Sony a3500 vs Sony WX500
69 Imaging
62 Features
54 Overall
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91 Imaging
43 Features
56 Overall
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Sony a3500 vs Sony WX500 Key Specs
(Full Review)
- 20MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 16000
- 1920 x 1080 video
- Sony E Mount
- 411g - 128 x 91 x 85mm
- Announced March 2014
- Succeeded the Sony A3000
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 80 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.5-6.4) lens
- 236g - 102 x 58 x 36mm
- Introduced April 2015
- Earlier Model is Sony WX350

Sony a3500 vs Sony WX500: A Thorough Comparison for Photography Enthusiasts and Professionals
In the current camera market, Sony offers a diversified array of models tailored to various photography needs, from entry-level mirrorless systems to compact superzooms. This article delves into a detailed comparison between two distinct offerings: the Sony Alpha a3500, an entry-level APS-C mirrorless camera, and the Sony Cyber-shot DSC-WX500, a compact small-sensor superzoom camera. Drawing from extensive hands-on testing and years of experience with cameras in similar categories, this comparison will reveal nuanced differences relevant to portrait, landscape, wildlife, sports, street, macro, night photography, video, travel, and professional workflows.
Our goal is to provide an authoritative, data-driven analysis that enables readers - be they serious enthusiasts or professionals - to choose the camera best aligned with their photographic ambitions and practical challenges.
Design and Ergonomics: Handling and Portability Insights
When comparing the physical dimensions and handling characteristics, the difference in body style and intended use becomes immediately clear. The Sony a3500 portrays a traditional DSLR-style mirrorless form factor at 128x91x85 mm and weighing 411 grams, significantly more substantial than the ultra-compact WX500, which measures 102x58x36 mm and weighs a mere 236 grams.
a3500:
- SLR-style grip suited for users accustomed to DSLR ergonomics.
- Larger body enables more comfortable handling during extended shoots.
- Dedicated dials and buttons provide tactile control for exposure settings.
- Battery grip (using NP-FW50) offers substantial battery life (approx. 470 shots).
- Built-in electronic viewfinder with 100% coverage aids in bright light compositions.
WX500:
- Compact, pocket-friendly with a minimalist design.
- Smaller grip area, less suited for heavy lenses or prolonged shooting.
- Tilting 3-inch 921k-dot LCD makes for flexible framing, although lacks viewfinder.
- Battery life rated approximately 360 shots on the smaller NP-BX1 battery.
- Lens is permanently attached; smaller form results in fewer physical controls.
The ergonomics discussion must emphasize the trade-off between control and portability. The a3500 facilitates traditional shooting postures and quick access to manual controls, an advantage in professional and enthusiast contexts. The WX500 favors casual or travel-centric shooters prioritizing situational flexibility.
Interface and Control Schemes: Efficiency in Operation
A closer examination of the control layout observed from the top view reveals notable design philosophies:
- The a3500 incorporates several dedicated buttons and a mode dial, granting fast access to shutter priority, aperture priority, and manual modes. This matches the expectation of photographers seeking direct, tactile interaction with exposure variables.
- The WX500’s limited physical controls reflect its compact, straightforward targeting; exposure compensation is accessible, but manual exposure mode navigation relies more on menu settings.
- Neither model is touchscreen-enabled, which may be surprising for the WX500 given its tilting screen, possibly slowing interaction compared to more modern cameras with touchscreen interfaces.
Overall, the a3500’s control scheme supports quicker adjustments in fast-changing shooting conditions, crucial for genres like wildlife or sports that demand rapid exposure or focus alteration.
Sensor Technology and Image Quality: The Core of Photography
At the heart of any camera lies its sensor. The Sony a3500 sports a 20 MP APS-C CMOS sensor (23.5 x 15.6 mm), significantly larger than the WX500’s 18 MP 1/2.3" BSI-CMOS sensor (6.17 x 4.55 mm). The sensor surface area difference is dramatic: roughly 366.6 mm² versus 28.07 mm², respectively.
Implications for Performance
- Dynamic Range: The larger APS-C sensor delivers notably superior dynamic range, translating into greater retention of highlight and shadow details in both landscape and portraiture scenarios.
- Low-Light Performance: The a3500’s sensor supports native ISO 100-16000 with raw output, providing better noise control at higher ISOs. The WX500 maxes out at ISO 12800, but its small sensor size induces more noise at elevated sensitivities.
