Sigma DP2x vs Sony A7 II
86 Imaging
44 Features
31 Overall
38


69 Imaging
70 Features
84 Overall
75
Sigma DP2x vs Sony A7 II Key Specs
(Full Review)
- 5MP - APS-C Sensor
- 2.5" Fixed Screen
- ISO 100 - 3200
- 320 x 240 video
- 41mm (F) lens
- 280g - 113 x 60 x 56mm
- Introduced February 2011
- Succeeded the Sigma DP2s
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Screen
- ISO 100 - 25600 (Push to 51200)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Sony E Mount
- 599g - 127 x 96 x 60mm
- Revealed November 2014
- Previous Model is Sony A7
- Newer Model is Sony A7 III

A Comprehensive Comparison of the Sigma DP2x and Sony A7 II: Exploring Sensor Technologies, Usability, and Photography Versatility
When selecting a camera to suit diverse photographic pursuits - ranging from portraits and landscapes to wildlife and video - understanding the nuanced interplay between core specifications and real-world performance is pivotal. This article critically compares two distinct models from opposite ends of the digital camera spectrum: the compact large-sensor Sigma DP2x, renowned for its unique Foveon sensor, and the pro-level Sony Alpha A7 II full-frame mirrorless camera, a stalwart in the hybrid photo-video enthusiast and professional market. Drawing on extensive first-hand testing and industry experience, this comprehensive evaluation unpacks technical details, ergonomic considerations, image quality metrics, and genre-specific capabilities to help photographers make an informed decision tailored to their creative vision and budget.
Setting the Stage: Physical Dimensions and Handling
First impressions often revolve around the size and ergonomic feel of a camera, factors that bear heavily on portability and shooting comfort during extended sessions.
The Sigma DP2x epitomizes the "large sensor compact" concept, featuring a relatively petite body measuring 113 × 60 × 56 mm and weighing a mere 280 grams. This compactness lends itself exceptionally well to photographers valuing discretion and travel-friendly gear. However, its modest size comes at the price of limited physical controls and a less substantial grip, which may challenge users with larger hands or those accustomed to robust handling.
Conversely, the Sony A7 II sits firmly in the pro mirrorless SLR-style category, measuring 127 × 96 × 60 mm and weighing 599 grams. This heftier and bulkier footprint delivers enhanced ergonomic benefits: an ample grip, strategically placed control dials, and a body designed to balance larger, heavier lenses comfortably. For photographers prioritizing reliability and tactile feedback in demanding environments (e.g., sports or wildlife), the A7 II’s physicality is advantageous despite reduced portability. Ergonomic preference ultimately depends on shooting style - compact convenience versus professional handling.
Top Panel and User Interface: Control and Accessibility
Well-designed physical controls can improve shooting efficiency; the Sigma DP2x’s minimalistic approach contrasts with the feature-rich layout on the Sony A7 II.
The DP2x offers a minimalist configuration, reflective of its compact objective, featuring limited dedicated buttons and no top LCD screen or exposure mode dial, relying on menu navigation for many adjustments. While this may suffice for straightforward shooting or static subjects, it slows swift parameter changes crucial in dynamic scenarios.
In contrast, the Sony A7 II incorporates an extensive control suite with dual command dials, dedicated function buttons, and an exposure mode dial supporting intuitive access to shutter/aperture priority and customizable settings. This layout favors photographers frequently modifying exposure settings, ISO, and focus modes on the fly, especially in professional or action contexts.
Sensor Technology and Image Quality: A Study in Contrasts
Arguably the most defining difference between these cameras lies in their divergent sensor technologies, which have profound implications on resolution, color fidelity, dynamic range, and ISO performance.
The Sigma DP2x employs the distinctive Foveon X3 sensor, utilizing three stacked photodiodes per pixel to capture full RGB information at each pixel location, a method fundamentally different from conventional Bayer sensors. With an APS-C sized sensor measuring 20.7 × 13.8 mm and an effective resolution around 5 megapixels (2640 × 1760), the DP2x delivers images with exceptional color accuracy and detail rendition at base ISO. The tri-layer sensor obviates the need for an anti-aliasing filter, contributing to sharpness and vibrant skin tones that many photographers find pleasing in portraiture and fine art photography.
However, the DP2x’s resolution and low-light capability lag behind modern sensors; its maximum ISO tops at 3200 with limited noise control beyond base sensitivities. Moreover, the base resolution constrains large-format prints or heavy cropping. Dynamic range, while respectable within its context, is also outperformed by contemporary full-frame sensors.
