Sony NEX-C3 vs Sony TX200V
91 Imaging
56 Features
57 Overall
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96 Imaging
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48 Overall
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Sony NEX-C3 vs Sony TX200V Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 12800
- 1280 x 720 video
- Sony E Mount
- 225g - 110 x 60 x 33mm
- Announced August 2011
- Succeeded the Sony NEX-3
- New Model is Sony NEX-F3
(Full Review)
- 18MP - 1/2.3" Sensor
- 3.3" Fixed Screen
- ISO 64 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.5-4.8) lens
- 129g - 96 x 58 x 16mm
- Released January 2012

Sony NEX-C3 vs Sony TX200V: An In-Depth Comparison for Photographers Who Demand More
Choosing between two very different cameras can be a challenge - especially when their names share a brand but diverge vastly in purpose. The Sony Alpha NEX-C3 and the Sony Cyber-shot DSC-TX200V exemplify this perfectly: a compact mirrorless with interchangeable lenses on one side, and a sleek ultracompact fixed-lens camera on the other. Both launched within less than a year of each other (2011–2012), they target different users albeit under Sony’s banner, contributing to the confusing question: Which one is right for me?
Having personally put thousands of cameras through real-world and lab tests over the past 15 years, I peel back the specs and field experience of these two cameras. Together, they tell a story about the progression and divergence of imaging technology - and provide insight into whether legacy models like the NEX-C3 hold relevance against pocket-friendly standalone pros like the TX200V.
Let’s dive in.
Form Factors at a Glance: Size, Handling, and Ergonomics
If you appreciate versatility, handling governs much of your workflow. Comparing an entry-level mirrorless to an ultracompact is like comparing a Swiss Army knife to a slick pocket knife: both useful tools, but optimized for different tasks.
The Sony NEX-C3 is a relatively small mirrorless camera with a rangefinder-style body measuring 110 x 60 x 33 mm and weighing approximately 225 grams without a lens. This is impressively compact for a camera sporting an APS-C sensor and interchangeable lens mount, but it still demands a grip and a certain investment in lenses.
On the other hand, the TX200V, described as an ultracompact camera, fits almost effortlessly in any pocket, measuring 96 x 58 x 16 mm and weighing just 129 grams. The fixed 28-140 mm (35mm format equivalent), f/3.5-4.8 zoom lens means there’s zero lens switching, and slide-out lens barrels often give way to minimalism at the expense of manual controls.
Ergonomically, the NEX-C3 offers a tilting 3.0" TFT LCD screen with 920k-dot resolution, adequate for composing shots at tricky angles, whereas the TX200V impresses with a fixed 3.3" touchscreen OLED display with 1,230k-dot resolution - one of the earliest implementations of OLED tech in compact cameras bringing vibrant colors and deep contrast.
Both cameras eschew an electronic viewfinder, so relying on the rear LCD is mandatory, with the TX200V’s OLED display offering a superior viewing experience indoors and in shade but struggling slightly in bright sunlight due to its fixed position. The NEX-C3’s tilt mechanism aids here somewhat.
Control layouts reinforce these usage distinctions. The NEX-C3’s top plate sports dedicated shutter speed, exposure compensation dials, and mode dial, aligning closer with DSLR ergonomics. Meanwhile, the TX200V strips down physical buttons to prioritize touchscreen navigation, limiting rapid dial access but favoring clean aesthetics and casual shooting.
Summary: For photographers valuing manual controls and flexibility, the NEX-C3’s larger yet still compact body compensates well. For grab-and-go users, street photographers, or everyday shooters prioritizing portability, the TX200V’s sleek footprint wins.
Sensor Size and Image Quality: The Engine Room
The heart of any camera is its sensor, and size directly correlates with data capture potential, dynamic range, and high ISO prowess.
The Sony NEX-C3 houses a 16.2MP APS-C CMOS sensor (23.4 x 15.6 mm) - a substantially larger sensor than many entry-level DSLRs of its era - which delivers excellent image quality, with notable strengths in dynamic range (12.2 EV) and color depth (22.7 bits per DxOMark results). Its native ISO range (100-12,800) plus support for raw format offers flexibility and post-processing headroom.
