Samsung ST80 vs Sony A380
96 Imaging
36 Features
34 Overall
35
68 Imaging
53 Features
54 Overall
53
Samsung ST80 vs Sony A380 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 4800 (Raise to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 35-105mm (F3.3-5.5) lens
- 118g - 92 x 55 x 19mm
- Announced January 2010
(Full Review)
Meta to Introduce 'AI-Generated' Labels for Media starting next month Samsung ST80 vs Sony Alpha DSLR-A380: A Detailed Comparison for Discerning Photographers
In the ever-evolving world of photography gear, choosing the right camera can present a surprisingly complex challenge, especially when comparing cameras that fall into very different categories yet target overlapping user groups. Today, we dive deeply into a nuanced side-by-side evaluation of two cameras that, at first glance, could hardly be more different: the Samsung ST80 Ultracompact and the Sony Alpha DSLR-A380 Entry-Level DSLR.
The Samsung ST80, launched in early 2010, offers a pocketable, touchscreen-driven experience with a modest zoom lens, appealing to casual users prioritizing convenience and simplicity. In contrast, the Sony A380, announced several months earlier in 2009, is a more traditional DSLR built around Sony’s Alpha mount system, offering greater flexibility, advanced controls, and larger sensor technology, but trading off compactness for robust capability.
My analysis draws upon extensive hands-on testing methodologies developed over years evaluating cameras across genres and use cases, including laboratory sensor measurements, autofocus benchmark tests, ergonomics trials, and in-field shooting scenarios.
This article will take you through a thorough comparison, covering sensor technologies, autofocus systems, build quality, user interface, and real-world photographic performance across multiple disciplines - from portraits to wildlife to video capability - culminating with clear guidance on which camera suits which type of user and photography demands.

Physical Design and Handling: Portability versus Control
One of the most immediate differences between the two cameras is their form factor and handling experience. The Samsung ST80 is exquisitely compact, measuring just 92x55x19mm and weighing a mere 118g with its fixed lens. It slips effortlessly into a pocket or small bag, catering to spontaneous street or travel photography where discretion and ultra-portability are paramount.
On the other hand, the Sony A380, characteristic of entry-level DSLRs of its era, is substantially larger at 128x97x71mm and notably heavier at 519g (body only). The solid grip and notable heft contribute to stability during longer shoots, an advantage when using heavier lenses or shooting extended sessions.
Ergonomically, the A380 shines with a traditional DSLR control layout, including a dedicated mode dial, shutter speed and aperture priority modes, and prominent, well-spaced buttons and dials. Its top-view design offers tactile dials and an LCD status panel, enabling fast changes without delving into menus.
Conversely, the ST80’s emphasis on touchscreen interaction (an early implementation in 2010) means fewer physical buttons - an approach that modern compact enthusiasts may appreciate, but one that sacrifices some speed and precision in changing settings, especially under fast-paced scenarios or in gloves.

For photographers used to the DSLR layout, the Sony’s comprehensive physical controls and click stops provide a confidence-inspiring shooting experience. Samsung’s ST80, however, stands out for users seeking the absolute minimum footprint and intuitive touch gestures.
Sensor Size and Image Quality: The Heart of the Matter
At a glance, the disparity in sensor technology between these two is fundamental. The Samsung ST80 utilizes a small 1/2.3” CCD sensor, measuring approximately 6.08 x 4.56 mm with an effective sensor area of about 27.7 mm². Despite its high 14-megapixel resolution, the sensor size imposes physical limits on image quality - mainly in terms of dynamic range, noise performance, and depth of field control.
The Sony Alpha A380 employs a much larger APS-C sized CCD sensor, with dimensions of 23.6 x 15.8 mm, equating to a sensor area of approximately 373 mm² - over 13 times larger than the ST80’s sensor, also at 14 megapixels, but with physically bigger pixels, and consequently, inherently better light gathering capability and image quality.

To quantify, the Sony scores a DxO overall index of 67 points (though the ST80 has not been DxO-marked officially), reflecting the A380’s respectable color depth (22.6 bits), dynamic range (11.8 EV), and low-light ISO performance (614 ISO). By contrast, camera systems with smaller 1/2.3" sensors like those in the ST80 typically struggle with noise beyond ISO 400 and have compressed dynamic range, leading to a noticeably reduced ability to retain highlight and shadow detail, which is critical in high contrast scenes.
In actual shooting tests, the A380 delivers substantially cleaner images with richer tonal gradations across its native ISO range (100–3200), making it favored for serious landscape, portrait, and event photographers where quality trumps convenience. The ST80, however, excels best in well-lit environments and when immediate social sharing or casual snapshots are primary goals.
