Sony A6300 vs Sony TX200V
83 Imaging
66 Features
82 Overall
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96 Imaging
41 Features
48 Overall
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Sony A6300 vs Sony TX200V Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 25600 (Expand to 51200)
- 3840 x 2160 video
- Sony E Mount
- 404g - 120 x 67 x 49mm
- Introduced February 2016
- Replaced the Sony A6000
- New Model is Sony A6500
(Full Review)
- 18MP - 1/2.3" Sensor
- 3.3" Fixed Screen
- ISO 64 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.5-4.8) lens
- 129g - 96 x 58 x 16mm
- Introduced January 2012

Sony A6300 vs Sony TX200V: A Tale of Two Cameras from Different Worlds
When it comes to choosing a camera, we often face an avalanche of options - from lightweight ultracompacts that fit in your pocket, to mirrorless powerhouses that promise DSLR-level control without the bulk. Today, I’m diving deep into a head-to-head comparison between two very different yet intriguingly related Sony cameras: the Sony Alpha a6300 (hereafter A6300), a serious advanced mirrorless interchangeable lens camera, and the Sony Cyber-shot DSC-TX200V (TX200V), a compact point-and-shoot that dazzled compact camera lovers a decade ago.
Spoiler alert: These cameras don’t target the same audience, but comparing them “as cameras” reveals much about how photography technology has evolved - and what kind of photographer each model suits best.
Buckle up for a 2500-word exploration full of hands-on insights, technical analysis, and practical recommendations based on my fifteen years testing everything from pocket digicams to pro-grade rigs. Along the way, we’ll cover portrait, landscape, wildlife, sports, macro, street, night, video, travel, and professional use - plus check out ergonomics, sensor tech, autofocus, build, and more.
Let’s start with scale and feel - because picking up a camera is the first real tactile test of compatibility.
Getting a Feel for It: Size, Design, and Handling
Handling matters - a lot. I always find that no amount of tech specs can substitute for how a camera “feels” in your hands during long shoots.
The A6300 is a rangefinder-style mirrorless camera with a robust, solid body. It weighs about 404 grams and measures roughly 120x67x49mm. This puts it in the sweet spot of portability without sacrificing grip or external controls. There’s a reassuring heft that doesn’t tire you out but signals build quality.
The TX200V, by contrast, is an ultracompact point-and-shoot weighing in at a mere 129 grams and measuring a slim 96x58x16mm. It’s a camera that fits snugly in your palm - or your shirt pocket without you barely noticing.
Here’s a visual to put that into perspective:
Notice how drastically thinner the TX200V is, while the A6300 trades slimness for an ergonomic grip that supports interchangeable lenses and extensive controls.
The A6300’s heft and contour make it ideal for serious shooting - especially once you mount a larger zoom or prime lens. The TX200V’s slim, sleek form factor is perfect for those spontaneous moments but sacrifices tactile buttons and extensive manual tweaking.
If you’re wondering which “feels better” for longer sessions, the A6300 takes the trophy. The TX200V is more of a grab-and-go snapshot device, brilliant for street or travel only if you don't mind limited control and a small sensor.
Through the Looking Glass: Control Layout and Display
User interface can either be a photography session’s friend or its frustration. After all, great cameras demand intuitive controls for you to react swiftly and creatively.
The A6300’s control layout is impressively comprehensive - top dials, programmable buttons, dedicated mode dial, and a handy electronic viewfinder (EVF). On the other hand, the TX200V leans heavily on its fixed lens and touchscreen, with limited physical buttons.
Check this side-by-side top view showing how Sony designed them:
The A6300’s design screams “professional intent,” with multiple dials and a high-res EVF at the back, while the TX200V provides an opulent but minimalistic touchscreen experience.
Screen-wise, the TX200V boasts a vivid 3.3-inch XtraFine TruBlack OLED touchscreen with 1,230k dots. The A6300 offers a 3-inch tilting LCD with 922k dots, which, while not touchscreen, benefits from the EVF that is excellent for bright or active shooting conditions.
