Samsung TL220 vs Sony RX1R
95 Imaging
34 Features
27 Overall
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79 Imaging
69 Features
58 Overall
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Samsung TL220 vs Sony RX1R Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 27-124mm (F3.5-5.9) lens
- 169g - 100 x 60 x 19mm
- Introduced August 2009
- Other Name is ST500
(Full Review)
- 24MP - Full frame Sensor
- 3" Fixed Screen
- ISO 100 - 25600
- No Anti-Alias Filter
- 1920 x 1080 video
- 35mm (F2.0) lens
- 482g - 113 x 65 x 70mm
- Revealed June 2013
- Newer Model is Sony RX1R II

Samsung TL220 vs Sony RX1R: The Compact Camera Showdown from Two Eras
Stepping into the world of compact cameras often feels like navigating a maze: tiny sensor compacts, large sensor compacts, fixed lenses, zooms... and prices that range from "really affordable" to "let me sit down first." Today, we're putting two very different beasts head-to-head: the Samsung TL220, a modestly priced small-sensor compact from 2009, and the Sony Cyber-shot DSC-RX1R, a high-end large-sensor compact from 2013 that’s almost legendary in enthusiast circles.
On paper, these cameras aren’t even in the same league. The TL220 is a no-frills point-and-shoot with a modest zoom lens; the RX1R is a full-frame marvel with a prime lens, often praised for image quality rivaling DSLRs. But what happens when we really dig into performance, usability, and real-world practicality? Pull up a chair and let’s explore - sensor tech, autofocus, ergonomics, and across photography genres - to find what each can offer you today.
Size, Build, and Handling: Compactness vs. Substance
When you hold these two side-by-side, it’s immediately clear: the TL220 is all about pocket-friendly portability, while the RX1R demands a bit more respect in the grip department.
Samsung TL220: This camera is a delightfully compact 100 x 60 x 19 mm and a featherweight 169 grams. It’s thin, unobtrusive, and slips neatly into a jacket pocket. Ideal for casual shoots, family outings, or when you want something ultra-light hanging around your neck without getting in the way.
Sony RX1R: At 113 x 65 x 70 mm and 482 grams, this camera is more of a “pocketable only if your pockets are generously sized” kind. The build feels like a premium metal-bodied compact, substantial and more DSLR-like in ergonomics. The heft adds stability and a reassuring grip, especially with the 35mm F2 prime lens hanging on front.
Both cameras lack weather sealing - no surprises there - but the RX1R’s solid construction feels more durable and trustworthy for professional use or travel in variable conditions.
Ergonomically, the size advantage of the TL220 suits quick snaps and spontaneous shooting but at the expense of handling finesse and control. The RX1R, despite being bigger, offers more tactile buttons (albeit not illuminated) and better balance, crucial if you intend longer shooting sessions or manual focus work.
Control Layout and Usability: Minimalism vs. Classic Design
How cameras feel in the hand and how intuitive their controls are often make or break the shooting experience. I’ve spent hours toggling dials and menus on dozens of cameras, so this one’s close to my heart.
The TL220 embraces simplicity with a minimalist top plate - zoom rocker, shutter button, and a few mode dials. Its fixed 3-inch screen (230K resolution) is touchscreen-enabled, which is surprising for its class in 2009, but it doesn’t allow any manual aperture or shutter priority modes. You get mostly auto and scene presets, making it easy but limited. The lack of manual controls restricts its creative flexibility.
The RX1R makes a clear statement with a more traditional yet refined layout. Exposure compensation dial, mode dial, dedicated ISO button, and manual focus ring on the lens are all within easy reach. The 3-inch fixed LCD boasts a sharp 1229K-dot “Xtra Fine TFT” screen - a joy for reviewing images and fine-tuning focus manually. While it lacks a touchscreen, it features an optional optical/electronic viewfinder combo, enhancing precision framing in bright light.
Sensor and Image Quality: Small CCD vs. Large Full-Frame CMOS
The heart of any camera is its sensor. Here, the TL220 and RX1R couldn’t be more different.
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Samsung TL220: Sported a 1/2.3-inch CCD sensor measuring 6.08 x 4.56 mm, with a resolution of 12 megapixels. By today’s standards, the sensor is tiny, with limited dynamic range and low-light performance. The anti-alias filter smooths images but slightly reduces detail. ISO tops out at 3200 (native), which is ambitious but noise typically renders shots above ISO 400 only acceptable. The sensor size and tech typify point-and-shoot compacts of its time - modest sharpness, average color depth, and lack of RAW support.