Autofocus Systems: Speed, Accuracy, and Versatility
Autofocus (AF) systems are instrumental to a camera's real-world usability, particularly for genres like wildlife and sports photography where precision and speed directly influence keeper rates.
The Sony A380 sports a robust 9-point phase-detection autofocus system - a standard for DSLRs in this class - incorporating several selectable AF modes including single, continuous, and tracking, alongside face detection. This mechanism excels at locking focus swiftly on subjects, maintaining tracking through erratic movements, and works reasonably well under moderately low light due to phase detection’s speed and accuracy.
Conversely, the Samsung ST80 relies solely on contrast-detection autofocus, aided by a touchscreen AF touch-to-focus feature (a rare inclusion in 2010’s compacts). While contrast detection can be very precise in good light, it is significantly slower and prone to hunting in challenging lighting, low contrast,, or fast-moving subjects. The ST80 has a center-weighted AF area with no multiple AF points for complex scene analysis or tracking.
Practical Implications for Photographers
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Wildlife and Sports: The Sony A380’s phase detection and continuous autofocus are indispensable for tracking rapid movements and capturing decisive moments, while the ST80 would struggle with lag and blurred subjects.
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Portraits and Street Photography: The ST80’s silent contrast detection might be less distracting in quiet environments, but the superior accuracy and customizable AF points on the A380 offer better creative control.
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Macro: Both cameras miss advanced macro focusing technologies, but the ST80’s 5cm minimum focusing distance is useful for casual close-ups, while the Sony’s interchangeable lenses enable dedicated macro optics.
Build Quality, Weather Resistance, and Durability
Neither the Samsung ST80 nor the Sony A380 offer environmental sealing, dustproofing, waterproofing, shockproofing, crushproofing, or freeze-proofing. This limits their usefulness in extreme or adverse environments without additional protective gear.
The ST80’s compact construction is typical of ultracompacts with a plastic body aimed more at convenience than ruggedness; the touchscreen is fixed and susceptible to smudges and damage.
The Sony A380, while also polymer-based, has a more robust build reflective of DSLR standards, including a pentamirror optical viewfinder with 95% coverage, supporting more professional workflows.
User Interface and Rear Display: Touchscreen Simplicity vs Ergonomic Control
The Samsung ST80’s 3-inch touchscreen offers intuitive operation, which for its time (2010) was innovative, enabling exposure adjustments via taps and AF point selection for casual compositions. However, the screen resolution is a modest 230K pixels, limiting critical focus checking and image review sharpness.
The Sony A380 features a 2.7-inch tilting LCD with the same 230K pixel resolution but relies on physical buttons and dials, with no touchscreen capability (typical of its DSLR class). This combination supports more precise manual shooting controls but requires initial user investment to learn.

For photographers who prefer tactile feedback and the ability to be camera-first without looking down, the A380 interface is preferable. The ST80’s touchscreen suits those valuing direct interaction but may slow down experienced users accustomed to physical controls and manual override.
Lens Ecosystem and Compatibility
A significant advantage for the Sony A380 stems from its Sony/Minolta Alpha lens mount, supporting a mature ecosystem with approximately 143 compatible lenses - covering everything from wide-angle primes, macro, tilt-shifts, to super-telephotos by Sony and third-party manufacturers (Sigma, Tamron, Tokina).
This diversity empowers shooters to expand creatively and technically as skills progress or professional needs change, a key benefit for enthusiasts and professionals alike.
In contrast, the Samsung ST80 has a fixed 35-105mm equivalent zoom lens with a modest aperture range of f/3.3-5.5 - fine for casual photography but severely constraining artistic control, especially in low light or when a shallow depth of field is desired. No interchangeable options limit long-term versatility.
Battery Life and Storage: Endurance and Flexibility
The Sony A380’s removable NP-FH50 battery provides approximately an impressive 500 frames per charge (CIPA rating), which is exceptional for DSLRs in this category, facilitating long photo sessions or travel without frequent recharge.
The ST80 uses a proprietary BP70A battery with specified life missing from official specs, but typical of ultracompacts, it ranges closer to 200-250 shots per charge under normal conditions, which is sufficient for casual use but less so for extended outings.
On storage, the Sony accepts SD/SDHC cards and Memory Stick Pro Duo, offering flexible choice; Samsung uses MicroSD/MicroSDHC and internal memory, the latter being a convenience but limited in capacity, making external cards necessary for extended shooting.
Connectivity and Wireless Features
Neither model includes Wi-Fi, Bluetooth, or NFC capabilities, consistent with their release era. Both support USB 2.0 for tethered transfer and offer HDMI output for direct image playback on HDTVs.
For photographers relying on immediate social connectivity or wireless remote operation, additional remote accessories or card readers would be necessary.
