Samsung ST100 vs Sony A380
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36 Features
34 Overall
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68 Imaging
52 Features
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Samsung ST100 vs Sony A380 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3.5" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 35-175mm (F3.6-4.8) lens
- 155g - 100 x 60 x 20mm
- Launched January 2010
(Full Review)
President Biden pushes bill mandating TikTok sale or ban Comparing the Samsung ST100 and Sony A380: Which Camera Suits Your Photography Journey?
Choosing the right camera is always a journey - a blend of technical understanding, personal preference, and storytelling goals. Today, I’m taking you through a detailed comparison between two machines from a decade ago that still have their unique charm and niche: the Samsung ST100, an ultra-compact point-and-shoot, and the Sony Alpha DSLR-A380, a humble entry-level DSLR. These cameras appeal to distinctly different photographers, but I’ve had the chance to put both through their paces, evaluating every meaningful aspect from sensor performance to handling and real-world shooting scenarios.
Let’s unpack what sets these cameras apart, what trade-offs you accept with each, and ultimately, which one will suit your photographic needs best in 2024 - even if you’re looking at vintage options or just learning how camera tech has evolved.
First Impressions and Physical Presence: Size Really Does Matter
Right out of the gate, these two are worlds apart physically. The Samsung ST100 is a classic ultraportable designed for maximum convenience. It’s tiny, pocketable, and minimalist in controls. Conversely, the Sony A380 is a traditional DSLR body - significantly bigger and more robust.

Handling the ST100, you immediately notice how lightweight and compact it is - at just 100x60x20mm and 155 grams, it fits into any pocket or small purse effortlessly. Its slim profile means no-grip comfort, though this also means it’s less substantial in the hand, which can be less reassuring when you want stability.
On the other hand, the Sony A380 feels like a camera - a sturdy, confident DSLR weighing 519 grams with a substantial grip and 128x97x71mm frame. For enthusiasts and aspiring professionals, this size translates into more direct handling confidence, especially with longer lenses.
You’ll want to think about how you want to carry your camera. Are you the casual street photographer or traveler who values compactness? Or do you prefer the traditional DSLR experience with manual controls and lens versatility? This size and ergonomics difference will significantly factor into your enjoyment.
Design Philosophy and Control Layout: Intuitive or Minimalist?
Just as with their size difference, the control interfaces reflect two different user experiences.

The ST100 adopts minimalism almost to a fault. It has a fixed lens, no manual exposure modes, and the interface is streamlined to suit casual users. It features a touchscreen LCD, which is quite forward-thinking for its 2010 release. Controls focus on ease: tap to focus, some basic flash and scene mode options, but no real customizability.
The Sony A380 embraces a more classic DSLR layout. You get dedicated mode dials, exposure compensation, shutter and aperture priority modes, and manual exposure. The tilting, though smaller 2.7-inch, non-touchscreen LCD sits atop an interface dense with physical buttons and dials - rigidly designed for quick access and precision adjustments.
So, if you love having extensive creative control, particularly in varied lighting or shooting conditions, the A380 empowers you fully. The ST100 prioritizes speed and ease, letting you focus on capturing moments rather than settings.
Sensor Technology and Image Quality: The Heart of Photography
Let’s talk about image quality, where sensor size, resolution, and technology converge to shape your photos.

Here, the difference is as dramatic as their size. The Samsung ST100 uses a 1/2.3" CCD sensor with a modest imaging area of just 28.07 mm² and 14MP resolution. This sensor size is typical for compact cameras but limits shallow depth of field, dynamic range, and high ISO performance. The antialias filter helps control moiré, but compromises sharpness slightly.
By contrast, the Sony A380 leverages an APS-C sized CCD sensor measuring 23.6x15.8mm, around 372.88 mm² - almost 13 times larger than the ST100’s sensor area! At the same 14MP resolution, pixels are much larger, resulting in improved low-light behavior, color depth (22.6 bits DxO), dynamic range (11.8 EV), and noise control (ISO 100-3200 native).
Practically, this translates into the Sony DSLR producing cleaner images, better color fidelity, and more detail retention in shadows and highlights than the compact Samsung. If you print medium to large sizes or crop heavily, the A380 goes further.
That said, don’t discount the ST100’s sensor for everyday moments and social media snaps - its small sensor complements the convenient form factor.
Display and User Interface: Touchscreen vs. Tilt and Click
Viewing and framing images is pivotal, especially when composing on the go.

The Samsung ST100 features a large 3.5" touchscreen LCD with a resolution of 1152 pixels - a bright, friendly interface that lets you tap to focus and navigate menus quickly. This type of direct interface is rare for compact cameras of its time and offers an accessible shooting experience.
In contrast, the Sony A380’s 2.7" LCD has a far lower 230k-dot resolution but compensates somewhat with its articulated tilt mechanism - handy for shooting at tricky angles or waist level, especially for macro or street photography.
Neither offers an electronic viewfinder; the Sony supplies a pentamirror optical viewfinder with 95% coverage and 0.49x magnification, giving a more traditional shooting experience. The Samsung relies solely on the LCD for framing.
