Samsung TL220 vs Sony A7 II
95 Imaging
34 Features
27 Overall
31


69 Imaging
70 Features
84 Overall
75
Samsung TL220 vs Sony A7 II Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 27-124mm (F3.5-5.9) lens
- 169g - 100 x 60 x 19mm
- Revealed August 2009
- Additionally referred to as ST500
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Display
- ISO 100 - 25600 (Push to 51200)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Sony E Mount
- 599g - 127 x 96 x 60mm
- Introduced November 2014
- Old Model is Sony A7
- Refreshed by Sony A7 III

Samsung TL220 vs Sony A7 II: An In-Depth Comparative Review for Photography Enthusiasts and Professionals
Choosing the right camera often feels like navigating a maze, especially when the available options sit at very different ends of the technology and performance spectrum. Today, I’m diving deeply into a comparison between two cameras that couldn’t be more different in design, intent, and era: the Samsung TL220, a compact point-and-shoot from 2009, and the Sony Alpha A7 II, a full-frame pro-level mirrorless launched in 2014.
This juxtaposition isn’t accidental - both cameras represent compelling value propositions for their respective user bases. As someone who has evaluated thousands of cameras over 15+ years, I’ll share nuanced insights into their real-world performance, technical foundations, and who each model really benefits.
Let’s embark on this detailed exploration of these fascinating photographic tools - from pixel quality to feel-in-hand - to help you make a fully informed purchase decision.
Size, Feel, and Ergonomics: Pocket-Ready Versus Professional Bulk
One of the most immediate differences you’ll notice is physical. The Samsung TL220 is a compact, pocketable camera featuring a slim profile, whereas the Sony A7 II is a larger, mirrorless system designed for enthusiast and professional use with interchangeable lenses.
The Samsung TL220's svelte body easily slips into a jacket pocket, while the larger Sony A7 II demands dedicated carrying space but offers rugged handling.
The TL220 measures roughly 100 x 60 x 19 mm and weighs a featherweight 169 grams. This makes for exceptional portability, ideal for casual shooters or travelers wanting a no-fuss camera that can tag along everywhere. The button layout is minimalistic; combined with a fixed lens, the learning curve is gentle.
Contrast that with the Sony A7 II’s dimensions at 127 x 96 x 60 mm and substantial heft at 599 grams (body only). It isn’t a lightweight, and the added bulk can be felt during prolonged handheld use, especially with heavier lenses. However, the grip and control placement on the A7 II are carefully designed for professional handling, balancing comfort and fast access to critical functions. Those seeking tactile feedback, manual dials, and an ergonomic body will appreciate this design approach.
If portability and simplicity are your priorities, the TL220 scores high. The A7 II suits users willing to sacrifice pocketability for better handling and full manual control.
Top Controls and Interface: Designed for Speed Versus Simplicity
The user interface can make or break shooting enjoyment, so it’s worth examining the cameras’ top control layouts.
The Sony A7 II features dedicated dials for exposure settings and a shutter button designed for reflex-style comfort, versus the TL220’s basic control pad and limited settings options.
The TL220 relies mainly on touchscreen input and a few physical buttons around the rear. While this works well for quick point-and-shoot sessions, the lack of dedicated dials for aperture, shutter, or exposure compensation limits creative control and slows manual adjustments.
In contrast, the A7 II's top plate sports multiple dials letting you instantly modify shutter speed, exposure compensation, and drive modes without diving into menus. This is a huge advantage for pros shooting dynamic scenes, as it minimizes missed moments. Additionally, the dedicated video record button simplifies switching formats.
For photographers who savor real-time exposure tweaking and tactile familiarity, the A7 II shines. Casual photographers favor the TL220’s straightforward touchscreen navigation.
Sensor Technology and Image Quality: Compact CCD Versus Full-Frame CMOS
Under the hood, the Samsung TL220 uses a 1/2.3-inch CCD sensor capturing 12 megapixels (4000 x 3000 resolution). The Sony A7 II houses a full-frame (35.8 x 23.9 mm) CMOS sensor producing 24 MP shots (6000 x 4000). This difference profoundly impacts potential image quality.
The TL220’s small sensor limits high ISO performance and dynamic range, whereas the A7 II’s large sensor delivers superior detail, color depth, and noise control.
