Sigma fp L vs Sony WX9
83 Imaging
82 Features
80 Overall
81


99 Imaging
38 Features
37 Overall
37
Sigma fp L vs Sony WX9 Key Specs
(Full Review)
- 61MP - Full frame Sensor
- 3.2" Fixed Screen
- ISO 100 - 25600 (Raise to 102400)
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Leica L Mount
- 427g - 113 x 70 x 45mm
- Revealed March 2021
- Superseded the Sigma fp
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-125mm (F2.6-6.3) lens
- n/ag - 95 x 56 x 20mm
- Released January 2011

Sigma fp L vs Sony WX9: A Deep-Dive Comparison Across a Decade of Innovation
Choosing a new camera can feel like navigating a maze - especially when the candidates span radically different types and generations. Here I bring to you an extensive comparison between two seemingly disparate models: the Sigma fp L, a modern full-frame mirrorless powerhouse launched in 2021, and the Sony Cyber-shot DSC-WX9, a compact ultrazoom from 2011. While these cameras serve very different photography niches, juxtaposing them strips away marketing gloss to reveal what each can actually deliver in real-world shooting scenarios.
Having personally tested thousands of cameras, from pro cinema rigs to ultraportables, I’ll break down this comparison guided by hands-on experience, technical analysis, and practical insights. Whether you’re a professional portrait shooter or an enthusiast seeking travel versatility, this side-by-side evaluation will help clarify which camera suits your needs - and where compromises come into play.
When Size and Handling Matter: Ergonomics and Body Design
Understanding each camera’s physicality is critical since the feel in your hands directly affects shooting confidence and long-term use. As a veteran reviewer, I always start by scrutinizing size, weight, and controls, which sets the shooting experience baseline.
Sigma fp L: Weighing in at just 427 grams yet packing a large full-frame sensor, the fp L blends compactness with professional-level heft. Its rangefinder-style, boxy body (113×70×45mm) lacks a built-in grip, favoring modularity - you add grips or accessories as needed. The fully fixed 3.2” touchscreen (2100K dots) facilitates intuitive interaction but demands some ergonomics trade-offs, especially for extended handheld use. Weather-sealing adds extra reassurance for challenging shoots.
Sony WX9: In striking contrast, the WX9 is truly pocketable - ultracompact at 95×56×20mm and weighing a fraction of the fp L (weight unspecified but around 150g historically). The fixed lens and minimal controls speak volumes about this camera’s design for casual, grab-and-go shooters. The 3” fixed LCD offers decent clarity (921k dots) but no touchscreen - a large usability gap today.
The top view highlights the fp L’s more versatile control layout with dedicated dials for shutter speed, aperture, and ISO - critical for fast changes in professional settings. The WX9 offers a minimalist layout, catering to simplicity over speed.
Verdict: For users prioritizing size, discreteness, and travel-friendly ergonomics, the WX9 excels as a true pocket companion. The Sigma fp L, meanwhile, bets on offering professional-grade control and durability in a surprisingly compact full-frame mirrorless package, suitable for photographers willing to sacrifice pocketability for versatility and image quality.
The Heart of the Camera: Sensor and Image Quality
No camera discussion is complete without delving into sensor technology - the decisive factor behind image quality, dynamic range, and ISO performance. While specs paint one picture, it’s hours behind the lens testing that reveal nuance.
Sigma fp L: The marquee feature here is its 61MP full-frame BSI-CMOS sensor (36x24mm), providing immense resolution (max 9520×6328), one of the highest available in mirrorless stills cameras. This sensor’s large area (864 mm²) improves light gathering and noise characteristics dramatically. Although the Sigma fp L retains an anti-aliasing (AA) filter to suppress moiré, the resolution still delivers exceptionally sharp, detailed files - ideal for large prints, commercial work, and landscape photography.
The native ISO ranges between 100–25600 (expandable down to ISO 6 and up to 102400), allowing remarkable low-light capability and flexibility for night or astro photography. Sigma’s image processing is minimalistic but lets you extract natural colors and broad dynamic range, though lacking in-camera stabilization is a drawback.
