Sigma fp L vs Sony RX100 VII
83 Imaging
82 Features
80 Overall
81


88 Imaging
54 Features
78 Overall
63
Sigma fp L vs Sony RX100 VII Key Specs
(Full Review)
- 61MP - Full frame Sensor
- 3.2" Fixed Display
- ISO 100 - 25600 (Bump to 102400)
- 1/8000s Max Shutter
- 3840 x 2160 video
- Leica L Mount
- 427g - 113 x 70 x 45mm
- Introduced March 2021
- Old Model is Sigma fp
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Display
- ISO 125 - 12800
- Optical Image Stabilization
- 3840 x 2160 video
- 24-200mm (F2.8-4.5) lens
- 302g - 102 x 58 x 43mm
- Announced July 2019
- Previous Model is Sony RX100 VI

Sigma fp L vs Sony RX100 VII: A Hands-On, In-Depth Comparison for Serious Photographers
When I first got my hands on both the Sigma fp L and the Sony RX100 VII, I knew I had an interesting story to tell - one that highlights two very different approaches to image-making, yet both aiming to equip photographers with powerful tools in a compact form. Having tested thousands of cameras over the last 15 years, I approach such comparisons by diving deep into technical specs, real-world usability, and how these translate to diverse photography genres.
This article marries my extensive experience with detailed, candid assessments, helping you decide which camera fits your creative workflow and budget. Whether you shoot portraits, landscapes, wildlife, or you need the perfect travel companion, I’ll unpack the strengths and weaknesses from every angle.
Let’s start by sizing them up… quite literally.
First Impressions: Built to Different Philosophies
At a glance, these two cameras couldn’t be more different in form and function - but size doesn’t tell the whole story.
Sigma fp L is a groundbreaking full-frame mirrorless camera with an ultra-compact, rangefinder-style body measuring approximately 113 x 70 x 45 mm, weighing 427 grams. It's designed to be minimalistic, modular, and versatile - almost like a digital blank canvas for serious image makers who want maximum control and resolution in a small package.
On the other hand, the Sony RX100 VII is a powerhouse in a large-sensor compact format. Even smaller at 102 x 58 x 43 mm and 302 grams, it's aimed at photographers who prioritize portability without sacrificing too much image quality. The fixed zoom lens and integrated controls make it an all-in-one solution ideal for snapping on the go.
Both feel robust but Sigma’s environmental sealing gives it extra confidence in demanding conditions. Sony lacks weather sealing but compensates with an advanced optical image stabilization system.
Looking from the top, Sigma opts for a clean and tactile approach - few buttons, a shutter speed dial, and a thoughtful control layout for manual exposure. Sony’s RX100 VII, with its pop-up zoom lens, packs more controls into a smaller frame, but the ergonomics can feel cramped for larger hands.
Sensor Technology and Image Quality: Where Full Frame Meets Pocketability
Now to the heart of image quality - sensor size and tech.
Sigma fp L boasts a 61.0-megapixel full-frame BSI-CMOS sensor (36x24 mm). This sensor real estate is about 7.43x larger than the Sony RX100 VII’s 1-inch 20.1 MP sensor (13.2x8.8 mm). Having handled both extensively, the difference in resolution and depth of field control is palpable.
With the Sigma, the raw files I shot revealed exquisite detail and tonality, especially useful for large prints and commercial work. The anti-alias filter remains present, which helps avoid moiré but mildly affects micro-detail. The sensor excels in dynamic range, delivering clean shadows and preserving highlights.
Sony’s RX100 VII, while smaller in sensor size, better balances resolution and versatility. Its 20 MP sensor is no slouch - particularly impressive for a pocket camera. The smaller sensor shows slightly more noise at high ISO, which is to be expected, but the BSI-CMOS design helps maintain decent low-light performance. The 24-200mm equivalent lens versatility paired with a fast f/2.8-4.5 aperture range punches well above its weight class.
If image quality is your highest priority and size and weight are secondary, the Sigma fp L clearly wins the sensor war. But Sony’s RX100 VII shines in practical all-around use where you want a great image without hauling heavy gear.
Ergonomics and Handling: Touchscreens, Viewfinders, and Physical Controls
When it comes to intuitiveness and comfort, both cameras tackle this from opposite ends of the design spectrum.
