Sony A99 II vs Sony A6600
57 Imaging
76 Features
92 Overall
82


77 Imaging
69 Features
96 Overall
79
Sony A99 II vs Sony A6600 Key Specs
(Full Review)
- 42MP - Full frame Sensor
- 3" Fully Articulated Display
- ISO 100 - 25600 (Expand to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony/Minolta Alpha Mount
- 849g - 143 x 104 x 76mm
- Released September 2016
- Replaced the Sony A99
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 32000 (Expand to 102400)
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Sony E Mount
- 503g - 120 x 67 x 69mm
- Announced August 2019
- Later Model is Sony A6700

Sony A99 II vs Sony A6600: A Comprehensive Camera Showdown for Enthusiasts and Pros
In our ever-evolving world of digital imaging, Sony continues to carve out distinct niches with its diverse camera lineups. Two particularly compelling members from their roster are the Sony Alpha A99 II, a robust mid-size DSLR launched in 2016, and the more recent Sony Alpha A6600, an advanced mirrorless camera from 2019. At first glance, these two might seem very different beasts: one a traditional DSLR with a full-frame sensor, the other a rangefinder-style mirrorless designed around APS-C. But as I discovered over weeks of hands-on testing and side-by-side evaluations, each brings unique strengths and occasionally surprising compromises.
If you're weighing which to invest in for your photographic journey - from portraits and wildlife to video and travel - this detailed comparison is tailored precisely for your needs. I'll peel back layers of sensor tech, autofocus wizardry, handling nuances, and genre-specific performance, all through the lens of candid real-world experience. Ready to decode which camera deserves a place in your kit? Let’s dive in.
First Impressions: Size, Ergonomics, and Build Quality
Understanding how a camera feels in the hand often shapes the entire shooting experience. The A99 II is a substantial DSLR, reflecting its 2016 design philosophy where heft conveyed robustness and stability. In contrast, the A6600 embraces compactness with a modern mirrorless footprint optimized for mobility without sacrificing control.
The Sony A99 II measures about 143x104x76mm and weighs a hefty 849 grams (battery included). Its substantial grip and articulated fully-articulated 3.0-inch LCD are comfortable for extended shoots - especially helpful with heavier telephotos or in challenging shooting positions (say, on a tripod for landscapes). The DSLR body naturally offers plenty of physical buttons and dials, situating controls within easy thumb and finger reach.
Oppositely, the A6600, at 120x67x69mm and a sprightly 503 grams, excels in portability. It’s perfect for street and travel photographers who want something unobtrusive yet well-built - the magnesium alloy body with environmental sealing gives peace of mind in rugged contexts. The tilting 3.0-inch touchscreen, while lower in resolution, enhances maneuverability in tight spaces or quick composition changes.
Both cameras feature weather sealing - critical for professionals who shoot waterfalls, dust-filled trails, or salty sea breezes. The A99 II edges out slightly with a mid-size DSLR’s intrinsic ruggedness, but the A6600 should withstand most environmental challenges in everyday use.
Interface and Usability: Control Layout and Screens
How intuitive a camera feels while shooting matters greatly. The A99 II benefits from a traditional DSLR layout, featuring a top LCD screen for quick exposure and battery checks - a feature mirrorless users often miss.
The A99 II’s top panel displays shutter speed, ISO, aperture, and exposure compensation settings clearly, speeding up workflow during fast-paced sessions. It lacks touchscreen input, though, which may slow menu navigation for some.
Meanwhile, the A6600 does away with the top info screen but compensates with a fully touchscreen-enabled rear LCD. Its tilting screen flips up 180 degrees, facilitating selfies and vlogging. Touch for focusing and menu interaction is responsive and user-friendly, which benefits newcomers and spontaneous shooting.
On the back, the A99 II’s 3-inch fully-articulated screen boasts a higher resolution (1229k dots) compared to the A6600’s tilting 922k dots. This contributes to razor-sharp review and live view experience on the A99 II, especially useful when critical focus is key.
While both cameras feature electronic viewfinders (EVFs) with 100% coverage, the A99 II’s EVF resolution (2359k dots) combined with a 0.78x magnification delivers an immersive view that mimics an optical finder’s clarity. The A6600 matches the EVF resolution but at 0.71x magnification, its view is slightly smaller, though still sharp and lag-free.
Sensors and Image Quality: Full Frame vs APS-C
At the heart of every camera lies the sensor - the wellspring of image quality. The A99 II’s full-frame 42MP BSI-CMOS sensor promises exceptional detail, color fidelity, and dynamic range, whereas the A6600’s 24MP APS-C sensor balances resolution with affordability and compactness.
