Samsung SL720 vs Sony WX220
94 Imaging
34 Features
14 Overall
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96 Imaging
42 Features
41 Overall
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Samsung SL720 vs Sony WX220 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 1600
- 640 x 480 video
- 28-102mm (F2.8-5.7) lens
- 168g - 92 x 61 x 23mm
- Introduced July 2009
- Alternate Name is PL70
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 25-250mm (F3.3-5.9) lens
- 121g - 92 x 52 x 22mm
- Launched February 2014
President Biden pushes bill mandating TikTok sale or ban Samsung SL720 vs Sony Cyber-shot WX220: The Ultracompacts Under the Microscope
When diving into the compact camera realm, especially ultracompacts, users often juggle trade-offs: pocketability vs. performance, simplicity vs. flexibility, and affordability vs. feature richness. The Samsung SL720 (aka PL70) and Sony WX220 are two compelling contenders from different eras of ultracompact development - 2009 and 2014 respectively - each reflecting its generation’s technology and priorities. Having extensively tested both, I’m here to walk you through their practical performance across all key photography disciplines, offer a candid assessment of their strengths and flaws, and ultimately help you gauge which suits your specific shooting style and budget.
Throughout this comparison, I’ll integrate images that best illustrate their physicality, sensor tech, UI, and real-life output, so you get a rounded view supported by hands-on expertise and technical insight.
First Impressions: Handling, Design, and Ergonomics
Let’s start with what’s tangible: size, weight, and how these cameras fit in hand or pocket. Compactness is king for ultracompacts, but usability matters, too.

Physically, the Samsung SL720 has a slightly chunkier feel at 92x61x23mm and 168g, compared to the smaller footprint of the Sony WX220 at 92x52x22mm and 121g. This difference is subtle but noticeable when you’re stuffing your camera into a tight pocket or grabbing it for quick street shots. The Samsung’s somewhat squarer body offers a bit more grip surface, which some users (especially those with larger hands) may appreciate for stability. The Sony edges the portability race, ideal for minimalists who prioritize slip-in-and-go convenience.
Both sport fixed lenses and lack any traditional viewfinders, relying entirely on their rear LCDs for composition - a common trait for ultracompacts but something to keep in mind if you’re used to viewfinder shooting.
Top-Down View: Control Schemes and Interface Usability
Ergonomics extend beyond size to controls and interface - how intuitive is it to tweak settings in the heat of the moment?

The Samsung SL720 offers a pretty straightforward button layout: a traditional mode dial, zoom rocker, and a ring around the shutter for on/off control - although with no manual focus or exposure options at all, your creative input is confined to auto modes. The button size and spacing feel a bit dated, with less tactile feedback compared to more modern compacts.
Sony’s WX220, benefiting from advances five years later, runs on the Bionz X image processor and sports a more streamlined, button-minimal layout with multifunction directional pads. It lacks dedicated rings for aperture or shutter priority (these cameras keep things simple, remember), but includes a notably brighter, larger 3-inch screen with higher resolution (460k vs. 230k on Samsung), which improves framing and menu navigation.
Neither camera offers touchscreen controls, so you’ll find yourself using clubs for thumbs and index fingers in both cases, but the WX220’s more responsive interface and slightly better button layout give it an upper hand in ease of use.
Sensor and Image Quality: The Heart of the Matter
Now, onto the meat - what do these cameras capture, and how do their sensors influence image quality? This is critical for any photographer deciding between them.

Both cameras use the standard 1/2.3" sensor size for ultracompacts but differ sharply in sensor type and resolution:
- Samsung SL720: 12MP CCD sensor, max ISO 1600
- Sony WX220: 18MP BSI-CMOS sensor, max ISO 12800
CCD (Charge-Coupled Device) sensors, like in the SL720, tend to produce excellent color depth and smooth tonal transitions but struggle with noise at higher ISOs. CMOS (Complementary Metal-Oxide Semiconductor) sensors, especially Sony’s back-illuminated (BSI) variants, dramatically improve low-light performance, readout speed, and overall dynamic range.
The WX220’s 18MP resolution provides crisper details and larger print potential, while the Samsung’s 12MP is a bit behind but still respectable at its native 4000x3000 pixel output. The Sony’s superior ISO reach means it handles dim lighting with less grain, a vital trait for indoor, street, or night photography.
In practical shooting, the WX220’s sensor delivers punchier colors, better shadows and highlights, and more flexibility for cropping - especially important when you can’t get close physically.
The Rear Screen Battlefield: Your Eye to the Scene
For cameras without viewfinders, good rear LCDs make or break the user experience.

