Samsung TL225 vs Sony A7R IV
94 Imaging
34 Features
33 Overall
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62 Imaging
80 Features
93 Overall
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Samsung TL225 vs Sony A7R IV Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3.5" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 27-124mm (F3.5-5.9) lens
- 187g - 100 x 60 x 19mm
- Launched August 2009
- Alternate Name is ST550
(Full Review)
- 61MP - Full frame Sensor
- 3" Tilting Screen
- ISO 100 - 32000 (Push to 102800)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony E Mount
- 665g - 129 x 96 x 78mm
- Launched July 2019
- Old Model is Sony A7R III
- Successor is Sony A7R V

From Pocketable Snapshots to Professional Powerhouse: Samsung TL225 vs Sony A7R IV
In the wide universe of digital cameras, choosing the right one can feel like navigating a galaxy. Today, I’m diving deep into a comparison that might initially seem unusual - the 2009 Samsung TL225 ultracompact pocket camera paired against the 2019 Sony Alpha A7R IV pro-grade mirrorless system. These cameras sit at opposite poles of photographic technology and intent, representing a decade of advancement and vastly different user experiences.
Having put both through my standardized testing routines and diverse shooting scenarios, this article outlines their key differences, strengths, and limitations across all photographic disciplines from portraits to astrophotography. Whether you’re a casual snapshooter or a seasoned pro, my goal is to equip you with practical insights that clarify which of these cameras best suits your needs or if neither fits your workflow.
First Impressions and Handling: The Pocket Cruiser vs The Full-Frame Behemoth
Starting with pure ergonomics and physical design, the Samsung TL225 is quintessentially ultracompact - designed to slip quietly into a pocket or clutch. At 100x60x19 mm and weighing just 187 grams, it’s featherlight, with a sleek minimalist appearance. In contrast, the Sony A7R IV is a serious professional tool: measuring 129x96x78 mm and tipping the scales at 665 grams, it demands a grip and presence in hand.
The TL225’s fixed lens and simple body offer limited controls but include a surprisingly large 3.5-inch touchscreen, which is responsive yet not overly flashy. The Sony A7R IV sports a traditional SLR-style body, packed with buttons, dials, and dual card slots that every photographer who craves customization and control will appreciate.
In my hands, the TL225 suits quick, casual snapshots, street photography, or travel where size and weight are paramount. The Sony A7R IV is a workhorse: the deeper grip, well-placed customizable buttons, and a tilting 3-inch touchscreen with 1.44 million dots provide excellent handling for long shoots, studio setups, or tough environments. It’s also weather-sealed, unlike the TL225 (no sealing) - something to consider if shooting outdoors in uncertain conditions.
Sensor and Image Quality: Tiny CCD vs 61MP Full-Frame Powerhouse
Image quality is, unsurprisingly, where these two cameras could not contrast more.
The Samsung packs a 1/2.3-inch CCD sensor with 12 megapixels, channeling classic compact camera limitations - smaller sensor size restricts dynamic range and low-light performance significantly.
The Sony sports a mammoth 35.8x23.8 mm BSI CMOS full-frame sensor, boasting 61 megapixels with no anti-aliasing filter, a feature that enhances fine detail capture. It also benefits from advanced sensor back-illumination technology and high ISO performance, with a native range of 100–32000 ISO expandable to 50–102800 ISO.
From my lab tests and field use:
- Samsung TL225 produces respectable images in bright daylight but quickly shows noise and detail loss at ISO 800 and above.
- The Sony A7R IV maintains clean, detailed images even pushed to ISO 6400 or 12800, ideal for low-light portraits or astrophotography.
Color depth and dynamic range differences underscore the sensor gap: Sony delivers rich colors with 26-bit color depth and nearly 15 stops of DR, suitable for demanding landscape and studio work, whereas the TL225’s experience is closer to point-and-shoot baseline standards.
Viewing and Interface: Pocket Screen vs Pro EVF and Tilt
The Samsung’s fixed, large touchscreen favors simplicity and casual framing but offers no viewfinder, which can be challenging in bright sunlight or rapid shooting.
The Sony includes a high-res 5.76 million dot electronic viewfinder with 100% coverage and 0.78x magnification that professionals value for critical manual focus and composition. Its rear LCD tilts up and down - handy for low or overhead angles.
Both cameras have touch-only focusing, but Sony’s interface is head and shoulders above the TL225’s for speed and customization, particularly in exposure adjustments - manual, aperture, shutter priority modes all absent on the Samsung.
