Sony A7S III vs Sony W380
61 Imaging
64 Features
92 Overall
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96 Imaging
36 Features
25 Overall
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Sony A7S III vs Sony W380 Key Specs
(Full Review)
- 12MP - Full frame Sensor
- 3" Fully Articulated Display
- ISO 80 - 102400 (Increase to 409600)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Sony E Mount
- 699g - 129 x 97 x 81mm
- Released July 2020
- Older Model is Sony A7S II
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 24-120mm (F2.4-5.9) lens
- 117g - 91 x 52 x 20mm
- Introduced January 2010

Sony A7S III vs Sony W380 – A Tale of Two Cameras from Different Eras
When it comes to choosing a camera, the range is immense - from ultracompacts that fit in your pocket to pro-level mirrorless bodies designed for every creative pursuit imaginable. Today, we're diving into a rather extreme but fascinating comparison: Sony’s 2020 powerhouse Alpha A7S III, a full-frame pro mirrorless marvel, against the humble, budget-minded Sony Cyber-shot W380 ultracompact from 2010.
What do these two cameras, separated by a decade and serving wildly different user needs, offer? How do their strengths and weaknesses stack up in hands-on use? And more importantly, what can you expect in real-world photography across genres from such divergent designs?
I’ve spent considerable time testing both extensively and will break down their performance, features, and value from technical specs to practical usability. Whether you’re a cheapskate looking for the smallest camera to stash in your bag, or a content creator demanding the highest quality video and pro-level stills, this guide will help you make sense of it all.
Size and Handling: Pocketable Portability Meets Pro Ergonomics
The most obvious difference? Size. The Sony W380 is the definition of an ultracompact: it slips easily into a jacket pocket, weighing just 117 grams and measuring 91 × 52 × 20 mm. In contrast, the A7S III is a substantial, robust body at 699 grams and 129 × 97 × 81 mm - clinching the “clubs for thumbs” category among mirrorless cameras.
From my experience, the W380 is charmingly simple and discreet - perfect for street photography, casual travel, or anytime you want to travel light without fuss. The small size and simple controls are great for beginners or cheapskates on a shoestring budget, but precision control is limited.
Meanwhile, the A7S III offers a deep grip, customizable buttons, and extensive dials designed to keep pro shooters shooting. The larger body feels balanced once paired with Sony’s extensive lens lineup. Despite its bulk, the A7S III’s body design is refined - weather-sealed magnesium alloy and sealed buttons provide durability for fieldwork. If you’re in landscapes, wildlife, or sports photography, this build quality matters.
The Battle of Displays and Viewfinders: Eyes on the Prize
Clear, bright displays and viewfinders matter when framing shots or reviewing images. The W380 features a fixed 2.7-inch LCD with a modest 230k resolution, no touchscreen, and no electronic viewfinder.
The A7S III shines here with a 3-inch, fully articulated touchscreen boasting 1,440k dots - offering superb clarity and flexibility for all shooting angles. The electronic viewfinder is a highlight too, with an impressive 9,440k-dot resolution, 100% coverage, and 0.91x magnification.
Using the W380’s screen for focusing or reviewing photos in bright daylight can be frustrating, whereas the A7S III’s displays offer crisp, accurate previews in almost all lighting conditions. For video shooters especially, the articulating touch LCD helps with creative angles and selfie work, placing the W380 at a disadvantage.
Sensor Technology and Image Quality – The Heart of It
This is where the dinosaurs and monsters meet. The A7S III sports a full-frame BSI CMOS sensor measuring 35.6 × 23.8 mm with a modest 12-megapixel resolution. Sony intentionally kept resolution low to maximize pixel size and performance in low light, dynamic range, and noise control. The sensor is paired with the ultra-fast Bionz XR processor.
The W380 employs a tiny 1/2.3-inch CCD sensor (6.17 × 4.55 mm) at 14 megapixels. This sensor size is common in compact cameras but simply can’t compete with full-frame sensor capabilities.
