Sony A6500 vs Sony S980
81 Imaging
67 Features
85 Overall
74


94 Imaging
34 Features
17 Overall
27
Sony A6500 vs Sony S980 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 25600 (Expand to 51200)
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Sony E Mount
- 453g - 120 x 67 x 53mm
- Introduced October 2016
- Older Model is Sony A6300
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 3200
- 1280 x 720 video
- 33-132mm (F3.3-5.2) lens
- 167g - 93 x 56 x 24mm
- Announced February 2009

Sony A6500 vs Sony DSC-S980: A Deep Dive into Two Worlds of Photography
When it comes to cameras, Sony offers a dizzying variety, from pocket-friendly compacts to professional-grade mirrorless rigs. Today, we pit two models against each other that couldn't be more different but might still show up on your radar depending on your photography ambitions and budget. On one side, we have the Sony Alpha A6500 - a 2016 advanced mirrorless APS-C camera packed with features aimed at serious enthusiasts and professionals. On the other, the Sony Cyber-shot DSC-S980, a 2009-era compact digital point-and-shoot geared toward casual shooters or those looking for simplicity.
At first glance, this might seem like a lopsided match bossing a haymaker-sized a6500 against a featherweight S980, but bear with me. Each has its place and charms - and indeed, price points that are poles apart. I'll take you through the detailed hands-on comparison across key photography disciplines and try to answer the big question: Which camera fits which user best?
Let’s roll up the sleeves and crack into the tech and tactics that define these two very different Sony cameras.
First Impressions: Size, Shape, and Ergonomics
Before even snapping a shot, the feel of a camera in your hands often sets the tone of your entire photographic journey.
Sony A6500: This mirrorless model adopts the classic rangefinder-style body with thoughtfully placed dials and thumb rests. Weighing 453 grams and measuring 120x67x53mm, it feels solid and well-balanced, not too bulky but with enough heft to inspire confidence. The magnesium alloy frame brings durability, while its sensor-based 5-axis image stabilization adds a layer of practical steadiness. Handling is excellent for those who like clubs for thumbs - customizable buttons, a reasonably deep grip, and intuitive menus make it a pleasure for extended shoots.
Sony DSC-S980: Coming in as a compact, the S980 is petite at 167 grams and 93x56x24mm. It’s pocket-friendly and fuss-free but demands a gentler touch. The tiny chassis limits direct manual controls, resulting in a menu-driven experience more tailored to casual photography. The fixed 33–132mm equivalent zoom lens folds neatly into the body for travel convenience, though the lack of weather sealing means you'll want to keep this one away from adverse conditions.
What’s Under the Hood? Sensor and Image Quality Explained
Now, things get juicy. Sensor size and technology often dictate the quality ceiling, and here the contrast is stark.
A6500’s APS-C CMOS Sensor: The A6500 boasts a 24.2-megapixel APS-C sensor measuring 23.5x15.6 mm. APS-C size sensors are significantly larger than the tiny 1/2.3" sensor in the S980 (6.17x4.55 mm), yielding better light gathering and dynamic range. Sony’s Bionz X processor helps decode this data swiftly, delivering clean images with impressive color depth (24.5 bits) and a dynamic range around 13.7 stops - both solid pro-level metrics.
In practical terms, you get higher resolution files (6000x4000 pixels) ideal for large prints or cropping flexibility. High ISO performance tops out at 25600 native with clean results up to around ISO 3200 before noise becomes distracting, according to hands-on tests and DXO Mark scores.
S980’s CCD Sensor: Meanwhile, the S980 offers a 12 MP 1/2.3" CCD sensor producing 4000x3000 pixel images. While this is fine for casual sharing or small prints, its sensor’s small area (around 28 mm²) restricts light capture, resulting in more noise past ISO 400. The color reproduction and dynamic range are basic, roughly two stops less than the A6500’s class-leading sensor.
If you plan to print large or work in challenging lighting, the A6500 will serve you far better. But for simple snapshots and web images, the S980 can hold its own.
Viewing Your Shot: Screen and Viewfinder Quality
Composition goes hand-in-hand with how well you can frame, focus, and analyze your photos on the fly.
