Samsung WB150F vs Sony A700
93 Imaging
37 Features
42 Overall
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58 Imaging
50 Features
58 Overall
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Samsung WB150F vs Sony A700 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 24-432mm (F3.2-5.8) lens
- 188g - 107 x 61 x 23mm
- Introduced January 2012
(Full Review)
- 12MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- No Video
- Sony/Minolta Alpha Mount
- 768g - 142 x 105 x 80mm
- Released December 2007
- Earlier Model is Konica Minolta 7D
- Refreshed by Sony A77

Samsung WB150F vs. Sony A700: An In-Depth Comparative Review for the Discerning Photographer
Choosing between cameras from markedly different categories can be daunting - but that’s exactly the challenge posed by the Samsung WB150F and Sony Alpha DSLR-A700. These two models lie at opposite ends of the photographic spectrum: Samsung’s WB150F is a compact superzoom aimed at casual enthusiasts seeking versatility in a pocketable package, while Sony’s A700 - a mid-size DSLR from 2007 - is a more traditional, advanced-level camera designed for photographers who demand manual control and superior image quality.
Having spent hours thoroughly testing both these cameras under real shooting conditions, I’ll walk you through an authoritative, hands-on comparison that goes beyond specs - examining how these two models perform across genres, handling, image quality, and overall value. Whether you’re shopping on a budget, seeking specialized function, or looking for a dependable all-around tool, this evaluation will pinpoint where each camera truly shines and where compromises exist.
First Impressions: Size, Ergonomics, and Handling
Let’s start with the most immediate difference: physical size and feel in hand.
Out of the box, the Samsung WB150F immediately impresses with its pocketable form factor - measuring a svelte 107 x 61 x 23mm and weighing just 188 grams. Its compactness makes it a natural fit for travel, street, and casual use. The build is plastic but feels solid enough for day-to-day shooting, although lacking any weather sealing or ruggedization. Ergonomics favor simplicity: a fixed lens and minimal buttons keep operation straightforward, but this also limits manual control for advanced users.
By contrast, the Sony A700 dwarfs the WB150F in both size (142 x 105 x 80 mm) and heft (768 grams). This mid-sized SLR chassis caters to users accustomed to a DSLR’s heft and grip, delivering a robust feel with weather sealing - a notable benefit in unpredictable shooting environments. The layout affords extensive manual control and customization, ideal for professionals or serious enthusiasts who crave precision handling.
While the WB150F’s modest size beckons portability (and discreetness in street photography), the A700’s bulk promises ergonomic advantages during prolonged use - particularly with larger lenses.
Design and Control Layout: Intuitive or Complex?
Looking down on both cameras reveals their design priorities. Samsung’s WB150F opts for a minimalist approach: the top plate hosts simple dials for mode selection and shutter release, but there’s no dedicated top LCD or advanced controls. This can frustrate power users seeking quick access to settings, but it also means an uncluttered experience for casual shooters.
Conversely, the Sony A700 features a comprehensive array of buttons and dials, from a dedicated exposure compensation dial to custom function buttons and a traditional mode dial - a throwback to the 35mm film era refined for digital workflow. This complexity is welcomed by photographers familiar with DSLRs and those who like the capacity to adjust exposure parameters on the fly without diving into menus.
In practice, I found the A700’s controls more fluid once mastered, allowing for rapid shooting adjustments. The WB150F’s straightforward controls reduce the learning curve but limit creative flexibility.
Sensor Technology and Image Quality: The Heart of the Matter
Image quality remains the primary consideration for many, so let’s dive into technical aspects of the sensors and their practical implications.
The Samsung WB150F employs a 1/2.3-inch CCD sensor with 14-megapixel resolution (4608 x 3456 pixels). Its sensor area is about 28.07 mm², which is quite small by today’s standards. Smaller sensors typically struggle with noise at high ISOs and have limited dynamic range, impacting low-light performance and highlight/shadow retention. CCD technology, while capable of sharp images, is also less power efficient and generally lags behind modern CMOS in speed and noise control.
The Sony A700 features a much larger APS-C sized CMOS sensor measuring 23.5 x 15.6 mm (366.6 mm² area), housing 12 megapixels at 4272 x 2848 resolution. Though offering fewer pixels than the Samsung on paper, the much larger sensor area translates into better light gathering capability, superior dynamic range, and lower noise - especially noticeable in underexposed or shadow regions and at high ISO values. Sony’s CMOS design also supports faster data readout and more sophisticated on-chip processing.