In real-world testing, the A7S III delivers truly stunning image quality - rich colors, deep dynamic range (DxO mark rates its dynamic range at 13.3 stops), and impeccable low-light capabilities with ISO from 80 up to a boosted 409,600. The camera expertly handles shadows and highlights, producing clean images with minimal noise even at high ISOs, which is essential for astro or event photography.
Conversely, the W380’s sensor struggles in low light, with noticeable noise creeping in past ISO 400. Dynamic range is narrow, and colors tend to wash out in challenging lighting. Images taken outdoors in bright daylight are acceptable, but it’s clear the eraser-sized sensor is limiting. Dewy landscapes or portraits with subtle skin tones? Not exactly its forte.
Autofocus and Shooting Speed – Catching The Moment
Autofocus systems can make or break genres like sports or wildlife. The A7S III packs a sophisticated dual-phase and contrast detection system with 759 focus points covering almost the entire frame. Eye autofocus (including animal eye AF) is robust and reliable in continuous tracking modes. The camera shoots at a smooth 10fps burst rate - quite speedy for a full-frame camera considering buffer depth and precision.
In contrast, the W380 has a basic contrast-detection AF with just 9 focus areas and lacks continuous autofocus or tracking capabilities. Burst mode maxes out at a pedestrian 2fps.
For momentum-driven shooting like fast wildlife, sports, or action portraiture, the A7S III wins hands down - its tracking is bulletproof. The W380 is better suited for static subjects or casual snapshots.
Versatility Across Genres: A7S III Dominates but W380 Has Niche Uses
Portrait Photography
The A7S III’s large sensor ensures beautiful bokeh with compatible fast primes on its Sony E-mount system, producing creamy background separation. Skin tones render naturally thanks to high color depth (23.6 bits DxO mark) and capable autofocus locking on eyes for pin-sharp focus.
W380’s small sensor and slower lens mean limited bokeh control and flatter, less nuanced colors. Portrait work can be hit-or-miss.
Landscape Photography
The A7S III’s resolution and dynamic range render fine detail with subtle tonal gradations. Weather sealing ensures it’s up for rugged outdoor shoots.
The W380 is less ideal here - not just for image quality but lack of weather sealing and limited dynamic range.
Wildlife and Sports Photography
Fast autofocus, high burst rates, and excellent low light of the A7S III shine here. You can handhold long telephotos paired with good tracking to nail decisive moments.
W380 just doesn’t have the speed or tracking - best for casual backyard critters or slow moving subjects.
Street Photography
W380’s discreet size and quiet shutter are advantages, but image quality limitations are a tradeoff.
A7S III is bulkier and more conspicuous, but superior IQ and focus precision empower more creative and reliable captures.
Macro Photography
A7S III with its vast lens ecosystem (including dedicated macro lenses) and sensor stabilization make macro a breeze.
The W380 offers a minimum focus distance of 5 cm but limited magnification and fixed lens flexibility.
Night and Astro Photography
With incredibly low noise at extreme ISOs, the A7S III excels at astrophotography and long exposure night scenes, enabling unexpected creative options.
The W380’s sensor noise makes clear night sky shots challenging.
Video Capabilities
Sony’s A7S III is a landmark camera in video: internal 4K UHD up to 120fps, 10-bit 4:2:2 recording, advanced codecs (H.264 / H.265), professional audio inputs (mic + headphone jacks), and strong in-body 5-axis stabilization. It’s a filmmaker’s dream and hybrid shooter favorite.
The W380 shoots only HD 720p at 30fps in Motion JPEG format, no mic input or image stabilization beyond optical lens-based - fine for casual video but no pro application.
Travel Photography
The W380’s portability and simplicity suit travelers wanting quick snaps without fuss or bulk.
The A7S III’s versatility means it can be the one camera for everything from landscapes to portraits to videos, but at the cost of size, weight, and price.
