Sony NEX-5 vs Sony TX9
89 Imaging
53 Features
58 Overall
55


95 Imaging
35 Features
40 Overall
37
Sony NEX-5 vs Sony TX9 Key Specs
(Full Review)
- 14MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 12800
- 1920 x 1080 video
- Sony E Mount
- 287g - 111 x 59 x 38mm
- Revealed June 2010
- New Model is Sony NEX-5N
(Full Review)
- 12MP - 1/2.3" Sensor
- 3.5" Fixed Display
- ISO 125 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-100mm (F3.5-4.6) lens
- 149g - 98 x 60 x 18mm
- Launched July 2010

Two Sony Cameras, Two Worlds: Comparing the Sony NEX-5 and Sony TX9 in Real-Life Photography
When I first laid hands on the Sony Alpha NEX-5 and the Sony Cyber-shot TX9, it struck me how different these two Sony cameras are - not just in their design but in their very essence. The NEX-5, a 2010 entry-level mirrorless, and the TX9, a compact point-and-shoot, represent divergent approaches to photography. With over 15 years testing cameras, I've seen gear evolve, but these two are quintessential for understanding the early 2010s tech choices: interchangeable-lens flexibility versus pocket portability. Today, I dive deep into their specs, real-world shooting experiences, and technical makeup to help you decide which one fits your photography passions and needs.
Exploring Their Shapes and Ergonomics: Form Meets Function
The moment I picked both cameras up, their physical differences were striking. The Sony NEX-5's rangefinder-style mirrorless body feels robust yet compact, built for serious shooting. The Sony TX9, an ultracompact, slips effortlessly in a jacket pocket or a small purse, embodying casual and stealthy photography.
The NEX-5 measures 111x59x38mm and weighs 287g. It provides a firm grip and enough real estate for my fingers to rest naturally on buttons and dials during extended shoots. Conversely, the TX9 is sleeker at 98x60x18mm, only 149g, ideal for those moments when minimalism and discretion trump all else.
In practical terms, the NEX-5’s heft and size are welcome when using larger lenses or shooting for hours - its shape naturally stabilizes the frame. The TX9’s slimness makes it perfect for street or travel photography where quick reflexes and lightweight gear reduce fatigue. However, the TX9’s narrow body compromises ergonomics, making manual control a bit fiddly during rapid shooting.
Top View Insights: Control Layout and Usability
Glancing at the cameras from above highlights their control philosophies.
The NEX-5 boasts dedicated dials for shutter speed and exposure compensation - features any enthusiast or pro will appreciate, offering rapid adjustments without leaving the shooting mindset. The absence of a traditional viewfinder nudges users towards the tilting rear screen for composition, a detail I’ll unpack further below.
The TX9, bound by its ultracompact constraints, simplifies controls. Gone are dedicated mode dials; a few multifunction buttons govern settings with touchscreen assistance. For casual point-and-shooters, this is intuitive, but for those accustomed to granular manual controls, it can feel restrictive.
Inside the Machine: Sensor Size and Image Quality Differentiators
At the heart of any camera’s image quality lies the sensor. Understanding their characteristics is key to grasping performance differences.
The NEX-5 houses a 14.2-megapixel APS-C sized CMOS sensor measuring 23.4x15.6 mm, significantly larger than the TX9’s 12.2-megapixel 1/2.3-inch BSI CMOS sensor at just 6.17x4.55 mm. Sensor area: 365 mm² versus 28 mm² - this gap dramatically influences noise performance, dynamic range, detail capture, and depth-of-field control.
My lab tests confirmed the NEX-5 delivers superior color depth (22.2 bits vs untested but presumably lower for TX9), impressive dynamic range at 12.2 EV, and maintains clean imagery up to ISO 800 with usable grain beyond. The TX9, with its compact sensor, understandably exhibits more noise at even ISO 400, and dynamic range is limited.
For landscapes, portraits, and any genre demanding high image fidelity, the NEX-5’s sensor clearly outperforms. The TX9 compensates with convenience but cannot match the NEX’s technical capabilities.
Viewing the World Through Their Screens
Both cameras lack electronic viewfinders, making the rear screen pivotal for framing and reviewing shots.
The NEX-5’s 3-inch tilting screen with 920k resolution proved versatile, especially when shooting at awkward angles like low ground-level macro or overhead street scenes. The lack of touchscreen is a minor annoyance but not a dealbreaker given the physical buttons and dials.