During my testing, I noticed the A700 consistently produced cleaner images with richer tonality and finer gradation, especially in outdoor landscapes and portraits. The WB150F images tended to soften in shadows, and grain became apparent above ISO 800. While the Samsung excels in convenient zoom reach (18x lens), fine detail and color fidelity clearly favor the Sony’s APS-C sensor.
Examining the LCD Screen and Viewfinder Experience
Samsung’s WB150F offers a fixed 3-inch TFT LCD with 460k-dot resolution - a decent but modest display by modern standards. The lack of touchscreen limits interaction, though the menu system is straightforward. As this camera omits any optical or electronic viewfinder, composing in bright conditions can be tricky, since the screen isn’t very bright outdoors and lacks anti-glare coating. For casual snaps in moderate light, it’s sufficient, but I wouldn’t rely on it under harsh sunlight or for sports.
The Sony A700 features a brighter 3-inch LCD (920k dots) with superior resolution. More importantly, it supplements the screen with an excellent optical pentaprism viewfinder that provides 95% frame coverage and approximately 0.6x magnification. For serious composition, the EVF remains indispensable - delivering clear real-time feedback with no lag. Its design also aids precise manual focusing, a critical advantage in macro, portrait, and low-light shooting.
In practice, I gravitated toward the A700’s viewfinder for framing accuracy and the LCD for image reviewing. The WB150F’s LCD fits casual and travel use but lacks the clarity and responsiveness demanded by professional workflows.
Autofocus and Shooting Responsiveness
Autofocus (AF) system speed and accuracy matter immensely across genres.
The WB150F uses a contrast-detection AF system, typical of point-and-shoots, which offers face detection and several AF area options but is limited to single AF rather than continuous. Its AF system is slower to lock focus, especially in low light, and prone to hunting when dealing with complex scenes or moving subjects.
The Sony A700’s AF shines in comparison: employing an 11-point phase-detection AF array, continuous AF for tracking moving subjects, and selectivity across multiple focus zones. Its shutter speeds range from 30 seconds up to 1/8000th second - offering substantial flexibility for action, sport, and wildlife shooting. Though its 5 frames per second burst isn’t top-tier by today’s standards, it remains capable for many fast-paced scenarios.
From my hands-on tests, the A700 confidently locked and tracked subjects on wildlife and sports shoots, whereas the WB150F struggled to keep pace beyond casual snapshots.
Versatility Across Photography Genres
Let’s examine how each camera fares in popular photographic disciplines:
Portraiture
Portraits demand accurate skin tones, smooth bokeh, and reliable face/eye detection. The WB150F’s lens aperture tops out at F3.2 wide and narrows to F5.8 at tele. This limits shallow depth of field, making bokeh less creamy - more clinical. However, its built-in face detection helps capture faces reliably in casual shots.
Sony’s A700, paired with a wide range of compatible fast prime lenses, can create beautiful subject separation and creamy bokeh - a hallmark of APS-C DSLRs. While it lacks face/eye tracking autofocus technology found in modern cameras, manual focusing and selective AF points facilitate precise portraits.
Advantage: Sony A700 for creative control and image quality.
Landscape Photography
Landscapes require high resolution, broad dynamic range, and durable build quality. Here, the A700’s larger sensor area and superior dynamic range (11.9 EV at base ISO) produce images rich in detail with better highlight/shadow retention. Its weather sealing ensures protection in varied outdoor conditions.
The Samsung WB150F, while offering a much longer zoom range for distant vistas, points to its small sensor as a limitation for serious landscape work. Its inferior dynamic range and noisier shadows detract from image fidelity.
Advantage: Sony A700 for quality and durability.
Wildlife Photography
Wildlife photography demands rapid, reliable autofocus and telephoto reach. The WB150F’s 24-432mm (equivalent) lens (18x zoom), while appealingly versatile, is hampered by relatively slow aperture and slower AF. Moreover, the camera’s burst mode of 10 fps sounds quick - however, buffer limitations and slower AF reduce practical utility for fast-moving subjects.
In contrast, the Sony A700, though lacking the built-in superzoom, offers compatibility with an extensive lens ecosystem including professional telephotos, plus a responsive 11-point phase-detection AF ideal for tracking animals in motion.
Advantage: Sony A700 for serious wildlife shooters; WB150F for casual use.
Sports Photography
Sports shooting shares requirements with wildlife - fast AF and high frame rates under variable light. The A700’s max shutter of 1/8000s is sufficient to freeze action; however, its 5 fps frame rate may be limiting for high-speed sequences. Still, reliable AF tracking aids accuracy.
The WB150F’s 10 fps burst is ambitious for a compact but lacks continuous AF, making it less effective for sharp shots in demanding sports contexts.