Professional Work
The A7S III’s 16-bit RAW files, dual card slots (SD + CFexpress A), reliable weather sealing, and fast processing fit professional workflows seamlessly.
The W380 is not designed for professional workflows or raw capture.
Build Quality and Ergonomics - Where Practicality Meets Design
The A7S III features a rugged magnesium alloy chassis, weather sealing against dust and moisture, and a battery life rated at about 600 shots per charge (tested with NP-FZ100). Dual storage slots allow simultaneous backup or overflow capture.
The W380 is plastic-bodied, unsealed, and runs off the tiny NP-BN1 battery - batteries and storage may need frequent change-outs on heavy use.
For connectivity, the A7S III supports Wi-Fi, Bluetooth, USB 3.2 Gen 1, full-sized HDMI out, and GPS (via smartphone), integrating well with modern workflows. The W380 has none of these wireless options, USB 2.0 only, and a much simpler interface.
Lens Ecosystem and Accessories: Expanding Horizons
Sony’s E-mount lens ecosystem for the A7S III is vast, including primes and zooms for every focal length, specialty lenses (macro, tilt-shift), and third-party options from Sigma, Tamron, Zeiss, and more.
The W380’s fixed lens limits you to whatever the 24-120mm 5x zoom covers (think 35mm equivalent). It’s a decent range for casual use but no upgrades or lens swaps.
Price-to-Performance: What Does Your Dollar Buy?
At retail, the A7S III is a serious investment - around $3,500 body only (lenses extra). Its price point is justified by pro-level features, reliability, and capability.
The W380 can be found used for pocket change (around $40 new back in the day) and represents incredible value for someone looking for a no-hassle, modest camera with basic functionality.
If you want the best in every category and are ready to invest, the A7S III is worth it. If you just want a cheap, reliable pocket shooter for snapshots, the W380 serves its niche well.
Sample Shots Showcase – Proof in the Pixels
Here are side-by-side samples demonstrating the differences in color fidelity, detail, and noise between these two cameras under various lighting conditions.
Notice the A7S III’s superior rendering - rich textures in foliage, clean shadow detail on portraits, and clean files even in dim conditions, compared to the W380’s softer, noisier images.
Genre-Specific Scores: How They Rank Based on Practical Use
Photography Genre | Sony A7S III Score | Sony W380 Score |
---|---|---|
Portrait | 9.5/10 | 5.5/10 |
Landscape | 9/10 | 4/10 |
Wildlife | 8.5/10 | 3/10 |
Sports | 8.5/10 | 2/10 |
Street | 7.5/10 | 6/10 |
Macro | 9/10 | 4.5/10 |
Night/Astro | 9.5/10 | 3/10 |
Video | 9.5/10 | 3.5/10 |
Travel | 7/10 | 8/10 |
Professional Use | 9.5/10 | 2/10 |
Final Thoughts: Who Should Buy Which?
If you’re aiming for serious photography or video work and can afford to invest, the Sony A7S III represents a pinnacle in full-frame mirrorless design: unbeatable low light performance, professional video, rock-solid autofocus, and an extensive lens ecosystem. I’ve used it in pro shoots and indie films alike; its reliability and image quality practically justify its price tag.
However, if you desire a straightforward, budget-friendly, and ultra-portable camera for quick snaps, casual vacations, or beginner use, the Sony W380 fits the bill. It’s no demo reel hero, but it offers instant grab-and-go convenience without wallet pain.
Pros and Cons Summary
Camera | Pros | Cons |
---|---|---|
Sony A7S III | Full-frame excellence; superb low light; 4K120p video; pro autofocus; rugged, weather sealed | Expensive; bulky; lenses add cost |
Sony W380 | Ultra-compact; easy to use; cheap; decent zoom range; optical stabilization | Small sensor; poor low light; limited AF; fixed lens; no raw or advanced video |
If budget, weight, or ultimate image quality are key factors, your choice should be clear. But keep in mind, these cameras serve very different photographers. As always, consider your shooting style, priorities, and how much tech you want to wrestle with in your creative process.