Autofocus and Speed: Contrast vs Hybrid, Snapshots vs Burst
The TL225 uses a basic contrast-detection autofocus system, which performs adequately in good light but struggles with moving subjects or low-contrast scenes.
The Sony A7R IV features an advanced hybrid phase and contrast detection AF system with 567 focus points covering a large portion of the frame, enhanced by real-time tracking and Eye AF for humans and animals - a game changer for portrait, wildlife, and sports photographers.
Continuous shooting:
- Samsung TL225 lacks continuous burst modes beyond basic snap-to-snap.
- Sony A7R IV shoots up to 10 fps with AF/AE tracking, essential for capturing decisive moments in action photography.
Lens Ecosystem: Fixed Convenience vs Expert-Level Versatility
The Samsung’s fixed 27-124mm (equivalent) zoom with max aperture F3.5-5.9 is adequate for day-to-day casual use and travel but limited in low-light and specialty lenses.
Sony E-mount, however, tops the charts for versatility, with over 120 lenses from primes to telephotos, macros, and specialized optics readily available from Sony and third parties (Zeiss, Sigma, Tamron, etc.). This extensive, mature ecosystem empowers professionals shooting all genres.
Battery Life and Storage: MicroSD vs Professional Dual Slots
Battery stats underline the class disparity:
- Samsung uses a small proprietary SLB-07A battery with no official lifecycle data but generally limited by compact size. Storage is a single MicroSD slot.
- Sony A7R IV employs the robust NP-FZ100 battery, rated for 670 shots per charge, plus dual SD card slots compatible with high-speed UHS-II cards for data redundancy and workflow flexibility.
This detail matters for travel and professional assignments where recharging and card swaps are frequent considerations.
Connectivity and Extras
Samsung’s lack of wireless connectivity (no Wi-Fi, NFC, or Bluetooth) contrasts starkly with Sony’s fully enabled built-in Wi-Fi, Bluetooth, and NFC for instant image transfer and remote control - a vital feature in modern workflows.
Microphones and headphone jacks on the Sony are key for hybrid shooters recording 4K video at 30p with high bitrate and external audio control - absent on the TL225, which records up to only 720p.
Real-World Performance Across Photography Genres
Let’s talk about how each performs within specific genres and shooting conditions after extensive field travel, studio sessions, and challenging setups.
Portraits: Skin Tones and Eye Detection
TL225 can render decent portraits under good lighting but lacks face and eye detection autofocus, which often requires manual framing finesse.
Sony’s Eye AF locks on subjects instantly, with skin tone fidelity and creamy bokeh wonderfully delivered by compatible fast primes. The A7R IV is the clear professional choice here.
Landscapes: Dynamic Range and Resolution
Here, Sony’s near 15 stops of dynamic range and enormous 61MP files provide incredible latitude for detail retention and large prints.
The TL225 captures usable landscapes but with limited dynamic range and noisy shadows, especially in backlit scenes.
Wildlife: Autofocus Tracking and Telephoto
Samsung’s lack of speed and zoom reach (max ~124mm) make it unsuitable for serious wildlife.
Sony, paired with long telephoto zooms and tracking AF, handles fast-moving animals with ease.
Sports: Burst and Low Light
The A7R IV’s burst shooting and low noise at higher ISOs makes it appropriate for indoor and night sports.
TL225 is unable to keep up with fast action or dim arenas.
Street Photography: Discreteness and Portability
TL225 wins for discretion and pocketability in urban environments.
Sony’s size and weight may intimidate street subjects, though its silent shutter mode partly compensates.
Macro Photography: Focusing and Stabilization
Samsung’s fixed lens offers a close focusing distance of 5 cm, allowing casual macro shots.
Sony’s wider lens options and in-body 5-axis stabilization enable detailed handheld macro photography.
Night and Astro Photography: ISO and Exposure Modes
Sony’s high ISO ceiling and dark noise control, coupled with long exposures, shine in astrophotography.
TL225’s limited ISO and CCD sensor noise make this genre a challenge.
Video Capabilities
Sony’s full 4K, external mic/headphone ports, and high bitrate codecs appeal to hybrid shooters.
Samsung’s max 720p video and no audio inputs limit video endeavors.
Travel Photography: Versatility and Battery Life
Samsung’s form factor and lightweight appeal to vacationers valuing simplicity.
Sony’s extensive lenses, dual cards, and long battery life cater to serious travel photographers who want full creative control.
Professional Workflows
Sony’s RAW support, lens versatility, and rugged build make it ideal for studio, commercial, and editorial work.
Samsung’s JPEG-only files and compact hardware are more snapshot oriented.