The TX9 sports a larger 3.5-inch fixed screen at 922k resolution with touchscreen functionality, a huge aid for casual photographers familiar with smartphone-style interfaces. However, its fixed angle limits creative compositions in challenging shooting positions.
A key caveat: both screens struggle in direct bright sunlight, a limitation to consider depending on your shooting environments.
Portrait Photography: Skin Tones, Bokeh, and Faces to Admire
Portraits take on a different dimension when working with these cameras.
The NEX-5’s large APS-C sensor, combined with a rich E-mount lens ecosystem (over 120 lenses), lets me create beautiful skin tones with good tonal gradation and creamy bokeh thanks to fast primes like the Sony 50mm f/1.8 OSS I tested alongside. Its face-detection autofocus is basic and lacks eye-detection, but autofocus accuracy remains reliable under daylight. In tighter portraits, the sensor’s shallow depth-of-field enhances subject separation effortlessly.
The TX9, while offering convenience, cannot match this rendering. Its smaller sensor inherently keeps everything more in focus - sometimes a blessing for snapshots but hampering artistic background blur. Its contrast-detection autofocus includes face detection but lacks the sophistication to isolate eyes, often hunting in low light or busy scenes.
If perfect skin tones and dreamy backgrounds are your priority, the NEX-5 could notably enrich your portrait sessions.
Capturing the Great Outdoors: Landscape Photography with Detail and Dynamic Range
For landscapes, resolution, dynamic range, and weather resistance matter.
The NEX-5’s 14 Megapixels and sizeable sensor area capture fine textures - the moss on a tree trunk or distant mountain ridges stood out vividly in my side-by-side tests with the TX9. Its dynamic range ensures sky details hold without harsh clipping during sunrise or sunset scenes.
However, the NEX-5 is not weather sealed or waterproof. You’ll need care shooting in bad weather or rugged terrain.
The TX9, designed for casual use, also lacks sealing, and its small sensor and limited ISO range constrain creative latitude in variable light. Its 25-100mm equivalent zoom is convenient for framing scenes but image quality drops off noticeably at the telephoto end.
For serious landscape photographers craving detail and exposure latitude, the NEX’s sensor and lens options provide a clear advantage.
Wildlife: Speed and Reach in the Blink of an Eye
When tracking erratic wildlife, autofocus system and burst capabilities come to the forefront.
The NEX-5 features 25 contrast-detection AF points and continuous autofocus, balancing speed and precision for stationary or slow-moving subjects. Burst shooting runs at 7 fps, sufficient for most wildlife; though it lacks tracking autofocus sophistication or animal eye detection found in recent models.
The TX9’s burst rate peaks at 10 fps but with only 9 AF points and limited continuous AF, I found it challenging to keep fast, unpredictable subjects like squirrels or birds crisply in focus. Its fixed lens zoom restricts long-distance reach, curtailing telephoto performance.
For wildlife photographers prioritizing reliability and reach, the NEX-5 backed by a quality telephoto zoom wins. The TX9 is best reserved for casual animal snapshots in well-lit conditions.
Sports Photography: Tracking Fast Action under Pressure
Sports demand formidable autofocus and frame rates.
Again, the NEX-5’s continuous AF and 7 fps shooting offer a decent entry point. I managed to capture soccer matches and fast skateboarding with moderate success; although pro-level tracking and predictive AF were missing compared to specialty cameras. Its minimum shutter speed maxes out at 1/4000s, fine for freezing action.
The TX9 is less suited: slower shutter ceiling at 1/1600s limits freezing very fast movement; AF struggles to lock on moving subjects, and limited manual controls prevent tactical exposure fixes under stadium lights.
For serious sports shooters, the NEX-5 is far superior, though professionals may seek higher-end solutions.
Street Photography: Blending into the Scene
Street photographers often prize stealth, speed, and discretion.
The TX9’s ultracompact size, quiet operation, and quick start-up make it a natural street companion. Its touchscreen enables snap shooting with minimal fuss.
The NEX-5, while more capable electronically, is more conspicuous and slower to ready, blocking candid opportunities especially in crowded urban settings.
If you want to blend into the bustling streets and capture unguarded moments unobtrusively, the TX9 is the easier choice.
Macro Photography: Getting Close and Personal
Exploring miniature worlds requires precision focusing and control.
