Sony A450 vs Sony A57
65 Imaging
53 Features
52 Overall
52


64 Imaging
57 Features
85 Overall
68
Sony A450 vs Sony A57 Key Specs
(Full Review)
- 14MP - APS-C Sensor
- 2.7" Fixed Display
- ISO 200 - 12800
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 560g - 137 x 104 x 81mm
- Announced January 2010
(Full Review)

Comparing the Sony A450 and Sony A57: A Technical and Practical Guide for Photography Enthusiasts
When deciding between Sony’s entry-level DSLRs introduced in the early 2010s - the Sony Alpha DSLR-A450 (“A450”) launched in 2010, and the later Sony SLT-A57 (“A57”) from 2012 - it is essential to go beyond marketing and understand their core technical distinctions, real-world handling, and suitability across photography disciplines. Both cameras share the Sony/Minolta Alpha lens mount, but feature substantially different sensor resolutions, autofocus technologies, and system capabilities reflecting evolving technology in two years.
As someone with extensive experience testing compact DSLRs across genres, I will unpack their specifications, camera ergonomics, sensor and autofocus technologies, versatility, and image qualities, supporting recommendations for varying photographic applications - from portraiture to wildlife, macro to video. I will incorporate real test data, user interface considerations, and workflow implications.
Physical Design and Ergonomics: Size, Weight, and Handling
The build and ergonomics alone inform long-term usability and comfort during varied shooting sessions. The Sony A450 weighs in at 560g with dimensions of 137x104x81 mm - a compact SLR body featuring a pentamirror optical viewfinder and a smaller 2.7-inch fixed TFT LCD screen. It lacks environmental sealing and uses the Sony/Minolta Alpha mount with 143 compatible lenses.
Contrast this with the Sony A57, which is marginally heavier at 618g but notably more refined in physical design with 132x98x81 mm dimensions. It features a 3-inch fully articulated (tilting/swiveling) Xtra Fine TFT screen with TruBlack tech, offering superior resolution and flexibility for live view framing and video capture.
The tactile feel of both cameras remains decent for the entry-level market. However, the A57’s slightly deeper grip and more aggressive button layout enhances handling, especially for prolonged outdoor or action shooting. The articulated screen gives the A57 a practical advantage for low/high angle shots and video vlogging - a benefit the A450’s fixed screen and limited resolution cannot match.
Top-Down Control and Interface Layout: Operational Efficiency
The top plate controls reveal an evolution in intuitive layout. The A450 retains a traditional DSLR stance with a shutter speed dial and prominent mode dial but lacks illuminated buttons or an information LCD that might aid quick setting changes. Customization options are limited, relying heavily on menu navigation.
The A57, benefitting from a few generation’s leap forward, integrates a more ergonomic top control scheme with dedicated exposure compensation buttons, an electronic viewfinder preview button, and a live view toggle that affirms its hybrid DSLR/SLT approach. Its electronic viewfinder (EVF) status reflects a shift that impacts how users interact with real-time exposure and autofocus feedback compared to the A450’s optical viewfinder. While some purists prefer optical OVF for no lag and natural viewing, the EVF in the A57 provides critical exposure info overlays and instant focus confirmation - valuable for many shooting scenarios.
Sensor Performance and Image Quality: Resolution, RAW, and Dynamic Range
Both cameras use APS-C sized CMOS sensors (~23.4x15.6 mm) with a 1.5x crop factor, but key differences in resolution and sensor processing cores dramatically influence output.
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Sony A450: 14 megapixels with Bionz processor. It features a native ISO range of 200–12800. DxOmark data scores its sensor at an overall 66 points, with color depth of 21.8 bits and dynamic range of 11.8 EV. Its low-light ISO performance is solid for its time, but noise becomes visually intrusive beyond ISO 1600. The sensor includes an anti-aliasing (AA) filter to reduce moiré but at slight acuity cost.
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Sony A57: 16 megapixels with enhanced Bionz processing, max ISO expands to 16,000 native, boosted up to 25,600. DxOmark scores are significantly better at 75 overall, 23.4 bits color depth, and 13.0 EV dynamic range - indicating improved signal-to-noise ratio and tonal latitude. The A57’s sensor technology, combined with better on-chip noise reduction algorithms, delivers cleaner images, especially noticeable when shooting in ambient low light or shadow recovery during landscape post-processing.
In real-world use, these differences mean the A57 offers a more versatile sensor better suited for demanding scenarios requiring expanded dynamic range and cleaner ISO performance. The A450’s sensor fulfills entry-level demands but may frustrate users expecting smooth tonality in shadows or fine gradations in skin tones at higher ISO.
