Samsung TL350 vs Sony A99 II
94 Imaging
33 Features
47 Overall
38
57 Imaging
75 Features
92 Overall
81
Samsung TL350 vs Sony A99 II Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-120mm (F2.4-5.8) lens
- 195g - 100 x 59 x 22mm
- Released February 2010
- Also referred to as WB2000
(Full Review)
- 42MP - Full frame Sensor
- 3" Fully Articulated Display
- ISO 100 - 25600 (Push to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony/Minolta Alpha Mount
- 849g - 143 x 104 x 76mm
- Released September 2016
- Previous Model is Sony A99
Pentax 17 Pre-Orders Outperform Expectations by a Landslide From Pocket-Sized to Pro Powerhouse: Samsung TL350 vs Sony A99 II In-Depth Comparison
Stepping into the arena of camera reviews, few matchups feel as David-versus-Goliath as a small sensor compact versus a full-frame advanced DSLR. Here, we're putting the Samsung TL350, a nifty pocket-sized compact from 2010, head-to-head with the 2016 titan, the Sony Alpha A99 II, an advanced mid-size DSLR. The gap in announcements alone - six years and two drastically different market positions - means this isn’t just a specs showdown. It’s an exploration of how photographic ambition, sensor technology, and user preferences shape what these cameras can really do.
Having personally wrangled thousands of cameras over my 15+ years in photography, from run-and-gun compacts to the heftiest pro rigs, I’m here to provide you with a grounded, honest appraisal - not just marketing fluff. Let’s dive in, starting with how these cameras stack up physically, then dig into their technical cores, practical performance across genres, and who should consider each one.
Size Matters: Compact Convenience vs Rugged Full-Frame Presence
Anybody who’s spent even a brief moment wrestling with different camera bodies knows how much physical size and ergonomics influence shooting style. The Samsung TL350 is a pocketable compact, designed for effortless grab-and-go snaps - think of it as a trusty sidekick for casual outings. In contrast, the Sony A99 II is a beefy DSLR built with professional handling in mind.

At just 100 x 59 x 22 mm and weighing a mere 195 grams, the TL350 slips easily in a jacket pocket or small bag. Its fixed lens and simple controls mirror its intention: be ready anywhere, no fuss. If you like street photography that’s stealthy or travel where every gram counts, this is your friend.
The A99 II isn’t messing around at 143 x 104 x 76 mm and a hefty 849 grams. The DSLR form factor means deep grips, more buttons, and space for a bigger sensor and complex mechanisms. This size lets you hold the camera steady at long focal lengths for wildlife or sports, while robust build quality and weather sealing (absent in the TL350) mean it can suffer through tough conditions without complaint.
Peek under the top plates, and you’ll see the design intent laid bare:

The TL350 sports a streamlined dial and few buttons - easy but limited. The A99 II’s sprawling array of customizable dials and buttons invites a more tactile, muscle-memory engagement, critical in fast-paced professional environments.
Sensor Size and Image Quality: A World Apart
Here’s where the gap opens like the Grand Canyon. The TL350 relies on a 1/2.3" CMOS sensor (6.08 x 4.56 mm) with 10 megapixels - typical for compacts of its generation - while the Sony A99 II boasts a massive full-frame BSI-CMOS sensor (35.9 x 24 mm) with a whopping 42 megapixels.

Why does sensor size matter? Larger sensors capture more light, enabling better dynamic range, lower noise, and more subtle gradations in tone and color. The A99 II’s 861.60 mm² sensor area dwarfs the TL350’s 27.72 mm², meaning nearly 31 times more surface to collect photons - a big factor in night or low-light performance.
The TL350’s anti-alias filter and relatively small pixel pitch mean images, while serviceable for casual prints and web sharing, won’t hold up to heavy cropping or large-format printing. On the other hand, the A99 II with no anti-alias filter and a top-tier Sony BSI sensor pushes stellar DxO Mark scores (overall 92, color depth 25.4 bits, dynamic range 13.4 stops, and low-light ISO 2317), producing pristine, detailed files rivaling medium format under many conditions.
Practically, this means:
- Portraits from the A99 II exhibit silky smooth skin tones and breathtaking shadow detail.
- Landscapes capture subtle skies and textures without heavy noise or banding.
- Night shots remain clear even at ISO 6400 and beyond, where the TL350 would struggle to keep details intact.
Autofocus and Shooting Speed - Catching the Action
Autofocus (AF) is where tech sophistication really reveals its practical benefits. The Samsung TL350’s contrast-detection AF system, with limited face detection and no continuous AF or tracking, was fine for static subjects or careful compositions. It misses the mark on fast-moving subjects, and its 10 fps burst shooting feels ambitious but constrained by buffer and focus limitations.
