Sony A6100 vs Sony W610
81 Imaging
69 Features
88 Overall
76


97 Imaging
37 Features
20 Overall
30
Sony A6100 vs Sony W610 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 32000 (Raise to 51200)
- 3840 x 2160 video
- Sony E Mount
- 396g - 120 x 67 x 59mm
- Announced August 2019
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 3200
- 640 x 480 video
- 26-105mm (F2.8-5.9) lens
- 113g - 93 x 52 x 19mm
- Announced January 2012

Choosing your next camera can feel like sifting through a jungle of tech specs, marketing buzz, and endless options - especially when the contenders are worlds apart. Today, we’re taking a deep dive into two Sony cameras that occupy very different planes in the photographic universe: the advanced mirrorless Sony A6100, introduced in 2019, and the humble compact point-and-shoot Sony W610 from 2012.
At first glance, putting a relatively modern APS-C mirrorless camera up against a basic small-sensor compact might seem like comparing a race car to a go-kart. But these contrasting machines reflect distinct philosophies, budgets, and use cases - and understanding their strengths and limits could sharpen your buying decision no matter your skill level. I’ve spent hours shooting with both, pushing their capabilities across multiple genres, and now I’m here to share everything you need to know.
Let’s start by sizing them up - literally.
Size, Handling, and Physical Ergonomics: The Feel of Grip and Control
While specs matter, the tactile experience of holding a camera often makes or breaks your shooting comfort - whether on a two-hour hike or a bustling street corner.
The A6100 sports a sturdy, rangefinder-style mirrorless body, measuring roughly 120 x 67 x 59 mm and weighing in at about 396 grams with its NP-FW50 battery - a comfortable, compact package for an APS-C camera. In contrast, the W610 hardly looks like a professional tool: a pocket-friendly compact of 93 x 52 x 19 mm and a featherweight 113 grams.
The A6100’s grip feels reassuringly firm and well-contoured, with enough heft to keep it stable during long shoots but light enough to carry without fatigue. The small DSLR-like styling ensures balanced handling especially with longer or heavier lenses mounted. The W610, however, is a pure grab-and-go camera, with an ultra-slim profile designed to slip into a pocket or purse unnoticed. It’s perfect for snap-and-share casual moments but not for extended shooting sessions.
The A6100’s body houses a well-laid control scheme - more on that shortly - that invites tactile input and customization. The W610, on the other hand, offers a minimalist interface with mostly automatic operation and only essential buttons, mirroring its entry-level ambition.
The Top Down: Controls and Design Intuition
Enough about size - how do these cameras feel when you actually interact with them?
Taking a peek at their top panels, the A6100 boasts a modern set of dials and buttons tailored to enthusiasts and emerging pros. A mode dial, exposure compensation dial, customizable AF-ON button, and a dedicated movie record button mean you’re rarely digging through menus to tweak settings. Sony’s ergonomics here are a strong point, and the A6100’s control layout flows nicely, letting you stay focused on the shot.
Conversely, the W610 keeps things incredibly straightforward with only a mode dial and a few buttons for flash, playback, and menu navigation - intuitive but decidedly basic. It’s built for simplicity, suited to users who want point-and-shoot convenience, not granular control.
Sensor Technology and Image Quality: The Heart of the Matter
Now for the real game-changer: sensors.
The A6100 features a 24.2-megapixel APS-C CMOS sensor measuring 23.5 x 15.6 mm (about 366.6 mm²). That sensor size and resolution strike an excellent balance between high image quality, detail, and noise performance. Sony’s BIONZ X processor complements it, providing robust processing with good dynamic range, color depth, and impressive high ISO handling that we’ll discuss in depth.
On the flip side, the W610’s diminutive 1/2.3-inch CCD sensor is just 6.17 x 4.55 mm (~28 mm²), with 14.1 effective megapixels. While respectable in good light, the small sensor’s physics limit detail and dynamic range, and low-light performance suffers noticeably.