Through controlled studio tests and fieldwork, I found the TL220’s small sensor inherently restricts low-light capability and dynamic range. Noise increases markedly beyond ISO 400, and fine detail suffers. Its CCD design, while once common, now lags modern CMOS tech in both speed and sensitivity.
The A7 II’s full-frame CMOS excels in rendering nuanced tones, excellent high-ISO performance (clean up to ISO 3200 and usable to ISO 6400), and expansive dynamic range of approximately 13.6 EV. This translates to richer shadows and highlights retention - crucial for landscapes and portraits.
In portraits, the A7 II produces exceptionally smooth skin tones and subject isolation abilities due to lens choices. The TL220’s limited aperture range (f/3.5–5.9) and sensor size constrain bokeh capabilities.
If pristine image quality, professional-grade dynamic range, and depth are your goals, the A7 II’s sensor architecture is a game-changer.
Viewing Experience: Fixed Screen Versus Tilting High-Resolution Display
Composing and reviewing images heavily rely on screen quality and ergonomics.
While both cameras have 3-inch screens, the TL220 offers a low-resolution touchscreen fixed in place, whereas the A7 II features a tilting, higher resolution display enhancing framing flexibility.
The TL220’s 3-inch 230k-dot touchscreen is usable but limited in brightness and detail, which can be challenging in bright outdoor conditions. Its fixed position reduces framing versatility for low/high angles.
The A7 II’s 3-inch 1,230k-dot LCD pivots upward and downward, facilitating varied shooting postures. Although not a touchscreen, its clarity and viewing angles are noticeably better, enabling critical focus checking and menu navigation.
For street and travel photographers who benefit from discreet and flexible composition angles, the A7 II has clear advantages.
Autofocus Systems: Basic CCD Contrast Detection vs Advanced Hybrid AF
Autofocus speed, accuracy, and features directly impact photography success across genres.
The TL220 uses basic contrast-detection autofocus with face detection but lacks continuous AF, eye-detection, or tracking. This results in slower focus acquisition and less reliability on moving subjects.
The A7 II’s hybrid autofocus system combines 117 phase-detection points with contrast detection, enabling fast, confident focus hunting even in challenging conditions. Features like face detection, tracking, and eye autofocus contribute to sharper portraits and sports shots.
From extensive wildlife photography sessions, the A7 II’s ability to lock focus on erratically moving animals was especially useful; the TL220 often missed or hunted for focus.
If autofocus speed and tracking functionality are vital (sports, wildlife, fast-paced events), the A7 II stands out undeniably.
Lens Ecosystem and Versatility: Fixed Zoom Lens vs Expansive Interchangeable Support
Lens compatibility defines your creative latitude and image quality ceiling.
The Samsung TL220’s built-in 27-124mm f/3.5-5.9 lens suits casual use and offers modest reach in a compact size but lacks the sharpness, brightness, and creative control of interchangeable lenses.
With Sony’s E-mount on the A7 II, you get access to over 120 native lenses (and countless third-party options), including premium primes, fast zooms, macro, and professional telephoto lenses. This opens doors to all photography disciplines and styles.
I personally have tested dozens of lenses on the A7 II, observing remarkable improvement in image quality and creative expression compared to fixed lenses. The flexibility to swap lenses to match subject and environment is invaluable.
Casual snapshooters will appreciate TL220’s simplicity and convenience, but serious photographers benefit immensely from the A7 II’s lens ecosystem.
Burst Rate, Battery Life, and Storage: From Casual Snaps to Extended Shoots
The TL220 doesn’t specify burst shooting; its modest processing power limits continuous capture, suitable mostly for static subjects.
The A7 II offers 5 fps burst, enough for sports and wildlife photography. Although not spectacular compared to newer cameras exceeding 10 fps, this remains solid for mid-2010s standards.
Battery life heavily favors the A7 II with approximately 350 shots per charge, supporting prolonged workdays or shoots. The TL220's battery life isn’t clearly published but typical compact cameras tend to fall short under heavy use.
Both cameras use single memory card slots, but the A7 II supports SDXC and Sony’s proprietary memory sticks, offering flexible storage options.
If you require long shooting sessions or burst mode for action, the A7 II delivers a far more professional experience.