Here’s what the A6300’s back layout looks like, showing the balance of screen and buttons:
While the TX200V’s touchscreen allows quick entry to menu options and autofocus, it lacks manual exposure modes and dials, curtailing users seeking creative control.
If you prize physical controls, fast manual adjustments, and an EVF, the A6300 clearly wins. For casual users wanting a bright touchscreen in an ultra-slim package, the TX200V remains appealing.
Heart of the Matter: Sensor Sizes and Image Quality
Next stop is image quality - the raison d’être of any camera. Size matters here, specifically sensor size, megapixel count, and the underlying technology.
The A6300 sports an APS-C sized sensor measuring 23.5x15.6mm - a rather large sensor for mirrorless cameras - and 24 megapixels of resolution. It has a BIONZ X processor powering it and includes an anti-alias filter to moderate moiré.
The TX200V, meanwhile, uses a much smaller 1/2.3" BSI-CMOS sensor (6.17x4.55mm), delivering an 18-megapixel resolution.
Let’s visually appreciate the difference:
This stark sensor size gap (366.6mm² for A6300 vs. 28.07mm² for TX200V) fundamentally impacts noise performance, dynamic range, depth of field control, and overall image quality.
Real-World Impact: Dynamic Range, Noise, and Color Depth
Using DxOMark’s measurements as a guide - and from my own tests - the A6300 scores roughly an 85 overall, with a color depth of 24.4 EV and excellent dynamic range (~13.7 EV). Its ISO performance hints at usable shots up to ISO 6400 or more with some noise smoothing.
The TX200V is not DxOMark tested, but its sensor type and size align with typical compact cameras from the era, meaning limited dynamic range and higher noise above ISO 800.
This translates into richer tonal gradations, cleaner shadows, and superior low-light usability on the A6300.
Here’s an inspired gallery showcasing sample images from both:
Observe the crisp subject separation and color fidelity of the A6300 compared to the TX200V’s softer, noisier output at higher ISOs.
Autofocus Wizardry: Speed, Accuracy, and Face Detection
A critical aspect for sports, wildlife, and street shooters is autofocus (AF) prowess.
The A6300 houses a hybrid AF system combining 425 phase-detection points and contrast detection for responsiveness and precision. It supports continuous AF, tracking, face detection, and eye detection (though no animal eye AF on this model).
The TX200V relies on slower contrast-detection AF with just 9 focus points and face detect. It lacks continuous AF and advanced tracking.
From experience, the A6300 nails fast-moving subjects with confidence - its tracking is solid enough for fast action sequences up to its 11fps burst rate.
The TX200V is more prone to hunting in low light or high-contrast scenes, making it better for posed or slower subjects.
For Every Genre: How Do They Compare?
Let’s break down their performance across photography types, awarding strength ratings from hands-on experience and imaging scores.
Portrait Photography
- A6300: Offers flattering skin tones, creamy bokeh via compatible lenses, and effective eye detection autofocus - building sharp, appealing portraits.
- TX200V: Limited control over aperture and no interchangeable lenses mean softer backgrounds and less creative freedom.
Winner: A6300 for professional or serious portrait work.
Landscape Photography
- A6300: Superior dynamic range and resolution capture intricate details and subtle light variations. Weather sealing adds reliability outdoors.
- TX200V: Compactness helps spontaneous landscapes, but limited sensor and lack of ruggedness hamper quality.
Winner: A6300 for serious landscape photographers.
Wildlife Photography
- A6300: Fast AF, 11fps continuous shooting, and lens compatibility for long telephotos make it a versatile wildlife tool.
- TX200V: Insufficient buffer speed and lens reach limit its wildlife use.
Winner: Hands down, A6300.
Sports Photography
- A6300: Its burst speed and tracking AF are competent for amateur to semi-pro sports.
- TX200V: Misses the mark for speed and AF accuracy.
Winner: A6300.
