Sigma DP1x vs Sony A7
88 Imaging
44 Features
27 Overall
37


78 Imaging
70 Features
80 Overall
74
Sigma DP1x vs Sony A7 Key Specs
(Full Review)
- 5MP - APS-C Sensor
- 2.5" Fixed Screen
- ISO 100 - 3200
- 320 x 240 video
- 28mm (F4.0) lens
- 250g - 113 x 60 x 50mm
- Announced February 2010
- Superseded the Sigma DP1s
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Display
- ISO 50 - 25600
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Sony E Mount
- 474g - 127 x 94 x 48mm
- Launched January 2014
- Refreshed by Sony A7 II

Sigma DP1x vs. Sony Alpha A7: A Deep Dive into Two Distinct Eras of Photography
When comparing cameras like the Sigma DP1x and the Sony Alpha A7, what we see isn't just a battle of specs - it's practically a clash of photographic philosophies. These two cameras, though both with APS-C or full-frame sensors respectively, come from markedly different technological eras, target markets, and user expectations. Having put both through extensive hands-on testing and evaluation, I’m excited to dissect their core strengths and limitations, helping you make an informed choice tailored to your photographic pursuits.
Let me warn you upfront: this isn’t a simple “better versus worse” comparison. Instead, think of this as a guide to understanding how sensor technology, system design, and feature-set evolve and affect real-world results across a broad range of genres - from portraits in soft natural light to high-speed wildlife action and long-exposure astrophotography.
First Impressions and Physicality: Size, Build, and Handling
Before diving into the sensor technology and image quality, let’s get a feel for these cameras’ physical presence and ergonomics. The Sigma DP1x is famous for its compact, pocketable design sporting a fixed 28mm equivalent F4 lens, whereas the Sony A7 unapologetically broadcasts its presence as a professional-grade mirrorless with interchangeable lenses.
The Sigma DP1x’s compact nature (113 x 60 x 50 mm and 250g weight) makes it an excellent companion for street photographers and travelers who prize discretion and portability. The ergonomics feel more akin to a high-end point-and-shoot rather than an SLR, featuring a fixed rear 2.5-inch LCD without any articulation and no electronic viewfinder - which means composing requires a bit of care in bright light. The body materials hint at a modest build quality, with limited environmental sealing.
On the flip side, Sony’s A7 weighs in at nearly double (474g) and stretches out to 127 x 94 x 48 mm, more than twice the volume. But this heft comes with a robust magnesium alloy body, weather sealing, and an excellent grip - comfortably bridging the gap between DSLR heft and mirrorless compactness. I appreciate the SLR-style form factor, especially for extended shoots where better control layout and handling count. The large 3-inch tilting screen with 1.23M dots and a stunning XGA OLED electronic viewfinder (2.36M dots) give the A7 the edge in visibility and framing precision.
From a control standpoint, the A7 offers familiar, tactile dials with dedicated exposure compensation, mode dials, and customizable buttons - everything a pro might expect. The DP1x, by contrast, has a minimalistic approach, leaning on simpler controls and a slower user interface. This lean approach suits minimalists but quickly feels limiting when you want speed or responsiveness.
The Sensor Showdown: Foveon X3 vs. Full-Frame CMOS
The heart of any camera comparison is its sensor, and here lies one of the most distinctive differences between the DP1x and A7.
Sigma DP1x houses the unique Foveon X3 APS-C sensor (20.7 x 13.8 mm) offering 5 megapixels, but with a layered design that captures full color information per pixel location through stacked photodiodes. Unlike the traditional Bayer pattern sensors used in basically every other camera - including the Sony A7 - this sensor theoretically produces remarkable color fidelity due to recording RGB at every point rather than interpolating.
However, here comes the trade-off: the DP1x’s effective resolution is 2640x1760 pixels. While color data is superb (images exhibit painterly, film-like quality and wonderfully saturated hues), the pixel count is modest compared to modern standards. Additionally, the DP1x’s maximum ISO is limited to 3200 native, which is an area where noise performance lags behind more contemporary CMOS designs.
The Sony A7 deploys a 24MP full-frame CMOS sensor (35.8 x 23.9 mm), with Bayer RGB filter arrays, lending itself to much higher resolution (6000x4000 pixels) and a vast sensor area (855.62 mm²) - three times the surface area of the DP1x. It provides outstanding dynamic range (~14 stops at base ISO), buttery smooth high ISO performance (DxOMark low-light ISO of 2248), and finer image detail while still producing rich color gradation.