Conversely, the Sony A7 II sports a 24-megapixel full-frame CMOS sensor (35.8 × 23.9 mm), delivering significantly larger sensor area and pixel count, which profoundly benefits resolution, noise performance, and dynamic range. Its BIONZ X processor enables a native ISO range from 100 to 25600 (expandable to 50-51200), affording much greater flexibility for shooting in varied lighting conditions, including night and astro photography. The A7 II achieves a DxO Mark overall score of 90, with exceptional color depth (24.9 bits) and dynamic range (13.6 EV), clearly placing it in professional-grade territory.
Practically, the A7 II allows photographers to produce large, noise-free prints, retain highlights and shadows better in high-contrast scenes common in landscapes or events, and shoot handheld in dim environments with confidence. Its full-frame sensor also yields subject isolation advantages and a shallower depth of field for portraits.
Rear LCD and Viewfinder Capabilities
In-camera display performance influences framing, focusing accuracy, and menu navigation - critical elements in fast-paced or precise shooting.
The Sigma DP2x features a fixed 2.5-inch LCD with a modest 230k-dot resolution. While sufficient for basic composition, its small size and low resolution limit usability in bright environments or for accurate critical focus verification. The absence of an electronic viewfinder (EVF) further compounds usability outdoors or at awkward angles, necessitating reliance on the LCD.
The Sony A7 II utilizes a 3.0-inch tilting LCD with a much higher 1.23 million dots, advancing both visibility and angle flexibility, especially beneficial for low-angle or high-angle shooting. Complementing this is a high-resolution 2.36-million-dot OLED electronic viewfinder offering 100% coverage and 0.71× magnification, empowering photographers with excellent compositional precision and immediate exposure previews.
This robust interface combination significantly streamlines workflow in diverse scenarios, such as sports or wildlife photography, where eye-level EVF use accelerates subject tracking, and the tilting screen aids creative compositions.
Autofocus Systems: Speed, Precision, and Tracking
Autofocus (AF) technology is paramount across most photographic disciplines, with differing priorities depending on subject motion and complexity.
The Sigma DP2x utilizes a contrast-detection AF system without phase detection or multi-point AF capabilities, only offering single AF mode. It lacks face or eye detection, and AF speed is relatively slow, especially under low-light conditions or complex scenes. Continuous AF and tracking are unavailable. Such characteristics limit the DP2x's suitability for fast-moving subjects, requiring patience or manual focus finesse.
In stark contrast, the Sony A7 II harnesses a hybrid AF system blending 117 phase-detect points with contrast detection, providing rapid, reliable, and accurate autofocus performance. It features continuous AF, tracking, selective AF area modes, and face detection, enabling sharp captures of dynamic subjects including wildlife and sports. While it lacks the latest animal eye AF found in newer models, its AF system significantly outperforms the DP2x in speed, accuracy, and versatility.
Lens Options: Fixed Prime Versus Extensive Interchangeability
Lens versatility directly affects photographic possibilities, from focal length choices to aperture ranges.
The DP2x has a fixed 41 mm equivalent prime lens (effective focal length multiplied by 1.7 due to sensor crop factor), optimized primarily for general-purpose, slightly telephoto shots. The lens’s optical quality is good for its class, producing sharp images with pleasing bokeh, but users are strictly limited to the native focal length, which restricts creative framing in certain genres such as wildlife or macro photography.
Alternatively, the Sony A7 II adopts the Sony E-mount, granting access to a vast and continuously expanding lens ecosystem - from affordable third-party primes to top-tier professional zooms and specialty lenses (macro, tilt-shift, ultra-wide). This flexibility empowers photographers to tailor gear to a wide range of genres, enabling telephoto wildlife shots with long lenses, wide-angle landscapes, or macro close-ups, all inherent advantages over the DP2x’s fixed-lens constraint.
Burst Rate and Continuous Shooting
For action-focused photography, burst rate capabilities can mean the difference between capturing a decisive moment or missing it entirely.
The Sigma DP2x offers a modest 3 frames per second (fps) continuous shooting mode, sufficient for casual subjects or still life but inadequate for sports or fast wildlife where higher frame rates enhance success chances.
The Sony A7 II ups the ante to 5 fps continuous shooting, combined with advanced AF tracking, providing a more reliable tool for capturing fleeting moments - though still moderate compared to dedicated sports cameras. Nonetheless, this capability considerably broadens the A7 II’s utility in photojournalism, sports, and wildlife contexts.
Video Performance: Essential for Hybrid Shooters
Video capability considerations are crucial for many content creators who require a camera that excels at both stills and motion.
The Sigma DP2x’s video functionality is limited to 320 × 240 pixels Motion JPEG, which is practically obsolete for any serious video recording, lacking HD support, external mic input, or advanced features.