The WX220’s 3-inch screen is brighter and much sharper (460k pixels) than the SL720’s 2.7-inch, 230k dot display. This difference makes it easier to check focus, composition, and playback images outdoors or at awkward angles. Although neither screen offers touch capability or articulation, the WX220’s superior resolution aids framing precision and menu navigation noticeably.
The Samsung’s display feels notably dimmer and more reflective in daylight, a common frustration in older compacts I've tested.
Performance Across Photography Genres: What Truly Matters
Let’s now break down each camera’s real-world effectiveness across major photography styles, based on extended field testing:
Portrait Photography - Skin Tones & Eye Detection
Portraiture demands accurate skin tone rendition, pleasing bokeh, and solid autofocus on faces and eyes.
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Samsung SL720: Without face or eye detection AF and fixed contrast-detect AF, focus often feels slow and hunted, leading to occasional softness in crucial eye details. The lens aperture (f/2.8-5.7) offers mild background separation at wide-angle but retreating to telephoto sees dimmer apertures, diminishing background blur. Skin tone rendering is warm but slightly muted due to CCD limitations.
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Sony WX220: Shines with face detection autofocus, able to lock focus faster on faces even in mixed light. No eye AF but the face detection contributes to better keeper rates. The smoother BSI sensor better renders skin tones, with slightly more natural hues. Lens aperture ranges from f/3.3-5.9, so bokeh is also moderate but improved stabilization helps sharper shots.
If portraits are your main interest, definitely lean toward the WX220 for its superior AF and color fidelity.
Landscape Photography - Dynamic Range & Resolution
Landscape wheat from chaff relies on sensor resolution, dynamic range, and ruggedness (weather sealing).
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Samsung SL720: At 12MP, the SL720 can’t compete on detail capture with more modern 18MP sensors. Its typical CCD dynamic range is narrower, risking clipped highlights and shadows, especially on bright sunny days or high-contrast scenes. No weather sealing limits outdoor use in challenging conditions.
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Sony WX220: The WX220’s sensor delivers better dynamic range, preserving highlight and shadow detail, crucial for landscape vistas with wide tonal contrasts. Its 18MP resolution captures finer textures, and while it also lacks environmental sealing, its lighter weight and smaller size promote handheld flexibility.
Neither is a rugged pro landscape option, but the WX220’s image quality and resolution give it a clear edge for casual to enthusiast landscapers.
Wildlife & Sports - Autofocus Speed, Burst Performance
Fast action demands speedy and accurate autofocus plus respectable continuous shooting.
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Samsung SL720: No continuous or burst shooting to speak of, and AF is single-shot contrast detection only. Tracking moving subjects is basically impossible. This camera simply wasn’t designed for wildlife or sports.
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Sony WX220: Adds continuous AF and 10 fps burst shooting - impressive for an ultracompact. Face-detection and AF tracking enhance accuracy on moving subjects moderately. While the lens maxes out at 250mm equivalent (10x zoom), the variable aperture and stabilization help maintain sharpness at telephoto. Low-light AF is decent but limited by fixed-lens constraints.
For casual wildlife or sports snapshots where size matters most, the WX220 outpaces the SL720 decisively.
Street Photography - Discretion, Portability, Low Light
A street photog’s best friend is quick, silent, and inconspicuous gear.
Samsung’s bulkier body and slower AF make it less appealing here. The WX220’s smaller size is an asset, plus faster continuous AF and better low-light capacity (thanks to BSI sensor and ISO up to 12800) result in more usable captures.
Neither has silent shutter modes or viewfinders, which could be a dealbreaker for stealth, but WX220’s speed and responsiveness are appreciably better for spontaneous street moments.
Macro Photography - Precision & Stabilization
Close-up shots require tight focusing and shake reduction.
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Samsung SL720: Has a macro focusing distance down to 5cm, which is respectable for ultracompacts, but lacks image stabilization, making handheld close-ups a challenge.
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Sony WX220: Doesn’t specify macro distance explicitly but has optical stabilization, aiding steadier shots. In my tests, the WX220 offered slightly closer focus capability and sharper macro results due to stabilized optics and more responsive AF.
Night and Astro - High ISO & Exposure Control
Night and astro shooting stress high ISO capability and long exposure precision.
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Samsung SL720: Limited to ISO 1600 and shutter speeds up to 1/1500s minimum, making long-exposure shots feasible but prone to noise due to CCD sensor tech.
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Sony WX220: ISO up to 12800 coupled with optical image stabilization enables longer handheld exposures with less noise, giving better nightscape shots and casual astrophotography, albeit with some noise at the top end.
Neither has bulb mode or manual exposure control, so for true astrophotography buffs, they’re secondary choices.
Video Capabilities: Resolution, Stabilization, and Usability
Video is the often-neglected sibling, yet crucial for many modern users.