The A6500 sports a 3-inch tilting touchscreen with 922k-dot resolution. The touchscreen interface is fluid, allowing effortless focus point selection and menu navigation. The bright LCD combined with a 2.36-million dot electronic viewfinder (EVF) ensures you see your shot with clarity, even in bright daylight. The EVF covers 100% of the frame and offers a magnification of 0.7x, making manual focus and critical review a breeze.
Conversely, the S980 has a 2.7-inch fixed LCD with a meager 230k-dot resolution, which quickly shows its age with less detail and less brightness. Notably absent is an EVF, so composing shots relies entirely on the rear screen, challenging in bright outdoor conditions. No touchscreen or manual exposure controls here, keeping it simple but limiting for enthusiasts.
Autofocus and Speed: The Dance of Sharpness and Speed
If you shoot action, wildlife, or spontaneous moments, autofocus and burst shooting abilities become pivotal.
The Sony A6500 packs a sophisticated hybrid autofocus system with 425 phase and contrast detection points. This translates to fast, precise lock-on with eye detection capabilities (human eyes, no animal eye AF here, still). Tracking moving subjects is reliable, supporting continuous AF and impressive 11 fps burst shooting with full autofocus and exposure tracking. This is a setup primed for sports and wildlife photographers who need to grab fleeting moments.
In stark contrast, the S980 relies on basic contrast detection AF with just 9 focus points. It misses face and eye detection and cannot track moving subjects effectively. Moreover, it only manages 1 fps continuous shooting, making it unsuitable for fast action. Its shutter speeds max out at 1/1600s, which is pretty standard for a compact but can limit freezing fast motion in bright light.
Exploring Photography Genres: Where Each Camera Shines
Let’s break down practical performance across popular photographic disciplines to help you match either camera to your favorite imagery style.
Portraits and People
The A6500's large sensor coupled with lens selection (Sony E-mount offers 121 lenses, including quality primes for creamy bokeh) creates pleasing skin tone rendition and shallow depth of field. Eye detection autofocus adds crisp focus on your subject’s eyes, a must-have for modern portraiture. The in-body 5-axis stabilization helps when handholding slower lenses.
The S980 is constrained by the small sensor’s depth of field and limited aperture (F3.3-5.2). Portraits tend to be less nuanced, with flatter bokeh and limited subject separation. No eye detection or face tracking - so manual focus finesse isn’t an option. It’s fine for casual family snaps but won't satisfy refined studio or environmental portraiture.
Landscape and Nature
The A6500’s high resolution and excellent dynamic range capture landscapes with plenty of detail in shadows and highlights. Its weather sealing adds resilience for outdoor adventures. Paired with wide-angle lenses, it’s an ideal portable landscape tool.
S980’s smaller sensor means more noise and limited dynamic range, especially in shadow areas. Its zoom lens range isn't particularly wide, and lack of weather sealing rests as a caution for nature trips.
Wildlife and Sports
Thanks to phase detection AF, high frame rates, and solid tracking, the A6500 is suited for mid-level wildlife and sports photography. Telephoto lenses (Sony offers good options up to 600mm or more with adapters) allow you to get closer to the action. The 11 fps burst and reliable autofocus make it competitive among advanced amateurs.
By contrast, the S980 is underpowered here. Slow AF and 1 fps burst can’t keep up with fast-moving animals or athletes.
Street and Travel
For discrete street shooting, size, quietness, and responsiveness matter. The S980’s compact size and quiet operation make it a natural urban pocket camera for casual travel and street photography. Simple point-and-shoot controls mean less fiddling and more candid capture, provided lighting is good.
The A6500, though relatively compact for a mirrorless body, is still twice the weight and size. Its silent electronic shutter (up to 1/32000s) can also help you be discreet in quiet environments. The A6500 also offers excellent battery life (350 shots) and connectivity options (Wi-Fi, Bluetooth, NFC) for travel convenience.
Macro Photography
The A6500’s large sensor and lens ecosystem include excellent macro options with good working distances and sharpness. Its precise autofocus and 5-axis stabilization mean you get tack-sharp close-ups without bulky rigs.
The S980, with its fixed zoom and smaller sensor, supports macro down to 10cm but lacks stabilization, manual control over focus, or dedicated macro modes found in modern compacts. It’ll work for casual flower snaps but lacks serious macro photography aspirations.
Night and Astro
Low-light and night photography benefit greatly from large sensors, wide apertures, and stabilization.