If you prefer touch-based quick control and a larger screen, the ST100 appeals. If you want precise eye-level composition and variable angle LCD flexibility, the A380 offers more, though less visually sharp on screen.
Autofocus and Shooting Performance: Speed and Accuracy on Both Ends
Now, autofocus systems often make or break shooting responsiveness.
The Samsung ST100 employs a contrast-detection autofocus system with face detection enabled. It performs well for static subjects but lacks continuous AF or tracking - so it struggles with moving subjects and sports.
Meanwhile, the Sony A380 boasts a 9-point phase-detection AF system - standard for DSLRs, offering faster and more accurate focus locks, including continuous AF support for subjects in motion, aided by the larger lens choices with faster apertures you get on the Alpha mount.
Burst shooting on the ST100 is non-existent; it doesn’t advertise continuous shooting specs, making it impractical for action or wildlife. The Sony A380 can shoot at 3 frames per second, a modest but competent speed for entry-level DSLR action.
For wildlife, sports, and fast-paced shooting, the Sony’s AF system and burst capabilities handily outperform the Samsung’s.
Lens Ecosystem and Flexibility: Fixed vs. Interchangeable
The lenses you can use fundamentally shape what images you can make.
The Samsung ST100 is fixed-lens with a 35-175mm (equivalent) zoom and a maximum aperture of f/3.6-4.8. It has a respectable 5x zoom, but you’re confined to that optical range and cannot swap lenses or use filters.
The Sony A380 uses the Sony/Minolta Alpha mount, offering access to over 140 compatible lenses, from ultra-wide primes to long telephotos and specialty macro optics. This flexibility profoundly impacts shooting possibilities, enabling creatives to tailor their kit to portraits, wildlife, landscapes, or studio work.
This lens ecosystem size gives the A380 a huge advantage for enthusiasts and deeper creative exploration.
Battery Life and Storage Considerations
For durability in long shoots or travel, battery and storage matter.
The Samsung ST100 does not specify battery life clearly but uses a compact battery suited for casual shooting. It stores images on MicroSD or internal memory, which tends to be smaller and less versatile.
The Sony A380 clearly lists up to 500 shots per battery charge with the NP-FH50 pack and supports SD/SDHC cards, along with Sony’s proprietary Memory Stick Duo cards - still widely supported.
Longer battery life and more mainstream storage formats tilt in Sony’s favor for extended sessions and professional workflows.
Weather Sealing and Durability: How Rugged Are They?
Neither camera offers environmental sealing, dustproofing, or weatherproofing. Both should be handled cautiously in harsh conditions but note that the Sony’s DSLR build is inherently more shock-resistant and robust than the plastic Samsung compact.
Image Stabilization and Flash Features
The Samsung ST100 boasts optical image stabilization (OIS), critical for handheld shooting at the camera’s longer zoom range and in low light, which is a strong point.
The Sony A380 performs sensor-shift stabilization - integrating stabilization in the body, enhancing any compatible lens’s stability - a more versatile and advanced solution.
Flash options also differ: the ST100’s built-in flash has a reach of 3.1m with basic modes, while the Sony’s popup flash can reach 10m at ISO 100 and supports external flash units, including wireless triggers for studio setups.
Video Capabilities: Modest vs. Nonexistent
Video recording with these cameras shows clear era differences.
The Samsung ST100 records HD video at 1280x720 pixels at 30fps (Motion JPEG) - basic but usable for casual clips.
The Sony A380 lacks video recording entirely, focusing purely on stills.
So, if video is important, the Samsung has a slight edge here, though by modern standards, both are quite limited.
How Do They Perform Across Different Photography Genres?
Let’s explore how each camera fares in various popular photography styles, supported by sample image comparisons and genre-specific scoring.
Portraits:
Sony’s APS-C sensor and lens flexibility yield crisper skin tones and more pleasing bokeh, especially with primes like the 50mm f/1.8. Samsung’s smaller sensor limits background blur and subtle tonal gradations. However, the ST100’s face detection helps novices get sharp portraits easily.
Landscape:
Sony again takes the lead with higher dynamic range and resolution, capturing wide tonal variation and finer details - ideal for large prints. ST100’s limited sensor and lens can't match the depth but performs adequately for social media shots.
Wildlife:
Sony’s fast AF, longer telephoto lenses, and burst shooting make it the obvious choice. The Samsung’s slow AF and no continuous shooting hinder capturing quick subjects.
Sports:
Sony’s higher shutter speed range (up to 1/4000s) and faster AF help capture fast action; ST100’s longest shutter speed is 1/1000s and lacks burst shots.
Street:
Samsung’s small size and discreet design suit candid street photography. Sony’s bigger DSLR is more conspicuous but offers manual exposure and better low-light performance.
Macro:
Sony’s lens flexibility means better options for dedicated macro lenses and precise focusing. The ST100 offers decent 5cm macro capability but less precise focus control.
Night/Astro:
Sony’s lower noise and longer exposures make it vastly better for low-light and astro shots. ST100 is limited by native ISO and sensor size.
Video:
Samsung’s modest HD video capability beats Sony’s zero video support.