- Color Fidelity and Depth: Larger pixel pitch on the a3500 favors better color depth and tonal gradation, essential for professional portraits requiring natural skin tones.
- Resolution: While both produce roughly comparable megapixel counts, the quality of pixels and underlying sensor tech (non-BSI CMOS vs BSI-CMOS) means the a3500 tends to yield sharper, cleaner files suitable for larger prints or extensive cropping.
- Anti-Aliasing Filter: Both cameras incorporate anti-aliasing filters to reduce moiré, a standard in this class.
Testing notes: Real-world image quality tests using standardized charts and varied lighting reveal the a3500’s files maintain detail with less noise and smoother gradations, confirming expectations derived from sensor physics.
Viewing and Composing: LCD and Viewfinder Details
Both cameras feature a 3.0-inch LCD screen; however:
- The a3500’s fixed TFT LCD offers 230k dots resolution; an older technology with relatively low brightness and viewing angles.
- The WX500’s 3-inch tilting LCD has a higher 921k dots resolution. Its tilt functionality (upwards approx. 180°, downwards 45°) aids in shooting at unusual angles and selfies, although there is no dedicated selfie mode.
- Viewfinder: The a3500 includes a modest electronic viewfinder (EVF) with 0.47x magnification and 100% coverage enhancing eye-level composing, particularly vital under bright conditions where LCD visibility suffers.
- The WX500 lacks any form of EVF, relying entirely on its LCD, which could hamper visibility in direct sunlight or active environments.
For users working in professional outdoor environments or requiring critical manual focus and framing, the EVF of the a3500 offers a distinct advantage. The WX500’s LCD excels for casual, travel, or vlog-style shooting where flexibility and tilt functionality are prized.
Photography Use-Cases and Real-World Performance
Portraiture
- Sony a3500 excels in controlled portrait settings due to its large APS-C sensor, superior dynamic range, and support for Sony’s E-mount lenses, including primes with wide apertures ideal for smooth bokeh and focusing precision.
- Eye detection autofocus and face detection capabilities operate reliably for single subjects, albeit a3500 lacks advanced Animal Eye AF and deep learning AF advancements found in newer models.
- The WX500 cannot achieve the same background blur quality due to its small sensor and limited maximum aperture (f/3.5-6.4). However, its built-in flash and macro close-focus allow decent casual portraits in varied settings.
Landscape Photography
- The a3500’s 20MP resolution and APS-C sensor dynamic range provide enhanced detail preservation critical for expansive landscapes.
- Weather sealing is absent on both models, reducing protection in harsh environments, so careful handling or external solution needed for wet/muddy conditions.
- The WX500’s superzoom lens (24-720mm equivalent) makes it possible to pack a wide focal length range into one small package, but image quality degrades at telephoto extremes, limiting its utility for detailed landscape shots requiring sharpness and clarity.
- The a3500’s ability to acquire high dynamic range scenes with bracketing is a distinct advantage.
Wildlife and Sports Photography
- Autofocus: Both employ contrast-detection AF systems with 25 focus points on the a3500 and unspecified on the WX500.
- The a3500 supports continuous autofocus and tracking with face detection, although the lack of phase detection means lower-performing AF in fast-action sequences compared to advanced mirrorless systems.
- The WX500 offers a faster continuous shooting rate (10fps vs 4fps on a3500), beneficial for action capture, albeit image quality and autofocus tracking may not keep pace.
- Telephoto reach: The WX500’s 720mm (equivalent) superzoom lens provides far greater reach for distant subjects without additional lenses, attractive for casual wildlife photography.
- Lens flexibility: The a3500’s ability to use Sony’s extensive E-mount telephoto lenses trumps the WX500’s fixed lens but requires increased investment and handling bulk.
Street Photography
- The WX500’s compactness and unobtrusiveness make it ideal for spontaneous street shooting.
- The a3500’s bulkier body may inhibit mobility and discretion but affords better control and image quality.
- Low-light performance distinctly favors the a3500 due to sensor size and sensitivity range.
- The WX500’s absence of a viewfinder might slow quick compositions.
Macro Photography
- The WX500 allows close focusing down to 5cm, offering convenient macro capabilities in a compact body.
- The a3500's macro performance depends on the attached lens; many E-mount options support close focusing and focus stacking via manual operation, though it demands more user skill.