Weather Sealing and Build Reliability: Ruggedness for Outdoor Endeavors
While neither camera is fully waterproof or freezeproof, the A7 II features partial environmental sealing - a rubber gasket around battery and card doors protects against light rain and dust.
The TL220 has no weather sealing and is better suited to dry, moderate conditions.
For users who shoot landscapes, wildlife, or travel in unpredictable climates, this difference could be the deciding factor.
Video Capabilities: Basic HD Clips Versus Full HD with Professional Inputs
The TL220 records Motion JPEG video up to 720p at 30 fps, outputting average quality with limited codec support, no external mic, and no advanced controls.
The A7 II upgrades to full HD 1080p video at up to 60 fps, supports AVCHD and XAVC S codecs, and includes microphone and headphone ports. This makes it a genuine hybrid camera catering to videographers seeking professional audio and recording options.
My hands-on shooting with the A7 II revealed clean footage, decent dynamic range, and the five-axis stabilization system making handheld video smoother - features absent on the TL220.
For casual video clips, the TL220 suffices, but hybrid shooters and vloggers will appreciate the A7 II's extensive capabilities.
Specialized Photography Disciplines: How Each Camera Performs in Key Scenarios
I’ve organized practical observations by genre, drawing from direct field experiences with these two models.
Portrait Photography
The A7 II’s full-frame sensor, high-resolution AF points, and wide lens selection produce creamy bokeh and precise eye detection. Skin tones retain natural warmth and detail. The TL220 struggles here; its smaller sensor, slower lens, and lack of face tracking limit sharpness and subject separation.
Landscape Photography
High dynamic range and excellent resolution make the A7 II ideal for vast scene captures. Weather sealing adds reassurance outdoors. The TL220’s limited sensor means less tonal gradation and noisier shadows. The fixed lens's focal length is less versatile for vast vistas.
Wildlife Photography
A7 II’s fast hybrid AF, continuous shooting, and telephoto lenses enable sharp, well-timed captures of animals in motion. TL220’s autofocus speed and reach are insufficient for most wildlife needs.
Sports Photography
While not a high-frame-rate shooter, the A7 II’s 5 fps and reliable AF tracking manage moderately paced sports. The TL220 is effectively unsuitable for action photography.
Street Photography
TL220’s compactness and quiet operation offer discreet shooting. The A7 II is bulkier and noisier but delivers superior image quality and better low-light performance, important for nighttime street scenes.
Macro Photography
A7 II’s lens options produce superior detail and focusing precision. TL220’s 5 cm macro mode is convenient but limited in magnification and contrast precision.
Night and Astrophotography
The Sony’s high-ISO prowess and sensor size permit cleaner, longer exposures, and lower noise - critical for capturing stars or night cityscapes. The TL220 cannot match this due to sensor constraints and noise levels.
Video Work
For filmmakers, the A7 II offers professional codecs, full HD quality, and audio input options. The TL220 is limited to basic 720p clips with no external audio controls.
Travel Photography
Both have merits: TL220 for ultra-portability and ease; A7 II for high-quality photos, weather resistance, and interchangeable lenses covering many scenarios. Battery life differences weigh in the A7 II’s favor for extended trips.
Professional Use
The A7 II has the reliability, file formats (incl. RAW), and versatile workflow compatibility required for client work and critical projects. The TL220 is aimed at casual users and hobbyists only.
Wireless and Connectivity: Modern Convenience or Outdated Simplicity?
The TL220 lacks wireless or NFC capabilities, relying purely on USB 2.0 for file transfer.
The Sony A7 II includes built-in Wi-Fi, a rare feature for its launch era, facilitating wireless image sharing and remote shooting via smartphone apps. It also supports NFC for one-touch pairing.
Connectivity might seem less glamorous, but these features speed up professional workflows and social media sharing for enthusiasts.
Final Performance Ratings: How They Stack Up Numerically
Bringing together all tested parameters, the A7 II’s overall score of 90 (DXO Mark) attests to its advanced sensor and capabilities. The TL220 remains untested on these platforms but is widely recognized as an entry-level compact.
The Sony A7 II dominates in image quality, autofocus, and versatility, while the TL220 holds ground on compactness and casual usability.
Comparative gallery demonstrating the A7 II’s detail and dynamic range versus the compact snapshots from the TL220.
Breakdown by photography type highlights where each camera shines or falls short.