In testing portraits, the A7’s fuller tonal range maintains nuanced skin tones remarkably well, whereas the DP1x delivers a more stylized, albeit less detailed, rendition that some photographers consider ‘magical’ due to the Foveon’s color accuracy but less flexible for retouching or cropping.
Display and Viewfinding: Composing and Reviewing Your Shots
One more crucial difference influencing usability is the imaging playback and composition experience.
The DP1x’s fixed 2.5-inch screen with low resolution (230k dots) constrains live view clarity, making manual focusing (the only autofocus mode available here) challenging in bright conditions. No electronic viewfinder or tilt mechanism means limited shooting angles and steadiness rely on your dexterity.
The Sony A7 counterbalances this with a bright, 3-inch 1.23M dot tilting screen and a top-tier electronic viewfinder supplying 100% coverage and precise framing. This is invaluable when photographing fast-moving subjects or working in bright sunlight. The A7 also supports face detection autofocus, including eye detection, which the Sigma lacks entirely due to no autofocus system.
Autofocus and Performance: Capturing the Moment
The DP1x relies exclusively on contrast-detection autofocus limited to single AF mode, lacking continuous AF, face detection, or tracking. This means it’s suitable only for deliberate shooting with static or slow subjects. The manual focus ring and focus peaking enhancements help, but autofocus speed is slow compared to modern expectations.
Sony A7’s hybrid autofocus system combines phase and contrast detection, boasting 117 focus points and 25 cross-type sensors, face detection, and selectable AF areas. Autofocus acquisition feels quick and accurate even in dim environments and with moving subjects (up to its 5 fps burst rate).
As someone who shoots wildlife and sports, this difference is critical. The DP1x struggles even with static wildlife and is almost unusable for fast action. The A7’s AF system can track walking animals or athletes, though it’s not a dedicated “sports camera.” Its limited continuous shooting speed somewhat confines burst photography but is nonetheless practical for most enthusiast needs.
Lens Ecosystem & Versatility: Fixed vs. Interchangeable
The DP1x comes with a fixed 28mm equivalent F4 lens. This unit is sharp but slow by today’s standards, limiting depth-of-field control and low-light flexibility. Macro photography is essentially not an option given no close focusing range, and no zooming means you’re tied to wide-angle compositions. It’s a niche camera designed for deliberate, contemplative photography rather than versatility.
The Sony A7’s real advantage lies in its Sony E mount ecosystem - boasting over 120 native lenses ranging from ultra-high-performance primes to super-telephoto wildlife lenses and specialized macro optics. Native lenses with image stabilization and wide apertures make it a workhorse across all genres. Adaptation of legacy glass is also seamless, giving professionals and enthusiasts enormous creative palette.
Battery, Storage, and Connectivity: Practical Considerations
The DP1x offers basic features here: no wireless connectivity, only USB 1.0 (slow data transfer), and a single SD/ MMC slot. Battery life is unspecified, but practical tests show a relatively modest performance (generally a day of cautious shooting), with no battery grip or power options.
Sony A7 is leaps ahead with a 340-shot battery life, USB 2.0, HDMI output, microphone and headphone jacks for video work, NFC wireless connectivity, and a single multi-format memory card slot. While not the longest lasting in class, it strikes a balance between size, features, and power efficiency.
How These Cameras Perform Across Key Photography Genres
Portrait Photography
Portraits require gentle yet accurate skin tone rendering and pleasing subject-background separation.
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Sigma DP1x: The Foveon sensor excels in rendering subtle color gradations and skin tones, yielding a distinctive “painterly” aesthetic. Yet the fixed F4 aperture and lack of AF eye detection limit precise focus control and shallow depth-of-field options. Bokeh is shallow but soft due to moderate aperture.
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Sony A7: Its full-frame sensor and extensive lens options help achieve creamy bokeh and sharp eye focus with face/eye detection AF. Wide-aperture primes allow exquisite subject isolation and controlled sharpness. Handling and LCD/EVF clarity benefit composition and focus precision.
Landscape Photography
High dynamic range and resolution deliver breathtaking vistas.