Testing the cameras in studio and outdoor environments yielded distinct behaviors:
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Resolution & Detail: The A99 II’s 7952 x 5304 pixel files offer notable advantages for large prints, cropping flexibility, and commercial work requiring pixel-level sharpness. Fine textures - like skin pores or intricate fabric weaves - are rendered cleanly with minimal noise up to ISO 3200.
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Dynamic Range: Both cameras measure a thought-provoking 13.4 EV dynamic range (DxOMark), enabling photographers to recover nuances in shadows and highlights effectively, though the larger sensor size in the A99 II means less noise in these areas.
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Color Depth: The A99 II slightly outperforms in color depth (25.4 bits vs 23.8 bits on the A6600), lending richer tonal gradation, especially pertinent in portraiture and landscape work where subtle shifts matter.
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High ISO Performance: For photographers working in low light, the A99 II sustains usable detail up to ISO 6400 and beyond, its native ISO limit being 25600 with boosted ISO to 102400 (cleanish for emergencies). The A6600, with a max native ISO of 32000, performs admirably given its APS-C size, but noise becomes more apparent in extreme ISO values.
Overall, the full-frame sensor of the A99 II remains a powerhouse for professionals demanding the utmost in image fidelity. However, the A6600 delivers remarkable image quality that belies its size and price category, perfectly suited for enthusiasts and content creators.
Autofocus Systems: Speed, Accuracy, and Tracking
Fast, reliable autofocus systems can make or break the photographic outcome in dynamic scenarios. Sony’s cameras have long been lauded for innovations in this area.
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The A99 II sports a phase-detection system boasting an impressive 399 focus points, including 79 cross-type sensors. This allows for precise focus acquisition even in complex scenes. It excels in continuous AF and tracking, a boon for sports and wildlife photography.
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The A6600 ups the ante for mirrorless cameras with 425 phase-detection points and excellent face and eye detection - now including animal eye AF, a feature invaluable for pet and wildlife shooters seeking tack-sharp eyes at all times.
From hands-on testing with moving subjects, the A99 II edges the A6600 by a small margin in sheer tracking reliability due to its sophisticated phase-detection AF distributed across a large full-frame sensor surface. However, the difference is marginal in typical shooting conditions.
Moreover, the A6600’s touch-activated autofocus and face-priority tracking shines in street and candid portraiture, where speed and ease of operation rule.
Burst Shooting and Buffer: Action Photography Insights
Photographers capturing fleeting moments - sports, wildlife, events - need cameras that excel at rapid capture without bottlenecks.
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The Sony A99 II offers a blistering 12 frames per second (fps) with continuous autofocus, paired with a generous buffer capable of holding dozens of compressed RAW frames before slowing down.
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The A6600 manages a solid 11 fps continuous shooting with AF, a hair slower but still very competitive among mirrorless models.
The DSLR mechanism of the A99 II feels robust and responsive even in longer burst sequences, making it ideal for action photography professionals needing maximum reliability.
Video Capabilities: Resolution, Stabilization, and Audio
Video demand is higher than ever, and these cameras cater to it with different emphases.
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Both cameras shoot 4K UHD at 30p, using the XAVC S codec. The A6600 incorporates a slight advantage with full pixel readout and no pixel binning, resulting in cleaner, sharper footage at 4K.
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The A99 II, with its larger sensor, produces a lovely, cinematic shallow depth of field effect but employs some pixel binning in 4K mode.
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Both cameras have 5-axis in-body image stabilization, a major plus for handheld video. The A6600’s smaller, lighter form factor naturally aids portability for vloggers and run-and-gun shooters.
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Audio inputs include microphone and headphone jacks on both models, giving videographers fine control over audio monitoring and recording.
While the A99 II’s robust build and full-frame sensor make it a strong hybrid tool, the A6600’s video capabilities are tailored for serious hobbyists and content creators valuing mobility and ease.
Battery Life and Storage Solutions
No one wants their camera dying too soon during a shoot.
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The A99 II impresses with around 490 shots per charge - respectable given its size and electronics.
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The A6600 delivers a considerably longer runtime: approximately 810 shots, thanks to efficient NP-FZ100 batteries and mirrorless optimization.
Storage-wise:
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The A99 II features dual card slots, supporting SD and Memory Stick Duo formats, providing redundancy vital for professional workflows.
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The A6600 only has single card slot but supports high-speed UHS-I SD cards, which can be a limitation for pros shooting heavy bursts or demanding 4K footage.
Lens Ecosystem and Compatibility
Lens choice remains central to Sony’s allure. The A99 II’s Sony/Minolta Alpha mount ties it to a mature lens library of over 140 lenses, notably including high-quality glass from Zeiss, Sigma, and Sony’s own G Master series designed for full-frame coverage.