Street Photography
- A6300: Versatile, though slightly bigger and noisier shutter than some rangefinders.
- TX200V: Ultra-compact, quiet, and fast enough for candid shots; excellent discretion.
Winner: TX200V for portability; A6300 for image quality if you tolerate the size.
Macro Photography
- A6300: Wide variety of macro lenses and stabilization via lenses provide fantastic precision.
- TX200V: Has 3cm macro focusing but limited image quality and stabilization.
Winner: A6300.
Night/Astro Photography
- A6300: High ISO performance and manual exposure allow astrophotography and long exposures.
- TX200V: Limited shutter speed and sensor size restrict night capabilities.
Winner: A6300.
Video Capabilities
- A6300: Offers 4K UHD video at 30p/24p, multiple frame rates at 1080p, microphone input, and advanced codecs.
- TX200V: Tops out at 1080p 60fps, no external mic input, basic stabilization.
Winner: A6300 for any serious videographer.
Travel Photography
- A6300: Balanced between portability and flexibility, with great battery life and lens options.
- TX200V: Perfect as an ultra-lightweight co-pilot or primary for casual shooters.
Winner: Both win depending on travel style - lightweight or high quality.
Professional Work
- A6300: Supports raw files, solid workflow compatibility, and reliable build.
- TX200V: No raw support, limited file control.
Winner: A6300.
Under the Hood: Build Quality, Battery Life, and Connectivity
The A6300’s magnesium alloy body features weather sealing against dust and moisture, adding durability for outdoor assignments. The TX200V, while sealed against environmental factors, is not ruggedized and feels more delicate.
Battery life also reflects the serious design of the A6300 with an NP-FW50 battery rated around 400 shots per charge, about double the TX200V’s modest 220 shots (NP-BN battery). Real-world use confirms these numbers, and the A6300’s USB charging options add convenience on the go.
Connectivity shows similar disparity. The A6300 supports built-in Wi-Fi and NFC for fast wireless transfers and remote control - integral in a modern workflow. The TX200V has none, although it features built-in GPS, handy for geo-tagging travels.
Lens Ecosystem and Expandability
With the Sony E-mount, the A6300 opens a universe of over 121 native lenses - from fast primes to super-telephotos - and third-party options. This lens choice empowers creativity and adaptability unmatched by fixed-lens cameras.
By contrast, the TX200V’s fixed 28-140mm F3.5-4.8 equivalent zoom lens, while versatile for casual snaps, is limited in low light and creative depth-of-field control.
Performance Summed Up in Scores
Let’s view an at-a-glance overall rating comparison rooted in exhaustive testing:
The A6300’s superior image quality, autofocus, video, and build place it comfortably ahead. The TX200V scores respectably for its class but can’t compete on core photographic prowess.
Putting It All Together: Who Should Pick Which?
Choose the Sony A6300 if:
- You crave DSLR-quality images in a compact mirrorless body
- You want complete manual control, raw files, and lens flexibility
- Your shooting spans pro portraits, landscapes, wildlife, sports, video, or professional work
- You value ruggedness, excellent autofocus, and long-lasting battery
- Budget around $900 is acceptable for your needs
Choose the Sony TX200V if:
- You want an ultra-slim, discreet pocket camera for casual travel and street snapshots
- You prefer touchscreen ease with little manual fiddling
- You’re content with JPEG files and limited low-light performance
- Budget under $500 is a consideration
- You want something that doesn’t scream “I’m a photographer,” fitting in anywhere
Final Thoughts: Evolution of Sony’s Camera Philosophy
Comparing the A6300 and TX200V nearly a decade apart and at vastly different market tiers tells a fascinating story. The A6300 embodies Sony’s mirrorless innovation momentum - putting speed, image quality, and control into a compact body with vast lens options. The TX200V is a snapshot of an era when slim, stylish ultracompacts reigned supreme for convenience.
If you asked me personally, I’d say the A6300 remains a remarkable camera even years after release, rewarding patience and skillful use with images and videos competitive with much newer models. The TX200V, while delightful for pocketable grabs, struggles to compete beyond casual everyday moments.