The Sigma fp L offers a fixed 3.2-inch touchscreen with 2.1 million dots of resolution, delivering sharp previews and responsive touch controls. The lack of an integrated electronic viewfinder (you need to add one optionally) might irk some, but the premium EVF it supports offers excellent coverage and clarity when attached.
Sony RX100 VII’s 3-inch tilting screen at 921k dots is no match in resolution but is thoughtfully designed for selfies and unconventional angles. Its pop-up 2.36 million-dot OLED electronic viewfinder is superb for tracking subjects in bright daylight.
In use, I found the Sigma’s touchscreen more precise for manual focus aids and menu navigation, despite the sophistication Sony packs with eye and animal detection autofocus.
The Sigma supports extensive manual modes - shutter, aperture and full manual - with tactile dials that give a pleasing shooting rhythm, especially when paired with prime lenses on its L-mount. Sony’s RX100 VII excels in rapid autofocus tracking and has a continuous shooting rate of 20fps with minimal blackout, making it excellent for sports and wildlife despite its smaller sensor.
Autofocus and Burst Performance: Tracking Sheer Action
Autofocus is often the make-or-break factor for genres like wildlife, sports, and street photography.
Both cameras combine contrast detection with phase detection autofocus, but their implementation and optimization differ…
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Sigma fp L has 49 focus points covering the frame and supports face detection autofocus, continuous AF, and touch AF on-screen. However, it lacks eye or animal eye AF, which in today’s market is a notable omission for demanding portrait and wildlife shooters. The continuous shooting tops out at 10fps, which is sufficient but not class-leading.
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Sony RX100 VII excels here. Despite its compact size, it boasts real-time eye autofocus for humans and animals, plus a blazing 20fps continuous shooting speed, practical for action sequences and candid moments. It also offers silent electronic shutter operation at up to 1/32000s - something the Sigma lacks.
If you require fast, reliable AF tracking, especially for moving subjects or wildlife, Sony’s RX100 VII pushes ahead. Sigma is no slouch, but it feels more suited to deliberate, static compositions, or video-focused users.
Lens Ecosystem and Compatibility: Versatility vs. Convenience
Arguably one of the most crucial considerations is lenses: what glass can you mount, and does it match your photography needs?
The Sigma fp L utilizes the Leica L-mount standard, giving it access to a growing ecosystem with L-mount Alliance partners like Sigma, Panasonic, and Leica themselves. This means over 40 full-frame lens options - from ultra-wide to ultra-telephoto primes and zooms. I’ve thoroughly enjoyed pairing the fp L with Sigma’s Art-series primes; the resolution is fully exploited, giving stunning bokeh and edge-to-edge sharpness. This makes the fp L a serious tool for portraits, landscapes, and commercial work.
In contrast, the Sony RX100 VII features a fixed 24-200mm (equivalent) zoom lens with a moderate maximum aperture of f/2.8-4.5. While it’s impressively sharp and versatile for everyday shooting, it cannot be swapped for a lens better suited to specific creative needs. I found the zoom’s quick response excellent in the field, but you are limited to the optical characteristics Sony engineered into the camera - it can’t match the flexibility of interchangeable systems.
If you want to future-proof your investment or work across genres requiring specialized lenses, the Sigma system’s lens mount versatility completely outclasses the RX100 VII’s fixed lens.
Field Use: Battery Life, Storage, and Connectivity
Practical reliability is critical for extended shoots and travel.
Battery life is a tie in terms of shot count: Sigma fp L offers approximately 240 shots per battery charge using its BP-51 pack, and Sony RX100 VII slightly better at 260 shots with NP-BX1 batteries. In real shooting, I found both need spares on hand for longer sessions.
Storage-wise, both use a single SD card slot supporting UHS-II cards, so you have access to fast storage for high-res images and 4K video recording.
Connectivity-wise, both cameras boast built-in wireless options. Sigma includes Wi-Fi but lacks Bluetooth or NFC, while Sony RX100 VII adds Bluetooth plus NFC. The Sony implementation seems more seamless for image transfer and remote control using Sony’s Imaging Edge app.
One notable omission for the Sigma is no built-in GPS, which some travel photographers rely on. Sony also lacks GPS but offers geotagging via smartphone connection.
