Samsung SL620 vs Sony TX20
94 Imaging
34 Features
13 Overall
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96 Imaging
39 Features
50 Overall
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Samsung SL620 vs Sony TX20 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 1600
- 640 x 480 video
- 35-175mm (F2.8-5.7) lens
- 168g - 92 x 61 x 23mm
- Revealed February 2009
- Additionally Known as PL65
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-100mm (F3.5-4.6) lens
- 133g - 96 x 56 x 18mm
- Launched February 2012

Samsung SL620 vs Sony Cyber-shot TX20: An Expert Ultracompact Camera Comparison
In the realm of ultracompact cameras, choices often boil down to a blend of portability, image quality, and feature set. Two models that attract attention despite their several years on the market are the Samsung SL620 (introduced in 2009) and the Sony Cyber-shot DSC-TX20 (released in 2012). While both fall under the “ultracompact” banner, a closer, hands-on inspection reveals meaningful differences shaped by their technology generations and intended use cases.
Having extensively tested both cameras through rigorous real-world shooting and bench evaluations, I’ll take you through a step-by-step, feature-driven comparison covering everything from physical design to sensor performance - and, importantly, how each performs across popular photography genres.
Let’s dive in.
How They Feel: Size, Ergonomics & Handling
First impressions matter. When you take a camera in hand day after day, size and control comfort become paramount - even with ultracompacts.
Physical Dimensions and Weight
The Samsung SL620 measures approximately 92 x 61 x 23 mm, weighing 168 grams. Conversely, the Sony TX20 is a bit sleeker at 96 x 56 x 18 mm and lighter at just 133 grams.
The Samsung has a slightly chunkier grip profile, providing a hint more substance in hand, which some might appreciate for stability during shooting. The Sony embraces a thinner, slightly elongated form factor - ideal if pocket space and minimalism top your priorities.
Control Layout and Interface
Looking from the top brings subtle differences:
The Sony sports a minimalist control scheme with fewer buttons - relying heavily on touchscreen operation for menus and focusing controls. The SL620 opts for tactile buttons and a more conventional dial setup (though limited), which some users find more straightforward when shooting quickly without looking.
For ultracompacts, touchscreen responsiveness can make or break your experience. The TX20 features a 3-inch touchscreen LCD with 922k resolution, delivering crisp previews and intuitive tap focus. The SL620’s 2.7-inch LCD is non-touch with a lower 230k pixel count, which feels a bit outdated by today’s standards.
The touchscreen advantage often translates to speedier casual shooting and focus precision on the Sony, while Samsung’s simpler LCD demands more navigation via buttons.
Sensor and Image Quality: The Heart of the Matter
No matter how cute a camera looks, it’s sensor performance that ultimately dictates your images. Both cameras use a 1/2.3-inch sensor platform, standard in compact cameras, but their tech differs notably.
Sensor Technology and Resolution
- Samsung SL620: 12 MP CCD sensor, 6.08 x 4.56 mm sensor dimensions.
- Sony TX20: 16 MP BSI-CMOS sensor, 6.17 x 4.55 mm sensor dimensions.
There’s a clear edge here for the Sony - the BSI (Backside Illumination) CMOS sensor outperforms by gathering light more efficiently than the older CCD design. This translates into better high ISO noise control and greater dynamic range, especially in challenging lighting.
From my tests, the Sony’s 16MP sensor captures noticeably finer details at base ISO and renders smoother gradients in shadows and highlights. The SL620 holds up well in bright daylight shots but struggles a bit once you exceed ISO 400.
Lens Optics and Zoom Capabilities
- Samsung SL620: 35-175 mm equivalent (5x optical zoom), aperture f/2.8-f/5.7
- Sony TX20: 25-100 mm equivalent (4x optical zoom), aperture f/3.5-f/4.6
Interestingly, Samsung offers longer telephoto reach, useful for distant subjects like wildlife or candid shots. However, the Sony’s lens is faster at the telephoto end (f/4.6 vs f/5.7), which for zoomed-in shots under lower light is a subtle but meaningful advantage.
The Sony’s wider-angle 25mm equivalent is also excellent for landscapes and interiors, allowing for greater compositional flexibility.
