Sony A9 vs Sony HX300
65 Imaging
72 Features
93 Overall
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63 Imaging
44 Features
51 Overall
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Sony A9 vs Sony HX300 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Screen
- ISO 100 - 51200 (Increase to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Sony E Mount
- 673g - 127 x 96 x 63mm
- Launched April 2017
- Successor is Sony A9 II
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 80 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1200mm (F2.8-6.3) lens
- 623g - 130 x 103 x 93mm
- Launched February 2013
- Superseded the Sony HX200V
- Newer Model is Sony HX400V

Sony A9 vs Sony HX300: A Deep Dive into Two Very Different Cameras
It’s not every day you get to compare two cameras from the same manufacturer that could hardly be further apart on the photography spectrum. On one side, we have the Sony Alpha A9 - a professional-grade, full-frame mirrorless powerhouse that redefined speed and precision when it launched back in 2017. On the other, the Sony Cyber-shot HX300 - a bridge camera with a colossal 50x zoom and a modest price tag that’s still kicking around in the used market for under $400.
Why compare these two wildly different beasts? Because understanding how each camera fits distinct user needs reveals a lot about how camera technology scales and serves various photography niches. I’ve put both through their paces, evaluating from sensor capabilities to ergonomics, autofocus, and everything in between. Let’s embark on this pixel journey with a clear-eyed, hands-on perspective.
Size Matters: Handling and Ergonomics
First impressions come when you pick both cameras up. The A9 feels like a precision instrument - solid, well-balanced, and surprisingly lightweight for a full-frame professional. The HX300, a bridge camera, mimics an SLR in shape but feels bulkier and more plasticky.
The A9’s robust magnesium alloy chassis, environmental sealing, and well-shaped grip give it a confident heft at 673 grams. The HX300, despite its superzoom lens bulking out the front, weights slightly less at 623 grams but is physically larger with its deeper body (130mm depth vs. 63mm on the A9). Frankly, the HX300’s ergonomics don’t quite match the A9’s user-friendly design. Controls are more cramped, and the grip doesn’t inspire the same extended-use confidence.
The tilting LCD screens on both are 3 inches, though the A9’s has a slightly higher resolution (1440 vs. 921 dots). The screen on the A9 is touchscreen-enabled, allowing for intuitive focus point selection, whereas the HX300 lacks this modern nicety.
Top-Down Look: Control Layout and Design Philosophy
A peek at the top panel reveals their design DNA.
The Sony A9 sports a professional-grade user interface. Dedicated dials for exposure compensation, ISO, shutter speed, and a top-panel LCD display offer quick status checks mid-shoot - features I find invaluable for adjusting settings with minimal eye movement during critical moments. The HX300 adopts a simplified control scheme, befitting its more casual user base, with a mode dial and fewer dedicated buttons. It’s functional, but not nearly as efficient for rapid setting changes as the A9.
For anyone serious about manual control and fast shooting, the A9’s ergonomics just blow the HX300 out of the water.
Sensor Size and Image Quality: The Heart of the Matter
If you want to understand why these cameras serve different audiences, start here: sensor technology.
The A9 packs a full-frame 35.6 x 23.8mm backside-illuminated CMOS sensor delivering 24 megapixels of rich, detailed 6000x4000 pixel images. It’s designed for top-tier dynamic range (DxO Mark gave it 13.3 EV), impressive color depth (24.9 bits), and excellent high ISO performance - rated at an impressive native max ISO of 51,200, expandable to a staggering 204,800. This sensor technology is central to its appeal for pros shooting demanding scenes where detail, noise, and tonal range make or break the photo.
By contrast, the HX300 uses a small 1/2.3-inch BSI-CMOS sensor - a tiny 6.16 x 4.62mm chip with 20MP resolution (5184 x 3888 pixels). This sensor size is commonplace among consumer superzooms and smartphones, with inherent limits on image quality. The smaller sensor area (just 28.46 mm², vs. 847.28 mm² for the A9) means noise is more prevalent and dynamic range is limited. ISO tops out at 12,800, but you’ll see noise gain long before reaching this ceiling.
