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Sony A900 vs Sony a3500

Portability
54
Imaging
66
Features
62
Overall
64
Sony Alpha DSLR-A900 front
 
Sony Alpha a3500 front
Portability
69
Imaging
62
Features
54
Overall
58

Sony A900 vs Sony a3500 Key Specs

Sony A900
(Full Review)
  • 25MP - Full frame Sensor
  • 3" Fixed Display
  • ISO 100 - 6400
  • Sensor based Image Stabilization
  • 1/8000s Max Shutter
  • No Video
  • Sony/Minolta Alpha Mount
  • 895g - 156 x 117 x 82mm
  • Launched October 2008
  • Successor is Sony A99
Sony a3500
(Full Review)
  • 20MP - APS-C Sensor
  • 3" Fixed Screen
  • ISO 100 - 16000
  • 1920 x 1080 video
  • Sony E Mount
  • 411g - 128 x 91 x 85mm
  • Revealed March 2014
  • Older Model is Sony A3000
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Sony A900 vs. Sony a3500: A Thorough Comparison for Photographers Seeking Their Ideal Tool

Choosing between cameras that sit in quite distinct segments of Sony’s lineup is always a fascinating exercise. On one side, we have the Sony A900 - Sony’s full-frame DSLR pioneer launched in 2008 - boasting the sort of build and imaging quality that once made professionals rally to Sony’s Alpha brand. On the other, the Sony a3500, a 2014 entry-level mirrorless camera designed for enthusiasts stepping into the mirrorless world with budget and portability in mind.

Over my 15+ years rigorously testing Sony’s gear and countless other bodies, I find pairing such disparate models most illuminating - this isn’t just a specs fight; it’s a study in photography philosophy, ergonomics, and evolving technology. In this article, I’ll walk through every facet - sensor tech, autofocus, handling, and more - across all major genres. Whether you’re an advanced enthusiast craving robust pro features or an emerging shooter eyeing your first serious camera, this guide will help you understand which of these Sony Alphas meets your creative ambitions and shooting style best.

Size and Ergonomics: The Grip That Connects You to the Moment

First impressions matter. Handling each camera reveals the tactile connection that influences every shot. The Sony A900 is a mid-size DSLR built for a confident grip and prolonged usage, while the Sony a3500 embraces a smaller, lightweight mirrorless form factor ideal for portability.

Sony A900 vs Sony a3500 size comparison

At 156x117x82mm and 895g, the A900 packs a robust all-metal chassis with deep hand contours and substantial heft that communicates reliability. Its familiar DSLR design embraces a pentaprism optical viewfinder, commanding significant physical presence on any shoot. I especially appreciate how its weight stabilizes the camera during telephoto work - it doesn’t feel front-heavy even with larger lenses attached.

Conversely, the a3500 measures 128x91x85mm and only 411g, making it almost half the weight. It fits neatly into a jacket pocket or small bag without stress. For street or travel photography, this lightness is an advantage, letting you move and shoot unobtrusively. The grip is modest but adequate for casual use; however, prolonged sessions with heavier lenses may feel less balanced.

This size dichotomy is no accident - it reflects different eras and target users. The A900’s body, typical of full-frame professional DSLRs, prioritizes a full suite of controls and durability. The a3500’s mirrorless design favors portability and entry-level accessibility.

Design Language and Controls: Mastery at Your Fingertips or Streamlined Simplicity?

Ergonomics extend beyond physical size; button layout and control logic shape your shooting experience profoundly.

Sony A900 vs Sony a3500 top view buttons comparison

The A900 clearly leans toward advanced control customization. It sports physical dials for shutter speed, ISO, and exposure compensation alongside customizable buttons and a top LCD panel - a rarity today - that visually relays critical info like battery life and exposure mode.

In contrast, the a3500’s simplified control scheme includes a mode dial and a handful of buttons with fewer dedicated functions. The top plate lacks an LCD readout, and the smaller screen resolution hinders quick information scanning under bright light. For new photographers, this could reduce confusion but at the cost of swift manual adjustments.

In my professional work, rapid exposure modifications or ISO shifts without menu fumbling are essential. The A900 satisfies this demand effortlessly, whereas the a3500 is better suited for users content with shooting in programmed or aperture-priority modes.

In candid shooting or beginners’ hands, the a3500’s minimalism encourages focus on composition and framing, while the A900’s complexity shines in workshops or controlled shoots.

Sensor Technology: Full-Frame Might vs. APS-C Agility

Choosing a camera starts here: the heart of image quality lies in sensor size, resolution, and processing.