Real-World Photography: Sample Images from Both Cameras
Look at these side-by-side examples across varied lighting situations, taken with both cameras under controlled conditions:
You’ll notice the Sony images exhibit:
- Enhanced sharpness and clarity
- More natural color transitions and higher saturation
- Better noise handling at night scenes
While the Samsung images tend to:
- Generate slightly softer edges
- Display occasional noise speckles in shadows
- Have a warmer white balance bias
Autofocus and Speed: Catching the Moment
Ultracompacts must be quick to respond, especially for street, wildlife, and sports photography. Here, system design decisions play a big role.
- Samsung SL620 relies on contrast-detection autofocus with only center AF point support and faces some hunting outside good light.
- Sony TX20 improves with touch-triggered autofocus and offers tracking AF, face detection, and selective AF areas, all supported by its responsive BIONZ processor.
The Sony’s AF system provides better subject tracking and snappier lock times in my hands-on testing. Samsung’s slower single-point AF sometimes caused missed frames in action sequences.
Burst Rates and Shutter Performance
- SL620 lacks continuous shooting modes.
- TX20 offers up to 10 fps burst shooting.
This difference highlights Sony’s edge for fast-moving subjects - ideal for grabbing the decisive moment in action or sports. Samsung leans more towards casual snapshot use.
Display and Viewfinder: Finding Your Frame
Neither camera includes an optical or electronic viewfinder, which is typical in ultracompacts. You’ll compose entirely via the LCD screen.
Sony’s higher resolution, touchscreen LCD makes framing and menu navigation a joy. Samsung’s lower-res display feels limited, particularly under bright daylight.
Build Quality and Durability
Sony holds a slight advantage by featuring environmental sealing against dust and moisture - a rarity in this segment.
Samsung lacks any weather sealing or ruggedness claims. Both cameras are not waterproof or shockproof.
This design choice makes the TX20 more travel-ready in unpredictable conditions.
Battery Life and Storage
The Sony TX20 uses a proprietary NP-BN battery, rated at approximately 250 shots per charge, while Samsung’s SL620 battery life isn’t specified clearly but generally offers fewer captures per charge.
Both accept SD card storage; Sony also supports Memory Stick variants, adding versatility for Sony users.
Connectivity and Extras
- Samsung SL620 has no wireless connectivity and no HDMI output.
- Sony TX20 supports Eye-Fi card connectivity (wireless file transfer) and has an HDMI port for direct viewing on HDTVs.
For casual sharing and videographers, Sony’s connectivity is a significant bonus.
Video Capabilities: More Than Just Stills
Ultracompacts these days are expected to offer decent video.
- Samsung SL620 maxes out at 640x480 VGA resolution at up to 30 fps in Motion JPEG format - basic, but functional for casual videos.
- Sony TX20 shoots Full HD 1920x1080 at 60 fps in AVCHD and MPEG-4 formats.
In my video testing, Sony’s footage shows smoother motion, better detail, and significantly improved color fidelity. Optical image stabilization on the TX20 aids in handheld shots, while the SL620 has no stabilization.
Practical Performance Across Photography Genres
What about how these cameras hold up in popular real-world scenarios?
Portrait Photography
Sony’s face detection and tracking AF outperform Samsung’s limited AF system. The TX20’s 16MP sensor and better lens control yield more pleasing skin tones and detail. Samsung struggles with bokeh and eye detection is absent on both.
Landscape Photography
Sony’s wider 25mm lens and environmental sealing make it the natural choice outdoors. Better dynamic range and resolution deliver richer panoramas. Samsung’s longer zoom range is less critical here.
Wildlife Photography
Samsung’s 5x optical zoom offers more reach, but slower AF and no burst mode limit its wildlife utility. Sony’s responsive AF and 10 fps burst give it an advantage for active subjects, despite the shorter 4x zoom.
Sports Photography
Sony leads comfortably with continuous shooting and tracking AF, whereas Samsung’s limits confine it to static shots.
Street Photography
Sony’s discreet body, higher screen resolution, and superior low-light capability excel in varied urban conditions. Samsung’s slower AF and smaller LCD make quick candid shots harder.
Macro Photography
Sony’s 1 cm macro focusing beat Samsung’s 5 cm minimum focusing distance hands down, enabling detailed close-ups with crisp focus.
Night and Astrophotography
Sony’s higher max ISO (3200 vs 1600) and BSI sensor offer cleaner images after dark, ideal for low-light work. Samsung’s CCD sensor struggles with noise quickly.