By contrast, the Sony A99 II’s AF system is a beast - a hybrid of 399 phase-detection points and 79 cross-type sensors, with excellent coverage and precision. It supports continuous AF and tracking, face detection, and sophisticated subject recognition, translating into confidence when capturing unpredictable wildlife or split-second sports action. Frame rate maxes at a fast 12 fps, which, combined with phase-detection AF, ensures crisp, in-focus bursts.
In real-world tests, I found:
- The A99 II nails sharp focus in challenging light and when tracking erratically moving subjects.
- The TL350’s AF hunting is noticeable, especially indoors or in dim light.
- For sports or wildlife photographers, the A99 II’s performance is practically a requirement; the TL350 is better as a casual snapshot tool.
Build Quality and Ergonomics: Handling in the Field
Beyond basic size, build quality and ergonomics shape a camera’s success. The TL350’s plastic compact body offers limited weather resistance (none, actually), and no viewfinder means eye-level framing habits are out - you’re glued to the rear LCD.
The Sony A99 II impresses with a rugged magnesium alloy chassis, weather sealing against dust and moisture, and a deep, contoured grip that made marathon shoots less strenuous. It includes a top LCD panel for quick checks and twin card slots for storage redundancy, essential for pro assignments.

The TL350’s 3-inch fixed screen with 920k-dot resolution is bright but basic; the Sony packs a 3-inch fully articulated screen with 1229k dots offering better viewing angles and more shooting flexibility (think awkward angles or vlogging).
Lens Ecosystem and Compatibility
The TL350 comes with a fixed 24-120 mm f/2.4-5.8 lens (equivalent focal length), offering decent versatility for general use but limited creative control or upgrades. Its 5x zoom is respectable for a compact but can’t compete with interchangeable-lens systems.
The Sony A99 II, conversely, uses the Sony/Minolta Alpha mount with access to a huge library of 143 lenses, from prime portraits to long wildlife telephotos and ultra-wide landscapes. This versatility is a game changer for professionals and serious hobbyists.
Battery Life and Storage: Keeping You Shooting
For those long days out, battery life can make or break a shoot. The TL350 sports a modest SLB-11A battery with unspecified endurance, but based on specs and similar models, expect modestly under 300 shots per charge.
Sony’s A99 II shines with a robust NP-FM500H lithium-ion battery rated for around 490 shots, and importantly, has two card slots supporting SD and Memory Stick Duo formats - ideal for backup or extended shooting sessions.
Connectivity, Video, and Extra Features
The TL350 offers no wireless connectivity, no microphone or headphone ports, but does have HDMI out and supports Full HD 1080p video at 30 fps, decent but basic.
The A99 II, released six years later, supports built-in Wi-Fi, Bluetooth, and NFC, enabling easy sharing and remote control from smartphones. Video escalates to 4K UHD at 30 fps and Full HD at variable frame rates, with full manual control and mic/headphone ports for serious audio capture - a boon for hybrid shooters.
Performance Across Photography Types: A Genre-by-Genre Breakdown
Let’s cut through the specs and talk about real shooting needs. Both cameras have their niche, so here’s how they fare across key photography disciplines:
Portraits
- Sony A99 II: Large sensor plus lens options combine for gorgeous skin tones and creamy bokeh. Its eye-detection AF tracks subjects superbly.
- Samsung TL350: Limited depth-of-field control from small sensor, resulting in flatter images. No eye AF means less precision.
Landscapes
- A99 II: Stellar dynamic range captures subtle sky details; weather sealing enables rugged use outdoors.
- TL350: Usable for casual snaps but struggles with shadows and highlights; no weather sealing limits outdoor use in challenging conditions.
Wildlife
- A99 II: Fast AF, burst shooting, and large lens options make it highly competent.
- TL350: Limited AF and slow zoom make it impractical for serious wildlife work.
Sports
- A99 II: Precise tracking and fast shutter speeds (up to 1/8000s) aid freezing action.
- TL350: Max shutter speed 1/2000s and AF limitations curtail performance.
Street Photography
- TL350: Small, inconspicuous design is an asset for candid shots.
- A99 II: Bulkier but excellent low light and AF support could be worth it if discretion is less important.
Macro
- TL350: Focuses as close as 5cm, which is useful but limited by sensor size and lens optics.
- A99 II: Focus precision and lens choices give superior macro results.
Night / Astro
- A99 II: Handles high ISOs with ease and has long shutter capabilities to capture stars.
- TL350: Noisy images above ISO 800 limit astrophotography.
Video
- Sony A99 II: Superior 4K video, mic/headphone jacks, stabilizer, and advanced codecs.
- Samsung TL350: No 4K and minimal video features.
Travel
- TL350: Lightweight and pocketable.
- A99 II: Heavier but offers all-around flexibility and build toughness.
Professional Work
- A99 II: Dual card slots, comprehensive file support (including high-bitrate RAW), and robust construction address pro needs.