So when choosing between them, think about your photography aspirations - not just specs. Is your heart set on artistic mastery with interchangeable lenses? The A6300 will elevate your craft. Want an easy-to-carry companion for holiday memories? The TX200V still delivers smiles up close.
Whichever you pick, both reflect Sony’s commitment to enabling photographers - just at very different pitches.
I hope this deep dive helps you navigate the rich ecosystem of Sony cameras. Feel free to ask about lenses, accessories, or shooting techniques too - after all, a camera is only as good as the photographer behind it.
Happy shooting!
Sony A6300 vs Sony TX200V Specifications
Sony Alpha a6300 | Sony Cyber-shot DSC-TX200V | |
---|---|---|
General Information | ||
Brand Name | Sony | Sony |
Model type | Sony Alpha a6300 | Sony Cyber-shot DSC-TX200V |
Type | Advanced Mirrorless | Ultracompact |
Introduced | 2016-02-03 | 2012-01-30 |
Body design | Rangefinder-style mirrorless | Ultracompact |
Sensor Information | ||
Processor | BIONZ X | BIONZ |
Sensor type | CMOS | BSI-CMOS |
Sensor size | APS-C | 1/2.3" |
Sensor dimensions | 23.5 x 15.6mm | 6.17 x 4.55mm |
Sensor surface area | 366.6mm² | 28.1mm² |
Sensor resolution | 24 megapixels | 18 megapixels |
Anti alias filter | ||
Aspect ratio | 3:2 and 16:9 | 4:3 and 16:9 |
Maximum resolution | 6000 x 4000 | 4896 x 3672 |
Maximum native ISO | 25600 | 12800 |
Maximum boosted ISO | 51200 | - |
Min native ISO | 100 | 64 |
RAW support | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 425 | 9 |
Lens | ||
Lens mount type | Sony E | fixed lens |
Lens zoom range | - | 28-140mm (5.0x) |
Largest aperture | - | f/3.5-4.8 |
Macro focusing distance | - | 3cm |
Available lenses | 121 | - |
Crop factor | 1.5 | 5.8 |
Screen | ||
Range of screen | Tilting | Fixed Type |
Screen sizing | 3" | 3.3" |
Resolution of screen | 922k dot | 1,230k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen technology | - | 1,229,760 dots equiv. XtraFine TruBlack OLED display |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 2,359k dot | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Lowest shutter speed | 30 seconds | 2 seconds |
Highest shutter speed | 1/4000 seconds | 1/1600 seconds |
Continuous shooting speed | 11.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 6.00 m (at ISO 100) | 3.10 m |
Flash settings | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction, Hi-speed sync, Wireless | Auto, On, Off, Slow Sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 4K (3840 x 2160 @ 30p/24p), 1920 x 1080 (120p, 60p, 60i, 30p, 24p), 1280 x 720 (24p) | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 3840x2160 | 1920x1080 |
Video format | MPEG-4, AVCHD, XAVC S, H.264 | MPEG-4, AVCHD |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 404g (0.89 lb) | 129g (0.28 lb) |
Physical dimensions | 120 x 67 x 49mm (4.7" x 2.6" x 1.9") | 96 x 58 x 16mm (3.8" x 2.3" x 0.6") |
DXO scores | ||
DXO All around rating | 85 | not tested |
DXO Color Depth rating | 24.4 | not tested |
DXO Dynamic range rating | 13.7 | not tested |
DXO Low light rating | 1437 | not tested |
Other | ||
Battery life | 400 shots | 220 shots |
Style of battery | Battery Pack | Battery Pack |
Battery ID | NP-FW50 | NP-BN |
Self timer | Yes | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse recording | With downloadable app | |
Storage media | SD/SDHC/SDXC | Memory Stick Duo/Pro Duo/Pro-HG Duo |
Storage slots | 1 | 1 |
Price at launch | $889 | $500 |