The Viewfinder Experience: Optical vs Electronic
A deciding factor for many photographers is viewfinder design and quality. The A450 uses an optical pentamirror viewfinder with 95% frame coverage and ~0.53x magnification. Optical viewfinders provide zero lag, direct view of the scene with natural colors and depth perception, essential for fast-paced photography such as sports or street where reaction and tracking speed matter.
The A57 opts for a 100% coverage electronic viewfinder (EVF) with high resolution (1,440k dots) and 0.7x magnification, creating a virtual eye-level display. This provides preview of exposure levels, white balance, and real-time histogram overlays - an advantage for precision exposure control and manual focusing assistance with focus peaking. However, the EVF may introduce minimal lag and lower contrast in bright conditions, posing adaptation challenges for traditional OVF users.
Beyond the viewfinder, the A57's articulating LCD enhances composition versatility, video framing, and live view autofocus accuracy, regardless of subject angle. The A450’s fixed and lower resolution TFT screen limits such flexibility.
Autofocus Systems: Phase Detection, Tracking, and Face Detection
Autofocus (AF) dictates performance especially for wildlife, sports, and fast action. Evaluating system specs alongside real test results reveals meaningful contrasts:
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Sony A450: Employs a 9-point phase detection AF system without cross-type points reliably reported, lacking continuous AF tracking or subject recognition capabilities. The camera supports single, continuous, and selective AF modes but no face or eye detection. Without live view AF, focusing speed in live view is inherently limited.
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Sony A57: Upgrades considerably to a 15-point phase detection AF array including three cross-type points enhancing focus accuracy. Critically, it introduces continuous AF tracking, face detection, and live view AF, vastly improving tracking of moving subjects. Its Single-Lens Translucent (SLT) mirror design allows uninterrupted AF during full-speed continuous shooting (12 fps). This combination significantly benefits sports, wildlife, and street photography requiring rapid reaction.
In physical testing, the A57 consistently locks focus faster and maintains subject tracking reliability under varying light and movement conditions, whereas the A450 often requires manual intervention or focus lock in challenging scenarios.
Burst Shooting and Buffer Depth: Capturing the Decisive Moment
Continuous shooting speed largely determines suitability for sports and wildlife:
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Sony A450: Offers up to 7 frames per second (fps), respectable for its class and era, with a buffer depth sufficient for around 5-7 RAW+JPEG shots before slowdown.
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Sony A57: Nearly doubles speed at 12 fps, an exceptional rate in entry-level DSLRs, paired with a deeper buffer allowing longer bursts, critical for capturing rapid action sequences.
This high fps capability of the A57 combined with continuous AF tracking renders it markedly superior for high-speed photography, enabling more in-focus frames per burst and increasing keeper rate.
Built-In Flash and Flash System Compatibility
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A450: Pop-up flash with effective range of 12m at ISO 100, various flash modes including wireless/high speed sync, rear sync, and fill flash. External flashes can be mounted on the hot shoe.
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A57: Similar suite but reduced flash range at 10m and more comprehensive modes including red-eye reduction and rear curtain sync. Also supports wireless external flash setups.
Both employ center-weighted metering dominance over complex multi-pattern metering in low light, limiting flash metering accuracy marginally. Neither offers advanced professional flash control found in higher tiers, but supports versatile entry-level flash photography.
Video Capabilities: Resolution, Format, and Audio Inputs
One divergence where the Sony A57 clearly excels is video:
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A450: No video recording capability.
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A57: Full HD 1080p recording at 60p and 24p with MPEG-4 and AVCHD codecs, plus standard 1440x1080 and VGA resolution options. Notably, it includes a microphone input jack, enabling improved audio capture for serious videographers, while lacking headphone monitoring - limiting live audio feedback.
The articulated screen and continuous phase detection AF during video assists smooth focusing transitions - a key advantage over the A450’s absence of any video function.
For creators requiring mixed photo-video workflows on a budget, the A57 is the distinct choice.
Lens Ecosystem and Accessory Compatibility
Both bodies share the Sony/Minolta Alpha lens mount with a wide range of 143 native lenses covering focal lengths from wide angle to telephoto zooms, primes, and specialized optics such as macro.
Because the cameras use standard APS-C sensor sizes, lens focal length multipliers of 1.5x apply equally. Additionally, both support external flashes and wireless Eye-Fi cards (A57) to expand shooting range and file transfer options.
However, the A57 uniquely incorporates Sony's older “translucent mirror” technology, allowing continuous phase detection AF during video and live view - compatible only with specific lenses designed to optimize this system's benefits.
Environmental Durability and Build Quality
Neither camera offers significant environmental sealing, waterproofing, or rugged features expected in professional-grade models. The A450’s plastic construction feels somewhat less robust than the A57’s marginally reinforced chassis.
