Samsung TL220 vs Sony HX99
95 Imaging
34 Features
27 Overall
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91 Imaging
44 Features
67 Overall
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Samsung TL220 vs Sony HX99 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 27-124mm (F3.5-5.9) lens
- 169g - 100 x 60 x 19mm
- Revealed August 2009
- Alternate Name is ST500
(Full Review)
- 18MP - 1/2.3-inch Sensor
- 3.00" Tilting Display
- ISO 80 - 12800
- 3840 x 2160 video
- 24-720mm (F3.5-6.4) lens
- 242g - 102 x 58 x 36mm
- Introduced September 2018
President Biden pushes bill mandating TikTok sale or ban Comparing the Samsung TL220 and Sony HX99: A Deep Dive Into Compact Camera Performance
Choosing the right compact camera in today’s crowded market can be daunting. Even though smartphones have eaten away much of the casual snapper's territory, dedicated small-sensor compacts still hold unique advantages: optical zoom reach, control options, and sometimes better image fidelity at a fraction of the cost of larger systems. Today, I’m taking a close look at two compact contenders from very different eras and tiers - the Samsung TL220 from 2009, and the Sony Cyber-shot DSC-HX99 launched almost a decade later in 2018. These models position themselves as portable be-all cameras but with strikingly different specifications and capabilities.
I’ve spent hands-on time with both, putting their sensors, lenses, and features through practical photographic scenarios. Whether you’re an enthusiast seeking pocketable versatility or a professional wanting a backup camera, let’s unpack what each offers - strengths, quirks, and real-world image quality. I’ll be frank about each model’s limitations and best-use cases while considering the value factor given the large price disparity.
Let’s start by orienting ourselves with the basics, then zoom into detailed areas like sensor performance, autofocus, handling, and specializations across different photography genres.
Size and Handling: Tiny but Distinctly Different
Size and ergonomics can make or break your joy in carrying a compact camera. Both the Samsung TL220 and Sony HX99 fall under the small compact umbrella, yet their physical forms reflect their generation and ambitions.
The TL220 is slim, measuring 100x60x19 mm and weighing just 169 grams, emphasizing pocket-friendliness. The Samsung’s minimalist approach means it slips into a jacket pocket with ease, though its flat, almost candy-bar design offers limited grip comfort.
On the flip side, the HX99, despite being compact, is chunkier at 102x58x36 mm and heavier at 242 grams. The extra thickness accommodates a longer zoom lens and an electronic viewfinder, adding bulk but significantly impacting handling positively. You get a more substantial grip and a tilting screen which is a boon for awkward shooting angles.

After using both extensively, I prefer the HX99's heft and grip for steady handling - especially in extended sessions. The TL220’s slimness is great for street shooting or travel when minimizing bulk rules, but its control layout feels a bit cramped. The HX99 strikes a better balance of portability and ergonomics.
Control Layout and User Interface: Intuitive Designs for Different Eras
Moving from feel to operation, the control schemes reveal a lot about each camera’s target user and usability.
The TL220 opts for simplicity with limited physical buttons and dials, relying heavily on its 3-inch fixed touchscreen with low resolution (230k dots). With only basic exposure settings and no manual focus or exposure modes, this camera invites point-and-shoot use, almost bordering on entry-level simplicity.
Sony’s HX99 packs considerably more shooting flexibility. From shutter and aperture priority modes to full manual exposure, it caters to enthusiasts who want creative control. The presence of an electronic viewfinder (638k dots, 100% coverage) gives a DSLR-like experience in bright sunlight. The 3-inch tilting touchscreen at 921k dots responds well, making menu navigation and focus point selection precise.

As a reviewer who insists on easy-to-find buttons and dials during active shooting, the HX99’s dedicated control rings and multi-function wheels make a big difference. I usually find myself frustrated with the TL220’s limited settings when trying to push beyond automatic modes.
Sensor and Image Quality: The Heart of the Matter
Now for the critical piece: cameras’ sensors and the images they produce. Both use 1/2.3-inch sensors common in compact cameras, but with notable differences.
The Samsung TL220 has a 12MP CCD sensor (6.08x4.56 mm, 27.72 mm² sensor area), typical of its era. CCDs deliver natural colors and good dynamic range for their time but suffer in noise performance at higher ISOs.
The Sony HX99 upgrades with an 18MP BSI-CMOS sensor (6.17x4.55 mm, 28.07 mm² sensor area), incorporating advancements like backside illumination that improve light gathering and noise reduction, especially critical for low-light and video shooting.

In practical tests, the HX99 noticeably outperforms the TL220 in image sharpness, dynamic range, and high ISO usability. When shooting landscapes or scenes demanding rich detail and subtle gradations, the HX99 delivers images with more punch and less grain beyond ISO 400.
The TL220 shines under bright daylight with pleasant color reproduction but degrades quickly when pushing ISO above 400. The lack of raw support also hampers post-processing flexibility, a sticking point for pros and enthusiasts alike.
The Optics: Zoom Range and Macro Capabilities
Lens versatility is a decisive factor, particularly for travel and everyday shooting.