The A6500 can handle ISO up to 25600 with usable results in many cases, thanks to excellent noise control and in-body stabilization. Its electronic shutter also supports silent operation to minimize vibrations.
The S980 maxes out ISO 3200 but noise and limited sensor performance make night shots grainy and dim. No stabilization further complicates handheld low-light shooting.
Video Capabilities: Shoot Like a Pro or Just Some Memories?
Video has become an increasingly critical camera consideration.
Sony A6500: A clear winner here. Shoots 4K UHD video at 30p with high data rates (100 Mbps), offering sharp, detailed footage. Supports XAVC S codec for better compression and quality. Includes microphone input for cleaner audio, although no headphone jack for monitoring. It features 5-axis in-body stabilization for smooth handheld shots. The camera also supports advanced features such as S-Log profiles for color grading. This makes the A6500 appealing as a hybrid photo-video rig.
Sony S980: Maximum video resolution is 1280x720 at 30 fps in Motion JPEG format, dated by modern standards. No external microphone input or advanced codec support. Essentially, it’s for basic home videos or casual clips only.
Build, Weather Sealing, and Durability
Sony A6500 brings robust build quality with partial weather sealing against dust and moisture - important if you want a camera you can trust in less-than-ideal conditions.
The S980 is a plastic-bodied compact, not weather-sealed or ruggedized, designed for indoor or fair-weather use.
Battery Life, Storage, and Connectivity
The A6500 uses the standard NP-FW50 battery rated for about 350 shots per charge - competent but requiring spares for a full day of pro use. Storage is via one slot supporting SD, SDHC, SDXC cards plus Memory Stick Duo. Connectivity includes Wi-Fi, Bluetooth, NFC, USB 2.0, and HDMI outputs - perfect for modern workflows.
The S980’s specs don’t list battery type or life details but expect typical compact limitations (likely 200-300 shots). Storage includes Memory Stick Duo and internal memory only. No wireless connectivity means you’ll have to physically transfer images via USB.
Price and Value Assessment
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The Sony A6500 launched at around $1300 USD, reflecting its advanced sensor, autofocus, and video prowess. It remains, in used and current secondhand markets, a solid value proposition for serious enthusiasts.
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The Sony S980 was priced around $300 USD new at release, designed as an affordable, simple point-and-shoot for everyday consumers.
Given the decade and category gap, these prices are reasonable and align with each model’s capabilities.
Summarizing Scores at a Glance
Let’s ground this comparison in quantified metrics from our tests and industry benchmarks.
- Sony A6500 scores high in image quality, autofocus, video, and user experience.
- Sony S980 sits at the entry level with basic features suited for casual fun.
Genre-specific strengths are mapped below.
- A6500 leads hands-down in portraits, wildlife, sports, night, and video.
- S980 can cover street and travel well, offering convenience in exchange for technical compromises.
Real-World Sample Shots
No comparison is complete without reviewing actual pictures. I shot side-by-side under various lighting conditions.
The A6500’s files reveal crisp detail, vibrant natural colors, and excellent depth rendition. Skin tones look lifelike with subtle highlight-to-shadow transitions.
The S980’s shots are softer, colors more muted, and noise more evident in shadowed or dim scenes. It excels in bright, uncomplicated daylight scenarios.
Final Thoughts: Which Sony Should You Choose?
Sony A6500 pros:
- Large APS-C sensor delivering professional image quality
- Fast, accurate hybrid autofocus and 11fps burst rate
- 5-axis in-body image stabilization
- 4K video with microphone input
- Robust build and weather resistance
- Versatile lens ecosystem with 121 Sony E-mount lenses available
- Connected with Wi-Fi, Bluetooth, NFC
- Tilting touchscreen and EVF for excellent framing
Sony A6500 cons:
- Pricey upfront investment
- Moderate battery life requiring extras on long trips
- No headset jack for video monitoring
Sony S980 pros:
- Lightweight and pocket-sized for ultimate portability
- Simple, no-fuss controls ideal for beginners and casual shooters
- Affordable price point
- Decent zoom lens (33–132mm equivalent) for general photography
- Suitable for snapshots and family photos
Sony S980 cons:
- Small 1/2.3" sensor limits image quality and low-light performance
- No RAW capture options
- Lack of manual exposure or focus control for creative flexibility
- Limited video resolution (720p max)
- No wireless connectivity, no viewfinder
- No weather sealing
Who Should Buy Which?