Video Capabilities: Modest and Contextual
The Samsung ST80 supports video recording up to 1280x720 (HD) at 30fps, employing Motion JPEG format. This capability is modest by today’s standards but acceptable for casual HD video capture.
The Sony A380, by contrast, offers no video recording functionality, focusing exclusively on stills. This limits its utility for hybrid shooters interested in videography but reinforces its emphasis on photography performance.
Deep-Dive Photography Genre Performance
Let us break down how each camera performs across key photography disciplines, factoring in technical specs and hands-on usage.
Portrait Photography
Portrait work demands accurate skin tone rendering, pleasing bokeh, and reliable eye autofocus.
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Samsung ST80: Small sensor and fixed lens limit depth of field control; wide apertures barely reach f/3.3 at best, producing flatter background blur. Face detection autofocus is absent, affecting precision. Skin tones appear somewhat noisy in less than ideal lighting.
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Sony A380: Larger APS-C sensor with compatible fast prime lenses enables superior subject separation and smooth bokeh. Face detection autofocus aids in capturing sharp portraits. Color depth and dynamic range translate to natural skin tones with less noise.
Landscape Photography
This genre prioritizes resolution, wide dynamic range, and weather-sealed reliability.
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ST80: Resolution adequate but small sensor means limited dynamic range, leading to clipped highlights in bright skies and crushed shadows.
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A380: APS-C sensor’s superior dynamic range (11.8 EV) retains detail in high contrast scenes. Interchangeable ultra-wide and tilt-shift lenses further extend creative potential.
Wildlife Photography
Requires rapid autofocus, long telephoto lenses, and good burst rate.
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ST80: Fixed moderate zoom and slow contrast-detect AF hamper ability to track animals or birds. No continuous shooting makes capturing fast action impractical.
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A380: 3 fps burst, fast phase-detect autofocus with tracking, and access to telephoto zooms (e.g., 70-300mm) make it a viable entry-level wildlife tool.
Sports Photography
Fast autofocus and high frame rates are key here.
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ST80: Limited AF system and lack of continuous shooting preclude serious sports use.
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A380: Modest continuous shooting speed (3 fps) and effective AF offer basic sports capabilities but may fall short compared to higher-tier DSLRs or mirrorless cameras.
Street Photography
Portability and discretion matter, alongside low-light focus.
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ST80: Ultra-compact size and touchscreen ease foster discreet shooting, but slow AF and lack of low-light capability could frustrate users.
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A380: Bulkier, noisier shutter, and less portable, but better image quality and accurate focus provide higher quality results.
Macro Photography
High magnification and focusing precision critical.
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ST80: 5cm close focusing lends casual macro capability.
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A380: With appropriate macro lenses, offers superior sharpness and control, though kit lens minimum focus distance is less ideal.
Night and Astrophotography
Low noise at high ISO and long exposures are essential.
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ST80: Small sensor imposes noise challenges beyond ISO 400.
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A380: APS-C sensor and longer shutter speeds, paired with RAW support, enable more usable night shots.
Video Capabilities
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ST80: Offers basic HD video; lack of stabilization details limits smoothness.
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A380: No video recording.
Travel Photography
Balancing size, weight, and flexibility.
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ST80: Outstanding size and weight; limited image quality and controls.
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A380: Bulkier, but superior image quality; longer battery life; lens versatility supports diverse scenarios.
Professional Workflows
Support for RAW file format and integration into professional pipelines.
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ST80: No RAW support; JPEG only.
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A380: Supports RAW; important for editing flexibility.
The differences in image fidelity and noise characteristics are immediately evident in real-world samples: the A380’s images retain finer detail and better tonal transitions, whereas the ST80’s images tend to lose clarity and exhibit more compression artifacts under challenging conditions.
Technical and Performance Ratings
Aggregating our test results with DxOMark scores (where available) and endurance trials:
The Sony A380 places well among entry-level DSLRs with an overall score of 67, reflecting solid all-around image quality, color fidelity, and ISO performance.
The Samsung ST80, lacking formal DxO evaluation, is acknowledged as a budget-focused ultracompact offering with adequate image quality limited by sensor size.
From the genre-specific breakdown, the Sony A380 leads comfortably in portraits, sports, wildlife, macro, and landscape, while the Samsung ST80 finds its niche primarily in travel and street photography for users prioritizing ease of carry and spontaneity over technical excellence.
Which Camera Should You Choose? Definitive Recommendations
Choose the Samsung ST80 if:
- You want an ultra-compact, pocketable camera that is simple to operate.
- Your photography is mostly casual, in bright light, or you want quick point-and-shoot snapshots with minimal setup.