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Samsung SL720: Records at a low-res 640x480 max, 30fps, with Motion JPEG format - a limiting codec prone to large files and lower quality. No stabilization or mic input further handicaps video.
-
Sony WX220: Supports Full HD 1080p at 60fps and AVCHD/MPEG-4 formats for higher quality output. Optical image stabilization reduces handshake, improving handheld video clarity considerably. No mic or headphone inputs, limiting audio flexibility.
For casual videographers, the WX220 is the clear winner with its sharper, stabilized HD video.
Travel and Everyday Use: Battery Life & Versatility
Travel photographers appreciate versatility, durability, and battery longevity.
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Samsung SL720: Unknown battery life officially, but CCD compacts typically endure fewer shots per charge; uses SLB-10A battery. Uses SD/SDHC cards; no wireless or GPS.
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Sony WX220: Rated for about 210 shots per battery charge, common in ultracompacts. Battery model NP-BN is widely available and compact. Supports SD, SDHC, SDXC, and even Memory Stick PRO cards; features built-in Wi-Fi and NFC for easy sharing - benefits not to be underestimated on the go.
With a lighter body, better battery economy, and wireless connectivity, the WX220 fits modern travel needs more comfortably.
Professional Use and Workflow Integration
Neither camera targets pros, given lack of RAW support and manual controls, but let’s not overlook their relative utility for newcomers or casual pros.
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Samsung SL720: No RAW files, restricting post-processing flexibility. Basic JPEG output limits extensive editing. No environmental sealing weakens trust in harsh situations.
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Sony WX220: Also JPEG only, but better color profiles and face detection aid smoother workflows for social media and quick delivery. Built-in Wi-Fi simplifies file transfer, an increasingly important pro convenience.
For professional-level work relying on manual control, RAW, and durability, both fall short. However, for beginners or as secondary “grab-and-go” cams, the WX220 offers more contemporary workflow features.
Additional Technical Nuggets: Build, Lens, Battery, Connectivity
| Feature | Samsung SL720 | Sony WX220 |
|---|---|---|
| Build/Weatherproof | Basic plastic, no sealing | Lightweight plastic, no sealing |
| Lens Zoom Range | 28-102 mm equiv (3.6x), f/2.8-5.7 | 25-250 mm equiv (10x), f/3.3-5.9 |
| Image Stabilization | None | Optical stabilization present |
| Battery | SLB-10A | NP-BN, charges in camera |
| Storage | SD/MMC/SDHC + Internal | SD/SDHC/SDXC + Memory Stick Pro |
| Connectivity | None | Wi-Fi built-in, NFC |
The WX220’s longer zoom range opens creative compositions previously unavailable in ultra-compacts - and the presence of optical stabilization dramatically helps at the telephoto end. The Samsung SL720 feels limited to casual snapshots with no stabilization to counter hand jitter.
A Gallery of Image Samples from Field Testing
Seeing is believing. I’ve included representative images side-by-side from both cameras under varied lighting and subjects to help you judge image quality, color, and sharpness firsthand.
Notable observations:
- The WX220 images deliver finer detail and more vibrant, natural colors.
- The SL720 often shows softer focus and paler colors, especially in low light.
- Noise suppression is more aggressive on the WX220 but with better overall fidelity.
- Dynamic range headroom is more evident on Sony shots, preserving highlights better.
Scoring Their Overall Performance
Balancing features, performance, and price yields the following overall scores based on my rigorous standardized testing protocols, considering sensor performance benchmarks, AF speed metrics, usability criteria, and output quality.
The Sony WX220 dominates in most categories, while the Samsung SL720 lags except for modest body size and budget price.
Genre-Specific Performance Breakdown
Taking a closer look by photography type:
- Portrait: WX220 excels on autofocus and color.
- Landscape: WX220 for resolution and dynamic range.
- Wildlife & Sports: WX220 with burst and tracking AF.
- Street: WX220 wins on reliability and discretion.
- Macro: Slight edge for WX220 via stabilization.
- Night/Astro: WX220 with superior ISO range.
- Video: WX220 offering HD and stabilization.
- Travel: WX220’s connectivity and size aid versatility.
Pros and Cons: Quick Reference
Samsung SL720 Pros:
- Affordable price point
- Reasonably compact and sturdy design
- Decent macro focus distance (5cm)
- Simple interface for absolute beginners
- Cool retro CCD color rendering (some prefer this)
Samsung SL720 Cons:
- No image stabilization
- Limited zoom range (3.6x)
- Lower resolution and ISO sensitivity
- No manual focus/exposure controls or raw
- Poor video quality and connectivity
- No face detection or advanced AF
Sony WX220 Pros:
- Longer zoom lens (10x) with optical stabilization
- More modern 18MP BSI CMOS sensor with high ISO
- HD video recording with stabilization
- Faster continuous shooting (10 fps)
- Face detection and continuous AF
- Built-in Wi-Fi and NFC for instant sharing
- Brighter, higher resolution rear screen
- Compact and very lightweight body
Sony WX220 Cons:
- No RAW support or manual shooting modes
- No microphone/headphone jacks for video
- No viewfinder or articulating screen
- Limited battery life typical of ultracompacts
Who Should Buy Which Camera?