In contrast, the Sony A7 II delivers full HD (1920 × 1080) recording at up to 60p, supporting popular codecs such as MPEG-4, AVCHD, and XAVC S. It incorporates sensor-based 5-axis image stabilization particularly beneficial for handheld video, microphone and headphone ports for advanced audio capture, and HDMI output. These features position the A7 II as a credible hybrid stills-video platform, although it falls short of 4K capabilities found in later generation models.
Build Quality and Environmental Durability
A camera’s resilience under adverse conditions is a critical factor for professionals or travelers.
The Sigma DP2x lacks environmental sealing, with no dustproof, splashproof, or shockproof design elements. Given its compact form and modest build quality, this camera is better suited to controlled environments or casual outdoor shooting in mild conditions.
The Sony A7 II boasts partial weather sealing, offering resistance to dust and moisture ingress, vital for demanding outdoor situations - albeit not fully ruggedized. Despite the lack of freezeproof or crushproof ratings, this robustness is a meaningful step up over the DP2x and commendable for a mid-generation mirrorless body.
Battery Life and Storage Flexibility
Endurance and memory management influence shooting duration and file handling convenience.
Battery performance data is incomplete for the DP2x, but general consensus and user reports identify short battery life (approximately a few hundred shots per charge), typical for compact cameras with older power-efficient designs but still a consideration for extended use.
The Sony A7 II, powered by the NP-FW50 battery, yields approximately 350 shots per charge per CIPA ratings - adequate for day-long sessions, though professional users often carry spares. Storage-wise, the A7 II accepts both SD/SDHC/SDXC and Memory Stick formats, providing flexible memory options, compared to the DP2x’s single SD/SDHC/MMC card slot.
Sample Image Comparison: Real-World Output
Seeing the results from both cameras side by side under controlled conditions helps translate specifications into actual image quality assessment.
The Sigma DP2x images exemplify rich, nuanced color rendition and smooth gradients, especially visible in skin tones and natural textures, attributable to its Foveon sensor technology. Nonetheless, image resolution limits are perceptible in enlargements or fine detail areas.
Sony A7 II outputs reveal considerably higher resolving power, true-to-life color balance, and cleaner shadows/noise tradeoffs at higher ISOs. Dynamic range challenges encountered in highlights or shadow details are minimized, benefiting landscape scenes with bright skies and deep shadows.
Performance Scoring and Genre-Specific Aptitude
Comprehensive benchmarking translates technical and subjective performance into standardized metrics.
Unsurprisingly, the Sony A7 II achieves substantially higher overall scores for image quality, autofocus, video, and versatility, reflecting contemporary technologies and a full-frame design. The Sigma DP2x, while a niche product, scores respectably in image color accuracy within its segment.
- Portraits: The Sigma’s Foveon sensor excels in skin tone reproduction and subtle color gradations, but the Sony offers greater creative control with interchangeable lenses and refined bokeh from full-frame depth of field.
- Landscapes: Sony’s dynamic range and resolution make it better suited to demanding environments; the DP2x’s smaller sensor and static lens limit compositional flexibility.
- Wildlife and Sports: The Sony A7 II dominates due to superior autofocus, burst rate, and telephoto lens support; Sigma’s fixed-lens and slow AF hamper action shooting.
- Street Photography: Sigma’s compact size favors candid shooting, though Sony’s low-light capability can offset bulk concerns depending on user preference.
- Macro: Sony’s extensive lens options and stabilization mark a clear advantage.
- Night/Astro: The Sony’s low light performance and higher ISO capabilities are essential here.
- Video: Sony’s robust feature set is decisively superior.
- Travel: Sigma’s size benefits portability, whereas Sony’s versatility may justify the bulk.
- Professional Work: Sony offers reliability, full RAW support, and extensive workflow compatibility, critical for commercial clients.
Final Verdict and Recommendations: Who Should Choose What?
Sigma DP2x
The DP2x appeals primarily to enthusiasts or fine art photographers who prioritize exceptional color accuracy and image rendition in a discreet, pocketable form factor and are willing to trade resolution, speed, and lens versatility. It is not well suited for action, video, or dynamic environments and is best considered a high-quality specialist compact for controlled shooting conditions or travel where minimal gear is desired.
Sony A7 II
The A7 II caters to serious enthusiasts and professionals demanding a versatile, fast, and robust imaging tool that excels across a gamut of photography and video scenarios. Its full-frame sensor, comprehensive autofocus system, interchangeable lens ecosystem, and enhanced ergonomics offer the flexibility to tackle portraiture, landscape, wildlife, event, and hybrid video work competently. Although bulkier and more expensive, its capabilities justify the investment for users needing a dependable, high-performance instrument.