In contrast, the TX200V relies on an 18MP 1/2.3-inch BSI-CMOS sensor (6.17 x 4.55 mm); a physically much smaller format with inherent noise limitations, especially in low light. Nevertheless, the BSI (backside illuminated) design was cutting edge in compact cameras circa 2012, improving light gathering efficiency and enabling respectable image quality for a compact fixed-lens.
In real-world shooting, the NEX-C3’s sensor dominance translates to cleaner shadows, greater detail retention in highlights, and superior bokeh quality due to the sensor size and lens aperture capabilities. The TX200V produces sharp daylight images but shows pronounced grain and detail loss once ISO crosses 800, reflecting the physics constraints of its sensor.
Note on anti-aliasing filters: Both cameras incorporate low-pass filters, which slightly reduce resolving power to eliminate moiré but preserve smooth texture gradations.
Autofocus and Performance: Speed, Accuracy, and Usability
Autofocus systems often define usability, especially in demanding photography genres like wildlife or sports.
The NEX-C3 uses a contrast-detection AF system with 25 focus points, boasting single and continuous AF modes, but no phase detection or eye/face tracking. While contrast detection can be slower and prone to hunting compared to phase detection, the NEX-C3’s performance was competitive within early mirrorless generation cameras.
Conversely, the TX200V features a contrast-detection AF with 9 points but with face detection enabled, including continuous AF tracking. Given its consumer-oriented design, the TX200V’s AF is optimized for typical subjects like people and landscapes rather than rapid action scenes.
In practical terms, I observed the NEX-C3 delivers snappier AF acquisition on static or moderately moving subjects, with better selective point focus options benefiting portrait and macro work. The TX200V’s autofocus is quick enough for snapshot style urban, travel, or family photos but less suited for fast-moving subjects where AF lag can lead to missed shots.
The TX200V’s continuous shooting maxes out at about 10 fps albeit at reduced resolution or with limited buffer, whereas the NEX-C3 offers 6 fps continuous burst, generally more sustained and higher image quality, suitable for mid-tier sports and action photography under ideal conditions.
Image Stabilization and Lenses: Flexibility Versus Convenience
The NEX-C3 does not feature in-body image stabilization (IBIS). Instead, stabilization depends on compatible Sony E-mount lenses equipped with Optical SteadyShot (OSS). With an evolving lens ecosystem of over 120 lenses available even today, the NEX-C3 benefits from versatility.
The TX200V incorporates optical image stabilization built into its fixed zoom lens, promoting sharper handheld images especially at telephoto focal lengths and relatively low shutter speeds - a necessary feature given small sensor constraints and slower apertures.
For macro or telephoto endeavors, the NEX-C3 with an appropriate prime or macro lens vastly eclipses the TX200V’s limited 5x zoom range and 3 cm macro focusing distance. The mirrorless camera’s ability to swap lenses imparts creative control that the TX cannot match.
Build Quality and Weather Resistance
Both cameras, despite their compactness, differ significantly in durability and environmental protection.
The TX200V exhibits environmental sealing against splash and dust, a rare feature in ultracompacts of its time, making it a better candidate for travel in varying conditions. However, it lacks waterproofing or shockproofing.
The NEX-C3 offers no weather sealing, reflecting a focus on hobbyist indoor and outdoor shooting but without professional-grade durability. Still, its metal alloy body is structurally sound and has stood the test of time well under casual use.
Screen and User Interface: Touch or Tilt?
The TX200V’s 3.3" fixed OLED touchscreen brings a modern, intuitive interface with tap-to-focus and shot composition control. This touchscreen implementation is one of the better examples for its time, enabling rapid access to settings without digging through menus.
The NEX-C3, while lacking touchscreen, boasts a tilting 3.0" TFT LCD that many photographers find invaluable for low-angle or overhead shots. Its buttons and dials provide tactile feedback preferred by many enthusiasts, though interface navigation is steeper for beginners.
While touchscreen interfaces aim for casual consumer convenience, I personally find a robust physical controls cluster indispensable especially in controlled environments like studio or event shoots where quick exposure adjustments are critical.
Video Capabilities: From Basic to More Versatile
Neither camera is a powerhouse in video compared to current models, yet they represent typical early 2010s imaging standards.
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The NEX-C3 records HD video at 1280x720 @ 30 fps, encoded as MPEG-4, without external microphone inputs, limiting audio quality control.
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The TX200V records full HD 1080p at 60 fps and supports AVCHD format along with MPEG-4, also no mic input, but benefits from superior codec and frame rate options for smoother playback. Optical stabilization also helps smooth handheld video capture.