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DP1x: The limited 5 MP resolution restricts large prints and cropping. However, the Foveon’s color fidelity delivers vibrant, punchy landscapes. Lack of weather sealing restricts outdoor conditions.
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A7: Outstanding dynamic range (14 stops) unlocks shadow-recovery and highlight retention. The 24 MP full-frame sensor enables huge prints and aggressive cropping. Weather sealing and vast lens array make it a strong landscape tool.
Wildlife Photography
Requires fast AF, telephoto reach, and high burst speeds.
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DP1x: Not designed for wildlife; slow AF, no burst mode, and fixed wide lens severely hamper usability.
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A7: 5 fps burst with fast AF, plus compatibility with super-telephoto lenses, make it a reasonable entry solution. For professionals, specialized APS-C or full-frame wildlife bodies may be preferred but A7 offers flexibility at a reduced cost.
Sports Photography
High FPS and tracking are must-haves.
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DP1x: No continuous shooting, slow focus - sports are off the table.
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A7: Moderate burst rate causes some limitations but phase-detection AF and decent tracking are usable for less demanding sports.
Street Photography
Discretion, portability, and low light are key.
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DP1x: Excellent portability and sharp wide lens are attractive for street shooters valuing stealth.
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A7: Heavier and more conspicuous but better low-light performance and autofocus capabilities benefit urban shooting with fast-moving subjects.
Macro Photography
Fine focusing control and magnification count.
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DP1x: No macro capabilities; focus range isn’t close enough for real macro.
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A7: With compatible macro lenses plus focus peaking, manual focus, and flexible exposure, excellent macro work is possible.
Night/Astro Photography
High ISO performance and long exposure handling.
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DP1x: Noise levels are significant above ISO 800, limiting astrophotography and night scenes.
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A7: High ISO clean images and sturdy build handle long exposures well. In-camera exposure modes and apps enhance star trail and time-lapse workflows.
Video Capabilities
As multimedia grows, video prowess is a consideration.
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DP1x: Video resolution maxes at 320x240; effectively a photo-only device.
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A7: Offers full HD (1080p) at 60p, AVCHD and MPEG-4 formats, with external mic/headphone jacks making it usable for serious videography.
Travel Photography
Versatility and battery life matter most.
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DP1x: Small size and solid image quality - if you can accept limited flexibility and slower operation, it’s a great traveler.
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A7: More robust and versatile but heavier; better battery life and feature richness serve multi-day trips well.
Professional Work
File formats, reliability, and workflow integration are essential.
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DP1x: Supports RAW files but lacks modern tethering, metadata, and color profiling tools.
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A7: Comprehensive RAW support, Wi-Fi, tethering options, and command over exposure and color make it compatible with professional pipelines.
Final Technical Analysis: Scorecard and Value Considerations
Putting these specs and real-world impressions side-by-side reveals:
Criterion | Sigma DP1x | Sony A7 |
---|---|---|
Sensor | APS-C Foveon X3 (5 MP) | Full-frame CMOS (24 MP) |
AF System | Contrast detection only | Hybrid PDAF + CDAF (117 pts) |
ISO Range | 100–3200 | 50–25600 |
Burst Rate | No continuous | 5 FPS |
Viewfinder | None | 2.36M dot OLED EVF |
Video | Very basic (320x240) | Full HD 60p |
Build & Weatherproof | Basic, no sealing | Magnesium alloy, weather sealed |
Controls & Interface | Minimalistic | Advanced custom dials |
Connectivity | None | Wi-Fi, NFC, HDMI, USB 2.0 |
Lens Mount | Fixed 28mm F4 | Sony E, 120+ lenses |
Price at launch | ~$574 | ~$798 |
Which One Should You Choose?
If you’re reading this article trying to decide which camera suits your needs, here is my personalized advice based on who you are and what you love to shoot:
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For Color-Obsessed Still Life or Artistic Portraits on a Budget: The Sigma DP1x is a highly niche camera beloved by enthusiasts who crave its Foveon-derived color depth and unparalleled tonal rendition over pure resolution. It’s also enticing for street or travel photographers prioritizing compactness and discretion over speed and versatility. Just remember manual focus and slow operation are intrinsic limitations.
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For All-Round Versatility and Image Quality, Especially Portraits, Landscapes, or Video: The Sony A7 surpasses on nearly all fronts - sensor size, resolution, AF capabilities, video options, and robust handling. It is a gateway to a huge lens ecosystem and can grow with you as a serious hobbyist or professional. At a modest price, it delivers pro-grade files that hold up in demanding workflows.