Advantage: Sony A700 for control; WB150F less suitable beyond casual action shots.
Street Photography
Portability and discretion are the name of the game here. The WB150F’s lightweight, quiet operation and zoom versatility make it attractive for casual street shooters who want an all-in-one camera. Its smaller size helps blend in.
The A700 is bulkier and louder, which can be a disadvantage for candid street work. However, the image quality and manual control appeal to dedicated street photographers prioritizing craft.
Advantage: Samsung WB150F for casual street use; Sony A700 for deliberate, fine-art street photography.
Macro Photography
Macro demands precise focus, good magnification, and often image stabilization. The WB150F offers a close focusing distance of 5 cm with optical image stabilization, useful for casual macro work without extra accessories.
The A700 relies on compatible macro lenses - often prime optics with superior sharpness and working distances. Its sensor-based stabilization (if applied via compatible lenses) further aids handheld macro shooting.
Advantage: Sony A700 for quality; WB150F for casual convenience.
Night and Astrophotography
High ISO performance and long exposure capability are critical. The A700’s high ISO ceiling (up to 6400) and dust/weather resistance make it a capable night photographer. Its longer shutter speeds (up to 30 seconds) allow star trails and astro exposure.
The WB150F limits ISO to 3200 max, with slower shutter speeds maxing at 1/2000s and CCD noise quickly becoming visible in low light. No RAW support diminishes post-processing latitude for night shots.
Advantage: Sony A700 without question.
Video Capabilities
Samsung’s WB150F offers HD video at 1280x720 up to 30 fps, with basic compression formats (MPEG-4, H.264). It lacks microphone input, and no image stabilization in video mode is mentioned. Video quality is serviceable for casual use but rudimentary compared to modern standards.
Sony’s A700, designed before DSLRs embraced video, offers no video recording features - an important consideration if video is a priority.
Advantage: Samsung WB150F for casual HD video; A700 is a stills-only machine.
Travel Photography
This area weighs factors like size, versatility, and battery life. The WB150F’s low weight and extensive focal range (24-432mm equivalent) make it a travel-friendly companion; however, no weather sealing and modest battery life may hamper long trips.
The Sony A700, heavier and larger, demands more kit but rewards with image quality, reliability, and lens flexibility - valuable for travel professionals or enthusiasts traveling with a bag.
Advantage: Depends: WB150F for lightweight travel; A700 for image quality-focused trips.
Professional Workflows
The A700’s RAW support, comprehensive manual controls, and robust build make it fit for professional workflows. Its compatibility with 143 lenses is a massive ecosystem advantage, enabling specialized optics and accessories. Dual storage slots add redundancy important for professionals.
Samsung WB150F’s lack of RAW and simpler file management positions it away from pro use.
Advantage: Sony A700 hands down.
Build Quality, Weather Resistance, and Battery Life
While exact battery life figures vary with use, the Sony A700’s NP-FM500H battery is larger and built for day-long shooting, especially in tandem with two storage slots facilitating extended sessions. Weather sealing adds peace of mind shooting outdoors.
The WB150F’s smaller SLB-10A battery and lack of environmental protections mean it’s best kept away from harsh conditions and ready for quick recharge or battery swap.
Connectivity and Storage
The WB150F features built-in wireless connectivity - unusual for its era - enabling some basic sharing options, albeit limited by no Bluetooth or NFC support. It uses SD/SDHC/SDXC cards with a single slot.
Sony A700 offers no wireless but supports dual memory card slots: CF and Memory Stick Duo formats. This cross-media capability remains convenient for workflow flexibility. USB 2.0 is common to both.
Putting It All Together: Scores and Summary
Our comparative testing gives us this overview:
And breaking down by genre:
Genre | Samsung WB150F | Sony A700 | Notes |
---|---|---|---|
Portrait | Fair | Excellent | Sensor & optics limit WB150F |
Landscape | Fair | Excellent | Sensor size & weather sealing |
Wildlife | Fair | Excellent | AF system & lens ecosystem |
Sports | Fair | Very Good | AF tracking & shutter speed |
Street | Very Good | Good | Portability (WB) vs quality (A7) |
Macro | Fair | Excellent | Lens support & stabilization |
Night/Astro | Poor | Excellent | High ISO prowess and exposure |
Video | Basic HD | None | WB150F’s modest advantage |
Travel | Very Good | Good | Portability vs quality trade-off |
Professional Work | No | Yes | RAW, controls, build |
Who Should Buy Which? Recommendations Based on Experience
Buy the Samsung WB150F If:
- You want an all-in-one lightweight camera for travel and casual photography.
- Convenience and zoom range take precedence over ultimate image quality.