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Sony RX1R: Features a full-frame 35.8 x 23.9 mm CMOS sensor with 24 megapixels and no anti-aliasing filter. This omission sharpens detail significantly at the cost of a slight increase in moiré, but the resulting images are breathtakingly crisp. The sensor excels with a DxOMark score of 91 overall, exceptional color depth (25 bits), wide dynamic range (13.6 EV), and low noise at elevated ISO (native up to 25600!) - a huge leap ahead from Samsung's offering. RAW support enables full control in post-processing, making this camera a dream for pros and enthusiasts.
In practical terms, the RX1R produces vastly superior image quality - richer tones, wider dynamic range, superb detail, and cleaner high ISO capabilities. The TL220 is more of a ‘grab and go’ shooter with acceptable daylight results but struggles rapidly as light dims or scenes become complex.
LCD Screen and Viewfinder Experience
Reviewing your photos or composing shots matters - and here, each camera takes different roads.
The TL220’s 3-inch 230K touchscreen provides basic framing and playback, but lower resolution and limited feedback make spot focusing and critical check stressful sometimes. The touchscreen functionality, while neat for 2009, isn’t matched by intuitive manual controls.
The RX1R’s screen is smaller (also 3 inches) but packs a 1229K-dot resolution for crystal clear previews, crucial when you’re pixel peeping or manually focusing. While it lacks a touchscreen, it compensates with optional high-res electronic or optical viewfinders (sold separately), a rare luxury in compacts, making it useful in bright daylight and when precise control is required.
Autofocus Systems: Contrast Detection vs Hybrid (Sort Of)
Autofocus speed and accuracy can make or break certain photography types - wildlife, sports, or street photography, especially.
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Samsung TL220: Uses a contrast-detection AF system with limited focus area options (multi-area, center weighted), but no face or eye detection. Live view AF can be slow, especially under low light. No continuous autofocus mode - focus locks when half-pressing shutter and remains. Suitable for casual shooting but frustrating when tracking moving targets.
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Sony RX1R: Also relies on contrast detection with 25 focus points, but benefits from face detection and eye AF support (a welcome feature for portrait work). AF tracking is present but limited compared to modern hybrid or phase detection systems. The single-shot autofocus is fast and precise, but slower continuous tracking limits sports or fast action shooters. Manual focus is excellent here, with a smooth, dampened focus ring and focus peaking.
If you plan to capture dynamic or unpredictable subjects frequently, neither camera will satisfy a pro-level AF demand, but RX1R clearly has the edge in accuracy and features.
Lens Versatility and Image Stabilization
Lens choice dramatically impacts your creative possibilities.
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Samsung TL220: Houses a 27-124mm (5.9x zoom) equivalent lens with an aperture range of F3.5-5.9 - not fast but versatile for casual zooming from wide to moderate telephoto. Optical image stabilization helps somewhat with handheld shots, especially in dimmer light, but lens sharpness is average across the zoom range.
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Sony RX1R: Fixed 35mm F2 prime lens - no zoom, but stellar optical quality with razor-sharp edges and beautiful bokeh from the large aperture. No in-body or lens-based stabilization, so a steady hand or tripod is recommended for slower shutter speeds. The prime focal length encourages thoughtful composition but reduces versatility compared to a zoom.
Choosing between flexibility and ultimate image quality lens is classic camera debate territory here - TL220 gives range, RX1R gives supreme optics and low-light edge.
Photography Genres: Where Each Camera Shines and Fumbles
Let’s talk real-world photography disciplines and see where these cameras stand.
Portrait Photography
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TL220: Struggles with skin tones - limited dynamic range and small sensor noise mean flat, sometimes "plastic" faces. No eye detection AF or manual control means you’re reliant on camera auto settings for depth of field and focus. Bokeh is unremarkable due to small sensor and slow lens.
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RX1R: Excels here. Full-frame sensor provides shallow depth of field, creamy bokeh, and beautiful skin tone rendition. Eye detection AF aids critical focus on eyes, essential for stunning portraits. Manual exposure and focus allow creative control.
Landscape Photography
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TL220: Limited dynamic range means blown highlights and loss of detail in shadows when out in the wild. Resolution is modest, so cropping options are limited. No weather sealing restricts rough outdoor use.