Samsung’s TL220 offers a 27-124 mm equivalent zoom (4.6x) with an aperture range from f/3.5 to f/5.9. The lens is sharp in the center but exhibits softness at the edges, especially at telephoto. Its macro mode gets close to 5 cm, which is decent for close-ups.
Sony’s HX99 goes big with a 24-720 mm (30x optical zoom) - truly a superzoom in a pocketable body - with f/3.5-6.4 aperture range. Macro focusing also reaches 5 cm, but with the advantage of more sophisticated autofocus and image stabilization to capture detailed close-ups confidently.
The 30x telephoto reach lets you frame wildlife or distant subjects without changing lenses - something you simply cannot achieve with the TL220.
Autofocus Systems: Speed and Accuracy Matters
Autofocus technology evolves rapidly, and this is where the newer HX99 justifies the price difference for serious users.
The TL220 uses a contrast-detection autofocus with face detection absent, resulting in slower focus lock and occasional hunting, especially in low-light or low-contrast scenarios. No continuous autofocus means tracking moving subjects is out of reach.
In contrast, the HX99 features an advanced contrast-detection AF with face detection and continuous tracking. This yields quick, reliable focusing, even on moving subjects, ideal for street, wildlife, or sports photography where split-second capture is critical.
For instance, during outdoor walkabouts, I appreciated the HX99’s ability to lock on street performers and fleeting moments, while the TL220 felt sluggish, often causing missed shots.
Display and Viewfinders: Composing Your Shot
Both cameras have 3-inch LCD screens, but with distinct characteristics affecting usability.
Samsung’s fixed touchscreen with low 230k dot resolution feels dated, with limited responsiveness and diminished visibility in strong light.
Sony counters this with a high-resolution tilting touchscreen offering greater compositional freedom, plus an electronic viewfinder which is a huge advantage in bright outdoor shooting or when steadying extreme telephoto shots.

Having the EVF on the HX99 was a non-negotiable plus for me - it transformed uncomfortable bright-light framing into an easy, confident process, an upgrade not to overlook for serious photographers.
Burst Modes and Shutter Speeds: Freezing Action
For action or wildlife shooting, frame rates and shutter speed ranges matter.
The TL220’s shutter speed spans 8 to 1/2000 sec, but lacks burst shooting capabilities, essentially restricting you to single shots. This amateur target is evident in its non-existent continuous autofocus and slow processing pipeline.
The HX99 matches shutter speed range but adds true continuous shooting at 10 frames per second with AF tracking. This lets you capture fast-paced moments reliably, a must for any action or sports photography.
Video Capabilities: Beyond Still Photography
While primarily still cameras, both attempt video but differ drastically.
The TL220 records 720p HD video at 30fps using Motion JPEG, leading to larger files and less efficient compression. Audio capability is minimal, no external mic support or advanced codecs means limited video appeal.
Sony’s HX99 pushes modern 4K UHD video (3840x2160) at 30fps with efficient codecs like XAVC S, plus full HD options up to 120fps for slow motion. Despite no mic input, audio quality and stabilization make it a capable vlogging or casual video camera.
Connectivity and Storage: Bridging to Your Workflow
Data transfer and wireless features are crucial for today’s workflows.
Samsung’s TL220 is essentially isolated with only USB 2.0 for image download, and no wireless connectivity. Storage supports MicroSD cards which are handy but limited.
HX99 offers built-in Wi-Fi and NFC, making remote shooting and instant sharing possible - features I find essential in a travel or street context. It uses SD cards broadly compatible with all devices.
Battery Life and Build Quality: Practical Considerations
Neither camera boasts professional-grade weather sealing – no dust, water, or freeze protection. Both target casual or enthusiast use indoors or fair weather.
Battery life favors the HX99 robustly, rated for about 360 shots per charge, while the TL220’s runtime is unspecified, but likely lower given older battery tech.
The HX99’s more substantial battery and grip support longer sorties without swapping batteries.
Photography Genre Suitability: Who Should Pick Which?
Let’s break down performance strengths per photography discipline, using my extensive hands-on experience and supported by a detailed scoring analysis.
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Portrait Photography: The HX99’s face detection and better sensor deliver smoother skin tones and accurate eye focus. TL220 is usable but limited by autofocus and sensor tech.
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Landscape Photography: HX99 wins dynamic range and resolution-wise, plus better reach for framing distant scenes. TL220 is cramped by lower resolution and dynamic range.
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Wildlife Photography: Telephoto reach and AF speed make HX99 the clear choice for action and distant subjects. TL220 can only target close stationary subjects.
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Sports Photography: Continuous shooting and AF tracking on HX99 make it suitable; TL220 is too slow.
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Street Photography: TL220’s smaller size and simplicity win points for portability and discretion. HX99 is bulkier but better at catching fleeting moments.
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Macro Photography: Both have similar macro distance, but HX99’s AF precision and stabilization improve close-up performance.
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Night/Astro Photography: HX99 with ISO up to 12800 and BSI sensor performs well in low light; the TL220 struggles beyond ISO 400.