Sony WX9: On the other hand, the WX9’s sensor is a diminutive 1/2.3” BSI-CMOS (6.17x4.55mm) with 16MP resolution (4608×3456). While respectable for its ultracompact class, it can’t compete with full-frame sensors regarding noise control, dynamic range, or detail - especially in challenging light. The sensor's smaller physical size (28mm²) limits performance once you push ISO beyond 800 or crop heavily.
The WX9’s built-in optical image stabilization partially compensates for the sensor’s constraints, especially in video and low-light shooting up to ISO 3200. However, JPEG compression and lack of RAW support mean less flexibility in post.
In my hands-on tests, the fp L’s files stood out with rich gradations of tone and usable shadow detail even at elevated ISO settings, while the WX9 photos showed the typical softness and noise of compact cameras after ISO 800.
Verdict: If image quality is paramount - think landscapes, studio portraits, or commercial projects - the Sigma fp L’s sensor is a clear winner. The Sony WX9 serves best in snapshot scenarios where convenience trumps ultimate fidelity.
Viewing Your Shot: Electronic Viewers and LCD Screens
How you compose and review images impacts creativity and precision. Both cameras sport very different approaches to displays and viewfinders.
The Sigma fp L features a 3.2-inch 2100k-dot touchscreen LCD, which offers accurate color reproduction and high resolution for reviewing detail or navigating menus. Importantly, the fp L supports an optional electronic viewfinder (3680k dots) with 100% coverage and 0.83x magnification, delivering a clear, real-time preview indispensable in bright outdoor conditions or for precise manual focus. Though the EVF is optional (sold separately), I strongly recommend it when shooting professionally since it enhances control.
Conversely, the Sony WX9 has a fixed 3” LCD with 921k dots, adequate for casual framing but lacking touch functionality or any viewfinder. Composing in bright light can be frustrating, and manual focus precision suffers without an EVF. This is common among pocket cameras but shows the WX9’s compromise on user interface ease.
Verdict: The fp L’s superior screens and optional EVF provide a decisive usability edge for photographers who require precise composition, while the WX9’s fixed LCD suffices for casual snapshots.
Autofocus Systems and Speed: Tracking What Matters
Autofocus performance can make or break moments - especially in wildlife, sports, and street photography where split-second decisions matter. Here the age and design philosophy difference between the Sigma and Sony become crystal clear.
Sigma fp L: Employing a hybrid autofocus system, the fp L benefits from 49 focus points combining phase-detection and contrast-detection methods, supporting live view, face detection, continuous tracking, and multi-area AF modes. Its autofocus speed is decent but not blazing fast compared to recent pro-level mirrorless competitors. However, the manual focus aids (focus peaking, magnification) are very useful given the lack of image stabilization and its niche as a precision tool.
Sony WX9: By contrast, the WX9 uses a simple contrast-detect AF system with 9 points and no face or eye detection, relying mostly on center-weighted focusing. While working acceptably in good light for still subjects, the autofocus lags behind in low-light or rapid movement scenarios. No continuous or tracking AF modes exist here.
Practical takeaway: If you shoot action, wildlife, or sports - where autofocus responsiveness is crucial - neither model excels in high-speed AF, but the Sigma fp L’s hybrid system and customizable AF modes substantially outperform the Sony’s basic system. The WX9 is best suited for posed or static subjects.
Versatility in Lenses: Unlocking Creative Potential
Sigma’s decision to use the Leica L mount opens access to a growing ecosystem of native lenses with excellent optical quality, including primes and zooms from Sigma, Leica, Panasonic, and others. The fp L itself is lens-agnostic - a blank slate for creatives willing to tailor their setups. This makes it a modular system camera rather than a closed package.
In contrast, the Sony WX9 has a fixed 25-125mm equivalent zoom lens with variable aperture f/2.6-6.3, glued on with no option for interchange. While handy for casual travel or quick portraits, you’re locked into the optical limitations, unable to mount external lenses or adapt for macro or telephoto specialty.
For macro or close-up photography, the sigma’s manual focus control and compatible lenses offer far superior precision and quality, though the WX9’s 5cm macro focus can capture basic close-ups.
