) |
Max video resolution | 640x480 | 3840x2160 |
Video data format | Motion JPEG | MPEG-4, AVCHD, XAVC S |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 168 grams (0.37 lbs) | 627 grams (1.38 lbs) |
Dimensions | 92 x 61 x 23mm (3.6" x 2.4" x 0.9") | 127 x 96 x 60mm (5.0" x 3.8" x 2.4") |
DXO scores | ||
DXO All around score | not tested | 85 |
DXO Color Depth score | not tested | 23.6 |
DXO Dynamic range score | not tested | 13.3 |
DXO Low light score | not tested | 2993 |
Other | ||
Battery life | - | 370 pictures |
Form of battery | - | Battery Pack |
Battery model | SLB-10A | NP-FW50 |
Self timer | Yes | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse recording | With downloadable app | |
Storage type | SD/MMC/SDHC card, Internal | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | One | One |
Cost at launch | $140 | $2,767 |