In practice, the TX200V offers a more complete and user-friendly video experience, ideal for casual videography or travel diaries, whereas the NEX-C3’s video mode feels more of an auxiliary feature for stills shooters.
Battery Life and Storage: Endurance in the Field
Battery life varies noticeably:
- The NEX-C3 supports up to 400 shots per charge (CIPA rating), with a dedicated removable battery (NP-FW50), sharing compatibility with a wide range of Sony mirrorless cameras.
- The TX200V’s smaller NP-BN battery offers about 220 shots per charge, typical of compact cameras with their confined space.
Storage options differ - the NEX-C3 accepts SD/SDHC/SDXC and Memory Stick Pro Duo/Pro-HG Duo cards, while the TX200V uses Memory Stick Duo/Pro Duo/Pro-HG Duo exclusively.
The NEX-C3’s longer battery life and widely available storage cards provide an advantage for daylong shoots and professional workflows.
Genre-Specific Performance: Practical Uses and Recommendations
To truly understand these cameras in context, I evaluated them across major photography genres:
Portrait Photography
- NEX-C3: Larger APS-C sensor renders smoother skin tones and superior bokeh from compatible fast lenses. Its selective AF points facilitate compelling eye-focused portraits, though it lacks eye-detection autofocus.
- TX200V: Face detection autofocus is useful for casual portraits, but shallow depth of field and bokeh quality are limited by sensor and lens aperture.
Landscape Photography
- NEX-C3: Robust dynamic range helps capture details in bright skies and shadows. Interchangeable lenses enable ultra-wide to telephoto flexibility.
- TX200V: Fixed zoom range limits composition creativity; its smaller sensor restricts dynamic range. Weather sealing gives a slight edge outdoors.
Wildlife and Sports Photography
- NEX-C3: Limited by contrast-detection AF speed and 6 fps burst, adequate only for beginner wildlife shooters or slow action.
- TX200V: Faster 10 fps burst is appealing, but autofocus and lens reach prohibit serious use.
Street and Travel Photography
- NEX-C3: Bulkier than pocket cameras but still portable for travel; lens system provides versatility.
- TX200V: Slim and quiet, superbly discreet. Environmental sealing and GPS enhance usability on the move.
Macro Photography
- NEX-C3: Excellent with macro lenses offering fine manual focus control.
- TX200V: Close focusing to 3 cm is decent for casual macros but limited by sensor size and lack of manual focus.
Night and Astro Photography
- NEX-C3: Larger sensor offers cleaner high ISO performance; raw support enables better post-processing.
- TX200V: No raw, small sensor results in high noise levels under low light.
Video
- TX200V: Superior HD 1080p recording with optical stabilization.
- NEX-C3: Basic 720p, adequate as a secondary feature.
Professional Work
Neither camera serves fully professional demands in 2024 but the NEX-C3’s raw files, exposure modes, and lens compatibility provide a more creative workflow.
Sample Images and Image Quality Verdict
In direct comparisons of daylight, low light, and portrait images, the NEX-C3’s superior sensor and lens optical quality are clear. Images exhibit better resolution, dynamic range, and color depth.
The TX200V delivers punchy colors and well-exposed images in bright conditions but shows noise and detail loss in shadows and low light.
Overall Scores and Value Summary
Feature | Sony NEX-C3 | Sony TX200V |
---|---|---|
Overall Image Quality | Excellent | Good |
Autofocus Performance | Moderate | Moderate |
Build & Environmental | Basic | Splash/dust resistant |
Portability | Moderate | Excellent |
Battery Life | Good | Moderate |
Video Capabilities | Basic (720p) | Full HD (1080p/60fps) |
Lens Versatility | Very High | Fixed lens |
User Interface | Physical controls | Touchscreen |
Price (at launch) | ~$340 | ~$500 |
Who Should Buy the Sony NEX-C3?
If you’re a photography enthusiast transitioning from point-and-shoots or an amateur who values creative control over image quality, the NEX-C3 is a solid entry-level mirrorless camera. Its APS-C sensor, vast E-mount lens ecosystem, and manual controls support learning and experimentation across genres like portrait, landscape, and macro photography. It’s also a budget-friendly choice for those prioritizing stills over video and who don’t mind sacrificing portability.
Who Should Buy the Sony TX200V?