During testing, the A6100 produced crisp, noise-free files even at ISO 3200 and beyond - perfect for everything from landscapes to night scenes. Meanwhile, the W610 required well-lit scenes and low ISO settings to avoid soft, noisy images. Its smaller sensor gets overwhelmed in dimmer environments, with less detail and less tonal nuance.
If you crave sharpness, excellent color fidelity, and flexibility in post-processing, the A6100’s sensor is in a league of its own. But if casual snapshots in daylight are your primary goal, the W610 still does a decent job.
Viewing and Image Composition: LCDs and EVFs in Action
Composing your shot is not just about the image on the sensor - it’s also about how you see it.
Sony outfits the A6100 with a 3-inch tilting touchscreen LCD offering 922,000 dots of resolution. It’s bright, sharp, and flexible enough to frame tricky angles - selfie-friendly, too. Complementing this is a crisp electronic viewfinder (EVF) with 1.44 million dots, 100% coverage, and roughly 0.71x magnification. The EVF offers lag-free, high-res scene viewing in all lighting conditions. I often found myself relying on the EVF for fast autofocus and steady framing, especially outdoors.
The W610 sticks to a non-touch fixed 2.7-inch LCD with only 230,000 dots resolution - noticeably dimmer and less crisp. Worse, there’s no EVF at all: in bright sunshine, the LCD screen can become near-impossible to see without shading it. This limitation restricts shooting versatility outdoors.
Autofocus Systems and Shooting Speed: Chasing the Moment
If capturing a fleeting smile, a soaring bird, or a fast-moving athlete matters, autofocus speed and tracking put cameras to a stringent test.
The A6100 packs a brilliant hybrid AF system combining 425 phase-detection points and contrast detection with excellent real-time Eye AF for humans and animals. It’s snappy, accurate, and adept at locking onto subjects and holding focus even in complicated scenarios. The camera’s 11 frames per second burst shooting with continuous AF lets you nail the decisive moment time after time.
This responsiveness proved invaluable in wildlife and sports shoots where milliseconds matter. The W610, however, features a contrast-detection-only AF with unknown focus point count and no tracking capabilities. AF speed is noticeably slower and hunting is common, especially in lower light or moving subjects - it’s built for static scenes and casual capture rather than dynamic shooting.
Burst shooting maxes out at one frame per second, pretty much ensuring you miss action sequences unless you’re lucky with timing.
Lens Ecosystem and Compatibility: The Arsenal at Your Disposal
One of Sony’s biggest draws is the robust E-mount lens ecosystem supported by the A6100. With over 120 native lenses ranging from speedy primes to versatile zooms and specialty optics, you can really customize your system for portraits, macro, telephoto wildlife, or landscapes.
The W610’s fixed lens (26-105mm equivalent, f/2.8-5.9) covers a useful general-purpose range, but lacks the flexibility of changeable optics. Its small sensor magnification factor of 5.8x limits depth-of-field control and bokeh rendering as well. So portraiture or creative shooting takes a back seat.
Real-World Performance Across Photography Disciplines
Beyond specifications, here’s how these cameras held up in various photography genres - drawing on manual tests and field shooting:
Portrait Photography
The A6100’s APS-C sensor and advanced autofocus produce precise skin tone rendition and creamy bokeh, aided by a vast selection of fast prime lenses like the Sony 50mm f/1.8. Its eye detection autofocus is a boon - sharp eyes are almost guaranteed, even in lower light.
The W610’s small sensor and fixed slow lens struggle to isolate subjects with smooth background blur. Portraits come out flatter and less punchy, often losing subtle skin tone nuances.
Landscape Photography
Dynamic range and resolution give the A6100 strong advantages in landscapes. Detailed textures, clean gradients in skies, and the ability to perform exposure bracketing and later HDR stacking made it my go-to for scenic shots, especially since its optional weatherproof lenses and sturdy build support outdoor work.
The W610 delivers passable landscape snaps but lacks the dynamic range and resolution for large prints or extensive cropping.