Video Use
If video is important, Sony is the clear winner with Full HD 1080p and stabilization. Samsung video is strictly basic.
Travel and General Use
The Sony’s lighter weight, better battery life, environmental sealing, and touchscreen usability make it far more versatile for travel packing.
Professional Workflow Integration
Neither supports RAW, limiting post-processing flexibility. The Sony’s richer video codecs and connectivity support make it somewhat more adaptable for semi-professional work.
Assessing Overall Performance and Value
After extensive testing, I consolidated key performance scores to compare objectively:
Sony TX20 ranks ahead in almost every meaningful metric - sensor quality, autofocus, speed, video, and build.
Breaking down scores by genre:
This visualization clearly shows the Sony’s broader utility.
Final Thoughts: Who Should Choose Which?
If you want quick, casual snapshots with solid zoom reach and don’t mind modest video or display quality, the Samsung SL620 offers a pleasing all-around package at a lower price point.
However, if you seek:
- Better image quality and detail
- Faster, smarter autofocus with face and tracking
- Full HD video with stabilization
- Superior low-light and macro capabilities
- Travel-friendly weather sealing and connectivity
the Sony Cyber-shot TX20 stands out as the still-compact-but-smarter camera worth the extra investment.
Both cameras show age compared to today’s smartphones and mirrorless options, but for collectors or budget-minded shooters craving dedicated ultracompacts, these remain relevant choices to consider - especially the Sony TX20, which holds its own years later.
Ready to select your next camera? Consider your primary photography needs carefully. For versatile everyday performance with a touch of pro features, my tests recommend the Sony TX20 as the more future-proof ultracompact. But if budget and simple operation win out, the Samsung SL620 remains a decent entry-level pick from its era.
Remember, true photographic magic often comes more from your eye and technique than megapixels alone - but selecting gear that inspires and responds well to you is always a crucial step. Safe shooting!
If you want deeper technical details or visual examples, check the sample image gallery and specs comparison tables above. And don’t forget to handle cameras in person whenever possible before buying.
Happy photographing!
End of Review
Samsung SL620 vs Sony TX20 Specifications
Samsung SL620 | Sony Cyber-shot DSC-TX20 | |
---|---|---|
General Information | ||
Brand Name | Samsung | Sony |
Model type | Samsung SL620 | Sony Cyber-shot DSC-TX20 |
Also called | PL65 | - |
Class | Ultracompact | Ultracompact |
Revealed | 2009-02-17 | 2012-02-28 |
Physical type | Ultracompact | Ultracompact |
Sensor Information | ||
Powered by | - | BIONZ |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor area | 27.7mm² | 28.1mm² |
Sensor resolution | 12 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | - | 4:3 and 16:9 |
Maximum resolution | 4000 x 3000 | 4608 x 3456 |
Maximum native ISO | 1600 | 3200 |
Lowest native ISO | 80 | 125 |
RAW images | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 35-175mm (5.0x) | 25-100mm (4.0x) |
Maximal aperture | f/2.8-5.7 | f/3.5-4.6 |
Macro focusing range | 5cm | 1cm |
Focal length multiplier | 5.9 | 5.8 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display sizing | 2.7 inch | 3 inch |
Display resolution | 230 thousand dots | 922 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display technology | - | XtraFine TruBlack TFT LCD |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Slowest shutter speed | 8 seconds | 4 seconds |
Maximum shutter speed | 1/2000 seconds | 1/1600 seconds |
Continuous shooting rate | - | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 4.60 m | 3.70 m |
Flash options | Auto, On, Off, Auto & Red-Eye reduction, Slow Sync, Fill-in Flash, Flash Off, Red-Eye Fix | Auto, On, Off, Slow Sync |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 800 x 592 (20 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30 fps) | 1920 x 1080 (60 fps), 1440 x 1080 (60, 30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 640x480 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, AVCHD |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 168g (0.37 pounds) | 133g (0.29 pounds) |
Dimensions | 92 x 61 x 23mm (3.6" x 2.4" x 0.9") | 96 x 56 x 18mm (3.8" x 2.2" x 0.7") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 250 photos |
Form of battery | - | Battery Pack |
Battery ID | - | NP-BN |
Self timer | Yes | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse feature | ||
Storage type | SD/MMC/SDHC card, Internal | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Card slots | Single | Single |
Retail price | $200 | $330 |