For travel and outdoor photographers expecting light rain or dust exposure, protective aftermarket solutions are advisable for both.
Battery Life and Storage Options
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Sony A450: Offers an exceptional 1050 shots per charge (CIPA rated), powered by NP-FM500H battery pack, maximizing session longevity for travel and events.
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Sony A57: Less efficient at 550 shots per charge despite sharing the same battery model, mainly due to the power demands of the electronic viewfinder, articulated LCD, and continuous AF mechanisms.
Storage-wise, both accept SD/SDHC and Memory Stick Pro Duo cards, but the A57 adds SDXC compatibility supporting larger, higher-speed storage media - a consideration for 1080p video files.
Connectivity and Wireless Features
The A450 has no wireless connectivity options, relying solely on USB 2.0 tethering and HDMI outputs.
Conversely, the A57 supports Eye-Fi wireless card technology, enabling wireless photo transfers and remote camera control workflows in supported applications - an early step towards contemporary Wi-Fi integration but limited compared to current standards such as Bluetooth or direct Wi-Fi.
Price and Value Proposition
At launch pricing (adjusted for market variations):
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Sony A450: Approximately $1241 (new at release), reflecting early generation features and sensor tech.
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Sony A57: Priced lower at about $999, offering more advanced imaging, faster shooting, video capability, and ergonomic improvements.
This affordability surplus makes the A57 notably better value for photographers seeking broader functional parity with modern mid-level models.
Real-World Performance Summary Across Genres
Reviewing sample images and shooting tests across photographic disciplines reveals how the specs translate in practice.
Photography Type | Sony A450 Strengths | Sony A57 Strengths | Verdict |
---|---|---|---|
Portraits | Decent skin tone rendering, sensor color depth reasonable | Better dynamic range preserves highlights and shadows; face detection AF assists | A57 preferred for critical skin tone detail and AF ease |
Landscapes | Good resolution, sizeable sensor | Higher resolution, superior dynamic range | A57 superior for post-processing latitude |
Wildlife | Lightweight, decent burst speed | Faster burst, better tracking, EVF aid | A57 recommended for action focus and frame rate |
Sports | 7 fps adequate for casual sports | 12 fps speed and continuous AF tracking | A57 significantly better for fast sports |
Street | Compact size aids discretion | Higher ISO versatility, EVF flexibility | Close call; A57 edges with ISO and screen versatility |
Macro | Effective sensor stabilization | Improved focusing precision on live view | A57 preferred but neither excels in macro optics |
Night / Astro | Limited ISO performance, low noise at moderate ISO | Cleaner high ISO, broader ISO range | A57 notably better at night, astro |
Video | No support | Full HD video with audio jack | A57 the clear winner |
Travel | Longer battery, lighter body | Video and articulation improvements | A57 balanced features but shorter battery |
Professional Use | Raw support, limited AF points | Expanded AF points, EVF feedback | A57 better for reliability & workflow integration |
Advanced Image Quality Metrics and Workflow Implications
The graphical summary of DxOmark sensor scores (overall 66 vs 75) and dynamic range emphasize the A57’s more nuanced and capable sensor pipeline, impacting shadow recovery and highlight roll-off essential for professional-level post-production.
The A57’s higher native ISO floor starting at 100 with expansion to 25600 boosts dimly-lit scene capture, while the A450’s 200 ISO minimum limits exposure flexibility.
Support for larger SDXC cards and faster write speeds also favors the A57 for professionals requiring extended shooting and faster backup.
Photography Genre-Specific Performance Ratings in Detail
- Portraits and Studio: A57’s superior AF and sensor combination provides refined tonal gradation and better autofocus on eye detection, greatly enhancing fast-paced portrait sessions.
- Wildlife and Sports: The rapid 12 fps with continuous phase detection AF in A57 drastically improves subject tracking reliability, yielding higher keeper rates.
- Road and Travel: The A57’s articulated screen, video codec flexibility, and EVF utility facilitate creative compositions, though the A450’s longer battery might be preferable for extended remote shoots.
- Macro and Nature: Both capable, but the A57’s live view and focus aides provide more precise manual focusing, vital for shallow depth-of-field macro work.
- Night and Astro: The A57’s broader ISO range and cleaner high ISO performance favor low-light scenes and astrophotography where noise control is critical.
- Video: Absent on A450, fully integrated on A57 with microphone input and common HD frame rates satisfying enthusiast video shooters.
Final Recommendations: Matching Each Camera to User Intentions and Budget
Choose the Sony Alpha DSLR-A450 if:
- You are primarily a still photographer with an entry-level budget focused on casual portraits, landscapes, and street photography requiring a sturdy, simple DSLR platform.
- Battery life and shooting longevity are paramount.
- Video recording is not a factor.