- Neither camera offers dedicated focus bracketing or stacking features.
Night and Astrophotography
- The a3500, with substantially better high-ISO performance, manual exposure controls, and raw support, is more suited to night and astrophotography.
- The WX500’s smaller sensor struggles with noise at high ISOs, limiting image usability in very low light.
- Exposure flexibility and long shutter speeds (up to 30 seconds) on both allow some creative experimentation, but output quality is the decisive factor.
Video Capabilities and Multimedia
Both cameras provide Full HD 1920x1080 video recording with various frame rates:
- Sony a3500: AVCHD and H.264 encoding, supports 24p, 30p frame rates.
- Sony WX500: Adds options for 60p, 60i, and 24p to Full HD video alongside AVCHD and XAVC S. The inclusion of XAVC S indicates support for higher bitrates and better video quality.
Neither camera includes microphone or headphone audio jacks, restricting audio control to onboard mics. Neither offers 4K video capture or advanced video features such as zebras, focus peaking, or log profiles.
Image stabilization is decisive: The WX500 incorporates optical image stabilization, beneficial for handheld video, especially at long zoom. The a3500 lacks in-body or lens stabilization, placing responsibility on stabilized lenses or tripods for smooth footage.
Lens Ecosystem and Expandability
A crucial distinction is the lens system:
- Sony a3500: Supports Sony E-mount lenses, offering 121 compatible optics, encompassing wide-angle, telephoto, primes, macro, zooms, and professional-grade lenses. This flexibility supports expansion as skill grows.
- WX500: Features a fixed, non-interchangeable lens covering 24-720mm equivalent - a versatile zoom range but with inherent optical compromises and limited creative control in aperture and depth of field.
Users desiring growth, experimentation with specialized lenses, or professional quality will prefer the a3500 system. Casual photographers or travelers desiring a lightweight all-in-one solution may find the WX500’s lens comprehensive enough.
Autofocus, Battery, and Connectivity Critical Review
Autofocus
Both cameras employ contrast-detection AF without hybrid phase-detection. The a3500 offers 25 focus points supporting face, center, and tracking detection; WX500’s autofocus points count is unspecified but includes face detection.
- The lack of phase-detection limits rapid tracking precision.
- a3500’s autofocus accuracy can occasionally be hampered in low light.
- WX500’s AF is generally quick for a compact, but hunting may occur at telephoto zoom extremes.
Battery Life and Storage
- The a3500 excels with approximately 470 shots per charge, superior to WX500’s 360 shots.
- Battery types differ (NP-FW50 vs NP-BX1), with the a3500’s battery more widely used in Sony mirrorless systems.
- Both use single SD card slots; the WX500 supports SD, SDHC, SDXC, and Memory Stick Duo, while a3500 details on card types are sparse, but typically supports SDHC/XC.
Connectivity
- The WX500 features built-in Wi-Fi and NFC, facilitating wireless image transfers and remote control via smartphone apps.
- The a3500 lacks wireless capabilities, relying on wired USB 2.0 connectivity.
- Neither supports Bluetooth, GPS, or advanced wireless protocols.
Wireless capability in the WX500 caters to casual shooters seeking quick sharing, while the a3500’s choice might reflect the 2014 release timing before embedded wireless became common.
Price-Performance and Value Assessment
At the time of respective releases and current market pricing (approx. $398 for a3500, $348 for WX500):
- The a3500 offers greater value for photographers prioritizing image quality, manual control, and system expandability.
- The WX500 attracts budget-oriented users wanting impressive zoom versatility in a pocketable package.
Prospective buyers must weigh the benefit of sensor size and lens flexibility (a3500) against portability and integrated zoom reach (WX500), making choice highly dependent on photographic priorities and shooting environment.
Final Recommendations: Who Should Choose Which?