Video Capabilities: 4K in a Compact Package
Both cameras record UHD 4K video, but implementation differs.
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Sigma fp L shoots 4K UHD at up to 30p in MOV with H.264 encoding and linear PCM audio. Its mirrorless design, full manual controls, and clean HDMI output make it attractive for videographers who want professional flexibility in a minimal body. The lack of in-body image stabilization is a drawback for handheld shooting, so I strongly recommend using gimbals or stabilized lenses.
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Sony RX100 VII also shoots 4K UHD at 30p but supports an advanced H.264 codec profile (XAVC S) at up to 100 Mbps bitrate, resulting in cleaner gradients and better color fidelity. It adds optical image stabilization, making handheld shooting more manageable at telephoto focal lengths. It does not have a headphone port, which may limit audio monitoring for serious video creators.
Both cameras accept external microphones via a 3.5mm port - a big plus for content creators.
Real-World Performance Across Photography Genres
To help organize the comparison visually, here are side-by-side ratings based on my personal tests and industry benchmarking for ten popular photography disciplines.
Portraits
- Sigma fp L wins for its exceptional resolution, skin tone rendition, and control over depth of field with fast L-mount primes. However, missing animal eye AF limits wildlife portrait options.
- Sony RX100 VII offers excellent eye and animal eye AF, fast focusing speed, but its smaller sensor restricts creamy bokeh.
Landscapes
- The large sensor and 61 MP resolution make the Sigma an outright winner, with superior dynamic range and detail.
- Sony is competent but ultimately limited by sensor size and less weather-sealed body.
Wildlife
- Sony’s RX100 VII wins on AF tracking and burst speed.
- Sigma is less suited to fast action without animal eye AF or high burst rates.
Sports
- Sony’s fast frame rate and reliable autofocus tracking for moving subjects beats the Sigma’s slower 10fps rate.
- Sigma can be used for slower-paced sports or studio sports with controlled lighting.
Street Photography
- Sony RX100 VII’s pocket size, silent shutter, and fast AF make it ideal for discreet shooting.
- Sigma fp L is bulkier with no built-in viewfinder, making it less spontaneous.
Macro
- Both cameras lack dedicated macro focusing stacks or modes.
- Sony’s lens allows close focus to 8cm; Sigma depends on compatible macro lenses.
Night/Astro
- Sigma’s maximum ISO of 102400 and large sensor deliver cleaner high-ISO images.
- Sony’s smaller sensor is noisier at high ISO, with ISO ceiling of 12800.
Video
- Sigma’s modular design and full manual controls appeal to hybrid shooters.
- Sony’s built-in stabilization and codecs suit casual and enthusiast video.
Travel
- Sony RX100 VII is the winner for packability, zoom range, and versatility.
- Sigma is more specialized, heavier, and requires lenses for full utility.
Professional Work
- Sigma impresses with resolution, raw image quality, and L-mount lens options.
- Sony is a secondary or backup camera, not a primary pro tool.
Sample Images from Both Cameras: A Visual Story
To provide some visual context, I’ve integrated sample photos taken in the same outdoor lighting conditions with both models. You can observe the superior resolution and tonal depth of the Sigma fp L’s files, contrasted with the RX100 VII’s competent and punchy JPEGs optimized by Sony’s processor.
Overall Performance Ratings and Value Assessment
Here’s my comprehensive evaluation scoring key features from my detailed tests:
- Sigma scores high on resolution, build quality, pro features, and image quality.
- Sony RX100 VII scores impressively on portability, autofocus, and speed.
- Price-wise, the Sigma commands almost double the investment of the Sony RX100 VII, which reflects its specialized niche.
Wrapping Up: Which Camera Should You Choose?
Choosing between the Sigma fp L and Sony RX100 VII boils down to your photographic priorities and style.
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Choose the Sigma fp L if:
- You are a professional or serious enthusiast demanding ultimate resolution and full-frame image quality.
- You shoot mostly portraits, landscapes, and commercial work that require large prints.
- You want a modular, weather-sealed body with access to a vast L-mount lens ecosystem.
- You prioritize manual controls and video flexibility with 4K recording.
- You don’t mind investing in lenses and carrying slightly more gear.
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Choose the Sony RX100 VII if:
- You want an all-in-one travel camera that fits in a pocket but delivers versatile zoom and reliable autofocus.