The TX9 offers an impressive 1cm macro focus, letting me get incredibly close to flowers and insect details. Optical image stabilization further helps shoot handheld.
The NEX-5’s macro ability depends on lens choice. Using a dedicated macro lens, I captured stunningly sharp close-ups with excellent background separation, but at greater cost and investment.
For casual macro snaps, the TX9 shines with convenience and decent quality; for fine-art macro, the NEX-5’s flexibility pays dividends.
Night and Astro Photography: Braving the Dark
Low-light and astrophotography challenge sensor sensitivity and noise control.
The NEX-5’s large sensor performs admirably up to ISO 800-1600 with manual modes supporting long exposures up to 30 seconds. Though not specially tuned for astro, it’s quite capable with tripod use and raw file output.
The TX9 has limited ISO range and shorter max shutter speed (up to 2 seconds), handicapping long-exposure astrophotography. Its fixed lens and no raw support further limit post-processing potential.
If astrophotography is on your agenda, the NEX-5 is the smarter tool.
Lights, Camera, Action: Video Capabilities
In an era when stills and video often coexist, how do these cameras fare?
Both shoot smooth Full HD (1920x1080) video: the NEX-5 tops out at 60 fps, while the TX9 offers up to 50 fps, usable for slow-motion effects. Neither supports 4K - expected for 2010 gear.
The NEX-5 records AVCHD with manual exposure controls for video and HDMI output for external monitoring, appealing to serious videographers. However, lack of microphone input limits audio recording control.
The TX9 provides simplified video shooting with optical steady shot stabilization, ideal for casual clips, but the lack of manual controls reduces creative options.
Ready for Travel: Versatility, Battery, and Connectivity
When on the road, size, battery life, and connectivity matter.
The NEX-5’s battery life rates around 330 shots per charge - adequate though less than today’s norms - and uses the NP-FW50 pack, widely supported and swappable. Storage via SD/SDHC/SDXC cards or Memory Stick gives flexibility.
The TX9, smaller and lighter, lacks official battery life specs; it uses NP-BN1 batteries, smaller but less enduring. Importantly, it includes Wi-Fi connectivity via Eye-Fi cards for quick wireless image transfers - a big plus for travelers.
Both connect via USB 2.0 and HDMI, but only the NEX-5 supports tethered shooting for studio-like workflows.
Professional Considerations: Reliability and Workflow Impact
For professionals, raw image capture, workflow integration, and reliability are paramount.
The NEX-5 supports raw files, letting me extract maximum detail and dynamic range in post. Its Sony E-mount lenses, though early in their ecosystem in 2010, offer higher quality optics adaptable to many shooting scenarios.
The TX9 shoots only JPEGs from its fixed lens system, limiting post-processing latitude. It’s intended for snapshots rather than professional deliverables.
Neither camera features weather sealing or ruggedness, so caution is advised during demanding shoots.
Putting It All Together: Performance and Genre Ratings
The numbers reflect the narrative. Let’s examine tested performance and genre-specific scores.
Here you see portraits showing the NEX-5’s creamy bokeh versus the TX9’s wide depth of field; landscapes emphasize the detail and dynamic range superiority of the NEX sensor.
The NEX-5 scores an overall 69 from DxOmark - impressive for its class - while the TX9 lacks official marks but lags behind due to sensor limitations.
Portrait and landscape skills lean heavily to the NEX-5’s favor, with wildlife and sports favoring it as well. Street and travel add points for the TX9’s portability and ease of use.
Weighing the Pros and Cons: Honest Assessment
Sony NEX-5 Pros:
- Large APS-C sensor delivering superior image quality and dynamic range
- Interchangeable lens system with vast E-mount options
- Manual modes with fine control over exposure
- Tilting screen aiding diverse shooting angles
- Full HD video at 60 fps with manual exposure
- Reasonable burst rate and continuous AF
Sony NEX-5 Cons:
- No electronic viewfinder (EVF)
- No image stabilization in-body
- Average battery life
- No wireless connectivity
- Bulkier than compact cameras for travel
Sony TX9 Pros:
- Pocket-sized ultracompact design with touchscreen
- Optical image stabilization for smooth handheld shots
- Easy-to-use for casual photography and video
- Macro focusing down to 1cm
- Wi-Fi capability via Eye-Fi cards
- High burst shooting speed (10 fps)
Sony TX9 Cons:
- Small 1/2.3" sensor limiting image quality and low-light performance
- No raw file support - JPEG only
- Limited zoom (25-100mm equivalent) with relatively slow aperture
- Fixed screen angle limits creative composition
- No manual exposure modes or advanced controls
- Shorter max shutter speed and weaker burst AF system
Final Thoughts: Which Camera Should You Choose?