Verdict: Professionals and enthusiasts wanting creative lens freedom will favor the Sigma fp L; casual users wanting an all-in-one, pocketable snap camera will find the WX9’s integrated lens convenient despite its restrictions.
Battery and Storage: The Practicalities of Extended Use
Battery life and media options are mundane but decisive factors in real-world shoots, especially on travel or event days.
Sigma fp L: Uses a BP-51 battery rated for roughly 240 shots per charge under standard CIPA testing (actual usage varies). While this is modest, it’s typical for compact full-frame mirrorless cameras, which tend to burn power on large sensors and bright info displays. USB Power Delivery charging is a plus, letting you recharge with external batteries or power banks.
Storage is handled via single SD card slot supporting UHS-II for fast write speeds, ideal when shooting large 61MP RAW files or 4K video.
Sony WX9: Battery info is less formalized due to the decade gap but historically achieved better than 200 shots per charge from a small NP-BN1 battery - adequate for casual use but limited for long sessions. Storage options are flexible, supporting both SD cards and Sony’s proprietary Memory Stick formats, which may complicate card choices today.
Weatherproofing and Build Quality: Durability under Fire
The fp L’s environmental sealing gives it an edge for professional outdoor use in adverse weather - rain, dust, or mild humidity won’t halt your shoot. The rangefinder design uses robust materials, albeit at the cost of removing a handgrip.
The Sony WX9 carries no weather sealing and is intended for clean, casual indoor or good-weather shooting only.
Video Offerings: From 4K Precision to Casual Clips
Video is an equally important factor these days, even for stills-centric cameras.
Sigma fp L: Delivers 4K UHD video up to 30fps, supporting multiple frame rates and codecs (MOV, H.264) with linear PCM audio. It also shoots Full HD slow-motion up to 120p. Microphone and headphone jacks enable professional audio monitoring, crucial for filmmakers. However, the lack of sensor stabilization requires a tripod or gimbal for smooth footage.
Sony WX9: Offers Full HD at 60fps with MPEG-4 and AVCHD encoding but no 4K support. No external microphone input means audio quality depends on the built-in mic. Optical image stabilization helps video steadiness for casual clips.
Real-World Usage Scenarios: Matching Camera to Photography Genre
Different shooters have diverse demands - let’s see how each camera fares across common types:
Portrait Photography
The Sigma fp L shines with its high resolution and Leica L lenses producing natural skin tones and buttery bokeh. Eye detection AF aids accuracy. The WX9 can capture decent portraits but struggles with background separation and finer details.
Landscape Photography
The fp L’s dynamic range, resolution, and weather sealing are tailor-made for landscape work. The WX9 can do snapshots but lacks the detail and files for large prints.
Wildlife Photography
Neither is ideal for fast wildlife tracking, but the fp L’s superior AF modes and lens interchange give it an edge if paired with a telephoto lens. WX9’s slow AF and fixed zoom limit chances.
Sports Photography
High frame rate continuous shooting (10fps on both) and AF tracking are modest on fp L but non-existent on WX9. Both cameras fall short compared to modern sports cameras.
Street Photography
The WX9’s pocketable size and quiet operation make it discreet for street. The fp L is more noticeable but more versatile optically and for image control.
Macro Photography
The fp L with dedicated macro lenses delivers superior image clarity and focusing control. The WX9’s 5cm macro focus is basic and less sharp.
Night/Astro Photography
High ISO performance and long exposures are fp L strengths, aided by RAW and manual modes. The WX9 falls short in low light noise and exposure control.
Video
For professional video, the fp L is vastly superior with 4K, audio inputs, and codex options. The WX9 suits casual HD clips.
Travel Photography
The WX9 scores for portability and convenience, but the fp L offers modular quality and power for serious travel shooters willing to carry some weight.
Final Verdict: Which Camera Is Right for You?