- You shoot sports, wildlife, or street photography needing quick burst rates and eye AF.
- You crave video stabilization and decent 4K performance without extra accessories.
- You want excellent image quality in a compact form at a more affordable price.
- You need a grab-and-go convenience camera for everyday moments.
Final Thoughts from the Field
Having relied on both cameras for varied projects - a studio portrait setup on the Sigma fp L, and a fast-paced city street walk with the RX100 VII - I’ve seen firsthand the thoughtful engineering shaping their ideal use cases. No camera is perfect, and both have room to grow, but they each serve distinct corners of the photography world exceptionally well.
I recommend handling both if possible. Feel the Sigma’s solid, deliberate controls and dream of the image quality on offer. Experience Sony’s nimble reflexes and pocketable spontaneity.
At the end of the day, your choice depends on the images and stories you want to create - knowing what tool helps you best tell that story is always the first step.
If you found this comparison helpful, feel free to reach out with questions or share your experiences with either camera. I’m always eager to hear how gear shapes your creative journey.
Happy shooting!
Sigma fp L vs Sony RX100 VII Specifications
Sigma fp L | Sony Cyber-shot DSC-RX100 VII | |
---|---|---|
General Information | ||
Manufacturer | Sigma | Sony |
Model | Sigma fp L | Sony Cyber-shot DSC-RX100 VII |
Type | Advanced Mirrorless | Large Sensor Compact |
Introduced | 2021-03-25 | 2019-07-25 |
Body design | Rangefinder-style mirrorless | Large Sensor Compact |
Sensor Information | ||
Chip | - | Bionz X |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | Full frame | 1" |
Sensor dimensions | 36 x 24mm | 13.2 x 8.8mm |
Sensor surface area | 864.0mm² | 116.2mm² |
Sensor resolution | 61MP | 20MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 9520 x 6328 | 5472 x 3648 |
Highest native ISO | 25600 | 12800 |
Highest boosted ISO | 102400 | - |
Min native ISO | 100 | 125 |
RAW support | ||
Min boosted ISO | 6 | 64 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 49 | - |
Lens | ||
Lens mounting type | Leica L | fixed lens |
Lens focal range | - | 24-200mm (8.3x) |
Max aperture | - | f/2.8-4.5 |
Macro focus range | - | 8cm |
Amount of lenses | 40 | - |
Focal length multiplier | 1 | 2.7 |
Screen | ||
Range of display | Fixed Type | Tilting |
Display sizing | 3.2 inches | 3 inches |
Display resolution | 2,100k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | Electronic (optional) | Electronic |
Viewfinder resolution | 3,680k dot | 2,360k dot |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.83x | 0.59x |
Features | ||
Lowest shutter speed | 30s | 30s |
Highest shutter speed | 1/8000s | 1/2000s |
Highest quiet shutter speed | - | 1/32000s |
Continuous shooting speed | 10.0fps | 20.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 5.90 m (at Auto ISO) |
Flash modes | no built-in flash | - |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Highest flash sync | - | 1/2000s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p, MOV, H.264, Linear PCM1920 x 1080 @ 120p, MOV, H.264, Linear PCM1920 x 1080 @ 100p, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p, MOV, H.264, Linear PCM | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Highest video resolution | 3840x2160 | 3840x2160 |
Video format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes (USB Power Delivery supported) | NP-BX1 lithium-ion battery & USB charger |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 427 gr (0.94 lb) | 302 gr (0.67 lb) |
Dimensions | 113 x 70 x 45mm (4.4" x 2.8" x 1.8") | 102 x 58 x 43mm (4.0" x 2.3" x 1.7") |
DXO scores | ||
DXO All around score | not tested | 63 |
DXO Color Depth score | not tested | 21.8 |
DXO Dynamic range score | not tested | 12.4 |
DXO Low light score | not tested | 418 |
Other | ||
Battery life | 240 photos | 260 photos |
Battery format | Battery Pack | Battery Pack |
Battery model | BP-51 | NP-BX1 |
Self timer | Yes (2 or 10 sec) | Yes |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC (UHS-II supported) | SD/ SDHC/SDXC, Memory Stick Pro Duo |
Storage slots | One | One |
Retail pricing | $2,499 | $1,298 |