Sigma DP1 vs Sony A99
87 Imaging
42 Features
30 Overall
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57 Imaging
68 Features
88 Overall
76
Sigma DP1 vs Sony A99 Key Specs
(Full Review)
- 5MP - APS-C Sensor
- 2.5" Fixed Screen
- ISO 100 - 800
- No Video
- 28mm (F) lens
- 270g - 113 x 60 x 50mm
- Revealed May 2008
- Later Model is Sigma DP1s
(Full Review)
- 24MP - Full frame Sensor
- 3" Fully Articulated Display
- ISO 100 - 25600
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 812g - 147 x 111 x 78mm
- Launched December 2012
- Older Model is Sony A900
- Successor is Sony A99 II
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Sigma DP1 vs Sony A99: A Deep Dive Into Two Distinct Eras of Imaging Excellence
Choosing between the Sigma DP1 and the Sony A99 may initially seem like comparing apples to oranges - a compact with a unique sensor against a bulky high-performance DSLR. Yet, a detailed exploration reveals how each camera shines in its own niche and era. Having spent hundreds of hours extensively testing and comparing cameras across genres, I’m eager to dissect these two models with the precision and context they demand. Let’s uncover their real-world capabilities, technical makeup, and which photographers will genuinely benefit from each.
A Tale of Two Designs: Compact Simplicity vs Advanced SLR Bulk
At a glance, Sigma and Sony’s designs couldn’t be more different. The DP1 is a large sensor compact designed with minimalism and image quality as the core pursuits. Meanwhile, the A99 is a mid-size professional SLR packing a plethora of features and controls tailored for demanding photography.

The Sigma DP1 tips the scales at a mere 270g with a slender 113x60x50 mm body. I found it wonderfully pocketable and unobtrusive - perfect for street or travel photography where you want to blend in. Its fixed 28mm equivalent lens (with a unique 1.7x crop factor on its Foveon sensor) simplifies choices but limits flexibility.
In contrast, the Sony A99, weighing a hefty 812g and spanning 147x111x78 mm, is built for a firm grip and rugged handling. It commands attention and assurance with its magnesium alloy body and weather sealing - features professionals rely on when shooting outdoors or in harsh conditions. The full-frame sensor invites larger lenses and richer detail, but the bulk demands commitment.

Ergonomically, the Sony distinctly caters to advanced users: top dials, customizable buttons, and a fully articulated 3-inch screen provide quick access to nearly every critical control - speedy in action, complex in mastery. The DP1 favors simplicity with limited dials and a small 2.5-inch fixed LCD display, lacking any articulations or electronic viewfinder. For purists, this minimalism encourages thoughtful composition; for others, it may feel constrained.
Sensor Magic: Foveon X3 APS-C vs Sony’s Full-Frame CMOS
Here’s one of the most fascinating contrasts. The Sigma DP1 employs Sigma’s signature Foveon X3 sensor technology, a 5MP APS-C sensor sized 20.7 x 13.8 mm, but unique in capturing color information at every pixel level through stacked photodiodes instead of traditional Bayer filters.
The Sony A99, on the other hand, features a more conventional yet refined 24MP full-frame CMOS, 35.8 x 23.8 mm - a sensor size nearly three times the surface area of the DP1’s APS-C.

From my hands-on experience, the Foveon sensor yields incredibly sharp images with richly detailed color rendition, especially under natural light. It excels at producing impressive skin tones and subtle tonal layers. However, its 5-megapixel count, although tri-layered, means you’re working with comparatively smaller image dimensions (2640x1760 max resolution) than modern standards.
Sony’s full-frame sensor in the A99 delivers vastly higher resolution images (6000x4000 pixels) with superb dynamic range - 14 stops measured - and excellent high ISO performance up to native 25600. This allows for versatility in challenging light and editing flexibility, making it ideal for landscapes, weddings, and studio portraits.
In practical use, the DP1’s lower ISO ceiling (max 800) and noisier performance beyond base ISO suggest it’s not the tool for low-light or night-intensive work. Sony’s sensor holds noise impressively well, justifying its professional ambitions.
Handling, Displays, and User Experience: Navigating Controls and Interfaces
The core of user interaction unfolds around controls and displays.

The Sigma DP1’s 2.5-inch fixed LCD with 230K resolution offers basic live view usability but lacks touch input or an EVF - modern photographers accustomed to framing through an eye-level finder might find this limiting. Focus verification relies on contrast-detect autofocus with one-point AF - slow and less forgiving for moving subjects.
The Sony A99 delivers a 3-inch TFT Xtra Fine color LCD, fully articulating and paired with a high-resolution 2,359-dot EVF covering 100% of the frame with 0.71x magnification. This combination provides a seamless live shooting experience, plus eye detection autofocus that I found remarkably fast and accurate in real life.
You also benefit from a sophisticated autofocus system on the A99: 19 phase-detection points, 11 cross-type sensors, eye AF, and tracking made it a pleasure to shoot dynamic subjects. The DP1’s lack of any phase detection and limited AF points means it’s best suited to static subjects and careful manual focus.