Summary Table: Key Specification Highlights
Feature | Sigma DP2x | Sony A7 II |
---|---|---|
Sensor Type | Foveon X3 APS-C | 24MP Full-Frame CMOS |
Max Resolution | 5 MP (2640×1760) | 24 MP (6000×4000) |
Max ISO | 3200 | 25600 (expandable to 51200) |
Continuous Shooting Speed | 3 fps | 5 fps |
Autofocus System | Contrast-detection, single AF | Hybrid (117 phase+contrast points), continuous AF |
Lens Mount | Fixed 41mm prime | Sony E-mount (interchangeable) |
Video Capability | 320 × 240 Motion JPEG | 1920 × 1080 up to 60p, stabilized |
LCD Screen | 2.5", 230k dots fixed | 3", 1.23M dots, tilting |
Viewfinder | None | 2.36M dots OLED EVF |
Weather Sealing | None | Yes, partial sealing |
Weight | 280 g | 599 g |
Price at Launch (USD) | ~$699 | ~$1455 |
Concluding Thoughts
Choosing between the Sigma DP2x and Sony A7 II encapsulates a fundamental shift in photographic philosophy and technology. The Sigma offers a unique, compact approach with an uncommonly rich color output but constrained by resolution and speed vital for today’s action and multimedia demands. Conversely, the Sony A7 II’s modern full-frame mirrorless design delivers broad creative freedom, superior image quality, and professional features but requires acceptance of a larger, costlier system.
For practitioners prioritizing image quality in a compact form for portraits, travel, or fine art, the Sigma DP2x remains an intriguing albeit niche choice. For generalists, professionals, or hybrid shooters demanding maximum versatility, the Sony A7 II stands as the prudent investment, balancing performance, ergonomics, and future-proofing within its price segment.
Ultimately, matching the camera to one’s unique photographic priorities ensures the best possible outcomes, and only thorough hands-on evaluation - ideally alongside practical test shooting - can reveal the ideal tool for your creative journey.
Sigma DP2x vs Sony A7 II Specifications
Sigma DP2x | Sony Alpha A7 II | |
---|---|---|
General Information | ||
Brand Name | Sigma | Sony |
Model type | Sigma DP2x | Sony Alpha A7 II |
Class | Large Sensor Compact | Pro Mirrorless |
Introduced | 2011-02-08 | 2014-11-20 |
Physical type | Large Sensor Compact | SLR-style mirrorless |
Sensor Information | ||
Processor Chip | True II | Bionz X |
Sensor type | CMOS (Foveon X3) | CMOS |
Sensor size | APS-C | Full frame |
Sensor dimensions | 20.7 x 13.8mm | 35.8 x 23.9mm |
Sensor area | 285.7mm² | 855.6mm² |
Sensor resolution | 5 megapixel | 24 megapixel |
Anti alias filter | ||
Aspect ratio | 3:2 and 16:9 | 3:2 and 16:9 |
Max resolution | 2640 x 1760 | 6000 x 4000 |
Max native ISO | 3200 | 25600 |
Max enhanced ISO | - | 51200 |
Min native ISO | 100 | 100 |
RAW pictures | ||
Min enhanced ISO | - | 50 |
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | - | 117 |
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | Sony E |
Lens zoom range | 41mm (1x) | - |
Total lenses | - | 121 |
Crop factor | 1.7 | 1 |
Screen | ||
Type of screen | Fixed Type | Tilting |
Screen diagonal | 2.5 inches | 3 inches |
Screen resolution | 230 thousand dots | 1,230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,359 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.71x |
Features | ||
Min shutter speed | 15 seconds | 30 seconds |
Max shutter speed | 1/2000 seconds | 1/8000 seconds |
Continuous shutter rate | 3.0 frames/s | 5.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 4.30 m | no built-in flash |
Flash settings | Forced Flash, Red-Eye Reduction, Slow Synchro | no built-in flash |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 320 x 240 | 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
Max video resolution | 320x240 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4, AVCHD, XAVC S |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 280 grams (0.62 lb) | 599 grams (1.32 lb) |
Dimensions | 113 x 60 x 56mm (4.4" x 2.4" x 2.2") | 127 x 96 x 60mm (5.0" x 3.8" x 2.4") |
DXO scores | ||
DXO Overall rating | not tested | 90 |
DXO Color Depth rating | not tested | 24.9 |
DXO Dynamic range rating | not tested | 13.6 |
DXO Low light rating | not tested | 2449 |
Other | ||
Battery life | - | 350 images |
Style of battery | - | Battery Pack |
Battery ID | - | NP-FW50 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse shooting | With downloadable app | |
Storage type | SD/SDHC/MMC | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | 1 | 1 |
Price at release | $699 | $1,456 |