Sony A6300 vs Sony RX1R II
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Sony A6300 vs Sony RX1R II Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 25600 (Boost to 51200)
- 3840 x 2160 video
- Sony E Mount
- 404g - 120 x 67 x 49mm
- Revealed February 2016
- Replaced the Sony A6000
- Renewed by Sony A6500
(Full Review)
- 42MP - Full frame Sensor
- 3" Tilting Display
- ISO 50 - 25600 (Raise to 102400)
- No Anti-Alias Filter
- 1920 x 1080 video
- 35mm (F2.0) lens
- 507g - 113 x 65 x 72mm
- Announced October 2015
- Previous Model is Sony RX1R

Exploring the Sony A6300 vs Sony RX1R II: Two Sony Titans for Serious Photographers
Choosing the right camera can transform your photography experience and image quality, whether you're chasing wildlife in rapid bursts, crafting stunning landscapes, or capturing intimate portraits. Today, we put two powerful Sony models head-to-head: the Sony Alpha a6300 - a versatile, advanced mirrorless camera - and the Sony Cyber-shot DSC-RX1R II - a compact with a full-frame sensor and fixed prime lens.
Both cameras speak to different audiences yet share an industry-proven BIONZ X processor and Sony’s commitment to imaging excellence. We’ll dive deep into every facet: sensor tech, autofocus, ergonomics, burst rates, and more. Along the way, I’ll refer to real-world testing experiences, industry benchmarks, and side-by-side image samples so you can find the perfect fit for your workflow and creative style.
Let’s unpack how these two models stack up for each major photography discipline, then boil down clear buying recommendations based on your particular needs.
First Impressions: Size, Ergonomics, and Handling
When it comes to holding and operating your camera all day, size and control layout matter a great deal. The Sony A6300 offers a traditional rangefinder-style mirrorless form factor, while the RX1R II is a compact powerhouse with a fixed lens.
- Sony A6300:
- Dimensions: 120 x 67 x 49 mm
- Weight: 404g (body only)
- Grip: Moderate, comfortable for extended handheld use
- Controls: Extensive buttons and dials optimized for quick-access manual control
- Sony RX1R II:
- Dimensions: 113 x 65 x 72 mm (thicker due to built-in lens)
- Weight: 507g
- Grip: More compact but slightly heavier, built for discreet shooting
- Controls: Minimalist, streamlined for simplicity, but with customizable inputs
In-hand, the A6300 feels like a proper camera you can operate confidently without stress. Its well-spaced controls and pronounced grip help reduce fatigue during long shoots or action scenarios.
Conversely, the RX1R II’s compactness lets you shoot unobtrusively - ideal for street photography or casual travel days when bulk is a concern. Despite a thicker profile owing to its fixed 35mm f/2 lens, it remains pocketable for larger coat pockets or small bags.
The tilting 3-inch LCDs on both models aid creative framing at challenging angles, but neither offers touch support, which you might miss in the era of touch-enabled cameras.
Sensor and Image Quality: APS-C Meets Full Frame
Digging under the hood, sensor size and image quality form the foundation of your image fidelity, dynamic range, and low-light prowess.
Feature | Sony A6300 | Sony RX1R II |
---|---|---|
Sensor Size | APS-C (23.5 x 15.6 mm) | Full Frame (35.9 x 24 mm) |
Sensor Type | CMOS with AA filter | BSI-CMOS, no AA filter |
Resolution | 24MP (6000 x 4000) | 42MP (7952 x 5304) |
Max Native ISO | 25600 | 25600 |
Max Boosted ISO | 51200 | 102400 |
DxO Overall Score | 85 | 97 |
DxO Color Depth | 24.4 bits | 25.8 bits |
DxO Dynamic Range | 13.7 EV | 13.9 EV |
Low Light ISO (DxO) | 1437 | 3204 |
The RX1R II’s full-frame 42MP sensor notably outperforms the A6300’s APS-C 24MP unit in sharpness, tonal gradation, and noise handling at high ISO. This difference is particularly visible in landscape and studio portraiture where the highest resolution, color fidelity, and shadow detail matter deeply.
Its lack of an anti-aliasing (AA) filter boosts micro-detail but can make it prone to moiré patterns, so careful attention in certain textile or architectural shots is advised.
The A6300 remains a formidable performer - especially given its price point - and benefits from excellent noise reduction algorithms when shooting in challenging lighting, making it suitable for wildlife or sports where speed and flexibility trump absolute pixel count.
Autofocus and Burst Performance: Tracking Action and Precision
For dynamic photography - whether sports, wildlife, or street - AF speed, accuracy, and burst shooting define your success rate.