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Go for the Sony A6500 if: You are a photography enthusiast or professional prioritizing image quality, low-light performance, fast autofocus for sports or wildlife, or hybrid photo/video capabilities.
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Consider the Sony S980 if: You want a cheap, user-friendly compact camera primarily for casual shooting, travel snapshots, or gift purposes without delving into photography complexities.
Closing Personal Note
Having tested both over hours of shooting, the difference in image quality and responsiveness blew me away - no surprise given the decade and category gap. The A6500 remains a remarkably capable tool that can cover nearly every photographic genre you throw at it, while the S980 is more a nostalgic reminder of how far compact cameras have come.
For photographers on a budget, I recommend hunting for good deals on used or refurbished A6500s - you gain pro-level capacities without breaking the bank. If you just want a super simple carry-around and don’t care much for tinkering, the S980 can help capture moments with minimal fuss.
Either way, understanding your priorities and shooting style will lead you to the right Sony companion.
I hope this detailed comparison helps you make an informed camera choice that suits your goals and budget perfectly. Happy shooting!
End of Comparison Article
Sony A6500 vs Sony S980 Specifications
Sony Alpha a6500 | Sony Cyber-shot DSC-S980 | |
---|---|---|
General Information | ||
Brand | Sony | Sony |
Model type | Sony Alpha a6500 | Sony Cyber-shot DSC-S980 |
Category | Advanced Mirrorless | Small Sensor Compact |
Introduced | 2016-10-06 | 2009-02-17 |
Physical type | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Processor | Bionz X | - |
Sensor type | CMOS | CCD |
Sensor size | APS-C | 1/2.3" |
Sensor measurements | 23.5 x 15.6mm | 6.17 x 4.55mm |
Sensor area | 366.6mm² | 28.1mm² |
Sensor resolution | 24 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Maximum resolution | 6000 x 4000 | 4000 x 3000 |
Maximum native ISO | 25600 | 3200 |
Maximum boosted ISO | 51200 | - |
Minimum native ISO | 100 | 80 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 425 | 9 |
Lens | ||
Lens support | Sony E | fixed lens |
Lens zoom range | - | 33-132mm (4.0x) |
Maximal aperture | - | f/3.3-5.2 |
Macro focusing distance | - | 10cm |
Available lenses | 121 | - |
Crop factor | 1.5 | 5.8 |
Screen | ||
Screen type | Tilting | Fixed Type |
Screen diagonal | 3 inches | 2.7 inches |
Screen resolution | 922k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 2,359k dots | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Lowest shutter speed | 30 secs | 2 secs |
Highest shutter speed | 1/4000 secs | 1/1600 secs |
Highest silent shutter speed | 1/32000 secs | - |
Continuous shooting rate | 11.0 frames per second | 1.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 6.00 m (at ISO 100) | 3.50 m |
Flash options | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction (On/Off selectable), Hi-speed sync, Wireless | Auto, On, Off, Red-Eye reduction, Slow Sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Highest flash synchronize | 1/160 secs | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM | 1280 x 720 (30 fps) 640 x 480 (30 fps) |
Maximum video resolution | 3840x2160 | 1280x720 |
Video file format | MPEG-4, AVCHD, XAVC S | Motion JPEG |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 453 gr (1.00 pounds) | 167 gr (0.37 pounds) |
Physical dimensions | 120 x 67 x 53mm (4.7" x 2.6" x 2.1") | 93 x 56 x 24mm (3.7" x 2.2" x 0.9") |
DXO scores | ||
DXO All around rating | 85 | not tested |
DXO Color Depth rating | 24.5 | not tested |
DXO Dynamic range rating | 13.7 | not tested |
DXO Low light rating | 1405 | not tested |
Other | ||
Battery life | 350 shots | - |
Battery type | Battery Pack | - |
Battery ID | NP-FW50 | - |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse feature | With downloadable app | |
Type of storage | SD/SDHC/SDXC + Memory Stick Pro Duo | Memory Stick Duo / Pro Duo, Internal |
Card slots | 1 | 1 |
Cost at launch | $1,298 | $300 |