Wildlife Photography
Here the A6100’s fast, accurate autofocus, high frame rate, and compatibility with telephoto lenses are indispensable. Tracking flight paths or sudden movements is consistently easier.
The W610’s sluggish AF and short zoom didn’t lend themselves well to capturing distant animals or action.
Sports Photography
Similar story: the A6100’s continuous AF and burst shooting nailed rapid movements and tricky focus switching, crucial for athletes in motion.
The W610’s specs preclude serious sports use - no priority exposure modes or continuous AF.
Street Photography
While the W610 wins on sheer pocketability and stealth shooting - helpful in candid environments - the A6100’s compact body and quiet shutter also make it a prime street shooter. Its superior image quality and customizable controls provide more creative freedom.
Macro Photography
The A6100’s compatibility with dedicated macro lenses and focus peaking assists tackling close-up work with sharpness and precision. The W610’s fixed lens can focus as near as 4cm, but image quality - and lack of stabilization - limits excellence here.
Night and Astro Photography
Thanks to its larger sensor and better noise control, the A6100 handles high ISO shooting and long exposures admirably, producing clean night skies and star fields.
The W610’s high ISO is noisy, and 1/1600s shutter ceiling limits astrophotography potential.
Video Capabilities
The A6100 shines with 4K UHD video at 30fps, clean XAVC S codec, microphone input, and built-in stabilization support through lenses and steady hands. It’s a genuinely viable hybrid stills-video tool.
The W610 pegs out at low-res VGA video with no audio input - suitable for quick home movies but far from pro or enthusiast video work.
Travel Photography and General Everyday Use
The W610’s light weight and pocket-friendly size make it a toss-in-any-bag travel companion for casual holiday snaps and social sharing. But the A6100’s flexibility and image quality pay off in producing trip memories worthy of large albums or online portfolios.
Battery life favors the A6100 comfortably with approximately 420 shots per charge versus around 250 for the W610.
Build Quality, Weather Resistance, and Durability
While neither camera boasts rugged weather-sealing, the A6100’s more robust body and lens options better protect against dust and moisture in moderately harsh conditions. The W610 is a no-frills compact best shielded from elements altogether.
Connectivity and Storage
The A6100 features built-in Wi-Fi, Bluetooth, NFC, HDMI, and USB - facilitating fast image transfer, remote control, and tethered shooting workflows. The W610 has no wireless capabilities and relies on wired USB 2.0 transfers. This difference becomes glaring in fast-paced or professional settings.
Both cameras offer single SD card slots compatible with SDHC and SDXC cards, though the W610 also supports microSD variants and Memory Stick Duo formats, reflecting its eclectic 2012-era legacy.
Assessing Overall Performance and Value for Money
Let’s take a summarized look with the help of performance ratings:
The A6100 commands a price around $750 (body only), reflecting its advanced feature set, build, and sensor prowess. What impressed me was the camera’s versatility across genres, offering many tools to grow as a photographer or videographer.
The W610, at about $200 new (now largely superseded), targets a casual buyer seeking simple, no-fuss snapshots. It delivers value for money in that narrow scope but cannot substitute for more serious photographic demands.
Specialized Genre Scores: Where Each Camera Excels and Falls Behind
Drilling down further, here’s how the two cameras stack up by photography type:
The A6100 dominates in portraits, wildlife, sports, night, and video, with excellent scores across the board. The W610 best serves casual street and travel snapshot scenarios, with strong portability but limited creative control.
Final Recommendations: Who Should Buy Which and Why?
After countless hours testing these profoundly different cameras, here’s my synthesis.
Choose the Sony A6100 if:
- You’re serious about photography beyond casual snapshots - wanting excellent image quality, fast autofocus, and broad creative control.
- You plan to shoot portraits, wildlife, landscapes, sports, or video regularly and need a versatile, future-proof system.
- You want access to Sony’s rich E-mount lens ecosystem and thoughtful ergonomic features.
- Your budget allows for the body plus at least one good lens.
- You appreciate modern connectivity for smooth workflow and sharing.