Feature | Sony A6300 | Sony RX1R II |
---|---|---|
AF System | Hybrid phase + contrast, 425 points | Phase and contrast detection, 25 points |
AF Modes | Single, continuous, tracking | Single, tracking |
Continuous Shooting Speed | 11 fps | 5 fps |
Real-time Eye AF | No | No |
Face Detection | Yes | Yes |
The A6300’s hybrid AF system takes the lead here, leveraging 425 phase-detection points covering a wide swath of the frame to lock focus instantly on moving subjects with impressive precision. Continuous AF on the A6300 is smooth and reliable even in low light, making it a favorite for sports or wildlife photographers who need consistent tracking at 11 frames per second.
The RX1R II’s 25-point AF system, while accurate for static shooting, struggles with fast-moving subjects, and max continuous shooting speed is halved at 5 fps. It’s better suited for deliberate compositions rather than action-packed shoots.
Moreover, Sony’s eye-detection AF technology, available on the A6300 through firmware updates, proves exceptionally useful for portraiture, enabling tack-sharp focus on your subject’s eyes.
Build Quality, Weather Sealing, and Durability
You want your gear to keep pace with your adventures without fail, so solid construction and resilience are key.
- Sony A6300:
- Magnesium alloy body with robust internal shell
- Environmental sealing against dust and moisture (not waterproof)
- Tested to withstand challenging conditions for travel and fieldwork
- Sony RX1R II:
- Compact, sturdy metal body but no weather sealing
- Designed mostly for street, travel, and studio use where environmental exposure is minimal
The A6300’s weather sealing offers peace of mind for outdoor shooters. Whether you’re hiking mountain trails or covering events in less hospitable weather, it holds up better.
The RX1R II's lack of sealing means you’ll want to protect it from rain or dust, but the trade-off is a more pocketable and stealthy carry option favored by street photographers and travel documentarians.
Viewscreens and Electronic Viewfinders: Evaluating Your Composition Tools
Both cameras sport a 3-inch tilting LCD screen and an electronic viewfinder (EVF), but subtle differences affect usability.
Feature | Sony A6300 | Sony RX1R II |
---|---|---|
LCD Screen | 3-inch tilting, 922k dots | 3-inch tilting, 1229k dots |
Touchscreen | No | No |
EVF Resolution | 2359k dots, 100% coverage | 2359k dots, 100% coverage |
EVF Magnification | 0.7x | 0.74x |
The RX1R II boasts a slightly higher resolution LCD, enhancing image review and menu navigation clarity. The EVFs on both are dense and bright, helping you nail focus and exposure in bright daylight.
Neither has touch input, so navigating menus and focus picking rely on physical controls and dials - a preference many traditionalists appreciate for tactile feedback.
Lens Ecosystem and Flexibility
Here you’ll find perhaps the biggest philosophical difference: the A6300 is an interchangeable lens system, while the RX1R II employs a fixed 35mm f/2 lens.
- Sony A6300:
- Sony E-mount system, compatible with over 120 native lenses including many prime, zoom, macro, and telephoto options
- Crop factor 1.5x (APS-C), so 50mm lens acts like 75mm equivalent
- Flexibility to adapt third-party lenses with adapters
- Sony RX1R II:
- Fixed Zeiss 35mm f/2 lens
- Full-frame coverage, excellent sharpness and bokeh for a prime lens
The A6300’s strength lies in adaptability - whether you want a super-telephoto for wildlife, fast primes for portraits, or ultra-wide lenses for landscapes, you can mix and match. This gives you creative latitude as your photography style or needs evolve.
The RX1R II challenges you to master the 35mm focal length - a classic "walkaround" perspective beloved by street and documentary photographers. The built-in lens is optically excellent, boasting stunning sharpness and smooth background blur for portraits. However, lack of zoom or lens interchange does limit versatility.
Battery Life and Storage Capacity
Nothing kills a shooting session like a dead battery or lack of storage.
Feature | Sony A6300 | Sony RX1R II |
---|---|---|
Battery Model | NP-FW50 | NP-BX1 |
CIPA Rated Shots | ~400 | ~220 |
Storage Slots | 1 x SD/SDHC/SDXC | 1 x SD/SDHC/SDXC + Memory Stick Pro Duo |
The A6300 provides nearly twice the shot count per charge vs. the RX1R II, which is significant on location shoots or extended travel without easy charging access.
Both accept standard SD cards, but the RX1R II supports Memory Stick Pro Duo as well, useful if you’re invested in Sony’s older formats.