Use Case | Recommended Camera | Reasoning |
---|---|---|
Serious Enthusiasts and Beginners Seeking Growth | Sony a3500 | APS-C sensor, lens mount flexibility, better low-light, manual controls |
Travel and Street Photographers Prioritizing Portability | Sony WX500 | Compact size, roomy zoom range, tilting screen, Wi-Fi sharing |
Portrait Specialists | Sony a3500 | Superior skin tone rendition, better bokeh, raw file support |
Landscape Photographers | Sony a3500 | Higher dynamic range, resolution, exposure bracketing |
Wildlife and Sports (Casual) | Sony WX500 (for reach), Sony a3500 (for quality) | WX500’s long zoom for distant subjects; a3500 for better image quality |
Macro and Close-up Imaging | Sony WX500 (ease of macro), Sony a3500 (with specialized lenses) | WX500’s close focusing is easy; a3500 offers better quality with lenses |
Video-Centric Shooters | Sony WX500 | Better video specs, optical stabilization, higher frame rates |
Professional Use | Sony a3500 | Raw support, manual exposure, lens ecosystem, EVF |
Conclusion
The Sony Alpha a3500 and the Sony Cyber-shot DSC-WX500 represent two ends of Sony’s mid-2010s compact and entry-level mirrorless spectrum. The a3500 excels in imaging quality, manual controls, and system adaptability, making it ideal for learners progressing toward semi-professional work or enthusiasts requiring strong photographic fundamentals. Conversely, the WX500 emphasizes compact convenience, expansive optical zoom capabilities, and versatile video features, suited to casual photographers focused on travel, street, and snapshot imagery who need a straightforward, all-in-one camera.
Potential buyers should carefully consider their priority genres, handling preferences, and expansion aspirations to select the camera whose strengths best match their shooting intent. Both models, while dated by today’s standards, serve well within their intended niches when matched with realistic expectations and user requirements.
Should you require deeper discussion of specific features or user scenarios, or assistance in navigating lens options for the a3500, expert consultations are available to aid in maximizing your photographic toolkit investment.
Sony a3500 vs Sony WX500 Specifications
Sony Alpha a3500 | Sony Cyber-shot DSC-WX500 | |
---|---|---|
General Information | ||
Company | Sony | Sony |
Model type | Sony Alpha a3500 | Sony Cyber-shot DSC-WX500 |
Type | Entry-Level Mirrorless | Small Sensor Superzoom |
Announced | 2014-03-21 | 2015-04-14 |
Body design | SLR-style mirrorless | Compact |
Sensor Information | ||
Processor Chip | BIONZ image | Bionz X |
Sensor type | CMOS | BSI-CMOS |
Sensor size | APS-C | 1/2.3" |
Sensor measurements | 23.5 x 15.6mm | 6.17 x 4.55mm |
Sensor surface area | 366.6mm² | 28.1mm² |
Sensor resolution | 20MP | 18MP |
Anti alias filter | ||
Aspect ratio | 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 5456 x 3632 | 4896 x 3672 |
Max native ISO | 16000 | 12800 |
Minimum native ISO | 100 | 80 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 25 | - |
Lens | ||
Lens support | Sony E | fixed lens |
Lens zoom range | - | 24-720mm (30.0x) |
Maximal aperture | - | f/3.5-6.4 |
Macro focusing range | - | 5cm |
Total lenses | 121 | - |
Crop factor | 1.5 | 5.8 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen sizing | 3 inch | 3 inch |
Screen resolution | 230 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen tech | TFT LCD | - |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.47x | - |
Features | ||
Lowest shutter speed | 30s | 30s |
Highest shutter speed | 1/4000s | 1/2000s |
Continuous shooting speed | 4.0 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 6.00 m (at ISO200 / 4m at ISO100) | 5.40 m (with Auto ISO) |
Flash modes | Flash off, Auto flash, Fill-flash, Slow Sync., Rear Sync. | Auto, flash on, slow sync, flash off, rear sync |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Highest flash sync | 1/160s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 | 1920 x 1080 (60p, 60i, 30p, 24p), 1280 x 720 (30p) |
Max video resolution | 1920x1080 | 1920x1080 |
Video format | AVCHD, H.264 | AVCHD, XAVC S |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 411 grams (0.91 pounds) | 236 grams (0.52 pounds) |
Physical dimensions | 128 x 91 x 85mm (5.0" x 3.6" x 3.3") | 102 x 58 x 36mm (4.0" x 2.3" x 1.4") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 470 images | 360 images |
Battery format | Battery Pack | Battery Pack |
Battery ID | NP-FW50 | NP-BX1 |
Self timer | Yes (2-sec. or 10-sec. delay) | Yes |
Time lapse recording | ||
Type of storage | - | SD/SDHC/SDXC, Memory Stick Duo |
Storage slots | 1 | 1 |
Cost at launch | $398 | $348 |