The A6600’s Sony E-mount has blossomed into one of the widest mirrorless ecosystems, with 120+ lenses ranging from ultra-compact primes to hefty zooms, third-party and vintage adaptations. A noted consideration is the APS-C crop factor of 1.5x, impacting focal length equivalence.
Specialized Photography Genres: How These Cameras Stack Up
Having outlined core specs and features, let’s focus on how these cameras perform in specific photographic disciplines.
Portrait Photography: Skin Tones, Bokeh, and Eye AF
The A99 II's 42MP full-frame sensor naturally captures skin tones with subtlety and creates smooth, creamy bokeh from fast lenses. During studio sessions under controlled lighting, the tonal gradations were exquisite. While it lacks eye autofocus for animals (only human), its face detection is reliable.
The A6600, by virtue of its 24MP APS-C sensor, yields excellent skin detail and color fidelity, though you’ll want to control DOF with wider apertures due to smaller sensor size. The animal eye AF is a standout for pet photographers and wildlife enthusiasts needing precise focus on eyes in fast-moving or unpredictable environments.
Landscape Photography: Dynamic Range and Weather Resistance
Both cameras boast 13.4 EV dynamic range, empowering landscape photographers to preserve highlight and shadow detail in critical moments like sunrise and sunset.
The A99 II, with its larger sensor and more pixels, excels when pristine details for large-format prints or commercial use matter. Its weather sealing also safeguards against harsh outdoors conditions.
The A6600’s smaller form factor and strong build offer an ultralight option for hiking photographers who prioritize portability without sacrificing image quality.
Wildlife Photography: Autofocus and Burst
The A99 II’s 12 fps burst frame rate, combined with its 399-point AF system (excluding animal eye detection), makes it a workhorse for tracking birds in flight or mammals on the move.
The A6600’s advanced AF, including animal eye AF, 11 fps shooting, and smaller size, benefits field shooters who value stealth and quick responsiveness in natural settings.
Sports Photography: Tracking and Low Light
Both cameras handle well in action sports. The A99 II’s higher top shutter speed (1/8000s vs 1/4000s) and wider AF coverage lend a slight edge in bright, fast-paced venues.
In low-light arenas, the A99 II’s better high ISO capability helps maintain detail without excessive noise. That said, the A6600’s AF speed and accuracy remain exceptional for its class.
Street Photography: Discreteness and Portability
Here, the A6600 shines. Its compact size, tilting touchscreen, and subdued shutter noise suit candid street shooting flawlessly. The A99 II, bulky and louder, risks drawing attention.
Macro Photography: Magnification and Stabilization
With sensor-based 5-axis stabilization present in both, handheld close-up work is steadier. The A99 II’s higher resolution benefits detailed macro shots but must be paired with suitable lenses.
Night/Astro Photography: ISO and Exposure Control
Long exposures fare well on both cameras with minimum shutter speeds of 30 seconds. The full-frame A99 II offers cleaner high ISO performance, yielding less noise in starry sky captures.
Video Workflows: Mobility and Quality
Covered previously, the A6600 is geared toward videographers seeking lightweight gear with excellent AF during video, while the A99 II also enables professional videography with larger sensor aesthetics.
Travel Photography: Versatility and Battery Life
The lightweight A6600 with superior battery life is the better travel companion, balancing quality and convenience.
Professional Use: Reliability and Workflow
The A99 II, with dual card slots, robust build, and high-resolution files, fulfills demanding professional criteria better, while the A6600 suits pros needing a secondary compact body or traveling light.
Real-World Sample Images: A Closer Visual Examination
We captured numerous scenes to illustrate each camera’s output in different conditions.
Notice the impressive detail retention and smooth tonal rendition on A99 II images, especially in finely textured fabrics and shadows. The A6600’s shots are vibrant with keen subject focus, emphasizing its practical stronghold.
Overall Performance Ratings and Value Assessment
Bringing together DxOMark scores and hands-on experience:
The A99 II’s overall score of 92 speaks to its technical excellence and photographic prowess. Meanwhile, the A6600’s 82 - while lower - is outstanding for an APS-C mirrorless camera at its price tier.
Genre-Specific Performance Breakdown
Here’s how these cameras compare across key photography styles based on combined lab and field testing:
- Portraits and Landscapes: A99 II leads
- Street and Travel: A6600 favored
- Wildlife and Sports: Very close, depending on specific user needs
- Video and Vlogging: A6600 edges slightly due to features and ergonomics
Final Verdict: Which Sony Camera Should You Choose?
Choosing between the Sony A99 II and A6600 boils down to your shooting priorities, budget, and preferred system.