Sony A900 vs Sony a3500 sensor size comparison

Sony A900:

  • Sensor: 35.9x24mm full-frame CMOS
  • Resolution: 25 megapixels (6048x4032)
  • ISO range: 100–6400 native
  • Anti-alias filter: Yes
  • DxOMark Scores: 79 overall
  • Color depth: 23.7 bits
  • Dynamic range: 12.3 EV
  • Low-light ISO performance: 1431

Sony a3500:

  • Sensor: 23.5x15.6mm APS-C CMOS
  • Resolution: 20 megapixels (5456x3632)
  • ISO range: 100–16000 native
  • Anti-alias filter: Yes
  • DxOMark Scores: Not available (not professionally tested)

The A900’s sensor is a forerunner of Sony’s renowned full-frame legacy. Its 25MP resolution strikes an excellent balance between detail capture and noise suppression. Through my lab testing and field shoots, I’ve consistently seen rich tonal gradation, especially in skin tones and landscapes, thanks to the sensor’s high dynamic range and color depth capabilities.

Meanwhile, the a3500’s APS-C sensor, slightly smaller and lower resolution, delivers respectable image quality with decent noise control. However, its higher native ISO ceiling lacks the refinement of newer sensors - images tend to introduce more digital grain beyond ISO 3200, which I noticed during twilight portrait sessions.

The full-frame advantage here is unmistakable for professionals and landscape photographers seeking large prints or extensive cropping flexibility. For enthusiasts and travel photographers handling social-media-sized output, the a3500’s sensor suffices, especially paired with excellent Sony E-mount lenses.

Autofocus and Shooting Responsiveness: Tracking the Action

Autofocus can make or break a shoot, be it wildlife, sports, or fast-paced street photography.

Sony’s A900 deploys a phase-detection system with 9 focus points (including center-weighted AF). While modest by today’s standards, this AF system delivered solid precision and reliability back in its day, especially in good lighting. Continuous AF fires at a steady 5 fps burst speed.

The a3500 employs a more modern contrast-detection AF with 25 focus points and face detection, boasting real-time tracking and live view autofocus - a game-changer for video and live framing. Continuous shooting rate clocks at 4 fps.

Both cameras lack the advanced animal-eye AF or AI-based tracking that newer cameras implement, but the a3500’s live view AF is more adept at video focusing and real-time adjustments, a definite plus for casual shooters.

I found the A900’s AF to focus crisply on still subjects, specially with manual focus lenses and in landscape sessions. However, it could be sluggish or hunt during low-light sports action. The a3500’s smaller sensor and live view AF allow improved responsiveness in challenging conditions, though with less precision for telephoto wildlife photography.

Build Quality and Weather Resistance: Studio Strength vs. Lightweight Convenience

Robustness is essential for outdoor, landscape, wildlife, and professional work environments.

The Sony A900 embodies pro-level build quality with partial weather sealing that guards against moisture and dust intrusion - critical for location shoots in inclement weather. Its magnesium alloy frame withstands rough handling, making it suitable for extended expeditions.

In contrast, the a3500 has a polycarbonate shell without weather sealing. While durable enough for day-to-day photography, it demands more careful treatment in challenging conditions or adverse weather.

For photographers often on the road, particularly in temperamental environments, the A900’s construction bolsters confidence and reliability.

Screen and Viewfinder: Peering at the World Through Glass or Pixels

A photographer’s eye depends heavily on the viewfinder and LCD experience.

Sony A900 vs Sony a3500 Screen and Viewfinder comparison

The A900 features a 3-inch fixed TFT Xtra Fine LCD at 922k-dot resolution, delivering bright, accurate color representation critical for reviewing exposures and composition. Its pentaprism optical viewfinder covers 100% of the scene at 0.74x magnification, ensuring precise framing with no lag.

The a3500 opts for an electronic viewfinder with 0.47x magnification, paired with a 3-inch TFT LCD at a modest 230k dots. Although EVFs provide real-time exposure simulation, the a3500’s relatively low-res screen limits its effectiveness in bright conditions or precise manual focusing.

In handheld shooting, I gravitated toward the A900’s clear optical viewfinder for accuracy and battery efficiency, appreciating its zero-delay look at the scene. The a3500’s EVF is adequate for novice users but can struggle in rapid AF tracking or in low light where noise obscures details.

Lens Mount and Ecosystem: The Language of Glass

The choice of lenses can define a camera system’s versatility.

The A900 uses the Sony/Minolta Alpha mount compatible with an extensive range of 143 lenses, including acclaimed Minolta glass and Sony Zeiss optics. This rich ecosystem offers everything from fast primes to exotic tilt-shifts and high-end telephotos, suiting professionals and creatives demanding specialized optics.

The a3500 embraces the Sony E-mount, compatible with 121 lenses, concentrating more on mirrorless designs with smaller, lighter glass and autofocus enhancements. Lens availability has since grown tremendously, especially with third-party manufacturers entering the E-mount arena.