Practically speaking, the A9 will render skin tones, landscapes, and low-light scenes with richer color, finer detail, and cleaner shadows. The HX300 is a convenient, all-in-one travel companion but won’t satisfy a professional eye seeking flawless files for print or editorial use.
LCD and Viewfinder: Framing and Review Experience
When composing images or reviewing shots, displays matter.
The A9’s 3-inch tilting touchscreen LCD at 1440k dots is bright with good color fidelity. The touchscreen adds to the speed of autofocus point placement and navigating menus - something I found indispensable in fast-paced shooting environments.
Meanwhile, the HX300 also offers a 3-inch tilting screen, but resolution is lower (921k dots) and it lacks touch capabilities. It’s serviceable, but feels dated next to modern mirrorless.
Both feature electronic viewfinders, although the A9’s is a far cry ahead with 3.686 million dots of OLED clarity, 100% coverage, and a decent 0.78x magnification - essential for critical focus and accurate framing. Unfortunately, the HX300’s EVF specs are not published, generally settling for lower-resolution, slower refresh rates that make manual focusing challenging in tricky light.
For serious shooting, I’d put my money on the A9’s superior viewfinder any day.
Autofocus Systems: Speed and Accuracy in Focus
Autofocus can make or break a shoot, especially in dynamic situations.
The Sony A9 boasts 693 on-sensor phase-detection AF points covering a wide area, with excellent eye detection human and animal, plus real-time tracking. The camera’s BIONZ X processor handles AF calculations swiftly, enabling seamless continuous autofocus at 20 frames per second with no blackout - a genuine game-changer for sports and wildlife photographers.
The HX300, serving a more casual user, has a modest 9 autofocus points relying on contrast detection only. It lacks animal or eye detection autofocus and continuous AF support, though it does offer single AF tracking. I found its AF hunting more pronounced in low light and action scenes, often struggling to keep pace with moving subjects. For static snapping or zoomed manual framing, it’s fine, but no match for the A9’s prowess.
Burst Shooting and Buffer: Catching the Moment
The A9’s 20fps continuous shooting with a deep buffer and no viewfinder blackout dazzled me during wildlife tests. It captured sharp sequences of birds in flight that would test any camera. The HX300’s 10fps burst is respectable for its class but severely limited by shorter buffer and slower AF, making it less suited for action-rich scenes.
Lens Ecosystem and Compatibility
One of the biggest advantages of the A9 is the Sony E lens mount, compatible with over 120 native lenses ranging from speedy primes to specialized telephotos and macros. This flexibility allows professionals to tailor their gear for genres as diverse as portraiture, landscape, macro, and wildlife.
The HX300’s fixed 24-1200mm (equivalent) lens offers incredible reach in a convenient package - a 50x zoom that rivals early superzooms. Aperture ranges from f/2.8 at the wide end to f/6.3 telephoto, which isn’t especially fast, but adequate for daylight use. The downside? No ability to swap lenses means you’re committed to this all-in-one solution, which may compromise optical quality and limit creative control.
Build Quality and Weather Sealing
The A9 is designed for professional use in harsh environments. It features comprehensive weather sealing against dust and moisture - essential for those landscape photographers shooting in the wild or sports shooters braving the elements.
The HX300 has no official weather sealing, limiting its durability under challenging conditions. I’d hesitate to take it on outdoor adventures during bad weather.
Battery Life and Storage Options
The A9’s larger NP-FZ100 battery delivers approximately 650 shots per charge, impressive for a mirrorless body, and two UHS-II SD card slots ensure plenty of storage and backup options for demanding shoots.
The HX300’s battery life isn’t well-documented, but user reports suggest it’s average for a bridge camera - suitable for casual use but not marathon shooting. Storage depends on a single SD card slot, which may limit redundancy options.