Opt for the Sony W610 if:
- You want an ultra-budget, pocket-friendly camera for simple family photos or casual travel uses.
- You value convenience over control - point-and-shoot ease with minimal fuss.
- Your demand for image quality and shooting flexibility is low.
- You’re supplementing a smartphone or larger camera with an ultra-compact and light secondary device.
- The price is a major constraint and you’re okay with basic VGA video and low-res stills.
Wrapping It Up
Comparing the Sony A6100 and W610 is almost like comparing a Swiss Army knife to a single flathead screwdriver. Both have their place - one in the hands of a photographer who wants control, precision, and quality; the other a simple device for capturing moments without complication.
There’s no shame in choosing the little W610 - it excels at what it was designed for: an uncomplicated, pocketable camera for casual shooters from a former decade. But for anyone remotely invested in image quality, creative control, or more advanced photography, the A6100’s modern tech and flexible system architecture sweep the floor.
Ultimately, your choice hinges on your goals, budget, and willingness to invest in an optical system versus grabbing something functional and straightforward. Trust me, as someone who’s tested thousands of cameras, starting with the right tool tailored to your needs sets the foundation for photographic joy rather than frustration.
Feel free to ask if you want deeper insights on lenses, custom settings, or real-world shooting tips for either camera. Until then - happy shooting!
Sony A6100 vs Sony W610 Specifications
Sony Alpha a6100 | Sony Cyber-shot DSC-W610 | |
---|---|---|
General Information | ||
Company | Sony | Sony |
Model | Sony Alpha a6100 | Sony Cyber-shot DSC-W610 |
Category | Advanced Mirrorless | Small Sensor Compact |
Announced | 2019-08-28 | 2012-01-10 |
Physical type | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Powered by | Bionz X | BIONZ |
Sensor type | CMOS | CCD |
Sensor size | APS-C | 1/2.3" |
Sensor dimensions | 23.5 x 15.6mm | 6.17 x 4.55mm |
Sensor area | 366.6mm² | 28.1mm² |
Sensor resolution | 24 megapixels | 14 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 4:3 and 16:9 |
Full resolution | 6000 x 4000 | 4320 x 3240 |
Max native ISO | 32000 | 3200 |
Max boosted ISO | 51200 | - |
Min native ISO | 100 | 80 |
RAW support | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 425 | - |
Cross focus points | - | - |
Lens | ||
Lens mount | Sony E | fixed lens |
Lens focal range | - | 26-105mm (4.0x) |
Maximum aperture | - | f/2.8-5.9 |
Macro focus distance | - | 4cm |
Number of lenses | 121 | - |
Focal length multiplier | 1.5 | 5.8 |
Screen | ||
Type of screen | Tilting | Fixed Type |
Screen size | 3" | 2.7" |
Resolution of screen | 922k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen technology | - | Clear Photo TFT LCD |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 1,440k dots | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.71x | - |
Features | ||
Slowest shutter speed | 30 secs | 1 secs |
Maximum shutter speed | 1/4000 secs | 1/1600 secs |
Continuous shooting rate | 11.0fps | 1.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 6.00 m (at ISO 100) | 3.50 m |
Flash settings | Flash off, auto, fill flash, slow sync, rear sync, wireless, hi-speed | Auto, On, Off, Slow Sync |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM | 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 3840x2160 | 640x480 |
Video file format | MPEG-4, XAVC S, H.264 | Motion JPEG |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 396 grams (0.87 lb) | 113 grams (0.25 lb) |
Physical dimensions | 120 x 67 x 59mm (4.7" x 2.6" x 2.3") | 93 x 52 x 19mm (3.7" x 2.0" x 0.7") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 420 photos | 250 photos |
Style of battery | Battery Pack | Battery Pack |
Battery model | NP-FW50 | NP-BN |
Self timer | Yes | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC + Memory Stick Pro Duo | SD/SDHC/SDXC, microSD/micro SDHC, Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Card slots | 1 | 1 |
Cost at launch | $748 | $200 |