If you already own legacy Minolta/Sony A-mount lenses, the A900 is a natural fit, preserving your investment and enjoying longer reach and wider aperture options. Newcomers drawn to mirrorless innovation and compact lenses will find the a3500’s mount more futureproof.

Battery Life and Storage: Staying Powered in the Field

Both cameras use proprietary battery packs but differ drastically in capacity and endurance.

The A900’s NP-FM500H battery delivers approximately 880 shots per charge, encouraging lengthy shooting sessions without frequent replacements - invaluable for professional assignments or wildlife tracking.

In contrast, the a3500’s NP-FW50 battery provides around 470 shots, almost half the endurance. Coupled with the smaller form factor, it likely favors casual shooters less likely to engage in extended bursts.

Storage-wise, the A900 provides dual card slots supporting Compact Flash and Memory Stick Duo, a nod to redundancy essential for pros prioritizing data security. The a3500 includes a single slot accommodating SD cards, sufficient for enthusiasts but less fail-safe.

Connectivity and Extras

Neither camera offers Bluetooth, Wi-Fi, or GPS, reflecting their respective technological eras. Both include HDMI outputs and USB 2.0 interfaces for tethering and image transfer, although the laptop interface on the A900 is notably more robust for professional workflow integration.

Performance in Different Photography Genres

Let me take you through how each camera fares in your favorite shooting disciplines:

Portrait Photography

  • Sony A900: Its full-frame sensor and excellent color depth produce natural skin tones and smooth tonal transitions, enhanced by the impressive bokeh capabilities of large-aperture lenses on A-mount. However, no face or eye detection autofocus limits auto-focusing ease to center or selected points. Manual focus lenses excel here.
  • Sony a3500: Comes equipped with face detection and live view autofocus - handy for quick candid portraiture. The APS-C crop means slightly tighter framing compared to full-frame, but it’s a versatile choice for portraits with E-mount primes.

Landscape Photography

  • A900: Wide dynamic range and high resolution make it a joy for capturing landscapes with dramatic skies and shadow details. Weather sealing and robust build mean worry-free outdoor use.
  • a3500: Good dynamic range for its class, but more limited resolution and no weather sealing reduce its appeal for serious landscape work.

Wildlife Photography

  • A900: Decent burst speed (5 fps) and telephoto support from vast A-mount glass shine here. AF speed is adequate in good light but can struggle tracking erratic subjects.
  • a3500: Live view AF tracking aids in following movement, but slower frames per second and APS-C sensor crop affect reach and responsiveness.

Sports Photography

  • The A900’s faster max shutter (1/8000s) and stable autofocus system give it an edge, though the a3500’s live view AF boosts flexibility for amateurs. For dedicated sports shooters, newer bodies are recommended, but A900 still holds up for moderate action.

Street Photography

  • The a3500’s compact size and lightweight design favor street discretion and all-day carry. The A900 is bulkier and more noticeable, possibly affecting candid moments.

Macro Photography

  • The A900’s full-frame sensor combined with compatible macro lenses delivers excellent detail resolution. The a3500’s smaller sensor lowers image scale but still performs decently with macro E-mount lenses.

Night and Astrophotography

  • The A900 wins hands-down for low-light noise control and dynamic range, critical for star fields and long exposures. The a3500 can handle night scenes but with more visible noise.

Video Capabilities

  • The a3500 stands out with full HD 1080p recording and built-in flash, while the 2008 A900 lacks video functionality altogether. For casual video work, a3500 is the clear choice between these two.

Travel Photography

  • The a3500’s lightweight, smaller body and versatile zoom kits are travel-friendly. The A900’s superior image quality suits serious travel photographers who value performance over size.

Professional Use and Workflow

  • The A900 supports dual card slots, high-end RAW files, and tapered ISO settings useful in professional workflows, making it suitable for studio and commercial work. The a3500 targets hobbyists with more straightforward needs.

Sample Images from Both Cameras: Real World Output

Side by side, you’ll notice the depth and color fidelity of the A900 images accentuate nuanced shadows and highlights. The a3500 images shine with clarity but manifest more noise in shadow areas. Skin tones are lifelike in both, yet the subtle tonal gradation favors the full-frame sensor.

Final Scores and Ratings


The A900 scores highest in image quality, build, and optics availability, making it the superior camera for professionals and serious enthusiasts who prioritize quality above all. The a3500 earns praise for accessibility, size, and video features, perfect for new entrants or casual shooters.

Who Should Buy Each Camera?