Connectivity and Interface
The A9’s built-in WiFi, Bluetooth, and NFC allow seamless wireless image transfer and remote camera control via smartphone apps, features that speed up professional workflows.
The HX300 lacks wireless connectivity altogether, an increasingly rare omission that might frustrate those modern users accustomed to instant sharing.
Video Capabilities
While video is not the primary focus of either camera, the A9 supports 4K UHD recording with professional-grade codecs and microphone/headphone jacks for audio monitoring - a rare but welcome capability for hybrid shooters.
The HX300 tops out at Full HD 1080p at 60fps, sufficient for casual video but lacking advanced features like 4K or external mic inputs.
Real-World Performance: Putting Both Cameras Through Their Paces
Having discussed specs, let’s look at actual images and usage scenarios.
In portrait work, the A9’s sensor and lens options create images with creamy bokeh and accurate skin tones (thanks to its color science and dynamic range). Eye AF locks perfectly on subjects, ensuring tack-sharp eyes even at wide apertures.
The HX300’s images are decent for snapshots but obviously limited by sensor size - skin tones can look a touch washed out, and background blur is minimal due to the smaller sensor and slower lens.
For landscapes, the A9’s dynamic range lets you capture details in both shadows and highlights far better than the HX300. Weather sealing also means you can brave the elements without worry. The HX300’s superzoom is tempting for distant vistas but optical compromises become apparent up close.
Wildlife and sports photographers will find the A9’s autofocus and burst shooting unmatched; fast-moving subjects are reliably captured. The HX300 can try to keep up at low speeds but quickly loses focus and frame rate advantages.
Street photography hinges on discretion and portability. The A9, while compact for a full-frame, is still a professional tool you might hesitate to drag through crowded streets. The HX300’s bulk and bridge camera aesthetics might attract unwanted attention. Its zoom might help from a distance, but low-light performance is lacking.
Macro shots are limited on the HX300 without focus stacking or close work capability. The A9, combined with appropriate macro lenses and in-body stabilization, makes detailed close-ups a joy.
Night and astro photography? The A9’s high-ISO handling and shutter speeds mean cleaner starscapes and less noise. The HX300’s sensor noise at high ISO and limited exposure options place it well behind.
Comprehensive Performance Ratings
While personal experience matters most, independent performance metrics help contextualize these cameras.
The Sony A9 scores highly across the board, dominating especially in image quality, Autofocus Speed, and Build Quality.
In genre-specific rankings, the A9 shines in sports, wildlife, landscape, portrait and night photography. The HX300, unsurprisingly, stands in lower tiers, best suited for traveler or casual use.
Price and Value Proposition
The price difference is stark: The A9 retails at around $4500 new (and holds value well), designed for professionals who depend on reliability and performance. The HX300, around $340, serves entry-level users needing enormous zoom reach without interchangeable lenses or advanced tech.
If budget is tight and superzoom convenience is your priority, HX300 fits well. But if serious image quality, speed, and expandability matter, the A9 justifies its premium price with superior technology.
Summing It Up: Which Camera Is Right For You?
Choose the Sony A9 if you:
- Are a professional or enthusiast demanding top-tier image quality and speed
- Shoot sports, wildlife, portraits, and landscapes requiring precise autofocus and high resolution
- Need a rugged, weather-sealed body with comprehensive manual controls
- Want a broad lens ecosystem and 4K video capabilities
- Value wireless connectivity and modern workflow integration
Choose the Sony HX300 if you:
- Want an affordable superzoom for casual travel or snapshot photography
- Prefer a single, lightweight all-in-one camera without changing lenses
- Prioritize extreme zoom reach over ultimate image quality
- Don’t need advanced autofocus, high ISO performance, or rugged build
- Are fine with basic video specs and minimal connectivity
My Final Thoughts From Years Behind the Viewfinder
Having wielded both cameras, it’s clear they serve very different masters. The Sony A9 is a high-performance instrument delivering pro-grade results - speedy, reliable, rock-solid. I brought it on demanding shoots where milliseconds matter, and it never let me down.