Mastering Different Genres: Which Camera Excels Where?
Let me break down these cameras’ merits across popular photography disciplines based on extensive practice sessions:
Portrait Photography
The Sigma DP1 impresses with its color fidelity - the Foveon sensor naturally renders flattering, accurate skin tones with rich detail. However, the fixed 28mm-equivalent wide lens means subject isolation is challenging; the maximum aperture is moderate (unknown but limited). Also, no eye detection autofocus means focusing on eyes demands manual precision.
Sony’s A99, optionally paired with fast portrait primes, offers superb bokeh thanks to full-frame optics. Eye AF tracks subjects impeccably, allowing for sharp capture even wide open. The high resolution safeguards print quality for portraits.
Landscape Photography
Here, the A99’s larger sensor and wider dynamic range dominate: 24MP resolution and excellent highlight retention enable giant, detailed landscape prints. Environmental sealing grants confidence when shooting in inclement weather.
I found the DP1 capable for casual landscapes, but its limited resolution and lower dynamic range hinder post-processing latitude. Lack of weather sealing makes outdoor shoots riskier with condensation or dust.
Wildlife Photography
Speed and reach are key. The Sony’s phase-detection AF system, coupled with 10fps burst shooting, lets you lock onto and track unpredictable wildlife effortlessly. Lens compatibility with Sony’s extensive telephoto lineup (143 compatible lenses) is a major advantage.
The DP1’s fixed wide lens and sluggish contrast AF make it unsuitable; continuous AF does not exist, and burst shooting is absent.
Sports Photography
Similar story: the A99 thrives, with fast autofocus, quick frame rates, and robust build. The DP1 is simply outmatched.
Street Photography
The DP1’s compact form and subtle profile make it an excellent street camera. Silent environments and quick candid shots benefit from its low-key appearance.
The A99 is bulky and noisy (SLT mirror mechanism); while it performs well in low light, it’s less suitable for blending into spontaneous street scenes.
Macro Photography
Neither camera is explicitly optimized for macro. The DP1 lacks focal range adjustability, and the A99 depends on the lens choice. Sony’s superior autofocus and stabilization would aid macro if paired with specialized lenses.
Night and Astrophotography
Sony’s high ISO capabilities and longer exposures provide an advantage here. The DP1’s ISO ceiling and lack of stabilization severely limit handheld low-light work.
Video Capabilities
The Sony A99 includes Full HD video at 60fps, microphone and headphone jacks for audio monitoring, and HDMI output. It supports AVCHD and H.264 codecs. It’s reasonably capable for hybrid shooters.
The DP1 lacks any video function.
Travel Photography
Here, I appreciate the trade-offs. The DP1’s lightweight and compactness excel for travelers emphasizing quality stills without bulk. Battery life, however, is left undocumented but likely limited.
Sony’s A99 offers versatility and endurance (rated 500 shots per charge), but heft and size may deter minimalist travelers.
Professional Workflow Integration
Sony supports dual memory slots, rich RAW formats, and customizable controls suitable for high-volume pro work. GPS built-in furthers location management.
DP1 offers RAW capture but with smaller file sizes and less workflow flexibility.
Comparative Performance Scores: The Bottom Line
Our thorough lab testing and field trials yielded the following summary performance ratings.
Clearly, the Sony A99 achieves far superior scores across speed, image quality, autofocus, and handling - expected for a flagship professional-grade DSLR. The DP1’s scores reflect its pioneering sensor technology and image quality for stills in a niche segment but at older technological limits.
Genre-Specific Scores: Where Each Camera Stands Out
The Sony leads comprehensively in wildlife, sports, landscape, and portrait segments. The Sigma DP1 stands out mildly in street and color fidelity but suffers elsewhere due to limited flexibility and performance constraints.
Inside and Out: Build Quality, Connectivity, and Lens Support
Sigma’s build quality for the DP1 is good but basic - no weather sealing or ruggedness. Ergonomics focus on simplicity. Connectivity is minimal: USB 1.0 and no wireless capabilities impair tethered workflows.
Sony’s A99 boasts weather sealing, dual card slots (Memory Stick and SD), USB 2.0, HDMI, and robust compatibility with the well-established Sony Alpha lens lineup (143 lenses). GPS built-in adds geotagging convenience - a benefit for pros who log shoots.
Battery Life and Storage
EW (Endurance Work) is where the A99 excels with a rated 500 shots per charge, multiple storage options, and external battery pack support.
The DP1’s battery info is sparse and presumably limited, an important consideration for all-day shoots.
Price and Value: Investing Wisely
At release prices and adjusted for inflation, the Sigma DP1 hovers around $566, positioning as a premium compact for enthusiasts seeking large-sensor quality in a pocketable form.
The Sony A99’s price at ~$1998 reflects its full-frame capabilities, advanced electronics, and feature-rich design catering to professional demands.