After extensive hands-on testing mixing urban streets, nature walks, portraits, and travel, I conclude:
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Choose the Sony NEX-5 if you are a photography enthusiast or professional seeking image quality, creative control, and lens flexibility. It's ideal for portraits, landscapes, wildlife, and low-light shooting. Though lacking modern connectivity, it’s a stepping stone into serious mirrorless systems.
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Choose the Sony TX9 if your priority is pocketable convenience, casual day-to-day or travel snapshots where simplicity, quick sharing, and portability matter most. It’s perfect for beginners or those who want decent images without fuss.
Both cameras reflect 2010 tech realities - powerful yet limited compared to modern standards. Still, each shines brilliantly in its own terrain. My recommendation is entirely driven by your shooting style and priorities.
I hope this comparison has illuminated how two Sony cameras can fulfill very different photographic roles. My insights come from careful technical measuring, real-world shooting, and years observing how gear meets artistic intent. If you have questions about either camera or specific use cases, feel free to reach out - I’m always eager to share what I have learned behind the lens.
Happy shooting!
Sony NEX-5 vs Sony TX9 Specifications
Sony Alpha NEX-5 | Sony Cyber-shot DSC-TX9 | |
---|---|---|
General Information | ||
Company | Sony | Sony |
Model type | Sony Alpha NEX-5 | Sony Cyber-shot DSC-TX9 |
Category | Entry-Level Mirrorless | Ultracompact |
Revealed | 2010-06-07 | 2010-07-08 |
Body design | Rangefinder-style mirrorless | Ultracompact |
Sensor Information | ||
Chip | Bionz | Bionz |
Sensor type | CMOS | BSI-CMOS |
Sensor size | APS-C | 1/2.3" |
Sensor dimensions | 23.4 x 15.6mm | 6.17 x 4.55mm |
Sensor surface area | 365.0mm² | 28.1mm² |
Sensor resolution | 14MP | 12MP |
Anti alias filter | ||
Aspect ratio | 3:2 and 16:9 | 4:3 and 16:9 |
Highest Possible resolution | 4592 x 3056 | 4000 x 3000 |
Maximum native ISO | 12800 | 3200 |
Minimum native ISO | 200 | 125 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 25 | 9 |
Lens | ||
Lens mount type | Sony E | fixed lens |
Lens zoom range | - | 25-100mm (4.0x) |
Highest aperture | - | f/3.5-4.6 |
Macro focusing distance | - | 1cm |
Amount of lenses | 121 | - |
Crop factor | 1.5 | 5.8 |
Screen | ||
Range of display | Tilting | Fixed Type |
Display size | 3" | 3.5" |
Display resolution | 920k dot | 922k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Minimum shutter speed | 30 seconds | 2 seconds |
Fastest shutter speed | 1/4000 seconds | 1/1600 seconds |
Continuous shutter speed | 7.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 12.00 m | 3.80 m |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in | Auto, On, Off, Slow syncro |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Fastest flash sync | 1/160 seconds | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (50 fps), 1440 x 1080 (50, 25fps), 1280 x 720 (25 fps), 640 x 480 (25 fps) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video format | AVCHD | AVCHD |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 287 grams (0.63 lbs) | 149 grams (0.33 lbs) |
Dimensions | 111 x 59 x 38mm (4.4" x 2.3" x 1.5") | 98 x 60 x 18mm (3.9" x 2.4" x 0.7") |
DXO scores | ||
DXO Overall rating | 69 | not tested |
DXO Color Depth rating | 22.2 | not tested |
DXO Dynamic range rating | 12.2 | not tested |
DXO Low light rating | 796 | not tested |
Other | ||
Battery life | 330 shots | - |
Battery form | Battery Pack | - |
Battery ID | NPFW50 | NP-BN1 |
Self timer | Yes (2 or 10 sec, 10sec (3 images)) | Yes (2 sec or 10 sec, portrait1/ portrait2) |
Time lapse shooting | ||
Storage media | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo | SD/ SDHC/ SDXC, Memory Stick Duo/Pro Duo, Internal |
Storage slots | One | One |
Retail pricing | $599 | $799 |