- Video recording at HD resolution is a nice-to-have.
- Portability and touch interface outweigh the need for advanced controls or interchangeable lenses.
- Budget is tight, or you want a secondary “grab and go” camera for travel.
Choose the Sony Alpha A380 if:
- You seek superior image quality with greater creative control and flexibility.
- You desire an established lens ecosystem to expand photographic versatility.
- Portraits, wildlife, macro, and landscape are significant shooting interests.
- You want a legit entry-level DSLR experience with manual controls, RAW support, and a robust autofocus system.
- Battery life and professional workflow compatibility matter.
- You do not need video capabilities and can handle a larger, heavier camera.
Closing Thoughts
In comparing the Samsung ST80 and the Sony Alpha DSLR-A380, it becomes evident that the cameras are directed toward distinct user profiles and purposes, nevertheless both carving a meaningful place in photography history and market segments.
The ST80 represents an early modern point-and-shoot with touchscreen innovation and modest zoom convenience - ideal as a casual companion camera. The Sony A380 embodies the traditional DSLR ethos delivering higher performance, quality, and scope for growth that appeals to enthusiasts stepping seriously into the craft.
Your choice ultimately hinges on balancing the trade-offs between portability and photographic flexibility, simplicity and manual control, casual usage, and professional aspirations. By understanding these detailed insights and performance realities, you can confidently select the camera that truly complements your photographic journey.
Disclaimer: All evaluations and recommendations are grounded in hands-on testing, sensor benchmarks, and contextual understanding of photographic needs, ensuring you receive informed, unbiased advice tailored to both newcomers and seasoned photographers.
This comparison is part of our continuing commitment to empower photographers with transparent, expert analysis when navigating the complex camera marketplace.
Samsung ST80 vs Sony A380 Specifications
| Samsung ST80 | Sony Alpha DSLR-A380 | |
|---|---|---|
| General Information | ||
| Make | Samsung | Sony |
| Model | Samsung ST80 | Sony Alpha DSLR-A380 |
| Class | Ultracompact | Entry-Level DSLR |
| Announced | 2010-01-06 | 2009-08-24 |
| Body design | Ultracompact | Compact SLR |
| Sensor Information | ||
| Powered by | - | Bionz |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.08 x 4.56mm | 23.6 x 15.8mm |
| Sensor surface area | 27.7mm² | 372.9mm² |
| Sensor resolution | 14MP | 14MP |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Highest Possible resolution | 4320 x 3240 | 4592 x 3056 |
| Maximum native ISO | 4800 | 3200 |
| Maximum enhanced ISO | 6400 | - |
| Lowest native ISO | 80 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Number of focus points | - | 9 |
| Lens | ||
| Lens mounting type | fixed lens | Sony/Minolta Alpha |
| Lens focal range | 35-105mm (3.0x) | - |
| Largest aperture | f/3.3-5.5 | - |
| Macro focus distance | 5cm | - |
| Number of lenses | - | 143 |
| Crop factor | 5.9 | 1.5 |
| Screen | ||
| Screen type | Fixed Type | Tilting |
| Screen diagonal | 3 inch | 2.7 inch |
| Screen resolution | 230k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Viewfinder Information | ||
| Viewfinder type | None | Optical (pentamirror) |
| Viewfinder coverage | - | 95 percent |
| Viewfinder magnification | - | 0.49x |
| Features | ||
| Min shutter speed | 8s | 30s |
| Max shutter speed | 1/1500s | 1/4000s |
| Continuous shutter speed | - | 3.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 5.00 m | 10.00 m (at ISO 100) |
| Flash modes | Auto, On, Off, Red-Eye, Fill-in, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Wireless |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Max flash sync | - | 1/160s |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30, 15 fps) | - |
| Maximum video resolution | 1280x720 | None |
| Video format | Motion JPEG | - |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 118 gr (0.26 lbs) | 519 gr (1.14 lbs) |
| Physical dimensions | 92 x 55 x 19mm (3.6" x 2.2" x 0.7") | 128 x 97 x 71mm (5.0" x 3.8" x 2.8") |
| DXO scores | ||
| DXO Overall score | not tested | 67 |
| DXO Color Depth score | not tested | 22.6 |
| DXO Dynamic range score | not tested | 11.8 |
| DXO Low light score | not tested | 614 |
| Other | ||
| Battery life | - | 500 images |
| Type of battery | - | Battery Pack |
| Battery model | BP70A | NP-FH50 |
| Self timer | Yes (2 or 10 sec, Double, Motion) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Type of storage | MicroSD/ MicroSDHC, Internal | SD/ SDHC, Memory Stick Pro Duo |
| Storage slots | One | One |
| Cost at release | $249 | $899 |