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Opt for the Sony A99 II if:
- You demand maximum image quality for professional portraits, landscapes, or commercial work.
- You prefer an optical DSLR experience with a full-frame sensor.
- You require robust build quality and dual memory card redundancy.
- You shoot frequently in challenging environmental conditions.
- Your budget stretches to embrace premium hardware.
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Go with the Sony A6600 if:
- You prioritize portability, lightweight gear, and extended battery life.
- Your work involves fast, flexible autofocus including animal eye tracking.
- You shoot a lot of street, travel, or hybrid video content.
- You want modern features like touchscreen operation and convenient vlogging assistance.
- You want immense lens flexibility without the bulk of full-frame gear.
- You have a moderate budget but expect excellent performance.
Closing Thoughts: Harnessing the Power of Sony’s Alpha Legacy
Reflecting on these cameras reminds me of just how far digital imaging has come in a few short years. The A99 II - a masterclass from Sony’s DSLR era - still holds splashy punch in image quality, autofocus sophistication, and system depth. The A6600, building on that legacy, distills many advances into a nimble mirrorless body packed with intelligence, speed, and user-friendly design.
Choosing between them is less a competition and more a personal calibration of priorities. Both are strong, reliable companions for photographers who demand more than snapshot convenience.
I hope this extensive comparison helps illuminate your decision process with clear, practical guidance drawn from direct experience and nuanced testing. Remember: the best camera is the one that feels right in hand, sparks your creativity, and fits your photographic vision.
Happy shooting!
- Your Camera Testing Companion
Sony A99 II vs Sony A6600 Specifications
Sony Alpha A99 II | Sony Alpha a6600 | |
---|---|---|
General Information | ||
Brand Name | Sony | Sony |
Model type | Sony Alpha A99 II | Sony Alpha a6600 |
Category | Advanced DSLR | Advanced Mirrorless |
Released | 2016-09-19 | 2019-08-28 |
Physical type | Mid-size SLR | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | Bionz X | Bionz X |
Sensor type | BSI-CMOS | CMOS |
Sensor size | Full frame | APS-C |
Sensor dimensions | 35.9 x 24mm | 23.5 x 15.6mm |
Sensor surface area | 861.6mm² | 366.6mm² |
Sensor resolution | 42 megapixels | 24 megapixels |
Anti alias filter | ||
Aspect ratio | 3:2 and 16:9 | 3:2 and 16:9 |
Maximum resolution | 7952 x 5304 | 6000 x 4000 |
Maximum native ISO | 25600 | 32000 |
Maximum boosted ISO | 102400 | 102400 |
Minimum native ISO | 100 | 100 |
RAW photos | ||
Minimum boosted ISO | 50 | - |
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 399 | 425 |
Cross type focus points | 79 | - |
Lens | ||
Lens support | Sony/Minolta Alpha | Sony E |
Number of lenses | 143 | 121 |
Crop factor | 1 | 1.5 |
Screen | ||
Display type | Fully articulated | Tilting |
Display sizing | 3 inch | 3 inch |
Resolution of display | 1,229k dots | 922k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,359k dots | 2,359k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.78x | 0.71x |
Features | ||
Slowest shutter speed | 30s | 30s |
Maximum shutter speed | 1/8000s | 1/4000s |
Continuous shooting rate | 12.0fps | 11.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash modes | Off, auto, fill, slow sync, redeye reduction, rear sync, high-speed sync, wireless | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction (On/Off selectable), Hi-speed sync, Wireless |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Maximum flash synchronize | 1/250s | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | - | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Maximum video resolution | 3840x2160 | 3840x2160 |
Video file format | MPEG-4, AVCHD, XAVC S | MPEG-4, AVCHD, XAVC S |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | Yes |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 849 gr (1.87 pounds) | 503 gr (1.11 pounds) |
Physical dimensions | 143 x 104 x 76mm (5.6" x 4.1" x 3.0") | 120 x 67 x 69mm (4.7" x 2.6" x 2.7") |
DXO scores | ||
DXO All around rating | 92 | 82 |
DXO Color Depth rating | 25.4 | 23.8 |
DXO Dynamic range rating | 13.4 | 13.4 |
DXO Low light rating | 2317 | 1497 |
Other | ||
Battery life | 490 pictures | 810 pictures |
Battery type | NP-FM500H lithium-ion battery & charger | Battery Pack |
Battery ID | - | NP-FZ1000 |
Self timer | Yes (2, 5, 10 secs) | Yes |
Time lapse recording | ||
Type of storage | Dual SD/SDHC/SDXC/MS Duo slots | SD/SDHC/SDXC + Memory Stick Pro Duo |
Card slots | Two | One |
Cost at launch | $3,198 | $1,198 |