- TL350: Amateur-focused with few professional workflow options.
Overall Performance Ratings and Closing Thoughts
Numbers tell a story, too:
And for those curious about genre specialties:
Final Verdict: Which One Should You Choose?
Samsung TL350
If you want a small, simple, budget-friendly camera for casual use, travel snapshots, or street photography that doesn’t involve chasing fast action or heavy editing, the TL350 is a charming companion. It’s a decade-old compact, so do temper expectations, but it excels at portability and ease of use. It's perfect for users who prioritize convenience and don’t want to fuss with settings.
Sony A99 II
For professionals or serious enthusiasts craving stellar image quality, rapid autofocus, and extensive lens options, the A99 II remains a powerhouse. Despite its age, it holds up well thanks to its full-frame sensor, rugged build, and advanced features. It demands a bigger budget, more weight to carry, and a steeper learning curve, but rewards with pro-level performance and versatility.
Choosing between these two is less about which camera is “better” and more about which tool fits your photographic ambitions and lifestyle. I’ve walked many photographers through this decision, and the consensus remains: compact convenience serves casual creativity; full-frame DSLRs fuel professional and serious enthusiast mastery.
Feel free to ask questions or share your experience with either of these cameras. After all, the best camera is the one that gets your creative ideas out into the world. Happy shooting!
End of Comparison
Samsung TL350 vs Sony A99 II Specifications
| Samsung TL350 | Sony Alpha A99 II | |
|---|---|---|
| General Information | ||
| Make | Samsung | Sony |
| Model | Samsung TL350 | Sony Alpha A99 II |
| Also Known as | WB2000 | - |
| Class | Small Sensor Compact | Advanced DSLR |
| Released | 2010-02-20 | 2016-09-19 |
| Body design | Compact | Mid-size SLR |
| Sensor Information | ||
| Processor Chip | - | Bionz X |
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | Full frame |
| Sensor dimensions | 6.08 x 4.56mm | 35.9 x 24mm |
| Sensor area | 27.7mm² | 861.6mm² |
| Sensor resolution | 10MP | 42MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3 and 16:9 | 3:2 and 16:9 |
| Highest Possible resolution | 3648 x 2736 | 7952 x 5304 |
| Maximum native ISO | 3200 | 25600 |
| Maximum enhanced ISO | - | 102400 |
| Min native ISO | 80 | 100 |
| RAW data | ||
| Min enhanced ISO | - | 50 |
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Number of focus points | - | 399 |
| Cross focus points | - | 79 |
| Lens | ||
| Lens mounting type | fixed lens | Sony/Minolta Alpha |
| Lens focal range | 24-120mm (5.0x) | - |
| Largest aperture | f/2.4-5.8 | - |
| Macro focus distance | 5cm | - |
| Total lenses | - | 143 |
| Crop factor | 5.9 | 1 |
| Screen | ||
| Range of screen | Fixed Type | Fully articulated |
| Screen diagonal | 3" | 3" |
| Resolution of screen | 920k dot | 1,229k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Viewfinder resolution | - | 2,359k dot |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.78x |
| Features | ||
| Min shutter speed | 16s | 30s |
| Max shutter speed | 1/2000s | 1/8000s |
| Continuous shutter speed | 10.0 frames/s | 12.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 5.20 m | no built-in flash |
| Flash modes | Auto, On, Off, Red-eye, Fill-in, Slow syncro, Manual | Off, auto, fill, slow sync, redeye reduction, rear sync, high-speed sync, wireless |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Max flash sync | - | 1/250s |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 608 x 342 (30 fps), 320 x 240 (30 fps), 138 x 78 (30 fps) | - |
| Maximum video resolution | 1920x1080 | 3840x2160 |
| Video data format | H.264 | MPEG-4, AVCHD, XAVC S |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 195g (0.43 pounds) | 849g (1.87 pounds) |
| Physical dimensions | 100 x 59 x 22mm (3.9" x 2.3" x 0.9") | 143 x 104 x 76mm (5.6" x 4.1" x 3.0") |
| DXO scores | ||
| DXO Overall score | not tested | 92 |
| DXO Color Depth score | not tested | 25.4 |
| DXO Dynamic range score | not tested | 13.4 |
| DXO Low light score | not tested | 2317 |
| Other | ||
| Battery life | - | 490 photos |
| Style of battery | - | NP-FM500H lithium-ion battery & charger |
| Battery model | SLB-11A | - |
| Self timer | Yes (10 sec, 2 sec, Double, Motion) | Yes (2, 5, 10 secs) |
| Time lapse shooting | ||
| Storage media | SD/SDHC, internal | Dual SD/SDHC/SDXC/MS Duo slots |
| Storage slots | Single | Two |
| Cost at release | $400 | $3,198 |