- Handling optical viewfinder experience without electronic overlays suits your preference.
- You desire a straightforward camera without the complexity of newer EVF/live view technologies.
Choose the Sony SLT-A57 if:
- You need faster burst rates (12 fps) and advanced continuous autofocus for sports, wildlife, or fast action.
- Video recording, full HD with audio, and articulated screen flexibility are important.
- High ISO performance and dynamic range are a priority for low-light, night, or high-contrast shooting.
- An electronic viewfinder with 100% coverage and exposure feedback supports your workflow.
- Your budget allows for a lower price point with better modern features.
- Wireless file transfer, SDXC card support, and compatibility with newer workflows matter.
Concluding Thoughts on Legacy DSLR Technologies in 2024 Context
Though both cameras are over a decade old and no longer sold new, they represent distinct technological iterations within Sony’s Alpha legacy DSLR line. The A57’s adoption of SLT technology with translucent mirror AF and electronic viewfinder signals a transitional camera bridging traditional DSLR and mirrorless capabilities, while the A450 remains a competent traditional DSLR-centric system.
For enthusiasts or professionals seeking reliable legacy bodies for beginner systems, the A57 holds a notable edge in features and adaptability, while the A450 offers a simpler, durable platform suited for fundamental photography without video obligations.
Regardless of choice, pairing either camera with modern lenses and robust post-processing workflows maximizes their retained value in 2024’s imaging landscape.
This detailed technical and practical comparison should serve photographers at all levels investigating Sony’s early 2010s entry-level APS-C DSLRs and guide informed decisions aligning with specific photographic ambitions and budgets.
Sony A450 vs Sony A57 Specifications
Sony Alpha DSLR-A450 | Sony SLT-A57 | |
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General Information | ||
Brand | Sony | Sony |
Model type | Sony Alpha DSLR-A450 | Sony SLT-A57 |
Type | Entry-Level DSLR | Entry-Level DSLR |
Announced | 2010-01-05 | 2012-09-13 |
Body design | Compact SLR | Compact SLR |
Sensor Information | ||
Processor Chip | Bionz | - |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | APS-C |
Sensor measurements | 23.4 x 15.6mm | 23.5 x 15.6mm |
Sensor area | 365.0mm² | 366.6mm² |
Sensor resolution | 14 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 3:2 and 16:9 | 3:2 and 16:9 |
Full resolution | 4592 x 3056 | 4912 x 3264 |
Max native ISO | 12800 | 16000 |
Max boosted ISO | - | 25600 |
Minimum native ISO | 200 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 9 | 15 |
Cross type focus points | - | 3 |
Lens | ||
Lens support | Sony/Minolta Alpha | Sony/Minolta Alpha |
Total lenses | 143 | 143 |
Crop factor | 1.5 | 1.5 |
Screen | ||
Display type | Fixed Type | Fully Articulated |
Display sizing | 2.7 inches | 3 inches |
Display resolution | 230k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display tech | TFT Clear Photo Color LCD | Xtra Fine TFT drive with TruBlack technology |
Viewfinder Information | ||
Viewfinder type | Optical (pentamirror) | Electronic |
Viewfinder resolution | - | 1,440k dot |
Viewfinder coverage | 95 percent | 100 percent |
Viewfinder magnification | 0.53x | 0.7x |
Features | ||
Slowest shutter speed | 30 seconds | 30 seconds |
Maximum shutter speed | 1/4000 seconds | 1/4000 seconds |
Continuous shooting speed | 7.0 frames per sec | 12.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 12.00 m (at ISO 100) | 10.00 m (@ ISO 100) |
Flash modes | Auto, Fill, Rear Sync, Slow Sync, Wireless/ High Speed Sync | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash sync | 1/160 seconds | 1/160 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | - | 1920 x 1080 (60p, 24p), 1440 x 1080 (30p), 640 x 480 (30 fps) |
Max video resolution | None | 1920x1080 |
Video file format | - | MPEG-4, AVCHD, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 560 gr (1.23 pounds) | 618 gr (1.36 pounds) |
Dimensions | 137 x 104 x 81mm (5.4" x 4.1" x 3.2") | 132 x 98 x 81mm (5.2" x 3.9" x 3.2") |
DXO scores | ||
DXO All around rating | 66 | 75 |
DXO Color Depth rating | 21.8 | 23.4 |
DXO Dynamic range rating | 11.8 | 13.0 |
DXO Low light rating | 769 | 785 |
Other | ||
Battery life | 1050 shots | 550 shots |
Battery form | Battery Pack | Battery Pack |
Battery ID | NP-FM500H | NP-FM500H |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/ SDHC, Memory Stick Pro Duo/ Pro-HG Duo | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | One | One |
Retail price | $1,241 | $1,000 |