Go for the Samsung SL720 if…
- You’re a cheapskate on an ultra-tight budget (~$120 used)
- You want a very simple “point-and-shoot” with no fuss
- Your photography demands are minimal: snapshots, casual macros, simple travel shots
- You like the classic CCD color aesthetic and don’t mind compromise
Choose the Sony WX220 if…
- You want more zoom reach (10x telephoto) for versatile shooting
- You shoot portraits or street photos requiring face detection and faster AF
- You desire HD video with optical stabilization
- Connectivity (Wi-Fi/NFC) is important for quick sharing
- You need better low light performance and higher resolution output
- You want a more modern camera for everyday and travel use, even at nearly double the original price (~$198)
Final Verdict: Is the WX220 Worth the Premium?
In my extensive experience testing thousands of cameras, the Sony WX220 represents a significant step forward across almost every technical and practical aspect versus the Samsung SL720. Its modern processor, sensor, and stabilization tech translate into better image quality, focusing reliability, and user friendliness especially for enthusiasts who want a versatile pocket camera with acceptable video performance.
The SL720, while charming as a budget old-timer, mostly appeals to entry-level users who want simplicity over capability. Its sensor and AF limitations restrict its usefulness in many demanding scenarios, and lack of stabilization makes it harder to get sharp shots without a tripod.
If you value crisp landscapes, portraits with accurate colors, modest wildlife snaps, and better handheld video - and have a few extra bucks to spend - the Sony WX220 is the smarter, future-proof choice. But if you’re pinching pennies or want a basic throw-in-the-bag point-and-shoot for sunny days, the SL720 can still deliver at a bargain.
Photography gear is about matching your camera to your vision and budget - not all shiny specs matter if your shooting style doesn’t demand them. Both of these ultracompacts have stories to tell, so pick the one that fits yours best.
Happy shooting!
Samsung SL720 vs Sony WX220 Specifications
| Samsung SL720 | Sony Cyber-shot DSC-WX220 | |
|---|---|---|
| General Information | ||
| Manufacturer | Samsung | Sony |
| Model type | Samsung SL720 | Sony Cyber-shot DSC-WX220 |
| Alternate name | PL70 | - |
| Category | Ultracompact | Ultracompact |
| Introduced | 2009-07-14 | 2014-02-12 |
| Physical type | Ultracompact | Ultracompact |
| Sensor Information | ||
| Processor | - | Bionz X |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
| Sensor surface area | 27.7mm² | 28.1mm² |
| Sensor resolution | 12 megapixel | 18 megapixel |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Peak resolution | 4000 x 3000 | 4896 x 3672 |
| Highest native ISO | 1600 | 12800 |
| Min native ISO | 80 | 100 |
| RAW support | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 28-102mm (3.6x) | 25-250mm (10.0x) |
| Maximum aperture | f/2.8-5.7 | f/3.3-5.9 |
| Macro focusing distance | 5cm | - |
| Focal length multiplier | 5.9 | 5.8 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display sizing | 2.7" | 3" |
| Resolution of display | 230 thousand dots | 460 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Minimum shutter speed | 8s | 4s |
| Fastest shutter speed | 1/1500s | 1/1600s |
| Continuous shutter rate | - | 10.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 4.60 m | 3.70 m (with Auto ISO) |
| Flash options | Auto, On, Off, Red-eye, Fill-in, Slow sync | Auto, on, slow synchro, off, advanced |
| External flash | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 800 x 592 (20 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30 fps) | 1920 x 1080 (60p, 60i), 1440 x 1080 (30 fps), 640 x 480 (30 fps) |
| Highest video resolution | 640x480 | 1920x1080 |
| Video data format | Motion JPEG | MPEG-4, AVCHD |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 168 gr (0.37 lb) | 121 gr (0.27 lb) |
| Dimensions | 92 x 61 x 23mm (3.6" x 2.4" x 0.9") | 92 x 52 x 22mm (3.6" x 2.0" x 0.9") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 210 pictures |
| Form of battery | - | Battery Pack |
| Battery ID | SLB-10A | NP-BN |
| Self timer | Yes | Yes (2 or 10 sec, portrait) |
| Time lapse recording | ||
| Storage type | SD/MMC/SDHC card, Internal | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
| Card slots | One | One |
| Retail cost | $119 | $198 |