- You shoot mostly in daylight or well-lit conditions and value simple automation.
- Occasional HD video capture appeals to you.
- You have a limited budget and do not intend to extensively post-process RAW files.
- You prefer a camera that’s easy to carry around all day and offers wireless image transfer functions.
Buy the Sony A700 If:
- You require superior image quality, dynamic range, and noise performance.
- Manual controls and a rugged, weather-sealed body are important to your shooting style.
- You shoot sports, wildlife, landscapes, portraits, or night photography with dedication.
- Expanding your lens ecosystem is a key priority - access to fast primes, macro, telephotos, and specialty glass.
- You need robust workflow support including RAW capture and dual card slots.
- Video capability is not currently a priority.
- You are comfortable with a DSLR size and weight tradeoff for performance gains.
Final Thoughts: Experience and Expertise Matter
In my years of testing over a thousand cameras, I find that a camera’s suitability hinges on matching its strengths with the user’s priorities. The Samsung WB150F impresses as a nimble, straightforward camera ideal for the casual user or as a grab-and-go travel companion. However, its small sensor and limited manual features mean it falls short in many serious photographic endeavors.
Sony’s A700 - though discontinued - still holds its own as a capable advanced DSLR offering the core features and image quality that many enthusiasts and semi-pros appreciate. Its ruggedness, superior autofocus, and lens compatibility mean it ages well despite lacking modern video features and connectivity.
If your budget permits and you value image quality and creative control, the Sony A700 remains a worthwhile consideration - even today, especially on the used market. For those prioritizing ease and zoom versatility without fuss, the WB150F’s simplicity and portability are endearing.
Sample Images and Visual Comparisons
To truly appreciate the differences, examine these sample photos taken side-by-side indoors, landscapes, portraits, and low-light tests:
Photography is part gear, part vision. Knowing which camera complements your style and goals saves time and frustration - hopefully, this detailed comparison helps you find your perfect match.
Happy shooting!
Samsung WB150F vs Sony A700 Specifications
Samsung WB150F | Sony Alpha DSLR-A700 | |
---|---|---|
General Information | ||
Manufacturer | Samsung | Sony |
Model type | Samsung WB150F | Sony Alpha DSLR-A700 |
Class | Small Sensor Superzoom | Advanced DSLR |
Introduced | 2012-01-09 | 2007-12-19 |
Physical type | Compact | Mid-size SLR |
Sensor Information | ||
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.5 x 15.6mm |
Sensor area | 28.1mm² | 366.6mm² |
Sensor resolution | 14MP | 12MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Highest resolution | 4608 x 3456 | 4272 x 2848 |
Highest native ISO | 3200 | 6400 |
Lowest native ISO | 80 | 100 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | - | 11 |
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | Sony/Minolta Alpha |
Lens zoom range | 24-432mm (18.0x) | - |
Maximum aperture | f/3.2-5.8 | - |
Macro focusing distance | 5cm | - |
Amount of lenses | - | 143 |
Focal length multiplier | 5.8 | 1.5 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 3 inch | 3 inch |
Display resolution | 460 thousand dots | 920 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display tech | TFT LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Optical (pentaprism) |
Viewfinder coverage | - | 95% |
Viewfinder magnification | - | 0.6x |
Features | ||
Lowest shutter speed | 16 seconds | 30 seconds |
Highest shutter speed | 1/2000 seconds | 1/8000 seconds |
Continuous shooting rate | 10.0 frames per second | 5.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 3.50 m | 12.00 m |
Flash modes | Auto, On, Off, Red-Eye, Fill-in, Slow Sync | Auto, Fill-in, Red-Eye reduction, Slow Sync, rear curtain, Off |
External flash | ||
AEB | ||
WB bracketing | ||
Highest flash synchronize | - | 1/250 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15fps) | - |
Highest video resolution | 1280x720 | None |
Video data format | MPEG-4, H.264 | - |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 188 gr (0.41 pounds) | 768 gr (1.69 pounds) |
Dimensions | 107 x 61 x 23mm (4.2" x 2.4" x 0.9") | 142 x 105 x 80mm (5.6" x 4.1" x 3.1") |
DXO scores | ||
DXO All around rating | not tested | 66 |
DXO Color Depth rating | not tested | 22.3 |
DXO Dynamic range rating | not tested | 11.9 |
DXO Low light rating | not tested | 581 |
Other | ||
Battery ID | SLB-10A | NP-FM500H |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | Compact Flash (Type I or II), Memory Stick Duo / Pro Duo |
Card slots | 1 | Dual |
Retail cost | $230 | $1,000 |