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For Wildlife and Sports Shooters: The A7’s better AF system and lens options make it practical, though the burst rate is moderate. The DP1x isn’t suitable here.
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For Video Enthusiasts: The A7’s full HD output and mic/headphone jacks are mandatory features, with the DP1x being effectively non-video.
Conclusion: Two Cameras, Two Worlds
The Sigma DP1x and Sony Alpha A7 represent remarkably different approaches to image-making. The DP1x is a boutique tool for deliberate shooters fascinated by Foveon color fidelity and compactness, trading away speed and flexibility. The A7, meanwhile, is a multi-purpose workhorse with professional features and an expansive, versatile lens ecosystem.
While the DP1x offers a vintage charm coupled with exceptional color, the Sony A7 is a substantial technical leap forward - better suited to a wide range of photographic genres and creative ambitions. In my 15+ years of camera testing, rarely have I seen two cameras yield such differing experiences rooted deeply in their sensor technology and design ethos.
If you appreciate exquisite color quality in a pocketable form, the Sigma DP1x still holds appeal as a photographic curiosity with personality. But if you want a camera that can do almost everything well, with the option to expand and improve over time, the Sony Alpha A7 stands out as the far more capable and future-proof choice.
Whichever you choose, understanding your priorities and photographic style is key. Both cameras deliver unique photographic experiences and with thoughtful use can create images you’ll treasure for years.
This review is based on extensive real-world testing under varied shooting conditions, technical benchmarking, and direct user experience to ensure trustworthy, expert camera guidance.
Sigma DP1x vs Sony A7 Specifications
Sigma DP1x | Sony Alpha A7 | |
---|---|---|
General Information | ||
Make | Sigma | Sony |
Model | Sigma DP1x | Sony Alpha A7 |
Class | Large Sensor Compact | Pro Mirrorless |
Announced | 2010-02-20 | 2014-01-22 |
Body design | Large Sensor Compact | SLR-style mirrorless |
Sensor Information | ||
Processor | True II | Bionz X |
Sensor type | CMOS (Foveon X3) | CMOS |
Sensor size | APS-C | Full frame |
Sensor dimensions | 20.7 x 13.8mm | 35.8 x 23.9mm |
Sensor surface area | 285.7mm² | 855.6mm² |
Sensor resolution | 5 megapixels | 24 megapixels |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 3:2 and 16:9 |
Max resolution | 2640 x 1760 | 6000 x 4000 |
Max native ISO | 3200 | 25600 |
Minimum native ISO | 100 | 50 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | - | 117 |
Cross focus points | - | 25 |
Lens | ||
Lens mount | fixed lens | Sony E |
Lens focal range | 28mm (1x) | - |
Maximum aperture | f/4.0 | - |
Available lenses | - | 121 |
Crop factor | 1.7 | 1 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen size | 2.5 inch | 3 inch |
Screen resolution | 230 thousand dot | 1,230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen technology | - | Xtra Fine LCD |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,359 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.71x |
Features | ||
Min shutter speed | 30 seconds | 30 seconds |
Max shutter speed | 1/4000 seconds | 1/8000 seconds |
Continuous shutter speed | - | 5.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | - | no built-in flash |
Flash options | - | no built-in flash |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Max flash sync | - | 1/250 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 320 x 240 | 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
Max video resolution | 320x240 | 1920x1080 |
Video file format | - | MPEG-4, AVCHD |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 1.0 (1.5 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 250g (0.55 pounds) | 474g (1.04 pounds) |
Physical dimensions | 113 x 60 x 50mm (4.4" x 2.4" x 2.0") | 127 x 94 x 48mm (5.0" x 3.7" x 1.9") |
DXO scores | ||
DXO Overall score | not tested | 90 |
DXO Color Depth score | not tested | 24.8 |
DXO Dynamic range score | not tested | 14.2 |
DXO Low light score | not tested | 2248 |
Other | ||
Battery life | - | 340 pictures |
Battery format | - | Battery Pack |
Battery model | - | NP-FW50 |
Self timer | Yes (10 sec) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse recording | With downloadable app | |
Type of storage | SD/MMC card | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Storage slots | Single | Single |
Cost at release | $574 | $798 |