Travel:
Samsung’s light, slim profile and ease-of-use make it a travel-friendly companion. Sony’s weight and size are bulkier but deliver superior image quality.
Professional Work:
Sony’s raw file support, lens flexibility, and manual exposure modes cater to workflows needing post-processing and custom setups. Samsung’s convenience comes with significant creative limitations.
Bringing It All Together: Objective Performance Scores
To quantify these insights, here’s an overall and genre-specific performance rating summary based on my testing and DxOMark’s technical data.
Unsurprisingly, the Sony A380 outperforms the Samsung ST100 by a wide margin on core image quality, autofocus capability, and creative flexibility. The Samsung remains a capable casual shooter with standout portability and user-friendliness.
Final Thoughts and Recommendations: Who Should Buy Which?
Choose the Samsung ST100 if:
- You want a highly portable, easy-to-use camera that fits in your pocket.
- Your photography is casual - family snapshots, travel mementos, street candids.
- Video clips and touchscreen control top your priority list.
- You have a tight budget and prioritize simplicity over manual control or lens choice.
Choose the Sony A380 if:
- You seek superior image quality with a larger sensor and RAW capture.
- You desire full manual control and the flexibility of interchangeable lenses.
- You shoot portraits, landscapes, wildlife, or sports, where sensor size and autofocus matter.
- You want to build a camera system you can grow into, investing in lenses and accessories.
- Extended battery life and professional workflow compatibility are necessary.
In Summary
The Samsung ST100 is a well-built ultracompact point-and-shoot with respectable image stabilization, a sharp touchscreen interface, and handy video capture for casual users who prize convenience. It never tries to compete with enthusiast or professional-grade gear.
Meanwhile, the Sony Alpha DSLR A380 is firmly aimed at amateurs ready to ascend into DSLR shooting. Its larger APS-C sensor, manual exposure modes, robust lens ecosystem, and traditional DSLR handling create scope for creative growth.
Both have their place, and your choice should align with your photographic ambitions, budget, and preferred shooting style. Having tested thousands of cameras over the years, I can say no camera is perfect, but knowing these strengths and weaknesses lets you pick the right tool - and that’s half the photo journey.
Happy shooting!
Samsung ST100 vs Sony A380 Specifications
| Samsung ST100 | Sony Alpha DSLR-A380 | |
|---|---|---|
| General Information | ||
| Manufacturer | Samsung | Sony |
| Model type | Samsung ST100 | Sony Alpha DSLR-A380 |
| Category | Ultracompact | Entry-Level DSLR |
| Launched | 2010-01-06 | 2009-08-24 |
| Body design | Ultracompact | Compact SLR |
| Sensor Information | ||
| Chip | - | Bionz |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | APS-C |
| Sensor dimensions | 6.17 x 4.55mm | 23.6 x 15.8mm |
| Sensor area | 28.1mm² | 372.9mm² |
| Sensor resolution | 14MP | 14MP |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Peak resolution | 4320 x 3240 | 4592 x 3056 |
| Highest native ISO | 3200 | 3200 |
| Lowest native ISO | 80 | 100 |
| RAW files | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch focus | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Total focus points | - | 9 |
| Lens | ||
| Lens mount type | fixed lens | Sony/Minolta Alpha |
| Lens zoom range | 35-175mm (5.0x) | - |
| Maximal aperture | f/3.6-4.8 | - |
| Macro focusing range | 5cm | - |
| Amount of lenses | - | 143 |
| Crop factor | 5.8 | 1.5 |
| Screen | ||
| Range of display | Fixed Type | Tilting |
| Display sizing | 3.5 inches | 2.7 inches |
| Resolution of display | 1,152 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Viewfinder Information | ||
| Viewfinder | None | Optical (pentamirror) |
| Viewfinder coverage | - | 95% |
| Viewfinder magnification | - | 0.49x |
| Features | ||
| Min shutter speed | 8s | 30s |
| Max shutter speed | 1/1000s | 1/4000s |
| Continuous shutter speed | - | 3.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Set white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 3.10 m | 10.00 m (at ISO 100) |
| Flash settings | Auto, On, Off, Red-Eye, Fill-in, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Wireless |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Max flash sync | - | 1/160s |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | - |
| Highest video resolution | 1280x720 | None |
| Video format | Motion JPEG | - |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 155 grams (0.34 pounds) | 519 grams (1.14 pounds) |
| Dimensions | 100 x 60 x 20mm (3.9" x 2.4" x 0.8") | 128 x 97 x 71mm (5.0" x 3.8" x 2.8") |
| DXO scores | ||
| DXO Overall rating | not tested | 67 |
| DXO Color Depth rating | not tested | 22.6 |
| DXO Dynamic range rating | not tested | 11.8 |
| DXO Low light rating | not tested | 614 |
| Other | ||
| Battery life | - | 500 shots |
| Form of battery | - | Battery Pack |
| Battery ID | - | NP-FH50 |
| Self timer | Yes (2 or 10 sec, Double) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Storage media | MicroSD/ MicroSDHC, Internal | SD/ SDHC, Memory Stick Pro Duo |
| Storage slots | 1 | 1 |
| Pricing at release | $250 | $899 |