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Video: HX99’s 4K and better codecs make it a light video tool; TL220 is basic.
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Travel Photography: HX99’s versatility, battery life, and connectivity justify the extra bulk and cost for serious travelers. TL220 works as an inexpensive backup or casual shooter.
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Professional Work: HX99 supports raw and manual modes necessary for pro workflows; TL220 falls short.
Lens Compatibility and Ecosystem
Remember, both cameras have fixed lenses, so aftermarket lens options do not apply. This puts a premium on initial optical versatility.
Sony’s extensive accessory ecosystem enhances the HX99 experience (e.g., filters, remote controls) - well-supported even years later.
Samsung TL220, being older and discontinued, has limited third-party support.
Price-to-Performance: What Does Your Budget Buy?
Priced at roughly $90, the Samsung TL220 presents a competent entry-level compact for photographers on a tight budget or nostalgic for simple point-and-shoots.
The Sony HX99, at around $470, demands a significant premium but returns it with vastly superior sensor technology, lens reach, autofocus, video capabilities, and user experience.
If your budget permits, the HX99 uniquely blends pocketability with high-end compact features - a rare combo that can satisfy enthusiasts without trekking into mirrorless territory.
My Final Take: Which Should You Buy?
If you want straightforward point-and-shoot simplicity with a slim profile, the Samsung TL220 will serve casual shooters well. It is a lightweight camera that can slip into your day bag with minimal fuss and deliver decent photos in good light.
However, if you are serious about image quality, creative control, flexibility, and emerging video needs - or want a practical all-in-one travel and street camera - the Sony HX99 stands head and shoulders above. Its versatility, faster autofocus, longer zoom, better image stabilization, and more articulate controls will reward your investment and inspire experimentation.
Closing Thoughts
Comparing these two compacts from different periods reveals how much technological advancements have boosted small cameras’ capabilities. From sensor improvements to smarter AF and charmingly flexible zooms, the Sony HX99 is a testament to pocket camera evolution.
The TL220 remains a budget-friendly option with nostalgic appeal but struggles in today’s demanding photographic environment.
Whatever your choice, analyze your own shooting preferences carefully. Do you prioritize ultra-compact form, or versatility and performance? With cameras like the HX99, the line between compact camera convenience and enthusiast capability blurs beautifully.
Happy shooting!
Samsung TL220 vs Sony HX99 Specifications
| Samsung TL220 | Sony Cyber-shot DSC-HX99 | |
|---|---|---|
| General Information | ||
| Manufacturer | Samsung | Sony |
| Model type | Samsung TL220 | Sony Cyber-shot DSC-HX99 |
| Other name | ST500 | - |
| Category | Small Sensor Compact | Small Sensor Superzoom |
| Revealed | 2009-08-13 | 2018-09-01 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3-inch |
| Sensor measurements | 6.08 x 4.56mm | 6.17 x 4.55mm |
| Sensor surface area | 27.7mm² | 28.1mm² |
| Sensor resolution | 12 megapixels | 18 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 4000 x 3000 | 4896 x 3672 |
| Maximum native ISO | 3200 | 12800 |
| Minimum native ISO | 80 | 80 |
| RAW files | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 27-124mm (4.6x) | 24-720mm (30.0x) |
| Highest aperture | f/3.5-5.9 | f/3.5-6.4 |
| Macro focusing range | 5cm | 5cm |
| Crop factor | 5.9 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Tilting |
| Display sizing | 3" | 3.00" |
| Display resolution | 230 thousand dots | 921 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Viewfinder resolution | - | 638 thousand dots |
| Viewfinder coverage | - | 100% |
| Viewfinder magnification | - | 0.5x |
| Features | ||
| Min shutter speed | 8s | 30s |
| Max shutter speed | 1/2000s | 1/2000s |
| Continuous shutter rate | - | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 3.40 m | 5.40 m (with Auto ISO) |
| Flash options | Auto, On, Off, Red-eye, Fill-in, Slow sync, Manual | Auto, flash on, slow sync, flash off, rear sync |
| External flash | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30, 15 fps) | 3840 x 2160 (30p, 24p), 1920 x 1080 (60p, 60i, 30p, 24p, 120p) |
| Maximum video resolution | 1280x720 | 3840x2160 |
| Video file format | Motion JPEG | AVCHD, XAVC S |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 169 gr (0.37 lb) | 242 gr (0.53 lb) |
| Physical dimensions | 100 x 60 x 19mm (3.9" x 2.4" x 0.7") | 102 x 58 x 36mm (4.0" x 2.3" x 1.4") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 360 photos |
| Type of battery | - | Battery Pack |
| Battery ID | SLB-07A | NP-BX1 |
| Self timer | Yes (10 sec, 2 sec, Double, Motion Timer) | Yes |
| Time lapse shooting | ||
| Type of storage | MicroSD/ MicroSDHC, internal | SD/SDHC/SDXC, Memory Stick Duo |
| Card slots | Single | Single |
| Pricing at release | $90 | $469 |