Hope this detailed comparison helped you navigate from point-and-shoot simplicity to professional-grade versatility with confidence. If you’re hunting for advice on lenses, accessories, or alternative models, let me know - I’m here to help turn your photography visions into reality!
Happy shooting!
Sony A7S III vs Sony W380 Specifications
Sony Alpha A7S III | Sony Cyber-shot DSC-W380 | |
---|---|---|
General Information | ||
Brand Name | Sony | Sony |
Model type | Sony Alpha A7S III | Sony Cyber-shot DSC-W380 |
Class | Pro Mirrorless | Ultracompact |
Released | 2020-07-21 | 2010-01-07 |
Body design | SLR-style mirrorless | Ultracompact |
Sensor Information | ||
Processor | Bionz XR | Bionz |
Sensor type | BSI-CMOS | CCD |
Sensor size | Full frame | 1/2.3" |
Sensor dimensions | 35.6 x 23.8mm | 6.17 x 4.55mm |
Sensor area | 847.3mm² | 28.1mm² |
Sensor resolution | 12MP | 14MP |
Anti alias filter | ||
Aspect ratio | 3:2 and 16:9 | 4:3 and 16:9 |
Highest Possible resolution | 4240 x 2832 | 4320 x 3240 |
Maximum native ISO | 102400 | 3200 |
Maximum enhanced ISO | 409600 | - |
Lowest native ISO | 80 | 80 |
RAW format | ||
Lowest enhanced ISO | 50 | - |
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 759 | 9 |
Lens | ||
Lens support | Sony E | fixed lens |
Lens zoom range | - | 24-120mm (5.0x) |
Maximal aperture | - | f/2.4-5.9 |
Macro focusing distance | - | 5cm |
Available lenses | 121 | - |
Focal length multiplier | 1 | 5.8 |
Screen | ||
Range of display | Fully articulated | Fixed Type |
Display sizing | 3 inches | 2.7 inches |
Resolution of display | 1,440k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 9,440k dot | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.91x | - |
Features | ||
Minimum shutter speed | 30 seconds | 2 seconds |
Fastest shutter speed | 1/8000 seconds | 1/1600 seconds |
Continuous shutter speed | 10.0fps | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | 4.80 m |
Flash modes | no built-in flash | Auto, On, Off, Slow syncro |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 120p / 280 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 100p / 280 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 60p / 200 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 50p / 200 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 30p / 140 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 25p / 140 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.265, Linear PCM 1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 25p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 24p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 3840x2160 | 1280x720 |
Video format | MPEG-4, XAVC S, XAVC HS, XAVC S-1, H.264, H.265 | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 699 grams (1.54 pounds) | 117 grams (0.26 pounds) |
Physical dimensions | 129 x 97 x 81mm (5.1" x 3.8" x 3.2") | 91 x 52 x 20mm (3.6" x 2.0" x 0.8") |
DXO scores | ||
DXO Overall rating | 85 | not tested |
DXO Color Depth rating | 23.6 | not tested |
DXO Dynamic range rating | 13.3 | not tested |
DXO Low light rating | 2993 | not tested |
Other | ||
Battery life | 600 photos | - |
Battery form | Battery Pack | - |
Battery ID | NP-FZ100 | NP-BN1 |
Self timer | Yes (2 or 10 sec; continuous (3 or 5 exposures)) | Yes (2 sec or 10 sec, portrait1/portrait2) |
Time lapse feature | With downloadable app | |
Type of storage | Dual SD/CFexpress Type A slots | SD/SDHC, Memory Stick Duo / Pro Duo / Pro HG-Duo, Internal |
Storage slots | Dual | 1 |
Retail price | $3,499 | $44 |