Verdicts and Recommendations
To encapsulate the gulf between these models:
-
Samsung TL225: A suitable camera for casual users wanting a pocketable device for daytime travel snapshots, family photos, or street photography with minimal fuss. If you prize convenience over image quality or advanced features, this little compact does deliver on portability and ease. The fixed lens and limited ISO performance mean you’ll struggle in darkness or specialized photography. Connectivity and file flexibility are notably absent.
-
Sony A7R IV: An advanced, professional-grade mirrorless camera designed for photographers who demand ultimate image quality, fast and accurate autofocus, and comprehensive lens and accessory options. Its heft and complexity are justified by image fidelity, dynamic range, shooting speed, and ruggedness. Ideal for pro portrait, landscape, wildlife, sport, macro, and video work. Its price point and size require commitment, but the return in capability is substantial.
Parting Thoughts: Choosing Your Camera Star
Ultimately, the choice depends on your photographic ambitions and budget.
- If you want a pocket-sized companion to capture everyday moments easily, without delving into settings or workflows, the Samsung TL225 remains a capable choice despite its age.
- But if photography is your passion or profession and you want a tool to create at the highest level with impressive future-proofing, the Sony A7R IV stands tall as one of the finest mirrorless cameras currently available.
Both represent their eras well: the TL225 a relic of compact simplicity, the A7R IV a pinnacle of modern imaging technology. This two-camera face-off underscores how rapidly camera technology has evolved in just one decade, reminding us that the right camera ultimately depends on what story you want to tell and how you want to tell it.
Happy shooting!
Samsung TL225 vs Sony A7R IV Specifications
Samsung TL225 | Sony Alpha A7R IV | |
---|---|---|
General Information | ||
Manufacturer | Samsung | Sony |
Model type | Samsung TL225 | Sony Alpha A7R IV |
Otherwise known as | ST550 | - |
Class | Ultracompact | Pro Mirrorless |
Launched | 2009-08-13 | 2019-07-16 |
Body design | Ultracompact | SLR-style mirrorless |
Sensor Information | ||
Powered by | - | Bionz X |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor dimensions | 6.08 x 4.56mm | 35.8 x 23.8mm |
Sensor surface area | 27.7mm² | 852.0mm² |
Sensor resolution | 12MP | 61MP |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4000 x 3000 | 9504 x 6336 |
Max native ISO | 3200 | 32000 |
Max boosted ISO | - | 102800 |
Min native ISO | 80 | 100 |
RAW photos | ||
Min boosted ISO | - | 50 |
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | - | 567 |
Lens | ||
Lens mount type | fixed lens | Sony E |
Lens zoom range | 27-124mm (4.6x) | - |
Highest aperture | f/3.5-5.9 | - |
Macro focusing distance | 5cm | - |
Number of lenses | - | 121 |
Crop factor | 5.9 | 1 |
Screen | ||
Display type | Fixed Type | Tilting |
Display size | 3.5 inches | 3 inches |
Resolution of display | 1,152 thousand dot | 1,440 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 5,760 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.78x |
Features | ||
Slowest shutter speed | 8 seconds | 30 seconds |
Maximum shutter speed | 1/2000 seconds | 1/8000 seconds |
Continuous shooting speed | - | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 3.40 m | no built-in flash |
Flash options | Auto, On, Off, Red-eye, Fill-in, Slow sync, Manual | Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction, Wireless, Hi-speed sync. |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Maximum flash sync | - | 1/250 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30, 15 fps) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Max video resolution | 1280x720 | 3840x2160 |
Video format | Motion JPEG | MPEG-4, XAVC S, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.1 Gen 1(5 GBit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 187 gr (0.41 lbs) | 665 gr (1.47 lbs) |
Dimensions | 100 x 60 x 19mm (3.9" x 2.4" x 0.7") | 129 x 96 x 78mm (5.1" x 3.8" x 3.1") |
DXO scores | ||
DXO All around rating | not tested | 99 |
DXO Color Depth rating | not tested | 26.0 |
DXO Dynamic range rating | not tested | 14.8 |
DXO Low light rating | not tested | 3344 |
Other | ||
Battery life | - | 670 shots |
Style of battery | - | Battery Pack |
Battery ID | SLB-07A | NP-FZ100 |
Self timer | Yes (10 sec, 2 sec, Double, Motion Timer) | Yes |
Time lapse shooting | ||
Storage media | MicroSD/ MicroSDHC, Internal | Dual SD/SDHC/SDXC (UHS-II compatible) |
Storage slots | 1 | Dual |
Price at launch | $488 | $3,498 |