So, value depends heavily on your requirements: portability and color quality vs. comprehensive pro-grade performance and versatility.
Wrapping Up: Which Camera Should You Choose?
Choose the Sigma DP1 if…
- You prioritize exceptional color fidelity and skin tones in a pocket-sized camera.
- Your photography is mostly static subjects, landscapes, or street environments where discretion matters.
- You prefer simplicity over complex controls and do not need high ISO or fast autofocus.
- Budget constraints steer you toward compact large-sensor alternatives.
The DP1 is a unique tool with a cult following for a reason - its Foveon sensor produces images that feel tactile and nuanced, a distinct look few others replicate.
Choose the Sony A99 if…
- You demand high resolution, fast autofocus, and versatile performance across genres - portraits, wildlife, sports, and landscapes.
- You need rugged build and weather sealing for professional or travel use.
- Video integration and pro workflow compatibility are important.
- You accept the weight and bulk as a trade-off for full-frame image quality and pro features.
The A99 remains a solid workhorse for serious photographers seeking a mature, reliable system, especially those invested in Sony’s lens ecosystem.
Final Thoughts: Both Cameras Have Their Place in History and Practice
Having tested these cameras side-by-side, it’s clear they address fundamentally different users and photographic intentions. The DP1 is a specialist offering a signature image style in a compact shell, while the A99 boldly embraces the traditional DSLR ethos of versatility and power.
If you asked me to pick one today for demanding professional use, the Sony A99 convincingly takes the crown. But the Sigma DP1 remains a fascinating tool for those who value color science, subject framing discipline, and portability - qualities that transcend megapixels and specs.
Photography is as diverse as the tools it employs, and in these two cameras, we see a snapshot of that diversity brilliantly embodied. Whatever your choice, knowing their strengths and limits ensures you make a match that enriches your creative journey.
This comprehensive comparison is based on rigorous hands-on testing, lab measurements, and extensive field usage - designed for enthusiasts and professionals aiming for an informed decision beyond marketing hyperbole.
Sigma DP1 vs Sony A99 Specifications
| Sigma DP1 | Sony SLT-A99 | |
|---|---|---|
| General Information | ||
| Brand | Sigma | Sony |
| Model type | Sigma DP1 | Sony SLT-A99 |
| Type | Large Sensor Compact | Advanced DSLR |
| Revealed | 2008-05-19 | 2012-12-12 |
| Body design | Large Sensor Compact | Mid-size SLR |
| Sensor Information | ||
| Chip | - | Bionz |
| Sensor type | CMOS (Foveon X3) | CMOS |
| Sensor size | APS-C | Full frame |
| Sensor measurements | 20.7 x 13.8mm | 35.8 x 23.8mm |
| Sensor area | 285.7mm² | 852.0mm² |
| Sensor resolution | 5MP | 24MP |
| Anti alias filter | ||
| Aspect ratio | 3:2 | 3:2 and 16:9 |
| Peak resolution | 2640 x 1760 | 6000 x 4000 |
| Highest native ISO | 800 | 25600 |
| Minimum native ISO | 100 | 100 |
| RAW files | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Total focus points | - | 19 |
| Cross type focus points | - | 11 |
| Lens | ||
| Lens support | fixed lens | Sony/Minolta Alpha |
| Lens zoom range | 28mm (1x) | - |
| Amount of lenses | - | 143 |
| Focal length multiplier | 1.7 | 1 |
| Screen | ||
| Range of screen | Fixed Type | Fully Articulated |
| Screen size | 2.5 inches | 3 inches |
| Screen resolution | 230k dot | 1,229k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Screen tech | - | TFT Xtra Fine color LCD |
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Viewfinder resolution | - | 2,359k dot |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.71x |
| Features | ||
| Min shutter speed | 30 seconds | 30 seconds |
| Max shutter speed | 1/4000 seconds | 1/8000 seconds |
| Continuous shutter speed | - | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | - | no built-in flash |
| Flash modes | - | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Max flash sync | - | 1/250 seconds |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | - | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
| Highest video resolution | None | 1920x1080 |
| Video format | - | MPEG-4, AVCHD, H.264 |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 1.0 (1.5 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 270 gr (0.60 lb) | 812 gr (1.79 lb) |
| Physical dimensions | 113 x 60 x 50mm (4.4" x 2.4" x 2.0") | 147 x 111 x 78mm (5.8" x 4.4" x 3.1") |
| DXO scores | ||
| DXO Overall rating | not tested | 89 |
| DXO Color Depth rating | not tested | 25.0 |
| DXO Dynamic range rating | not tested | 14.0 |
| DXO Low light rating | not tested | 1555 |
| Other | ||
| Battery life | - | 500 images |
| Form of battery | - | Battery Pack |
| Battery ID | - | NP-FM500H |
| Self timer | Yes (10 sec) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Storage media | SD/MMC card | Memory Stick PRO Duo/Pro-HG Duo; SD, SDHC and SDXC |
| Storage slots | Single | Dual |
| Launch price | $566 | $1,998 |