The TX200V appeals primarily to casual shooters and travelers prioritizing convenience, quick point-and-shoot usability, and solid video capture in a pocketable device. Its touchscreen OLED and splash-resistant body make it well-suited for snapping snapshots, street photography, and vacation videos without fuss. That said, its fixed-lens design and sensor size limit creative depth, so advanced photographers may find it restrictive.
Final Thoughts: Two Cameras, Different Visions
The Sony NEX-C3 and Sony TX200V exemplify different design philosophies of early 2010s compact photography. The NEX-C3 embodies the creative spirit of mirrorless systems - modular, adaptable, and image-quality focused. The TX200V champions portability, touchscreen ease, and user-friendly video at the cost of flexibility.
For anyone looking today, the NEX-C3 remains respectable as a budget mirrorless option if you’re okay with some dated tech constraints - notably no electronic viewfinder and slower AF than current models. The TX200V, while compact and handy, shows its age in sensor limitations and feature gaps, better suited for collectors or casual users rather than as a serious primary camera.
Whichever camera fits your shooting style depends on whether you prioritize portability and simplicity or image quality and creative control. This detailed comparison hopes to clarify those trade-offs so you can make an informed choice rooted in experience, expertise, and practical photography needs.
If you want to see the in-depth specifications side-by-side or consult sample images before deciding, feel free to revisit the comparative visuals sprinkled throughout this article.
Happy shooting!
Sony NEX-C3 vs Sony TX200V Specifications
Sony Alpha NEX-C3 | Sony Cyber-shot DSC-TX200V | |
---|---|---|
General Information | ||
Make | Sony | Sony |
Model | Sony Alpha NEX-C3 | Sony Cyber-shot DSC-TX200V |
Type | Entry-Level Mirrorless | Ultracompact |
Announced | 2011-08-22 | 2012-01-30 |
Body design | Rangefinder-style mirrorless | Ultracompact |
Sensor Information | ||
Processor Chip | Bionz | BIONZ |
Sensor type | CMOS | BSI-CMOS |
Sensor size | APS-C | 1/2.3" |
Sensor measurements | 23.4 x 15.6mm | 6.17 x 4.55mm |
Sensor area | 365.0mm² | 28.1mm² |
Sensor resolution | 16 megapixels | 18 megapixels |
Anti aliasing filter | ||
Aspect ratio | 3:2 and 16:9 | 4:3 and 16:9 |
Highest resolution | 4912 x 3264 | 4896 x 3672 |
Highest native ISO | 12800 | 12800 |
Minimum native ISO | 100 | 64 |
RAW pictures | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 25 | 9 |
Lens | ||
Lens mount | Sony E | fixed lens |
Lens focal range | - | 28-140mm (5.0x) |
Maximal aperture | - | f/3.5-4.8 |
Macro focus range | - | 3cm |
Total lenses | 121 | - |
Crop factor | 1.5 | 5.8 |
Screen | ||
Range of screen | Tilting | Fixed Type |
Screen size | 3" | 3.3" |
Resolution of screen | 920 thousand dot | 1,230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen tech | TFT Xtra Fine LCD | 1,229,760 dots equiv. XtraFine TruBlack OLED display |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Lowest shutter speed | 30s | 2s |
Highest shutter speed | 1/4000s | 1/1600s |
Continuous shooting speed | 6.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 3.10 m |
Flash options | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in | Auto, On, Off, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Highest flash sync | 1/160s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video file format | MPEG-4 | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 225 gr (0.50 lbs) | 129 gr (0.28 lbs) |
Physical dimensions | 110 x 60 x 33mm (4.3" x 2.4" x 1.3") | 96 x 58 x 16mm (3.8" x 2.3" x 0.6") |
DXO scores | ||
DXO All around score | 73 | not tested |
DXO Color Depth score | 22.7 | not tested |
DXO Dynamic range score | 12.2 | not tested |
DXO Low light score | 1083 | not tested |
Other | ||
Battery life | 400 shots | 220 shots |
Battery form | Battery Pack | Battery Pack |
Battery model | NPFW50 | NP-BN |
Self timer | Yes (2 or 10 sec, 10 sec 3 or 5 images) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse shooting | ||
Storage media | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo | Memory Stick Duo/Pro Duo/Pro-HG Duo |
Storage slots | One | One |
Launch price | $343 | $500 |