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RX1R: Outstanding. Wide dynamic range preserves detail in challenging light, 24MP resolution yields rich files perfect for big prints or cropping. Though no weather sealing, it is robustly built for trail use.
Wildlife & Sports Photography
Neither camera is a specialized sports shooter, but differences exist.
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TL220: Slow AF, no burst mode, and limited zoom reach mean you’ll miss many action moments. The sensor noise and limited ISO range hamper low-light animal shots.
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RX1R: Fixed 35mm lens is not ideal for distant wildlife, but reasonably quick AF and 5 fps burst rate facilitate some action photography. Best for large mammals up close or street-style movement shots - not for fast sports or birding.
Street Photography
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TL220: Small, discreet, and lightweight - perfect for standing outside a café or in a crowd without attracting attention. However, slow AF and average low-light ability make it struggle in evening urban scenarios.
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RX1R: Bulkier and more conspicuous, but stealthy enough if you’re a bit bold. Superb image quality and resolution mean cropping and subtle post-processing help you nail street moments. Manual focus aids in zones focusing techniques popular with street shooters.
Macro Photography
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TL220: 5cm macro focusing is handy for casual close-ups. Optical stabilization helps handheld macro, but limited resolution and small sensor mean less detail capture.
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RX1R: No dedicated macro mode or extreme close-focus distance, but 35mm lens is decently sharp for flower or object close-ups. Manual focus precision helps nail critical focus here.
Night and Astrophotography
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TL220: High ISO noise is problematic - images are grainy and washed out. Limited shutter speeds and sensor size hinder night sky capture.
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RX1R: Big sensor, high max ISO, and longer shutter speed capability make it suitable for night and astro photography - especially when paired with tripod and manual mode.
Video Capabilities
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TL220: Offers HD (1280x720) at 30fps in Motion JPEG format - functional but dated compression, resulting in large files. No external mic jack limits sound quality.
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RX1R: Full HD (1920x1080) at up to 60fps with AVCHD and MPEG-4 encoding, plus external mic input for better audio control. Video quality is solid but no 4K or advanced in-body stabilization.
Travel Photography
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TL220: Ultra-portable and lightweight to carry everywhere, but limited in quality and versatility. Good for snapshots and family holidays.
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RX1R: Heavier and bulkier but delivers excellent travel image quality across urban and natural settings. Battery life (~270 shots) is middling but manageable for a day’s shoot.
Professional Use
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TL220: Not really geared for pro workflow. No RAW, limited controls, and small sensor restrict its use to casual or backup camera.
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RX1R: Supports RAW, extensive manual controls, high image quality, and solid build make it suitable for professional photographers needing a compact full-frame solution or secondary camera.
Battery Life and Storage
Battery data for the TL220 is sparse, but compact cameras of its era generally deliver ~200-300 shots per charge. RX1R rated at 270 shots per charge - modest for modern standards - but acceptable, especially with spare batteries for longer shoots.
Storage-wise:
- TL220 uses MicroSD/MicroSDHC cards - easy and affordable but slower and smaller capacity compared to SDXC.
- RX1R supports SD/SDHC/SDXC and Sony Memory Stick formats, with larger capacities and faster speeds ideal for high-res RAW files and HD video.
Connectivity and Extras
Neither camera is packed with modern wireless features by today's expectations.
- TL220 lacks wireless connectivity entirely - no Bluetooth, no Wi-Fi.
- RX1R supports Eye-Fi card connectivity for wireless image transfer (a clever workaround for its era), plus HDMI output for viewing on big screens.
Neither offers GPS or NFC.
Pricing and Value: Pennywise vs Prograde Investment
At launch and even now, these cameras are worlds apart in price:
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Samsung TL220: Around $90 new - astounding for a budget compact. Offers basic photography tools with ease for beginners or casual users on a shoestring.
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Sony RX1R: Priced near $2800 - a serious investment aimed at professionals or serious enthusiasts requiring top-tier image quality in compact form. The lack of zoom and idiosyncrasies limits mass appeal, but image results are unrivaled.
Looking at side-by-side sample images, the RX1R’s photos are richer, cleaner, and more faithfully detailed. The TL220’s results look softer and noisier when pushed. It underscores the technology and sensor size difference we discussed.
Overall performance scores also reflect expectations: RX1R sits near the top for image quality and control, while TL220 represents a competent but basic compact.
Breaking down performance by photography type reinforces earlier insights: RX1R dominates portraits, landscape, and night photography while being moderate in sports and wildlife due to limited AF and lens. TL220’s strengths lean toward travel portability and casual snapshots.