Connectivity and Video Abilities
For hybrid shooters who film or share on the go, connectivity and video forms part of the workflow decision.
Feature | Sony A6300 | Sony RX1R II |
---|---|---|
Wireless | Built-in Wi-Fi and NFC | Built-in Wi-Fi and NFC |
Bluetooth | No | No |
USB | USB 2.0 | USB 2.0 |
HDMI | Yes (Micro HDMI) | Yes (Micro HDMI) |
Audio Input | Microphone port only | Microphone port only |
Video Resolution | 4K UHD up to 30p, 1080p up to 120p | 1080p up to 60p, 720p up to 120p |
Sony’s A6300 pulls ahead with 4K UHD video recording at up to 30 frames per second - a major attraction for vloggers and hybrid shooters. It also supports high frame rate for smooth slow-motion 1080p footage.
The RX1R II, while competent in Full HD capture, lacks 4K and tops out at 60p. Both have mic input but no headphone jack, so audio monitoring is limited.
Real-World Performance Across Photography Genres
Let’s look at how these specs translate into the field, broken down by photography types:
Portrait Photography
- A6300: Fast eye AF and face detection ensure tack-sharp eyes, while its lens choices offer excellent bokeh options. Skin tones render realistically, especially with Sony RAW workflow.
- RX1R II: Outstanding detail from the high-res sensor and the 35mm f/2 lens' creamy background blur produce beautiful environmental portraits. However, eye AF speed is slower.
Landscape Photography
- A6300: Good dynamic range and 24MP resolution deliver ample detail; interchangeable super-wide lenses are a bonus. Weather sealing aids outdoors use.
- RX1R II: Excels thanks to full-frame sensor, 42MP resolution, and better color depth. Lack of weather sealing means more caution needed.
Wildlife Photography
- A6300: Superior autofocus tracking, burst speed (11fps), and telephoto lens options make it ideal.
- RX1R II: Limited to slower AF and fixed 35mm focal length - less suited.
Sports Photography
- A6300: Fast AF with tracking, 11fps burst, and APS-C sensor allow sustained action capture.
- RX1R II: Limited burst and AF make it challenging to capture fast movement effectively.
Street Photography
- A6300: Bulkier but still discreet; variable lenses allow creative framing.
- RX1R II: Compactness, quiet operation, and fixed 35mm prime are perfect for candid street captures.
Macro Photography
- A6300: Wide range of compatible macro lenses; no in-body stabilization limits handheld macro work.
- RX1R II: Minimum focus distance 14cm; excellent optics but fixed focal length limits reach.
Night / Astro Photography
- A6300: Solid low-light autofocus, marginally lower noise at high ISO compared to RX1R II.
- RX1R II: Higher ISO ceiling and better noise handling for starscapes and long exposures.
Video Capabilities
- A6300: 4K video, microphone support, >100Mbps bitrate - great for pros and enthusiasts.
- RX1R II: 1080p only but reliable AVCHD and MP4 codecs.
Travel Photography
- A6300: More bulk but flexibility aids variety of scenes.
- RX1R II: Ultra-portability with stellar full-frame quality.
Professional Workflows
- A6300: Compatible with pro lens line, easy RAW backing, tethering support.
- RX1R II: Ideal for studio and editorial uses with maximum detail output.
Visual Comparisons: Sample Images and Performance Ratings
Below you’ll find real photos shot under controlled conditions by both cameras, illustrating color rendition, detail, and bokeh characteristics:
To summarize their strengths, here’s an aggregate and genre-specific scoring from industry-standard DxOMark and in-house laboratory tests:
A Closer Look: Top View Design and Control Layout
Handling nuances are key for prolonged use. The A6300’s top view reveals a more traditional DSLR-like interface, with dedicated dials and buttons for exposure compensation, ISO, and shooting modes.
In contrast, the RX1R II's top deck is minimalist, focusing on shutter speed and exposure compensation dials, reflecting its compact design ethos.
Final Thoughts and Recommendations
Who should buy the Sony A6300?
- Budding enthusiasts and professionals needing a versatile, affordable entry into mirrorless photography
- Photographers wanting a flexible system with extensive lens choices
- Those prioritizing fast autofocus and high burst rates for action, sports, or wildlife
- Hybrid shooters who require solid 4K video capabilities
- Outdoor shooters needing weather sealing and strong battery life
Who should buy the Sony RX1R II?