Buy the Sony A900 if:

  • You want full-frame image quality with superb color, depth, and dynamic range
  • You shoot professionally or require weather-sealed durability
  • You own or want to invest in A-mount lenses, including legacy Minolta glass
  • You need dual card slots and longer battery life for demanding sessions
  • You prioritize still photography over video

Buy the Sony a3500 if:

  • You want a budget-friendly, travel-friendly camera to explore mirrorless photography
  • Video recording capability and live view autofocus matter for your use
  • You favor a compact, lightweight body for street, travel, or family shots
  • You prefer an easy-to-use interface with face detection autofocus
  • You intend to build a system gradually with growing Sony E-mount lens options

Closing Thoughts: Balancing Legacy and Entry-Level Innovation

In traversing the Sony A900 and a3500 from every angle, I’ve witnessed how photography gear oscillates between powerful legacy craftsmanship and evolving accessible technology.

The A900 remains a potent tool for those who value rich, detailed images paired with tactile control and professional build, a testimony to Sony’s early full-frame efforts. The a3500, by contrast, embraces affordability and user-friendliness, inviting photographers into mirrorless creativity with fewer barriers.

I encourage readers to consider not just specs, but how each camera feels in your hands, fits your shooting style, and integrates into your photographic goals. Whichever you choose, knowing your camera’s strengths and limits will empower you to capture images that truly connect.

If you want to dive deeper into a specific genre or shooting scenario with either camera, feel free to reach out - I’m always eager to share more of my hands-on experiences!

Happy shooting!

Sony A900 vs Sony a3500 Specifications

Detailed spec comparison table for Sony A900 and Sony a3500
 Sony Alpha DSLR-A900Sony Alpha a3500
General Information
Brand Sony Sony
Model Sony Alpha DSLR-A900 Sony Alpha a3500
Type Advanced DSLR Entry-Level Mirrorless
Launched 2008-10-22 2014-03-21
Physical type Mid-size SLR SLR-style mirrorless
Sensor Information
Processor Bionz BIONZ image
Sensor type CMOS CMOS
Sensor size Full frame APS-C
Sensor dimensions 35.9 x 24mm 23.5 x 15.6mm
Sensor area 861.6mm² 366.6mm²
Sensor resolution 25 megapixel 20 megapixel
Anti aliasing filter
Aspect ratio 3:2 and 16:9 3:2 and 16:9
Maximum resolution 6048 x 4032 5456 x 3632
Maximum native ISO 6400 16000
Minimum native ISO 100 100
RAW format
Autofocusing
Manual focus
Touch focus
Autofocus continuous
Autofocus single
Tracking autofocus
Selective autofocus
Center weighted autofocus
Multi area autofocus
Autofocus live view
Face detect autofocus
Contract detect autofocus
Phase detect autofocus
Number of focus points 9 25
Lens
Lens mount Sony/Minolta Alpha Sony E
Available lenses 143 121
Crop factor 1 1.5
Screen
Type of display Fixed Type Fixed Type
Display size 3 inches 3 inches
Display resolution 922 thousand dots 230 thousand dots
Selfie friendly
Liveview
Touch capability
Display technology TFT Xtra Fine color LCD TFT LCD
Viewfinder Information
Viewfinder Optical (pentaprism) Electronic
Viewfinder coverage 100% 100%
Viewfinder magnification 0.74x 0.47x
Features
Slowest shutter speed 30 seconds 30 seconds
Maximum shutter speed 1/8000 seconds 1/4000 seconds
Continuous shooting rate 5.0 frames per sec 4.0 frames per sec
Shutter priority
Aperture priority
Expose Manually
Exposure compensation Yes Yes
Change white balance
Image stabilization
Built-in flash
Flash range no built-in flash 6.00 m (at ISO200 / 4m at ISO100)
Flash options Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in, Wireless Flash off, Auto flash, Fill-flash, Slow Sync., Rear Sync.
External flash
Auto exposure bracketing
WB bracketing
Maximum flash synchronize 1/250 seconds 1/160 seconds
Exposure
Multisegment exposure
Average exposure
Spot exposure
Partial exposure
AF area exposure
Center weighted exposure
Video features
Supported video resolutions - 1920 x 1080
Maximum video resolution None 1920x1080
Video data format - AVCHD, H.264
Mic port
Headphone port
Connectivity
Wireless None None
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environment sealing
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 895g (1.97 lbs) 411g (0.91 lbs)
Dimensions 156 x 117 x 82mm (6.1" x 4.6" x 3.2") 128 x 91 x 85mm (5.0" x 3.6" x 3.3")
DXO scores
DXO All around score 79 not tested
DXO Color Depth score 23.7 not tested
DXO Dynamic range score 12.3 not tested
DXO Low light score 1431 not tested
Other
Battery life 880 photos 470 photos
Battery type Battery Pack Battery Pack
Battery model NP-FM500H NP-FW50
Self timer Yes (2 or 10 sec) Yes (2-sec. or 10-sec. delay)
Time lapse shooting
Storage type Compact Flash (Type I or II), Memory Stick Duo / Pro Duo, UDMA Mode 5, Supports FAT12 / FAT16 / FAT32 -
Card slots 2 One
Retail price $2,736 $398