Final Thoughts and Recommendations
So, which camera suits you?
Go for the Samsung TL220 if:
- You need a super affordable, pocket-friendly camera to capture casual everyday moments.
- You prefer simplicity without fuss - quick automatic shots for family, travel, or snapshots.
- You don’t prioritize image quality beyond social media sharing.
- You want a lightweight secondary camera or first compact for kids.
Choose the Sony RX1R if:
- Image quality is paramount - you want full-frame dynamic range, sharpness, and nuanced tones.
- You’re a professional or serious enthusiast with manual exposure and focusing needs.
- You do a mix of portrait, landscape, travel, night, or even casual video work.
- You’re comfortable with a prime lens and bulkier body for uncompromising image quality.
- Budget is less restrictive and you want a durable, pro-level compact.
Closing Note: Apples and Oranges, But Both Valuable
Comparing a 2009 budget compact to a 2013 full-frame compact seems unfair on paper - but it’s a useful exercise in understanding how sensor size, AF system, lens quality, and usability interface converge to define camera experience.
The TL220 is a classic basic shooter - cheap, simple, and modestly competent for its era. The RX1R, meanwhile, is a milestone in compact camera evolution, delivering DSLR-quality imagery without interchangeable lenses. If you want cutting-edge quality wrapped in a compact body and can afford it, the RX1R remains compelling. For straightforward, affordable snaps, the TL220 still has charm.
Hopefully, my hands-on insights and detailed analysis help you weigh those trade-offs thoughtfully. Happy shooting!
If you want to dive deeper into specific features or need tailored advice - feel free to ask!
Samsung TL220 vs Sony RX1R Specifications
Samsung TL220 | Sony Cyber-shot DSC-RX1R | |
---|---|---|
General Information | ||
Brand Name | Samsung | Sony |
Model | Samsung TL220 | Sony Cyber-shot DSC-RX1R |
Also called | ST500 | - |
Type | Small Sensor Compact | Large Sensor Compact |
Introduced | 2009-08-13 | 2013-06-26 |
Physical type | Compact | Large Sensor Compact |
Sensor Information | ||
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor measurements | 6.08 x 4.56mm | 35.8 x 23.9mm |
Sensor surface area | 27.7mm² | 855.6mm² |
Sensor resolution | 12 megapixels | 24 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Full resolution | 4000 x 3000 | 6000 x 4000 |
Max native ISO | 3200 | 25600 |
Minimum native ISO | 80 | 100 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | - | 25 |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 27-124mm (4.6x) | 35mm (1x) |
Highest aperture | f/3.5-5.9 | f/2.0 |
Macro focus range | 5cm | - |
Focal length multiplier | 5.9 | 1 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 3 inches | 3 inches |
Resolution of screen | 230 thousand dots | 1,229 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen tech | - | Xtra FineTFT LCD |
Viewfinder Information | ||
Viewfinder type | None | Electronic and Optical (optional) |
Features | ||
Slowest shutter speed | 8 secs | 30 secs |
Maximum shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shooting rate | - | 5.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 3.40 m | 6.00 m |
Flash options | Auto, On, Off, Red-eye, Fill-in, Slow sync, Manual | Auto, On, Off, Slow Sync, Rear Sync, Wireless |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Maximum flash synchronize | - | 1/4000 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30, 15 fps) | 1920 x 1080 (60, 50, 25, 24 fps), 1440 x 1080 (30, 25 fps), 1280 x 720 (30 fps), 640 x 480 (30, 25 fps) |
Max video resolution | 1280x720 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, AVCHD |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 169g (0.37 pounds) | 482g (1.06 pounds) |
Dimensions | 100 x 60 x 19mm (3.9" x 2.4" x 0.7") | 113 x 65 x 70mm (4.4" x 2.6" x 2.8") |
DXO scores | ||
DXO All around score | not tested | 91 |
DXO Color Depth score | not tested | 25.0 |
DXO Dynamic range score | not tested | 13.6 |
DXO Low light score | not tested | 2537 |
Other | ||
Battery life | - | 270 photographs |
Battery type | - | Battery Pack |
Battery model | SLB-07A | NP-BX1 |
Self timer | Yes (10 sec, 2 sec, Double, Motion Timer) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | MicroSD/ MicroSDHC, internal | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | Single | Single |
Price at launch | $90 | $2,798 |