Who Should Choose Each Camera? My Recommendations
If you are a casual photographer, traveler, or budget-conscious enthusiast who wants an easy-to-use, pocketable camera for snapshots and occasional video, the Samsung TL220 remains a decent pick. It’s especially appealing as a lightweight secondary camera, or for users intimidated by complex manual controls.
If you are an enthusiast or professional willing to invest for superior image quality, creative freedom, and advanced autofocus, the Sony A7 II is a smart choice. Its full-frame sensor, robust build, and large lens ecosystem make it suitable for portraits, landscapes, wildlife, sports, and video production. It’s future-proof enough for serious use with reliable performance and excellent image quality.
Parting Thoughts: Personal Reflections on These Two Cameras
Testing the TL220 felt like revisiting a simpler photographic era - a time when compact digicams made photography accessible to everyone without fuss or complexity. It’s charming in its own right but quickly reveals its limits as photography aspirations grow.
The Sony A7 II, by contrast, embodies a leap forward. Its technical sophistication, coupled with a user interface designed for speed and versatility, unlocks many possibilities. During my fieldwork, I found myself reaching for the A7 II whenever image quality, control, or demanding shooting conditions mattered.
Ultimately, your choice hinges on what photography means to you today - a casual hobby or a serious craft. Both cameras occupy meaningful niches, but only one stands tall as a truly professional imaging tool.
I hope this detailed comparison helps you navigate your purchase thoughtfully. Those interested in more nuanced assessments or hands-on demonstrations can reach out or explore my other in-depth reviews reflecting real-world testing. Happy shooting!
Samsung TL220 vs Sony A7 II Specifications
Samsung TL220 | Sony Alpha A7 II | |
---|---|---|
General Information | ||
Make | Samsung | Sony |
Model | Samsung TL220 | Sony Alpha A7 II |
Also called as | ST500 | - |
Category | Small Sensor Compact | Pro Mirrorless |
Revealed | 2009-08-13 | 2014-11-20 |
Physical type | Compact | SLR-style mirrorless |
Sensor Information | ||
Processor | - | Bionz X |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor measurements | 6.08 x 4.56mm | 35.8 x 23.9mm |
Sensor surface area | 27.7mm² | 855.6mm² |
Sensor resolution | 12MP | 24MP |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Highest resolution | 4000 x 3000 | 6000 x 4000 |
Highest native ISO | 3200 | 25600 |
Highest boosted ISO | - | 51200 |
Min native ISO | 80 | 100 |
RAW photos | ||
Min boosted ISO | - | 50 |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | - | 117 |
Lens | ||
Lens mount | fixed lens | Sony E |
Lens focal range | 27-124mm (4.6x) | - |
Maximum aperture | f/3.5-5.9 | - |
Macro focus range | 5cm | - |
Available lenses | - | 121 |
Focal length multiplier | 5.9 | 1 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen sizing | 3" | 3" |
Resolution of screen | 230k dots | 1,230k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,359k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.71x |
Features | ||
Lowest shutter speed | 8 secs | 30 secs |
Highest shutter speed | 1/2000 secs | 1/8000 secs |
Continuous shooting rate | - | 5.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 3.40 m | no built-in flash |
Flash modes | Auto, On, Off, Red-eye, Fill-in, Slow sync, Manual | no built-in flash |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30, 15 fps) | 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
Highest video resolution | 1280x720 | 1920x1080 |
Video data format | Motion JPEG | MPEG-4, AVCHD, XAVC S |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 169 gr (0.37 lb) | 599 gr (1.32 lb) |
Physical dimensions | 100 x 60 x 19mm (3.9" x 2.4" x 0.7") | 127 x 96 x 60mm (5.0" x 3.8" x 2.4") |
DXO scores | ||
DXO All around score | not tested | 90 |
DXO Color Depth score | not tested | 24.9 |
DXO Dynamic range score | not tested | 13.6 |
DXO Low light score | not tested | 2449 |
Other | ||
Battery life | - | 350 images |
Battery style | - | Battery Pack |
Battery model | SLB-07A | NP-FW50 |
Self timer | Yes (10 sec, 2 sec, Double, Motion Timer) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse shooting | With downloadable app | |
Storage type | MicroSD/ MicroSDHC, internal | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | One | One |
Launch cost | $90 | $1,456 |