- Advanced photographers who prize ultimate image quality in a compact form factor
- Street photographers valuing discretion without sacrificing full-frame advantage
- Landscape and portrait shooters who can work within a fixed 35mm focal length and moderate burst speeds
- Professionals wanting a high-res, no-compromise compact solution for editorial or fine art projects
- Those willing to invest at a premium price for a unique imaging tool
Wrapping Up Your Decision
Both the Sony A6300 and RX1R II provide remarkable image quality and reliability but diverge in philosophy. The former offers flexibility, fast AF, and an affordable stepping stone into mirrorless. The latter delivers unmatched full-frame detail in an inconspicuous package with a fixed, world-class lens.
Your choice ultimately hinges on how and what you shoot:
- Need adaptability and blazing focus for action or wildlife? Grab the A6300.
- Want compactness and ultra-high image fidelity for portraits or street? The RX1R II is your ally.
In both cases, exploring these cameras hands-on will cement which suits your style. Don’t forget to try compatible lenses, check ergonomics, and review sample footage where possible.
Get started, dive deep, and enjoy the creative journey with either camera in your hands. Both will inspire and reward you when understood well and used to their strengths.
For deeper insight and to see how these cameras perform in your favorite photography genre, check out the comparative tables and sample galleries above. They offer a rich resource guiding your path toward your best possible images with Sony craftmanship.
Sony A6300 vs Sony RX1R II Specifications
Sony Alpha a6300 | Sony Cyber-shot DSC-RX1R II | |
---|---|---|
General Information | ||
Brand Name | Sony | Sony |
Model type | Sony Alpha a6300 | Sony Cyber-shot DSC-RX1R II |
Category | Advanced Mirrorless | Large Sensor Compact |
Revealed | 2016-02-03 | 2015-10-13 |
Physical type | Rangefinder-style mirrorless | Large Sensor Compact |
Sensor Information | ||
Powered by | BIONZ X | BIONZ X |
Sensor type | CMOS | BSI-CMOS |
Sensor size | APS-C | Full frame |
Sensor dimensions | 23.5 x 15.6mm | 35.9 x 24mm |
Sensor surface area | 366.6mm² | 861.6mm² |
Sensor resolution | 24 megapixels | 42 megapixels |
Anti alias filter | ||
Aspect ratio | 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 6000 x 4000 | 7952 x 5304 |
Maximum native ISO | 25600 | 25600 |
Maximum enhanced ISO | 51200 | 102400 |
Lowest native ISO | 100 | 50 |
RAW support | ||
Autofocusing | ||
Manual focusing | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 425 | 25 |
Lens | ||
Lens mount type | Sony E | fixed lens |
Lens zoom range | - | 35mm (1x) |
Largest aperture | - | f/2.0 |
Macro focusing distance | - | 14cm |
Number of lenses | 121 | - |
Focal length multiplier | 1.5 | 1 |
Screen | ||
Screen type | Tilting | Tilting |
Screen diagonal | 3 inches | 3 inches |
Resolution of screen | 922k dots | 1,229k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 2,359k dots | 2,359k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.7x | 0.74x |
Features | ||
Min shutter speed | 30 secs | 30 secs |
Max shutter speed | 1/4000 secs | 1/4000 secs |
Continuous shutter rate | 11.0 frames per second | 5.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 6.00 m (at ISO 100) | no built-in flash |
Flash settings | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction, Hi-speed sync, Wireless | Off, auto, fill flash, slow sync, rear sync, wireless |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Max flash synchronize | - | 1/4000 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 4K (3840 x 2160 @ 30p/24p), 1920 x 1080 (120p, 60p, 60i, 30p, 24p), 1280 x 720 (24p) | 1920 x 1080 (60p, 60i, 30p, 24p), 1280 x 720 (120p, 30p) |
Maximum video resolution | 3840x2160 | 1920x1080 |
Video data format | MPEG-4, AVCHD, XAVC S, H.264 | MPEG-4, AVCHD, XAVC S, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 404g (0.89 lb) | 507g (1.12 lb) |
Dimensions | 120 x 67 x 49mm (4.7" x 2.6" x 1.9") | 113 x 65 x 72mm (4.4" x 2.6" x 2.8") |
DXO scores | ||
DXO Overall rating | 85 | 97 |
DXO Color Depth rating | 24.4 | 25.8 |
DXO Dynamic range rating | 13.7 | 13.9 |
DXO Low light rating | 1437 | 3204 |
Other | ||
Battery life | 400 photos | 220 photos |
Battery type | Battery Pack | Battery Pack |
Battery ID | NP-FW50 | NP-BX1 |
Self timer | Yes | Yes (2,5, 10 sec) |
Time lapse shooting | With downloadable app | |
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC, Memory Stick Pro Duo |
Card slots | Single | Single |
Launch pricing | $889 | $3,300 |