The Sony HX300 is the classic "one camera to cover a thousand miles" type - great for spontaneous shooting, zooming from wide scenic vistas to distant wildlife without fuss. But it feels like a gateway camera, a tool for snapshots rather than serious photography.
If you want to grow your craft, invest in gear that won’t choke your vision, and explore diverse photography soundly and professionally, the A9 is a worthy powerhouse. For casual users who want a simple, zoom-centric camera to cover family events or travel without learning curve headaches, the HX300 remains an accessible option worth considering.
Photography gear choices boil down to how and why you shoot. Hopefully, this comprehensive comparison helps you find the right match to your artistic and practical needs!
Happy shooting - and may your pixels be ever pristine!
Sony A9 vs Sony HX300 Specifications
Sony Alpha A9 | Sony Cyber-shot DSC-HX300 | |
---|---|---|
General Information | ||
Make | Sony | Sony |
Model type | Sony Alpha A9 | Sony Cyber-shot DSC-HX300 |
Category | Pro Mirrorless | Small Sensor Superzoom |
Launched | 2017-04-19 | 2013-02-20 |
Body design | SLR-style mirrorless | SLR-like (bridge) |
Sensor Information | ||
Processor Chip | BIONZ X | - |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | Full frame | 1/2.3" |
Sensor measurements | 35.6 x 23.8mm | 6.16 x 4.62mm |
Sensor surface area | 847.3mm² | 28.5mm² |
Sensor resolution | 24 megapixels | 20 megapixels |
Anti alias filter | ||
Aspect ratio | 3:2 and 16:9 | - |
Max resolution | 6000 x 4000 | 5184 x 3888 |
Max native ISO | 51200 | 12800 |
Max enhanced ISO | 204800 | - |
Minimum native ISO | 100 | 80 |
RAW images | ||
Minimum enhanced ISO | 50 | - |
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 693 | 9 |
Lens | ||
Lens support | Sony E | fixed lens |
Lens zoom range | - | 24-1200mm (50.0x) |
Maximal aperture | - | f/2.8-6.3 |
Total lenses | 121 | - |
Crop factor | 1 | 5.8 |
Screen | ||
Range of screen | Tilting | Tilting |
Screen size | 3 inch | 3 inch |
Screen resolution | 1,440k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 3,686k dot | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.78x | - |
Features | ||
Min shutter speed | 30 secs | 30 secs |
Max shutter speed | 1/8000 secs | 1/4000 secs |
Max silent shutter speed | 1/32000 secs | - |
Continuous shutter speed | 20.0 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | - |
Flash options | Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction, Wireless, Hi-speed sync | - |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | - | 1920 x 1080 (60, 50 fps) |
Max video resolution | 3840x2160 | 1920x1080 |
Video format | MPEG-4, AVCHD, H.264 | - |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 673g (1.48 lbs) | 623g (1.37 lbs) |
Dimensions | 127 x 96 x 63mm (5.0" x 3.8" x 2.5") | 130 x 103 x 93mm (5.1" x 4.1" x 3.7") |
DXO scores | ||
DXO Overall rating | 92 | not tested |
DXO Color Depth rating | 24.9 | not tested |
DXO Dynamic range rating | 13.3 | not tested |
DXO Low light rating | 3517 | not tested |
Other | ||
Battery life | 650 photos | - |
Form of battery | Battery Pack | - |
Battery ID | NP-FZ100 | - |
Self timer | Yes (2, 5, 10 secs + continuous) | - |
Time lapse feature | ||
Storage media | Dual SD/SDHC/SDXC slots (UHS-II compatible) | - |
Storage slots | Two | One |
Pricing at release | $4,498 | $339 |