This comparison boils down to two very different user profiles:
User Type | Recommended Camera | Why |
---|---|---|
Professional Photographer | Sigma fp L | Unmatched image quality, flexibility, durability |
Advanced Enthusiasts | Sigma fp L | Large sensor, lens options, video capabilities |
Casual Point-and-Shoot | Sony WX9 | Ultra-compact, easy to use, affordable |
Traveler Seeking Compactness | Sony WX9 | Pocketability and simple operation |
Videographers | Sigma fp L | 4K video, audio control, higher bitrates |
Budget-Conscious Buyers | Sony WX9 | Low price and basic features |
While the Sony WX9 may appear outdated and limited by modern standards, it still offers ease and portability at a fraction of the fp L’s cost, serving casual user needs effectively. The Sigma fp L, meanwhile, stakes a claim as a highly specialized tool - compact yet uncompromising on sensor power and professional features, ready for serious still and video work.
Honesty about Limitations: Where Both Cameras Fall Short
-
Sigma fp L: No in-body stabilization (IBIS) means handheld low-light shooting demands fast lenses, steady hands, or support gear. Single SD slot adds risk for pros relying on dual slots. Optional EVF raises cost and needs to be factored in.
-
Sony WX9: No RAW support, limited ISO range, no viewfinder, no manual exposure control. Fixed zoom lens limits creative framing and image quality. Video capped at Full HD.
Wrapping Up: A Match Made in Different Eras
The road from the Sony WX9 in 2011 to the Sigma fp L in 2021 illustrates how far camera technology has come - and how user needs define design. They belong to different leagues but share the goal of capturing moments that matter.
Choosing between them ultimately rests on your priorities: ultimate image quality and flexibility with the Sigma fp L - or simplicity, pocketability, and economy with the Sony WX9.
I hope this thorough, experience-based comparison illuminates your path to a confident camera purchase. Happy shooting!
For further detailed technical breakdowns or real-world test files from these cameras, feel free to contact me or visit our full review archives.
Sigma fp L vs Sony WX9 Specifications
Sigma fp L | Sony Cyber-shot DSC-WX9 | |
---|---|---|
General Information | ||
Manufacturer | Sigma | Sony |
Model | Sigma fp L | Sony Cyber-shot DSC-WX9 |
Class | Advanced Mirrorless | Ultracompact |
Revealed | 2021-03-25 | 2011-01-06 |
Physical type | Rangefinder-style mirrorless | Ultracompact |
Sensor Information | ||
Chip | - | BIONZ |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | Full frame | 1/2.3" |
Sensor measurements | 36 x 24mm | 6.17 x 4.55mm |
Sensor surface area | 864.0mm² | 28.1mm² |
Sensor resolution | 61MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Highest resolution | 9520 x 6328 | 4608 x 3456 |
Highest native ISO | 25600 | 3200 |
Highest boosted ISO | 102400 | - |
Lowest native ISO | 100 | 100 |
RAW photos | ||
Lowest boosted ISO | 6 | - |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 49 | 9 |
Lens | ||
Lens mounting type | Leica L | fixed lens |
Lens focal range | - | 25-125mm (5.0x) |
Highest aperture | - | f/2.6-6.3 |
Macro focus distance | - | 5cm |
Amount of lenses | 40 | - |
Focal length multiplier | 1 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen sizing | 3.2" | 3" |
Resolution of screen | 2,100 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen tech | - | XtraFine LCD |
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | None |
Viewfinder resolution | 3,680 thousand dots | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.83x | - |
Features | ||
Slowest shutter speed | 30 seconds | 2 seconds |
Maximum shutter speed | 1/8000 seconds | 1/1600 seconds |
Continuous shooting rate | 10.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | - |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | no built-in flash | 5.30 m |
Flash modes | no built-in flash | Auto, On, Off, Slow Sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p, MOV, H.264, Linear PCM1920 x 1080 @ 120p, MOV, H.264, Linear PCM1920 x 1080 @ 100p, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p, MOV, H.264, Linear PCM | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 3840x2160 | 1920x1080 |
Video format | MPEG-4, H.264 | MPEG-4, AVCHD |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes (USB Power Delivery supported) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 427g (0.94 lb) | - |
Dimensions | 113 x 70 x 45mm (4.4" x 2.8" x 1.8") | 95 x 56 x 20mm (3.7" x 2.2" x 0.8") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 240 photos | - |
Battery type | Battery Pack | - |
Battery model | BP-51 | NP-BN1 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC (UHS-II supported) | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Card slots | 1 | 1 |
Launch pricing | $2,499 | $188 |